HEH5854523:
Illustration 2 to Milton's "Paradise Lost": Satan, Sin, and Death: Satan Comes to the Gates of Hell, 1807 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XND70240:
Jerusalem The Emanation of the Giant Albion: plate 99 "All Human Forms" (the reunion of Jerusalem, representing Man, and a God who unites the elements of Jesus and Jehovah), c.1804-20 (w/c on relief etching), Blake, William (1757-1827) / Bridgeman Images
FIT77535:
No.0456c Joseph making himself known to his brethren, plate 3 of 'The Story of Joseph', c.1785 (pencil, w/c, pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83100:
P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83142:
P.124-1950.pt42 The Angel: plate 42 from 'Songs of Innocence and of Experience' (copy R), c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83157:
P.125-1950.pt4 Introduction: plate 4 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83165:
P.125-1950.pt12 The Chimney Sweeper: plate 12 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83176:
P.125-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC223027:
'Ethinthus queen of waters...', plate 16 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper), Blake, William (1757-1827) / Bridgeman Images
XYC285539:
'Ode on the Death of a Favourite Cat', design 7 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285540 for verso), Blake, William (1757-1827) / Bridgeman Images
XYC285545:
'Then Thel astonish'd...', plate 6 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC225780:
Nurse's Song, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.13 (Bentley 24) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220120:
'Introduction', plate 31 (Bentley 30) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220127:
'Infant Sorrow', plate 39 (Bentley 48) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XOS433497:
'When on the highest lift...', plate 36 from 'Milton, a Poem in Two Books', c.1804-08 (hand-coloured etching), Blake, William (1757-1827) / Bridgeman Images
HEH5854525:
Illustration 4 to Milton's "Paradise Lost": Satan Spying on Adam and Eve and Raphael's Descent into Paradise, 1807 (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83132:
P.124-1950.pt32 Earth's Answer: plate 32 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83166:
P.125-1950.pt13 The Little Boy Lost: plate 13 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83169:
P.125-1950.pt16 A Cradle Song: plate 16 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220892:
'The Chimney Sweeper', plate 7 (Bentley 12) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC256914:
'A white haired man in a long, pale robe who flees from us with his hands raised', plate 28 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images