Blake, William (1757-1827) Assets (1068 in total)

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'Elegy written in a Country Church-Yard', design 112 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 112 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222557: 'Elegy written in a Country Church-Yard', design 112 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Fly,' plate 47 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)
'The Fly,' plate 47 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

XYC225897: 'The Fly,' plate 47 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Homer, c.1800-03 (tempera on canvas)
Homer, c.1800-03 (tempera on canvas)

MAN62922: Homer, c.1800-03 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

The Marriage of Heaven and Hell;
The Marriage of Heaven and Hell;

XND70215: The Marriage of Heaven and Hell; "As a new heaven is begun", c.1790 (relief etching tinted with w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of the Giant Albion:
Jerusalem The Emanation of the Giant Albion:

XND70243: Jerusalem The Emanation of the Giant Albion: "And One stood forth", top to bottom, Los supported by Christ; Albion's burial in the Supulcher, 1804, (relief etching, white line engraving, w/c), Blake, William (1757-1827) / Bridgeman Images

Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)

NGV620098: Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

William Blake 's 'The Marriage of Heaven and Hell'
William Blake 's 'The Marriage of Heaven and Hell'

XLA3772338: William Blake 's 'The Marriage of Heaven and Hell', Blake, William (1757-1827) / Bridgeman Images

The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

FOG909444: The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The Lawn with the kings and angels, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil on paper)
The Lawn with the kings and angels, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil on paper)

NGV909180: The Lawn with the kings and angels, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83100: P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83176: P.125-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt54 The Voice of the Ancient Bard: plate 54 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt54 The Voice of the Ancient Bard: plate 54 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83207: P.125-1950.pt54 The Voice of the Ancient Bard: plate 54 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

No.0456c Joseph making himself known to his brethren, plate 3 of 'The Story of Joseph', c.1785 (pencil, watercolour, pen and ink on paper)
No.0456c Joseph making himself known to his brethren, plate 3 of 'The Story of Joseph', c.1785 (pencil, watercolour, pen and ink on paper)

FIT77535: No.0456c Joseph making himself known to his brethren, plate 3 of 'The Story of Joseph', c.1785 (pencil, watercolour, pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Thel; Title Page, 1789 (relief etching and w/c)
The Book of Thel; Title Page, 1789 (relief etching and w/c)

XND70213: The Book of Thel; Title Page, 1789 (relief etching and w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of the Giant Albion: plate 99
Jerusalem The Emanation of the Giant Albion: plate 99

XND70240: Jerusalem The Emanation of the Giant Albion: plate 99 "All Human Forms" (the reunion of Jerusalem, representing Man, and a God who unites the elements of Jesus and Jehovah), c.1804-20 (w/c on relief etching), Blake, William (1757-1827) / Bridgeman Images

On Another's Sorrow, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.28 (Bentley 27) 1789-94 (relief etching with pen & w/c on paper)
On Another's Sorrow, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.28 (Bentley 27) 1789-94 (relief etching with pen & w/c on paper)

XYC225768: On Another's Sorrow, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.28 (Bentley 27) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour)
'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour)

XYC225896: 'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt42 The Angel: plate 42 from 'Songs of Innocence and of Experience' (copy R), c.1802-08 (etching, ink and w/c)
P.124-1950.pt42 The Angel: plate 42 from 'Songs of Innocence and of Experience' (copy R), c.1802-08 (etching, ink and w/c)

FIT83142: P.124-1950.pt42 The Angel: plate 42 from 'Songs of Innocence and of Experience' (copy R), c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt4 Introduction: plate 4 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt4 Introduction: plate 4 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83157: P.125-1950.pt4 Introduction: plate 4 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Air, plate 6 from 'For Children. The Gates of Paradise', 1793 (engraving)
Air, plate 6 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146935: Air, plate 6 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Thomas Alphonso Hayley (tempera on canvas)
Thomas Alphonso Hayley (tempera on canvas)

MAN1772301: Thomas Alphonso Hayley (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Friedrich Gottlieb Klopstock, 1800-03 (tempera on canvas)
Friedrich Gottlieb Klopstock, 1800-03 (tempera on canvas)

MAN1772303: Friedrich Gottlieb Klopstock, 1800-03 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Mary's Lamentation for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Mary's Lamentation for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113933: Mary's Lamentation for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 107 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 107 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222552: 'Elegy written in a Country Church-Yard', design 107 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

A Shepherd Reading the Epitaph, from Elegy Written in a Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
A Shepherd Reading the Epitaph, from Elegy Written in a Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173624: A Shepherd Reading the Epitaph, from Elegy Written in a Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt12 The Chimney Sweeper: plate 12 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt12 The Chimney Sweeper: plate 12 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83165: P.125-1950.pt12 The Chimney Sweeper: plate 12 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Last Trumpet (pen & ink with wash on paper)
The Last Trumpet (pen & ink with wash on paper)

AGN265321: The Last Trumpet (pen & ink with wash on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Job 32:6 illustrated by William Blake
The Book of Job 32:6 illustrated by William Blake

XLA3765287: The Book of Job 32:6 illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761455: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Thel and the Worm by William Blake
Thel and the Worm by William Blake

XLA3761473: Thel and the Worm by William Blake, Blake, William (1757-1827) / Bridgeman Images

'When on the highest lift...', plate 36 from 'Milton, a Poem in Two Books', c.1804-08 (hand-coloured etching)
'When on the highest lift...', plate 36 from 'Milton, a Poem in Two Books', c.1804-08 (hand-coloured etching)

XOS433497: 'When on the highest lift...', plate 36 from 'Milton, a Poem in Two Books', c.1804-08 (hand-coloured etching), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt32 Earth's Answer: plate 32 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt32 Earth's Answer: plate 32 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83132: P.124-1950.pt32 Earth's Answer: plate 32 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Ethinthus queen of waters...', plate 16 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)
'Ethinthus queen of waters...', plate 16 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)

XYC223027: 'Ethinthus queen of waters...', plate 16 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper), Blake, William (1757-1827) / Bridgeman Images

'Introduction', plate 31 (Bentley 30) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'Introduction', plate 31 (Bentley 30) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220120: 'Introduction', plate 31 (Bentley 30) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt13 The Little Boy Lost: plate 13 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt13 The Little Boy Lost: plate 13 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83166: P.125-1950.pt13 The Little Boy Lost: plate 13 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt16 A Cradle Song: plate 16 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt16 A Cradle Song: plate 16 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83169: P.125-1950.pt16 A Cradle Song: plate 16 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images


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