Blake, William (1757-1827) Assets (1068 in total)
Results
FIT83150: P.124-1950.pt50 A Poison Tree: plate 50 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT77548: P.391-1985 Joseph of Arimathea among the rocks of Albion, (1st state), 1773 (etching and line engraving coloured with brown ink), Blake, William (1757-1827) / Bridgeman Images
XND70215: The Marriage of Heaven and Hell; "As a new heaven is begun", c.1790 (relief etching tinted with w/c), Blake, William (1757-1827) / Bridgeman Images
XND70243: Jerusalem The Emanation of the Giant Albion: "And One stood forth", top to bottom, Los supported by Christ; Albion's burial in the Supulcher, 1804, (relief etching, white line engraving, w/c), Blake, William (1757-1827) / Bridgeman Images
NGV620098: Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
NGV909180: The Lawn with the kings and angels, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil on paper), Blake, William (1757-1827) / Bridgeman Images
XLA3772338: William Blake 's 'The Marriage of Heaven and Hell', Blake, William (1757-1827) / Bridgeman Images
FOG909444: The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113933: Mary's Lamentation for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83176: P.125-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83142: P.124-1950.pt42 The Angel: plate 42 from 'Songs of Innocence and of Experience' (copy R), c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XND70213: The Book of Thel; Title Page, 1789 (relief etching and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83157: P.125-1950.pt4 Introduction: plate 4 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83165: P.125-1950.pt12 The Chimney Sweeper: plate 12 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83100: P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83207: P.125-1950.pt54 The Voice of the Ancient Bard: plate 54 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XND70240: Jerusalem The Emanation of the Giant Albion: plate 99 "All Human Forms" (the reunion of Jerusalem, representing Man, and a God who unites the elements of Jesus and Jehovah), c.1804-20 (w/c on relief etching), Blake, William (1757-1827) / Bridgeman Images
XYC225896: 'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour), Blake, William (1757-1827) / Bridgeman Images
XYC225768: On Another's Sorrow, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.28 (Bentley 27) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222552: 'Elegy written in a Country Church-Yard', design 107 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC173624: A Shepherd Reading the Epitaph, from Elegy Written in a Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC146935: Air, plate 6 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images
AGN265321: The Last Trumpet (pen & ink with wash on paper), Blake, William (1757-1827) / Bridgeman Images
FIT77535: No.0456c Joseph making himself known to his brethren, plate 3 of 'The Story of Joseph', c.1785 (pencil, watercolour, pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images
MAN1772303: Friedrich Gottlieb Klopstock, 1800-03 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images
MAN1772301: Thomas Alphonso Hayley (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images
XLA3761455: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images
XLA3765287: The Book of Job 32:6 illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images
XLA3761483: Enitharmon Floating in the Dawn, from The Engraved Designs of William Blake, 1926 (print), Blake, William (1757-1827) / Bridgeman Images
HEH5854525: Illustration 4 to Milton's "Paradise Lost": Satan Spying on Adam and Eve and Raphael's Descent into Paradise, 1807 (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220127: 'Infant Sorrow', plate 39 (Bentley 48) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220120: 'Introduction', plate 31 (Bentley 30) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC223027: 'Ethinthus queen of waters...', plate 16 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper), Blake, William (1757-1827) / Bridgeman Images
