Blake, William (1757-1827) Assets (1068 in total)

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P.124-1950.pt49 Infant Sorrow: plate 49 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt49 Infant Sorrow: plate 49 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83149: P.124-1950.pt49 Infant Sorrow: plate 49 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83197: P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Vision of Eliphaz, 1825 (pen, w/c and pencil)
The Vision of Eliphaz, 1825 (pen, w/c and pencil)

XND70238: The Vision of Eliphaz, 1825 (pen, w/c and pencil), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of The Giant Albion;
Jerusalem The Emanation of The Giant Albion;

XND70245: Jerusalem The Emanation of The Giant Albion; "Then the Divine Hand" showing Christ soaring above Albion within whose bosom "the Divine hand found the Two Limits, Satan and Adam", 1804 (relief etching and white line engraving with w/c), Blake, William (1757-1827) / Bridgeman Images

The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour)
The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour)

XND70216: The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour), Blake, William (1757-1827) / Bridgeman Images

Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching)
Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching)

XND70234: Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222871: 'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song,' plate 18 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'Nurse's Song,' plate 18 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225883: 'Nurse's Song,' plate 18 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)
A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)

XYC173212: A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285522: A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper)
The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper)

XBM99625: The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters
Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters

BAL25410: Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters, Blake, William (1757-1827) / Bridgeman Images

The Shepherd, from Songs of Innocence, 1789 (coloured etching)
The Shepherd, from Songs of Innocence, 1789 (coloured etching)

BAL7035: The Shepherd, from Songs of Innocence, 1789 (coloured etching), Blake, William (1757-1827) / Bridgeman Images

The Book of Job 4:15 & 18
The Book of Job 4:15 & 18

XLA3765273: The Book of Job 4:15 & 18, Blake, William (1757-1827) / Bridgeman Images

Bocca Degli Abati in the Lake of Ice by William Blake
Bocca Degli Abati in the Lake of Ice by William Blake

XLA3761462: Bocca Degli Abati in the Lake of Ice by William Blake, Blake, William (1757-1827) / Bridgeman Images

David Hartley
David Hartley

XLA3763544: David Hartley, Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt45 The Little Vagabond: plate 45 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt45 The Little Vagabond: plate 45 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83198: P.125-1950.pt45 The Little Vagabond: plate 45 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Terror Answered, mid 1790s (relief-etched engraving, bluish-grey ink)
The Terror Answered, mid 1790s (relief-etched engraving, bluish-grey ink)

CH985777: The Terror Answered, mid 1790s (relief-etched engraving, bluish-grey ink), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715567: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715573: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715576: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715581: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715574: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Shepherd', plate 15 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Shepherd', plate 15 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218334: 'The Shepherd', plate 15 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'IV / The Eternal Gates...', plate 8 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)
'IV / The Eternal Gates...', plate 8 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)

XYC215089: 'IV / The Eternal Gates...', plate 8 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Shepherd, from 'Songs of Innocence', 1789 (colour-printed relief etching with w/c on paper)
The Shepherd, from 'Songs of Innocence', 1789 (colour-printed relief etching with w/c on paper)

XYC215085: The Shepherd, from 'Songs of Innocence', 1789 (colour-printed relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'A Dream,' plate 14 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'A Dream,' plate 14 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225879: 'A Dream,' plate 14 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Lamb,' plate 17 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'The Lamb,' plate 17 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225882: 'The Lamb,' plate 17 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Plate 13 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)
Plate 13 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)

XYC223024: Plate 13 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 67 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 67 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222862: The Fatal Sisters, design 67 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving)
My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146939: My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Visionary Head of Caractacus (pencil on paper)
Visionary Head of Caractacus (pencil on paper)

FIT167643: Visionary Head of Caractacus (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'But he that Loves the Lowly...', plate 7 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper)
'But he that Loves the Lowly...', plate 7 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper)

XYC151885: 'But he that Loves the Lowly...', plate 7 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Night Thoughts, by Thomas Young (Plate 5: Night the second), 1797 O1:Night Thoughts, by Thomas Young, 1797, (plate 5)
Night Thoughts, by Thomas Young (Plate 5: Night the second), 1797 O1:Night Thoughts, by Thomas Young, 1797, (plate 5)

FIT63170: Night Thoughts, by Thomas Young (Plate 5: Night the second), 1797 O1:Night Thoughts, by Thomas Young, 1797, (plate 5), Blake, William (1757-1827) / Bridgeman Images

Book of Thel; the Lily bowing before Thel, before going off 'to mind her numerous charge among the verdant grass', 1789 (colour-printed relief, w/c)
Book of Thel; the Lily bowing before Thel, before going off 'to mind her numerous charge among the verdant grass', 1789 (colour-printed relief, w/c)

XND70248: Book of Thel; the Lily bowing before Thel, before going off 'to mind her numerous charge among the verdant grass', 1789 (colour-printed relief, w/c), Blake, William (1757-1827) / Bridgeman Images

The Virgin and Child in Egypt, 1810 (tempera on canvas)
The Virgin and Child in Egypt, 1810 (tempera on canvas)

XJL60975: The Virgin and Child in Egypt, 1810 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images


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