Blake, William (1757-1827) Assets (1068 in total)

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'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225886: 'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)
A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)

XYC173212: A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour)
The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour)

XND70216: The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour), Blake, William (1757-1827) / Bridgeman Images

Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching)
Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching)

XND70234: Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222871: 'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'And this the Form of Mighty Hand...', plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'And this the Form of Mighty Hand...', plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151896: 'And this the Form of Mighty Hand...', plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt53 A Little Boy Lost: plate 53 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt53 A Little Boy Lost: plate 53 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83153: P.124-1950.pt53 A Little Boy Lost: plate 53 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Satan Approaching the Court of Chaos, 1784-85 (pencil, pen & ink and wash on paper)
Satan Approaching the Court of Chaos, 1784-85 (pencil, pen & ink and wash on paper)

XYC215093: Satan Approaching the Court of Chaos, 1784-85 (pencil, pen & ink and wash on paper), Blake, William (1757-1827) / Bridgeman Images

A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285522: A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Silent as despairing love...', plate 4 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Silent as despairing love...', plate 4 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285567: 'Silent as despairing love...', plate 4 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715568: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715579: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Infant Joy, from 'Songs of Innocence', 1789 (hand-coloured etching with brown ink)
Infant Joy, from 'Songs of Innocence', 1789 (hand-coloured etching with brown ink)

CH393595: Infant Joy, from 'Songs of Innocence', 1789 (hand-coloured etching with brown ink), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of The Giant Albion;
Jerusalem The Emanation of The Giant Albion;

XND70245: Jerusalem The Emanation of The Giant Albion; "Then the Divine Hand" showing Christ soaring above Albion within whose bosom "the Divine hand found the Two Limits, Satan and Adam", 1804 (relief etching and white line engraving with w/c), Blake, William (1757-1827) / Bridgeman Images

'Infant Joy', plate 14 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'Infant Joy', plate 14 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218333: 'Infant Joy', plate 14 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Descent of Odin, An Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Descent of Odin, An Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173618: The Descent of Odin, An Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Shepherd, from Songs of Innocence, 1789 (coloured etching)
The Shepherd, from Songs of Innocence, 1789 (coloured etching)

BAL7035: The Shepherd, from Songs of Innocence, 1789 (coloured etching), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt3 Title page: plate 3 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt3 Title page: plate 3 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83156: P.125-1950.pt3 Title page: plate 3 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Thenot Remonstrates with Colinet, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot Remonstrates with Colinet, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273293: Thenot Remonstrates with Colinet, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters
Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters

BAL25410: Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters, Blake, William (1757-1827) / Bridgeman Images

David Hartley
David Hartley

XLA3763544: David Hartley, Blake, William (1757-1827) / Bridgeman Images

The Book of Job 4:15 & 18
The Book of Job 4:15 & 18

XLA3765273: The Book of Job 4:15 & 18, Blake, William (1757-1827) / Bridgeman Images

Bocca Degli Abati in the Lake of Ice by William Blake
Bocca Degli Abati in the Lake of Ice by William Blake

XLA3761462: Bocca Degli Abati in the Lake of Ice by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, watercolour on paper)
The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, watercolour on paper)

XBM99625: The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

The Terror Answered, mid 1790s (relief-etched engraving, bluish-grey ink)
The Terror Answered, mid 1790s (relief-etched engraving, bluish-grey ink)

CH985777: The Terror Answered, mid 1790s (relief-etched engraving, bluish-grey ink), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt45 The Little Vagabond: plate 45 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt45 The Little Vagabond: plate 45 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83198: P.125-1950.pt45 The Little Vagabond: plate 45 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'IV / The Eternal Gates...', plate 8 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)
'IV / The Eternal Gates...', plate 8 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)

XYC215089: 'IV / The Eternal Gates...', plate 8 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Plate 13 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)
Plate 13 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)

XYC223024: Plate 13 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

Visionary Head of Caractacus (pencil on paper)
Visionary Head of Caractacus (pencil on paper)

FIT167643: Visionary Head of Caractacus (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'The Shepherd', plate 15 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Shepherd', plate 15 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218334: 'The Shepherd', plate 15 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Shepherd, from 'Songs of Innocence', 1789 (colour-printed relief etching with w/c on paper)
The Shepherd, from 'Songs of Innocence', 1789 (colour-printed relief etching with w/c on paper)

XYC215085: The Shepherd, from 'Songs of Innocence', 1789 (colour-printed relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 67 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 67 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222862: The Fatal Sisters, design 67 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving)
My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146939: My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

'But he that Loves the Lowly...', plate 7 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper)
'But he that Loves the Lowly...', plate 7 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper)

XYC151885: 'But he that Loves the Lowly...', plate 7 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Abraham and Isaac, 1799-1800 (tempera, pen and ink on canvas)
Abraham and Isaac, 1799-1800 (tempera, pen and ink on canvas)

XYC136254: Abraham and Isaac, 1799-1800 (tempera, pen and ink on canvas), Blake, William (1757-1827) / Bridgeman Images

The Virgin and Child in Egypt, 1810 (tempera on canvas)
The Virgin and Child in Egypt, 1810 (tempera on canvas)

XJL60975: The Virgin and Child in Egypt, 1810 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images


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