Blake, William (1757-1827) Assets (1068 in total)
Results
XLA3766583: The Demons Tormenting Ceampolo by William Blake, Blake, William (1757-1827) / Bridgeman Images
FIT83197: P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83153: P.124-1950.pt53 A Little Boy Lost: plate 53 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
SOU273293: Thenot Remonstrates with Colinet, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images
FIT83156: P.125-1950.pt3 Title page: plate 3 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83149: P.124-1950.pt49 Infant Sorrow: plate 49 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
CH393595: Infant Joy, from 'Songs of Innocence', 1789 (hand-coloured etching with brown ink), Blake, William (1757-1827) / Bridgeman Images
XYC215093: Satan Approaching the Court of Chaos, 1784-85 (pencil, pen & ink and wash on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222871: 'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
BAL7035: The Shepherd, from Songs of Innocence, 1789 (coloured etching), Blake, William (1757-1827) / Bridgeman Images
XYC173212: A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC173618: The Descent of Odin, An Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225883: 'Nurse's Song,' plate 18 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images
XYC225767: Frontispiece from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.29 (Bentley 28) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225886: 'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images
XYC218331: 'The Divine Image', plate 12 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
GUL715568: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
GUL715579: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC218333: 'Infant Joy', plate 14 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC285567: 'Silent as despairing love...', plate 4 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285522: A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC151896: 'And this the Form of Mighty Hand...', plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
BAL25410: Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters, Blake, William (1757-1827) / Bridgeman Images
XND70238: The Vision of Eliphaz, 1825 (pen, watercolour and pencil), Blake, William (1757-1827) / Bridgeman Images
XND70216: The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour), Blake, William (1757-1827) / Bridgeman Images
XND70245: Jerusalem The Emanation of The Giant Albion; "Then the Divine Hand" showing Christ soaring above Albion within whose bosom "the Divine hand found the Two Limits, Satan and Adam", 1804 (relief etching and white line engraving with w/c), Blake, William (1757-1827) / Bridgeman Images
XND70230: The Book of Thel: title page, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images
XBM99625: The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images
XLA3761462: Bocca Degli Abati in the Lake of Ice by William Blake, Blake, William (1757-1827) / Bridgeman Images
FIT113956: "To reconcile them seeks to destroy existence...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT111250: Visions of the Daughters of Albion: 'The Argument', plate 3, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113937: Angels Ministering to Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT63170: Night Thoughts, by Thomas Young (Plate 5: Night the second), 1797 O1:Night Thoughts, by Thomas Young, 1797, (plate 5), Blake, William (1757-1827) / Bridgeman Images
FIT83191: P.125-1950.pt38 Nurse's Song: plate 38 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
