Blake, William (1757-1827) Assets (1067 in total)

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Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909441: Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Buoso Attacked By Francesco Di Cavalcanti by William Blake
Buoso Attacked By Francesco Di Cavalcanti by William Blake

XLA3761469: Buoso Attacked By Francesco Di Cavalcanti by William Blake, Blake, William (1757-1827) / Bridgeman Images

The goddess of fortune, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The goddess of fortune, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909158: The goddess of fortune, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909166: The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

Nebuchadnezzar, 1795
Nebuchadnezzar, 1795

MNS882103: Nebuchadnezzar, 1795, Blake, William (1757-1827) / Bridgeman Images

St. Peter and St. James with Dante and Beatrice, illustration for Paradiso Canto 25 in Dante's Divine Comedy, 1824-27 (pen, ink & w/c over pencil on paper)
St. Peter and St. James with Dante and Beatrice, illustration for Paradiso Canto 25 in Dante's Divine Comedy, 1824-27 (pen, ink & w/c over pencil on paper)

NGV201290: St. Peter and St. James with Dante and Beatrice, illustration for Paradiso Canto 25 in Dante's Divine Comedy, 1824-27 (pen, ink & w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

The Terrace of Envious Souls, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil & chalk on paper)
The Terrace of Envious Souls, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil & chalk on paper)

FOG909452: The Terrace of Envious Souls, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil & chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909431: The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

P.127-1950.pt.32 A priest on Christ's throne, wearing a papal tiara and bat's wings from 'Europe, A Prophecy', c.1821 (relief etching with pen & w/c on paper)
P.127-1950.pt.32 A priest on Christ's throne, wearing a papal tiara and bat's wings from 'Europe, A Prophecy', c.1821 (relief etching with pen & w/c on paper)

FIT77543: P.127-1950.pt.32 A priest on Christ's throne, wearing a papal tiara and bat's wings from 'Europe, A Prophecy', c.1821 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Horse, from 'William Hayley's Ballads', c.1805-06 (tempera with pen and black ink on a copper engraving plate)
The Horse, from 'William Hayley's Ballads', c.1805-06 (tempera with pen and black ink on a copper engraving plate)

XYC153367: The Horse, from 'William Hayley's Ballads', c.1805-06 (tempera with pen and black ink on a copper engraving plate), Blake, William (1757-1827) / Bridgeman Images

Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215076: Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

A Dream, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.15 (Bentley 26) 1789-94 (relief etching with pen & w/c on paper)
A Dream, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.15 (Bentley 26) 1789-94 (relief etching with pen & w/c on paper)

XYC225778: A Dream, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.15 (Bentley 26) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt21 The Schoolboy: plate 21 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt21 The Schoolboy: plate 21 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83121: P.124-1950.pt21 The Schoolboy: plate 21 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Beulah Throned on a Sun-Flower by William Blake
Beulah Throned on a Sun-Flower by William Blake

XLA3761503: Beulah Throned on a Sun-Flower by William Blake, Blake, William (1757-1827) / Bridgeman Images

Dante and Virgil on the Edge of the Stygian Pool, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c, wash and chalk on paper)
Dante and Virgil on the Edge of the Stygian Pool, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c, wash and chalk on paper)

FOG909449: Dante and Virgil on the Edge of the Stygian Pool, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c, wash and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Homer, c.1800-03 (tempera on canvas)
Homer, c.1800-03 (tempera on canvas)

MAN62922: Homer, c.1800-03 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt50 A Poison Tree: plate 50 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt50 A Poison Tree: plate 50 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83150: P.124-1950.pt50 A Poison Tree: plate 50 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.391-1985 Joseph of Arimathea among the rocks of Albion, (1st state), 1773 (etching and line engraving coloured with brown ink)
P.391-1985 Joseph of Arimathea among the rocks of Albion, (1st state), 1773 (etching and line engraving coloured with brown ink)

FIT77548: P.391-1985 Joseph of Arimathea among the rocks of Albion, (1st state), 1773 (etching and line engraving coloured with brown ink), Blake, William (1757-1827) / Bridgeman Images

The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909444: The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Frontispiece of 'The Book of Thel', 1789 (hand-coloured relief etching)
Frontispiece of 'The Book of Thel', 1789 (hand-coloured relief etching)

CIN403062: Frontispiece of 'The Book of Thel', 1789 (hand-coloured relief etching), Blake, William (1757-1827) / Bridgeman Images

'Two nostrils bent down to the deep...', plate 16 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Two nostrils bent down to the deep...', plate 16 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256902: 'Two nostrils bent down to the deep...', plate 16 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Marriage of Heaven and Hell;
The Marriage of Heaven and Hell;

XND70215: The Marriage of Heaven and Hell; "As a new heaven is begun", c.1790 (relief etching tinted with w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of the Giant Albion:
Jerusalem The Emanation of the Giant Albion:

XND70243: Jerusalem The Emanation of the Giant Albion: "And One stood forth", top to bottom, Los supported by Christ; Albion's burial in the Supulcher, 1804, (relief etching, white line engraving, w/c), Blake, William (1757-1827) / Bridgeman Images

A page from 'Songs
A page from 'Songs

XLA3769608: A page from 'Songs, Blake, William (1757-1827) / Bridgeman Images

William Blake 's 'The Marriage of Heaven and Hell'
William Blake 's 'The Marriage of Heaven and Hell'

XLA3772338: William Blake 's 'The Marriage of Heaven and Hell', Blake, William (1757-1827) / Bridgeman Images

The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper)
The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper)

XOS1765693: The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper), Blake, William (1757-1827) / Bridgeman Images

Virgin and Child, 1825 (tempera on panel)
Virgin and Child, 1825 (tempera on panel)

XYC162479: Virgin and Child, 1825 (tempera on panel), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 112 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 112 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222557: 'Elegy written in a Country Church-Yard', design 112 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Fly,' plate 47 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)
'The Fly,' plate 47 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

XYC225897: 'The Fly,' plate 47 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

The Lawn with the kings and angels, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)
The Lawn with the kings and angels, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)

NGV909180: The Lawn with the kings and angels, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV620098: Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

No.0456c Joseph making himself known to his brethren, plate 3 of 'The Story of Joseph', c.1785 (pencil, w/c, pen and ink on paper)
No.0456c Joseph making himself known to his brethren, plate 3 of 'The Story of Joseph', c.1785 (pencil, w/c, pen and ink on paper)

FIT77535: No.0456c Joseph making himself known to his brethren, plate 3 of 'The Story of Joseph', c.1785 (pencil, w/c, pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83100: P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt42 The Angel: plate 42 from 'Songs of Innocence and of Experience' (copy R), c.1802-08 (etching, ink and w/c)
P.124-1950.pt42 The Angel: plate 42 from 'Songs of Innocence and of Experience' (copy R), c.1802-08 (etching, ink and w/c)

FIT83142: P.124-1950.pt42 The Angel: plate 42 from 'Songs of Innocence and of Experience' (copy R), c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt4 Introduction: plate 4 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt4 Introduction: plate 4 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83157: P.125-1950.pt4 Introduction: plate 4 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt12 The Chimney Sweeper: plate 12 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt12 The Chimney Sweeper: plate 12 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83165: P.125-1950.pt12 The Chimney Sweeper: plate 12 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images


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