Blake, William (1757-1827) Assets (1067 in total)
Results
FIT83175: P.125-1950.pt22 Spring: plate 22 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XND70227: The First Book of Urizen; Bearded man swimming through water, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images
XYC215076: Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
NGV201290: St. Peter and St. James with Dante and Beatrice, illustration for Paradiso Canto 25 in Dante's Divine Comedy, 1824-27 (pen, ink & w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225778: A Dream, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.15 (Bentley 26) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC153367: The Horse, from 'William Hayley's Ballads', c.1805-06 (tempera with pen and black ink on a copper engraving plate), Blake, William (1757-1827) / Bridgeman Images
NGV909158: The goddess of fortune, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
NGV909166: The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
FOG909431: The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
FOG909449: Dante and Virgil on the Edge of the Stygian Pool, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c, wash and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
FOG909452: The Terrace of Envious Souls, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil & chalk on paper), Blake, William (1757-1827) / Bridgeman Images
XLA3761503: Beulah Throned on a Sun-Flower by William Blake, Blake, William (1757-1827) / Bridgeman Images
FIT83121: P.124-1950.pt21 The Schoolboy: plate 21 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT77543: P.127-1950.pt.32 A priest on Christ's throne, wearing a papal tiara and bat's wings from 'Europe, A Prophecy', c.1821 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225897: 'The Fly,' plate 47 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images
XYC256902: 'Two nostrils bent down to the deep...', plate 16 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FOG909444: The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
NGV909180: The Lawn with the kings and angels, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images
XOS1765693: The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper), Blake, William (1757-1827) / Bridgeman Images
XYC222557: 'Elegy written in a Country Church-Yard', design 112 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
NGV620098: Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
CIN403062: Frontispiece of 'The Book of Thel', 1789 (hand-coloured relief etching), Blake, William (1757-1827) / Bridgeman Images
XLA3772338: William Blake 's 'The Marriage of Heaven and Hell', Blake, William (1757-1827) / Bridgeman Images
FIT83150: P.124-1950.pt50 A Poison Tree: plate 50 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XND70215: The Marriage of Heaven and Hell; "As a new heaven is begun", c.1790 (relief etching tinted with w/c), Blake, William (1757-1827) / Bridgeman Images
XND70243: Jerusalem The Emanation of the Giant Albion: "And One stood forth", top to bottom, Los supported by Christ; Albion's burial in the Supulcher, 1804, (relief etching, white line engraving, w/c), Blake, William (1757-1827) / Bridgeman Images
FIT77548: P.391-1985 Joseph of Arimathea among the rocks of Albion, (1st state), 1773 (etching and line engraving coloured with brown ink), Blake, William (1757-1827) / Bridgeman Images
XYC173624: A Shepherd Reading the Epitaph, from Elegy Written in a Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC146935: Air, plate 6 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images
FIT113933: Mary's Lamentation for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222552: 'Elegy written in a Country Church-Yard', design 107 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
