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Blake, William (1757-1827) Assets (1068 in total)

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The Wise and Foolish Virgins, c.1822 (w/c and pen on paper)
The Wise and Foolish Virgins, c.1822 (w/c and pen on paper)

XYC139989: The Wise and Foolish Virgins, c.1822 (w/c and pen on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC139989

The Wise and Foolish Virgins, c.1822 (w/c and pen on paper)

Blake, William (1757-1827)

'The Sick Rose', plate 48 from 'Songs of Innocence and of Experience' [Bentley 39] c.1789-94 (relief etching in dark brown with pen & ink and w/c)
'The Sick Rose', plate 48 from 'Songs of Innocence and of Experience' [Bentley 39] c.1789-94 (relief etching in dark brown with pen & ink and w/c)

XYC243180: 'The Sick Rose', plate 48 from 'Songs of Innocence and of Experience' [Bentley 39] c.1789-94 (relief etching in dark brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC243180

'The Sick Rose', plate 48 from 'Songs of Innocence and of Experience' [Bentley 39] c.1789-94 (relief etching in dark brown with pen & ink and w/c)

Blake, William (1757-1827)

The First Book of Urizen; Bearded man swimming through water, 1794 (colour-printed relief etching)
The First Book of Urizen; Bearded man swimming through water, 1794 (colour-printed relief etching)

XND70227: The First Book of Urizen; Bearded man swimming through water, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

ID: XND70227

The First Book of Urizen; Bearded man swimming through water, 1794 (colour-printed relief etching)

Blake, William (1757-1827)

The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper)
The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper)

RCM1066271: The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: RCM1066271

The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper)

Blake, William (1757-1827)

The Conversion of Saul, c.1800 (pen & ink and w/c on wove paper)
The Conversion of Saul, c.1800 (pen & ink and w/c on wove paper)

HEH5854526: The Conversion of Saul, c.1800 (pen & ink and w/c on wove paper), Blake, William (1757-1827) / Bridgeman Images

ID: HEH5854526

The Conversion of Saul, c.1800 (pen & ink and w/c on wove paper)

Blake, William (1757-1827)

Illustration 3 to Milton's
Illustration 3 to Milton's

HEH5854524: Illustration 3 to Milton's "Paradise Lost": Christ Offers to Redeem Man, 1807 (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: HEH5854524

Illustration 3 to Milton's "Paradise Lost": Christ Offers to Redeem Man, 1807 (pen & ink and w/c on paper)

Blake, William (1757-1827)

The Divine Image, from Songs of Innocence, 1789 (coloured etching)
The Divine Image, from Songs of Innocence, 1789 (coloured etching)

BAL7036: The Divine Image, from Songs of Innocence, 1789 (coloured etching), Blake, William (1757-1827) / Bridgeman Images

ID: BAL7036

The Divine Image, from Songs of Innocence, 1789 (coloured etching)

Blake, William (1757-1827)

Infant Joy, 1789 (hand-coloured relief-etching, watercolour)
Infant Joy, 1789 (hand-coloured relief-etching, watercolour)

CH985821: Infant Joy, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: CH985821

Infant Joy, 1789 (hand-coloured relief-etching, watercolour)

Blake, William (1757-1827)

The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)

NGV909164: The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909164

The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)

Blake, William (1757-1827)

Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

FOG909435: Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909435

Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

Blake, William (1757-1827)

Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

FOG909441: Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909441

Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

Blake, William (1757-1827)

Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & watercolour on paper)
Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & watercolour on paper)

FOG909451: Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909451

Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & watercolour on paper)

Blake, William (1757-1827)

The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

NGV909178: The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909178

The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

Blake, William (1757-1827)

Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

NGV909184: Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909184

Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

Blake, William (1757-1827)

illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

FOG909446: illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909446

illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

Blake, William (1757-1827)

St. Peter and St. James with Dante and Beatrice, illustration for Paradiso Canto 25 in Dante's Divine Comedy, 1824-27 (pen, ink & watercolour over pencil on paper)
St. Peter and St. James with Dante and Beatrice, illustration for Paradiso Canto 25 in Dante's Divine Comedy, 1824-27 (pen, ink & watercolour over pencil on paper)

NGV201290: St. Peter and St. James with Dante and Beatrice, illustration for Paradiso Canto 25 in Dante's Divine Comedy, 1824-27 (pen, ink & watercolour over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

ID: NGV201290

St. Peter and St. James with Dante and Beatrice, illustration for Paradiso Canto 25 in Dante's Divine Comedy, 1824-27 (pen, ink & watercolour over pencil on paper)

Blake, William (1757-1827)

The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)

NGV909166: The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909166

The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)

Blake, William (1757-1827)

The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

FOG909431: The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909431

The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

Blake, William (1757-1827)

Dante and Virgil on the Edge of the Stygian Pool, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c, wash and chalk on paper)
Dante and Virgil on the Edge of the Stygian Pool, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c, wash and chalk on paper)

FOG909449: Dante and Virgil on the Edge of the Stygian Pool, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c, wash and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909449

Dante and Virgil on the Edge of the Stygian Pool, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c, wash and chalk on paper)

Blake, William (1757-1827)

The Terrace of Envious Souls, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil & chalk on paper)
The Terrace of Envious Souls, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil & chalk on paper)

FOG909452: The Terrace of Envious Souls, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil & chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909452

The Terrace of Envious Souls, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil & chalk on paper)

Blake, William (1757-1827)

P.127-1950.pt.32 A priest on Christ's throne, wearing a papal tiara and bat's wings from 'Europe, A Prophecy', c.1821 (relief etching with pen & w/c on paper)
P.127-1950.pt.32 A priest on Christ's throne, wearing a papal tiara and bat's wings from 'Europe, A Prophecy', c.1821 (relief etching with pen & w/c on paper)

FIT77543: P.127-1950.pt.32 A priest on Christ's throne, wearing a papal tiara and bat's wings from 'Europe, A Prophecy', c.1821 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT77543

P.127-1950.pt.32 A priest on Christ's throne, wearing a papal tiara and bat's wings from 'Europe, A Prophecy', c.1821 (relief etching with pen & w/c on paper)

Blake, William (1757-1827)

P.124-1950.pt21 The Schoolboy: plate 21 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt21 The Schoolboy: plate 21 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83121: P.124-1950.pt21 The Schoolboy: plate 21 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83121

P.124-1950.pt21 The Schoolboy: plate 21 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

Blake, William (1757-1827)

Nebuchadnezzar, 1795
Nebuchadnezzar, 1795

MNS882103: Nebuchadnezzar, 1795, Blake, William (1757-1827) / Bridgeman Images

ID: MNS882103

Nebuchadnezzar, 1795

Blake, William (1757-1827)

The Baptism of Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
The Baptism of Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113931: The Baptism of Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113931

The Baptism of Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

Blake, William (1757-1827)

Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215076: Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215076

Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

A Dream, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.15 (Bentley 26) 1789-94 (relief etching with pen & w/c on paper)
A Dream, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.15 (Bentley 26) 1789-94 (relief etching with pen & w/c on paper)

XYC225778: A Dream, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.15 (Bentley 26) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225778

A Dream, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.15 (Bentley 26) 1789-94 (relief etching with pen & w/c on paper)

Blake, William (1757-1827)

The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil)
The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil)

CH985828: The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil), Blake, William (1757-1827) / Bridgeman Images

ID: CH985828

The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil)

Blake, William (1757-1827)

Thomas Alphonso Hayley, Half-Length Drawing, c.1800 (graphite with grey b/c on paper)
Thomas Alphonso Hayley, Half-Length Drawing, c.1800 (graphite with grey b/c on paper)

XYC291035: Thomas Alphonso Hayley, Half-Length Drawing, c.1800 (graphite with grey b/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC291035

Thomas Alphonso Hayley, Half-Length Drawing, c.1800 (graphite with grey b/c on paper)

Blake, William (1757-1827)

The goddess of fortune, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
The goddess of fortune, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)

NGV909158: The goddess of fortune, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909158

The goddess of fortune, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)

Blake, William (1757-1827)

Beulah Throned on a Sun-Flower by William Blake
Beulah Throned on a Sun-Flower by William Blake

XLA3761503: Beulah Throned on a Sun-Flower by William Blake, Blake, William (1757-1827) / Bridgeman Images

ID: XLA3761503

Beulah Throned on a Sun-Flower by William Blake

Blake, William (1757-1827)

The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper)
The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper)

XOS1765693: The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper), Blake, William (1757-1827) / Bridgeman Images

ID: XOS1765693

The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper)

Blake, William (1757-1827)

Frontispiece of 'The Book of Thel', 1789 (hand-coloured relief etching)
Frontispiece of 'The Book of Thel', 1789 (hand-coloured relief etching)

CIN403062: Frontispiece of 'The Book of Thel', 1789 (hand-coloured relief etching), Blake, William (1757-1827) / Bridgeman Images

ID: CIN403062

Frontispiece of 'The Book of Thel', 1789 (hand-coloured relief etching)

Blake, William (1757-1827)

Virgin and Child, 1825 (tempera on panel)
Virgin and Child, 1825 (tempera on panel)

XYC162479: Virgin and Child, 1825 (tempera on panel), Blake, William (1757-1827) / Bridgeman Images

ID: XYC162479

Virgin and Child, 1825 (tempera on panel)

Blake, William (1757-1827)

'Elegy written in a Country Church-Yard', design 112 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 112 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222557: 'Elegy written in a Country Church-Yard', design 112 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222557

'Elegy written in a Country Church-Yard', design 112 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

'The Fly,' plate 47 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)
'The Fly,' plate 47 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

XYC225897: 'The Fly,' plate 47 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225897

'The Fly,' plate 47 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

Blake, William (1757-1827)

Jerusalem The Emanation of the Giant Albion:
Jerusalem The Emanation of the Giant Albion:

XND70243: Jerusalem The Emanation of the Giant Albion: "And One stood forth", top to bottom, Los supported by Christ; Albion's burial in the Supulcher, 1804, (relief etching, white line engraving, w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XND70243

Jerusalem The Emanation of the Giant Albion: "And One stood forth", top to bottom, Los supported by Christ; Albion's burial in the Supulcher, 1804, (relief etching, white line engraving, w/c)

Blake, William (1757-1827)


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