Blake, William (1757-1827) Assets (1068 in total)

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The Conversion of Saul, c.1800 (pen & ink and w/c on wove paper)
The Conversion of Saul, c.1800 (pen & ink and w/c on wove paper)

HEH5854526: The Conversion of Saul, c.1800 (pen & ink and w/c on wove paper), Blake, William (1757-1827) / Bridgeman Images

Illustration 3 to Milton's
Illustration 3 to Milton's

HEH5854524: Illustration 3 to Milton's "Paradise Lost": Christ Offers to Redeem Man, 1807 (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Sick Rose', plate 48 from 'Songs of Innocence and of Experience' [Bentley 39] c.1789-94 (relief etching in dark brown with pen & ink and w/c)
'The Sick Rose', plate 48 from 'Songs of Innocence and of Experience' [Bentley 39] c.1789-94 (relief etching in dark brown with pen & ink and w/c)

XYC243180: 'The Sick Rose', plate 48 from 'Songs of Innocence and of Experience' [Bentley 39] c.1789-94 (relief etching in dark brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Divine Image, from Songs of Innocence, 1789 (coloured etching)
The Divine Image, from Songs of Innocence, 1789 (coloured etching)

BAL7036: The Divine Image, from Songs of Innocence, 1789 (coloured etching), Blake, William (1757-1827) / Bridgeman Images

Job's Sacrifice: And my servant Job shall pray for you (pen and ink with watercolour on paper)
Job's Sacrifice: And my servant Job shall pray for you (pen and ink with watercolour on paper)

LMG100088: Job's Sacrifice: And my servant Job shall pray for you (pen and ink with watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

Infant Joy, 1789 (hand-coloured relief-etching, watercolour)
Infant Joy, 1789 (hand-coloured relief-etching, watercolour)

CH985821: Infant Joy, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper)
The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper)

RCM1066271: The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Wise and Foolish Virgins, c.1822 (w/c and pen on paper)
The Wise and Foolish Virgins, c.1822 (w/c and pen on paper)

XYC139989: The Wise and Foolish Virgins, c.1822 (w/c and pen on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt48 The Human Abstract: plate 48 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt48 The Human Abstract: plate 48 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83148: P.124-1950.pt48 The Human Abstract: plate 48 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt22 Spring: plate 22 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt22 Spring: plate 22 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83175: P.125-1950.pt22 Spring: plate 22 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen; Bearded man swimming through water, 1794 (colour-printed relief etching)
The First Book of Urizen; Bearded man swimming through water, 1794 (colour-printed relief etching)

XND70227: The First Book of Urizen; Bearded man swimming through water, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715566: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

NGV909178: The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

NGV909184: Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

FOG909446: illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)

NGV909164: The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

FOG909435: Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

FOG909441: Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & watercolour on paper)
Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & watercolour on paper)

FOG909451: Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

Sullen Moloch: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper)
Sullen Moloch: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper)

WHT161689: Sullen Moloch: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil)
The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil)

CH985828: The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil), Blake, William (1757-1827) / Bridgeman Images

Nebuchadnezzar, 1795
Nebuchadnezzar, 1795

MNS882103: Nebuchadnezzar, 1795, Blake, William (1757-1827) / Bridgeman Images

'The Fly', plate 37 from 'Songs of Innocence and of Experience' [Bentley 40] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)
'The Fly', plate 37 from 'Songs of Innocence and of Experience' [Bentley 40] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)

XYC243179: 'The Fly', plate 37 from 'Songs of Innocence and of Experience' [Bentley 40] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Baptism of Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
The Baptism of Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113931: The Baptism of Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt21 The Schoolboy: plate 21 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt21 The Schoolboy: plate 21 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83121: P.124-1950.pt21 The Schoolboy: plate 21 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.127-1950.pt.32 A priest on Christ's throne, wearing a papal tiara and bat's wings from 'Europe, A Prophecy', c.1821 (relief etching with pen & w/c on paper)
P.127-1950.pt.32 A priest on Christ's throne, wearing a papal tiara and bat's wings from 'Europe, A Prophecy', c.1821 (relief etching with pen & w/c on paper)

FIT77543: P.127-1950.pt.32 A priest on Christ's throne, wearing a papal tiara and bat's wings from 'Europe, A Prophecy', c.1821 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A Dream, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.15 (Bentley 26) 1789-94 (relief etching with pen & w/c on paper)
A Dream, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.15 (Bentley 26) 1789-94 (relief etching with pen & w/c on paper)

XYC225778: A Dream, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.15 (Bentley 26) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215076: Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Thomas Alphonso Hayley, Half-Length Drawing, c.1800 (graphite with grey b/c on paper)
Thomas Alphonso Hayley, Half-Length Drawing, c.1800 (graphite with grey b/c on paper)

XYC291035: Thomas Alphonso Hayley, Half-Length Drawing, c.1800 (graphite with grey b/c on paper), Blake, William (1757-1827) / Bridgeman Images

St. Peter and St. James with Dante and Beatrice, illustration for Paradiso Canto 25 in Dante's Divine Comedy, 1824-27 (pen, ink & watercolour over pencil on paper)
St. Peter and St. James with Dante and Beatrice, illustration for Paradiso Canto 25 in Dante's Divine Comedy, 1824-27 (pen, ink & watercolour over pencil on paper)

NGV201290: St. Peter and St. James with Dante and Beatrice, illustration for Paradiso Canto 25 in Dante's Divine Comedy, 1824-27 (pen, ink & watercolour over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)

NGV909166: The Devil carrying the Lucchese magistrate to the boiling-pitch pool of corrupt officials, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)
The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper)

FOG909431: The Circle of Traitors: Alberti Brothers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The Terrace of Envious Souls, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil & chalk on paper)
The Terrace of Envious Souls, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil & chalk on paper)

FOG909452: The Terrace of Envious Souls, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil & chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Beulah Throned on a Sun-Flower by William Blake
Beulah Throned on a Sun-Flower by William Blake

XLA3761503: Beulah Throned on a Sun-Flower by William Blake, Blake, William (1757-1827) / Bridgeman Images

Dante and Virgil on the Edge of the Stygian Pool, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c, wash and chalk on paper)
Dante and Virgil on the Edge of the Stygian Pool, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c, wash and chalk on paper)

FOG909449: Dante and Virgil on the Edge of the Stygian Pool, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c, wash and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The goddess of fortune, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
The goddess of fortune, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)

NGV909158: The goddess of fortune, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images


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