Blake, William (1757-1827) Assets (1068 in total)

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P.125-1950.pt14 The Little Boy Found: plate 14 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt14 The Little Boy Found: plate 14 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83167: P.125-1950.pt14 The Little Boy Found: plate 14 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt38 Nurse's Song: plate 38 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt38 Nurse's Song: plate 38 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83191: P.125-1950.pt38 Nurse's Song: plate 38 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Abraham and Isaac, 1799-1800 (tempera, pen and ink on canvas)
Abraham and Isaac, 1799-1800 (tempera, pen and ink on canvas)

XYC136254: Abraham and Isaac, 1799-1800 (tempera, pen and ink on canvas), Blake, William (1757-1827) / Bridgeman Images

FIT113956: "To reconcile them seeks to destroy existence...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Angels Ministering to Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Angels Ministering to Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113937: Angels Ministering to Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'The Argument', plate 3, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'The Argument', plate 3, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111250: Visions of the Daughters of Albion: 'The Argument', plate 3, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

With Songs the Jovial Hinds Return from Plow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
With Songs the Jovial Hinds Return from Plow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273289: With Songs the Jovial Hinds Return from Plow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

'The Human Abstract', plate 45 from 'Songs of Experience, 1794 (colour printed relief etching)
'The Human Abstract', plate 45 from 'Songs of Experience, 1794 (colour printed relief etching)

XYC285515: 'The Human Abstract', plate 45 from 'Songs of Experience, 1794 (colour printed relief etching), Blake, William (1757-1827) / Bridgeman Images

'In thunders ends the voice...', plate 9 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'In thunders ends the voice...', plate 9 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285565: 'In thunders ends the voice...', plate 9 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Title Page, plate 2 from 'Songs of Innocence: Innocence', 1789 (relief etching with w/c)
Title Page, plate 2 from 'Songs of Innocence: Innocence', 1789 (relief etching with w/c)

XYC309887: Title Page, plate 2 from 'Songs of Innocence: Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Plate 21, Job and his Wife Restored to Prosperity, illustration from the 'Book of Job', c.1825 (black carbon ink on paper)
Plate 21, Job and his Wife Restored to Prosperity, illustration from the 'Book of Job', c.1825 (black carbon ink on paper)

FIT479919: Plate 21, Job and his Wife Restored to Prosperity, illustration from the 'Book of Job', c.1825 (black carbon ink on paper), Blake, William (1757-1827) / Bridgeman Images

War, 1805 (w/c, black & grey ink and graphite on off-white wove paper)
War, 1805 (w/c, black & grey ink and graphite on off-white wove paper)

FOG3821893: War, 1805 (w/c, black & grey ink and graphite on off-white wove paper), Blake, William (1757-1827) / Bridgeman Images

Rahab and Tirzah Embracing Dragons by William Blake
Rahab and Tirzah Embracing Dragons by William Blake

XLA3761508: Rahab and Tirzah Embracing Dragons by William Blake, Blake, William (1757-1827) / Bridgeman Images

Christ in the House of Mary and Martha (colour litho)
Christ in the House of Mary and Martha (colour litho)

STC255463: Christ in the House of Mary and Martha (colour litho), Blake, William (1757-1827) / Bridgeman Images

The Sea of Time and Place (The Arlington Court Picture) (pen, ink & w/c on paper)
The Sea of Time and Place (The Arlington Court Picture) (pen, ink & w/c on paper)

USB132568: The Sea of Time and Place (The Arlington Court Picture) (pen, ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Just Upright Man is laughed to scorn, 1825
The Just Upright Man is laughed to scorn, 1825

MNS882800: The Just Upright Man is laughed to scorn, 1825, Blake, William (1757-1827) / Bridgeman Images

'Night', plate 16 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'Night', plate 16 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218335: 'Night', plate 16 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (lithograph)
'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (lithograph)

NBY259420: 'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (lithograph), Blake, William (1757-1827) / Bridgeman Images

Infant Joy, 1789 (hand-coloured relief-etching, watercolour)
Infant Joy, 1789 (hand-coloured relief-etching, watercolour)

CH985821: Infant Joy, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715575: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715577: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715580: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 106 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)
'Elegy written in a Country Church-Yard', design 106 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)

XYC222551: 'Elegy written in a Country Church-Yard', design 106 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music' design 94 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music' design 94 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222344: 'Ode for Music' design 94 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'A naked man crouched in flames, with his hands behind his head', plate 21 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'A naked man crouched in flames, with his hands behind his head', plate 21 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256907: 'A naked man crouched in flames, with his hands behind his head', plate 21 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Appear to the Americans...', plate 6 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Appear to the Americans...', plate 6 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285566: 'Appear to the Americans...', plate 6 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt49 A Poison Tree: plate 49 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt49 A Poison Tree: plate 49 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83202: P.125-1950.pt49 A Poison Tree: plate 49 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt33 The Clod and the Pebble: plate 33 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt33 The Clod and the Pebble: plate 33 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83133: P.124-1950.pt33 The Clod and the Pebble: plate 33 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125.1950.pt5 The Shepherd: plate 5 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125.1950.pt5 The Shepherd: plate 5 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83158: P.125.1950.pt5 The Shepherd: plate 5 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt28 On Another's Sorrow: plate 28 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt28 On Another's Sorrow: plate 28 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83128: P.124-1950.pt28 On Another's Sorrow: plate 28 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt38 The Chimney Sweeper: plate 38 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt38 The Chimney Sweeper: plate 38 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83138: P.124-1950.pt38 The Chimney Sweeper: plate 38 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt15 Laughing Song: plate 15 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt15 Laughing Song: plate 15 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83168: P.125-1950.pt15 Laughing Song: plate 15 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

PD.20-1950 Christ's troubled sleep from Milton's 'Paradise Regained', Book IV lines 401-25, c.1816-18 (pen and ink, grey wash and w/c on paper)
PD.20-1950 Christ's troubled sleep from Milton's 'Paradise Regained', Book IV lines 401-25, c.1816-18 (pen and ink, grey wash and w/c on paper)

FIT77539: PD.20-1950 Christ's troubled sleep from Milton's 'Paradise Regained', Book IV lines 401-25, c.1816-18 (pen and ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Angel of the Divine Presence Bringing Eve to Adam, c.1803 (w/c, pen and black ink over graphite)
Angel of the Divine Presence Bringing Eve to Adam, c.1803 (w/c, pen and black ink over graphite)

XOS3493159: Angel of the Divine Presence Bringing Eve to Adam, c.1803 (w/c, pen and black ink over graphite), Blake, William (1757-1827) / Bridgeman Images

The Traveller Hasteth in the Evening, plate 15 from 'For Children. The Gates of Paradise', 1793 (engraving)
The Traveller Hasteth in the Evening, plate 15 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146942: The Traveller Hasteth in the Evening, plate 15 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

A Prophet in the Wilderness (pen & ink with gouache on paper)
A Prophet in the Wilderness (pen & ink with gouache on paper)

FIT113930: A Prophet in the Wilderness (pen & ink with gouache on paper), Blake, William (1757-1827) / Bridgeman Images


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