Blake, William (1757-1827) Assets (1067 in total)
Results
XCF277692: Urizen Measuring out the Material World, The Ancient of Days, 1794 (etching with pen and ink, w/c & bodycolour on paper), Blake, William (1757-1827) / Bridgeman Images
XCF7049: Jacob's Ladder, 1800-03 (pen 7 w/c on paper), Blake, William (1757-1827) / Bridgeman Images
STC247595: The Ancient of Days, from 'Europe a Prophecy', 1793 (etching with pen & ink, w/c and bodycolour on paper), Blake, William (1757-1827) / Bridgeman Images
WHT160698: The Ancient of Days (etching with pen & ink, w/c and bodycolour on paper), Blake, William (1757-1827) / Bridgeman Images
FIT167200: I Want! I Want!, from 'For the Sexes: The Gates of Paradise', 1793 (line engraving), Blake, William (1757-1827) / Bridgeman Images
XYC285517: 'London', 1794 (colour printed etching with w/c), Blake, William (1757-1827) / Bridgeman Images
SC14474: Christ in the Sepulchre, Guarded by Angels, 1805 (watercolor, pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images
BAL7037: The Tyger, from 'Songs of Experience' (colour engraving), Blake, William (1757-1827) / Bridgeman Images
XYC220125: 'The Tyger', plate 36 (Bentley 42) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
BAL7038: The Sick Rose, from 'Songs of Innocence', c.1794 (etching, ink & w/c), Blake, William (1757-1827) / Bridgeman Images
NUM25420: The Resurrection: The Angels rolling away the Stone from the Sepulchre, Blake, William (1757-1827) / Bridgeman Images
XBM8111: The Circle of the Lustful (The Whirlwind of Lovers) 1824 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XND70236: Illustrations of the Book of Job; Job's Evil Dreams, showing Job's God, who has become Satan with cloven hoof and entwined by a serpent, pointing to the Mosaic Tablets of the Law, 1825 (pen, w/c over pencil), Blake, William (1757-1827) / Bridgeman Images
XYC145598: Combined Title Page from 'Songs of Innocence and of Experience', plate 2 of Bentley Copy L, c.1789-94 (relief etching, pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT57618: Death on a Pale Horse, c.1800 (ink and w/c), Blake, William (1757-1827) / Bridgeman Images
CEC128173: Good and Evil Angels Struggling for the Possession of a Child, c.1793-94 (w/c, pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images
STC25411: Naomi entreating Ruth and Orpah to return to the land of Moab, from a series of 12 known as 'The Large Colour Prints', 1795, Blake, William (1757-1827) / Bridgeman Images
STC14470: Satan Arousing the Rebel Angels, 1808 (pen and w/c), Blake, William (1757-1827) / Bridgeman Images
TBM3696834: The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4), c.1803-05 (black ink and watercolor over traces of graphite and incised lines), Blake, William (1757-1827) / Bridgeman Images
BST216038: The Temptation and Fall of Eve (Illustration to Milton's 'Paradise Lost') 1808 (pen & watercolour on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83147: P.124-1950.pt47 London: plate 47 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT58230: Behemoth and Leviathan from the Book of Job (pl.15), c.1793 (hand tinted line engraving), Blake, William (1757-1827) / Bridgeman Images
NGV123397: Dante running from the three beasts, Canto I of 'Inferno' from 'The Divine Comedy' by Dante Alighieri, 1824-27 (pen, ink & w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83143: P.124-1950.pt43 The Tyger: plate 43 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XND70225: The First Book of Urizen; Man floating upside down, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images
FIT77549: The Laocoon as Jehovah with Satan and Adam, c.1820 (line engraving), Blake, William (1757-1827) / Bridgeman Images
XYC181762: Christ Appearing to the Apostles after the Resurrection, 1795-1805 (colour print with w/c and pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
NGV123398: Antaeus setting down Dante and Virgil in the last circle of hell, illustration from Canto 3I of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) 1824-27 (pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
TOP41791: And God Blessed the Seventh Day and Sanctified It, Blake, William (1757-1827) / Bridgeman Images
XOS1127623: The Angel of Revelation, c.1805 (w/c, pen & ink over graphite), Blake, William (1757-1827) / Bridgeman Images
