Blake, William (1757-1827) Assets (1067 in total)

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Urizen Measuring out the Material World, The Ancient of Days, 1794 (etching with pen and ink, w/c & bodycolour on paper)
Urizen Measuring out the Material World, The Ancient of Days, 1794 (etching with pen and ink, w/c & bodycolour on paper)

XCF277692: Urizen Measuring out the Material World, The Ancient of Days, 1794 (etching with pen and ink, w/c & bodycolour on paper), Blake, William (1757-1827) / Bridgeman Images

Jacob's Ladder, 1800-03 (pen 7 w/c on paper)
Jacob's Ladder, 1800-03 (pen 7 w/c on paper)

XCF7049: Jacob's Ladder, 1800-03 (pen 7 w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Ancient of Days, from 'Europe a Prophecy', 1793 (etching with pen & ink, w/c and bodycolour on paper)
The Ancient of Days, from 'Europe a Prophecy', 1793 (etching with pen & ink, w/c and bodycolour on paper)

STC247595: The Ancient of Days, from 'Europe a Prophecy', 1793 (etching with pen & ink, w/c and bodycolour on paper), Blake, William (1757-1827) / Bridgeman Images

The Ancient of Days (etching with pen & ink, w/c and bodycolour on paper)
The Ancient of Days (etching with pen & ink, w/c and bodycolour on paper)

WHT160698: The Ancient of Days (etching with pen & ink, w/c and bodycolour on paper), Blake, William (1757-1827) / Bridgeman Images

I Want! I Want!, from 'For the Sexes: The Gates of Paradise', 1793 (line engraving)
I Want! I Want!, from 'For the Sexes: The Gates of Paradise', 1793 (line engraving)

FIT167200: I Want! I Want!, from 'For the Sexes: The Gates of Paradise', 1793 (line engraving), Blake, William (1757-1827) / Bridgeman Images

'London', 1794 (colour printed etching with w/c)
'London', 1794 (colour printed etching with w/c)

XYC285517: 'London', 1794 (colour printed etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Christ in the Sepulchre, Guarded by Angels, 1805 (watercolor, pen and ink on paper)
Christ in the Sepulchre, Guarded by Angels, 1805 (watercolor, pen and ink on paper)

SC14474: Christ in the Sepulchre, Guarded by Angels, 1805 (watercolor, pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Tyger, from 'Songs of Experience' (colour engraving)
The Tyger, from 'Songs of Experience' (colour engraving)

BAL7037: The Tyger, from 'Songs of Experience' (colour engraving), Blake, William (1757-1827) / Bridgeman Images

I Want! I Want!, 1793 (engraving)
I Want! I Want!, 1793 (engraving)

XJF472263: I Want! I Want!, 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

'The Tyger', plate 36 (Bentley 42) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Tyger', plate 36 (Bentley 42) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220125: 'The Tyger', plate 36 (Bentley 42) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

The Sick Rose, from 'Songs of Innocence', c.1794 (etching, ink & w/c)
The Sick Rose, from 'Songs of Innocence', c.1794 (etching, ink & w/c)

BAL7038: The Sick Rose, from 'Songs of Innocence', c.1794 (etching, ink & w/c), Blake, William (1757-1827) / Bridgeman Images

A Poison Tree, from Songs of Experience
A Poison Tree, from Songs of Experience

BAL7040: A Poison Tree, from Songs of Experience, Blake, William (1757-1827) / Bridgeman Images

The Resurrection: The Angels rolling away the Stone from the Sepulchre
The Resurrection: The Angels rolling away the Stone from the Sepulchre

NUM25420: The Resurrection: The Angels rolling away the Stone from the Sepulchre, Blake, William (1757-1827) / Bridgeman Images

The Circle of the Lustful (The Whirlwind of Lovers) 1824 (ink & w/c on paper)
The Circle of the Lustful (The Whirlwind of Lovers) 1824 (ink & w/c on paper)

XBM8111: The Circle of the Lustful (The Whirlwind of Lovers) 1824 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of the Book of Job; Job's Evil Dreams, showing Job's God, who has become Satan with cloven hoof and entwined by a serpent, pointing to the Mosaic Tablets of the Law, 1825 (pen, w/c over pencil)
Illustrations of the Book of Job; Job's Evil Dreams, showing Job's God, who has become Satan with cloven hoof and entwined by a serpent, pointing to the Mosaic Tablets of the Law, 1825 (pen, w/c over pencil)

XND70236: Illustrations of the Book of Job; Job's Evil Dreams, showing Job's God, who has become Satan with cloven hoof and entwined by a serpent, pointing to the Mosaic Tablets of the Law, 1825 (pen, w/c over pencil), Blake, William (1757-1827) / Bridgeman Images

Combined Title Page from 'Songs of Innocence and of Experience', plate 2 of Bentley Copy L, c.1789-94 (relief etching, pen and w/c on paper)
Combined Title Page from 'Songs of Innocence and of Experience', plate 2 of Bentley Copy L, c.1789-94 (relief etching, pen and w/c on paper)

XYC145598: Combined Title Page from 'Songs of Innocence and of Experience', plate 2 of Bentley Copy L, c.1789-94 (relief etching, pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Death on a Pale Horse, c.1800 (ink and w/c)
Death on a Pale Horse, c.1800 (ink and w/c)

FIT57618: Death on a Pale Horse, c.1800 (ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Good and Evil Angels Struggling for the Possession of a Child, c.1793-94 (w/c, pen and ink on paper)
Good and Evil Angels Struggling for the Possession of a Child, c.1793-94 (w/c, pen and ink on paper)

CEC128173: Good and Evil Angels Struggling for the Possession of a Child, c.1793-94 (w/c, pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

Naomi entreating Ruth and Orpah to return to the land of Moab, from a series of 12 known as 'The Large Colour Prints', 1795
Naomi entreating Ruth and Orpah to return to the land of Moab, from a series of 12 known as 'The Large Colour Prints', 1795

STC25411: Naomi entreating Ruth and Orpah to return to the land of Moab, from a series of 12 known as 'The Large Colour Prints', 1795, Blake, William (1757-1827) / Bridgeman Images

Satan Arousing the Rebel Angels, 1808 (pen and w/c)
Satan Arousing the Rebel Angels, 1808 (pen and w/c)

STC14470: Satan Arousing the Rebel Angels, 1808 (pen and w/c), Blake, William (1757-1827) / Bridgeman Images

The Temptation and Fall of Eve (Illustration to Milton's 'Paradise Lost') 1808 (pen & watercolour on paper)
The Temptation and Fall of Eve (Illustration to Milton's 'Paradise Lost') 1808 (pen & watercolour on paper)

BST216038: The Temptation and Fall of Eve (Illustration to Milton's 'Paradise Lost') 1808 (pen & watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4), c.1803-05 (black ink and watercolor over traces of graphite and incised lines)
The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4), c.1803-05 (black ink and watercolor over traces of graphite and incised lines)

TBM3696834: The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4), c.1803-05 (black ink and watercolor over traces of graphite and incised lines), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt47 London: plate 47 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt47 London: plate 47 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83147: P.124-1950.pt47 London: plate 47 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Behemoth and Leviathan from the Book of Job (pl.15), c.1793 (hand tinted line engraving)
Behemoth and Leviathan from the Book of Job (pl.15), c.1793 (hand tinted line engraving)

FIT58230: Behemoth and Leviathan from the Book of Job (pl.15), c.1793 (hand tinted line engraving), Blake, William (1757-1827) / Bridgeman Images

A Midsummer Night's Dream
A Midsummer Night's Dream

XLA3766068: A Midsummer Night's Dream, Blake, William (1757-1827) / Bridgeman Images

Dante running from the three beasts, Canto I of 'Inferno' from 'The Divine Comedy' by Dante Alighieri, 1824-27 (pen, ink & w/c over pencil on paper)
Dante running from the three beasts, Canto I of 'Inferno' from 'The Divine Comedy' by Dante Alighieri, 1824-27 (pen, ink & w/c over pencil on paper)

NGV123397: Dante running from the three beasts, Canto I of 'Inferno' from 'The Divine Comedy' by Dante Alighieri, 1824-27 (pen, ink & w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt43 The Tyger: plate 43 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt43 The Tyger: plate 43 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83143: P.124-1950.pt43 The Tyger: plate 43 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen; Man floating upside down, 1794 (colour-printed relief etching)
The First Book of Urizen; Man floating upside down, 1794 (colour-printed relief etching)

XND70225: The First Book of Urizen; Man floating upside down, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

The Laocoon as Jehovah with Satan and Adam, c.1820 (line engraving)
The Laocoon as Jehovah with Satan and Adam, c.1820 (line engraving)

FIT77549: The Laocoon as Jehovah with Satan and Adam, c.1820 (line engraving), Blake, William (1757-1827) / Bridgeman Images

Christ Appearing to the Apostles after the Resurrection, 1795-1805 (colour print with w/c and pen & ink on paper)
Christ Appearing to the Apostles after the Resurrection, 1795-1805 (colour print with w/c and pen & ink on paper)

XYC181762: Christ Appearing to the Apostles after the Resurrection, 1795-1805 (colour print with w/c and pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Last Judgement, 1808 (w/c on paper)
Last Judgement, 1808 (w/c on paper)

USB132345: Last Judgement, 1808 (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Moses and the Burning Bush
Moses and the Burning Bush

BAL25405: Moses and the Burning Bush, Blake, William (1757-1827) / Bridgeman Images

Antaeus setting down Dante and Virgil in the last circle of hell, illustration from Canto 3I of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) 1824-27 (pen & w/c on paper)
Antaeus setting down Dante and Virgil in the last circle of hell, illustration from Canto 3I of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) 1824-27 (pen & w/c on paper)

NGV123398: Antaeus setting down Dante and Virgil in the last circle of hell, illustration from Canto 3I of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) 1824-27 (pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Angel of Revelation, c.1805 (w/c, pen & ink over graphite)
The Angel of Revelation, c.1805 (w/c, pen & ink over graphite)

XOS1127623: The Angel of Revelation, c.1805 (w/c, pen & ink over graphite), Blake, William (1757-1827) / Bridgeman Images

And God Blessed the Seventh Day and Sanctified It
And God Blessed the Seventh Day and Sanctified It

TOP41791: And God Blessed the Seventh Day and Sanctified It, Blake, William (1757-1827) / Bridgeman Images

P.127-1950.pt.19 The Ancient of Days, frontispiece of 'Europe, A Prophecy', c.1821 (relief etching with pen and w/c on paper)
P.127-1950.pt.19 The Ancient of Days, frontispiece of 'Europe, A Prophecy', c.1821 (relief etching with pen and w/c on paper)

FIT77542: P.127-1950.pt.19 The Ancient of Days, frontispiece of 'Europe, A Prophecy', c.1821 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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