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Blake, William (1757-1827) Assets (1067 in total)

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Unyoked Heifers Loitering Homeward, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Unyoked Heifers Loitering Homeward, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU257794: Unyoked Heifers Loitering Homeward, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

ID: SOU257794

Unyoked Heifers Loitering Homeward, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

Blake, William (1757-1827)

Oh! Flames of Furious Desires: Plate 3 of Urizen, 1796 (colour printed relief etching, finished in pen and ink and water)
Oh! Flames of Furious Desires: Plate 3 of Urizen, 1796 (colour printed relief etching, finished in pen and ink and water)

CH824149: Oh! Flames of Furious Desires: Plate 3 of Urizen, 1796 (colour printed relief etching, finished in pen and ink and water), Blake, William (1757-1827) / Bridgeman Images

ID: CH824149

Oh! Flames of Furious Desires: Plate 3 of Urizen, 1796 (colour printed relief etching, finished in pen and ink and water)

Blake, William (1757-1827)

The symbolic figure of the course of human history, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The symbolic figure of the course of human history, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909152: The symbolic figure of the course of human history, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909152

The symbolic figure of the course of human history, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

P.125-1950.pt10 The Little Black Boy (cont.): plate 10 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt10 The Little Black Boy (cont.): plate 10 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83163: P.125-1950.pt10 The Little Black Boy (cont.): plate 10 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83163

P.125-1950.pt10 The Little Black Boy (cont.): plate 10 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

Blake, William (1757-1827)

P.125-1950.pt28 Frontispiece to Songs of Experience: plate 28 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt28 Frontispiece to Songs of Experience: plate 28 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83181: P.125-1950.pt28 Frontispiece to Songs of Experience: plate 28 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83181

P.125-1950.pt28 Frontispiece to Songs of Experience: plate 28 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

Blake, William (1757-1827)

Songs of Innocence and of Experience Plate 7: the Lamb, c.1789-94 (relief etching finished in pen and w/c)
Songs of Innocence and of Experience Plate 7: the Lamb, c.1789-94 (relief etching finished in pen and w/c)

FIT59118: Songs of Innocence and of Experience Plate 7: the Lamb, c.1789-94 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT59118

Songs of Innocence and of Experience Plate 7: the Lamb, c.1789-94 (relief etching finished in pen and w/c)

Blake, William (1757-1827)

Children round a Fire (pen & ink and wash on paper)
Children round a Fire (pen & ink and wash on paper)

AGN265319: Children round a Fire (pen & ink and wash on paper), Blake, William (1757-1827) / Bridgeman Images

ID: AGN265319

Children round a Fire (pen & ink and wash on paper)

Blake, William (1757-1827)

The necromancers and augurs, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The necromancers and augurs, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909165: The necromancers and augurs, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909165

The necromancers and augurs, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

The thieves and serpents, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The thieves and serpents, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909168: The thieves and serpents, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909168

The thieves and serpents, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

The souls of those who only repented at the point of death, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The souls of those who only repented at the point of death, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909179: The souls of those who only repented at the point of death, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909179

The souls of those who only repented at the point of death, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

Francois Marie Arouet de Voltaire, c.1800 (tempera on canvas)
Francois Marie Arouet de Voltaire, c.1800 (tempera on canvas)

MAN1772306: Francois Marie Arouet de Voltaire, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

ID: MAN1772306

Francois Marie Arouet de Voltaire, c.1800 (tempera on canvas)

Blake, William (1757-1827)

The Book of Job 40:15 & 41:34 illustrated by William Blake
The Book of Job 40:15 & 41:34 illustrated by William Blake

XLA3765289: The Book of Job 40:15 & 41:34 illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

ID: XLA3765289

The Book of Job 40:15 & 41:34 illustrated by William Blake

Blake, William (1757-1827)

P.124-1950.pt6 The Echoing Green (cont.): plate 6 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt6 The Echoing Green (cont.): plate 6 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83106: P.124-1950.pt6 The Echoing Green (cont.): plate 6 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83106

P.124-1950.pt6 The Echoing Green (cont.): plate 6 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

Blake, William (1757-1827)

P.125-1950.pt17 A Cradle Song (cont.): plate 17 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt17 A Cradle Song (cont.): plate 17 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83170: P.125-1950.pt17 A Cradle Song (cont.): plate 17 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83170

P.125-1950.pt17 A Cradle Song (cont.): plate 17 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

Blake, William (1757-1827)

Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour)
Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour)

XND70210: Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XND70210

Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour)

Blake, William (1757-1827)

Plate 1, Job and his Family, illustration from the 'Book of Job', c.1825 (black carbon ink on paper)
Plate 1, Job and his Family, illustration from the 'Book of Job', c.1825 (black carbon ink on paper)

FIT479918: Plate 1, Job and his Family, illustration from the 'Book of Job', c.1825 (black carbon ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT479918

Plate 1, Job and his Family, illustration from the 'Book of Job', c.1825 (black carbon ink on paper)

Blake, William (1757-1827)

'And One Stood Forth...', plate 37 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)
'And One Stood Forth...', plate 37 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)

XYC239822: 'And One Stood Forth...', plate 37 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XYC239822

'And One Stood Forth...', plate 37 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)

Blake, William (1757-1827)

Plate 100 from 'Jerusalem' (Bentley Copy E), 1804-20 (etching with pen, w/c and gold on paper)
Plate 100 from 'Jerusalem' (Bentley Copy E), 1804-20 (etching with pen, w/c and gold on paper)

XYC144693: Plate 100 from 'Jerusalem' (Bentley Copy E), 1804-20 (etching with pen, w/c and gold on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC144693

Plate 100 from 'Jerusalem' (Bentley Copy E), 1804-20 (etching with pen, w/c and gold on paper)

Blake, William (1757-1827)

Dante seizing the Traitor Bocca by the Hair, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante seizing the Traitor Bocca by the Hair, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909432: Dante seizing the Traitor Bocca by the Hair, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909432

Dante seizing the Traitor Bocca by the Hair, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

Donati transformed into a serpent; Francesco de'Cavalcanti retransformed into a man, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Donati transformed into a serpent; Francesco de'Cavalcanti retransformed into a man, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909436: Donati transformed into a serpent; Francesco de'Cavalcanti retransformed into a man, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909436

Donati transformed into a serpent; Francesco de'Cavalcanti retransformed into a man, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

Ugolino's Narrative, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Ugolino's Narrative, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909443: Ugolino's Narrative, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909443

Ugolino's Narrative, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761442: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

ID: XLA3761442

The Book of Job illustrations by William Blake

Blake, William (1757-1827)

Geoffrey Chaucer, c.1800 (tempera on canvas)
Geoffrey Chaucer, c.1800 (tempera on canvas)

MAN1772296: Geoffrey Chaucer, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

ID: MAN1772296

Geoffrey Chaucer, c.1800 (tempera on canvas)

Blake, William (1757-1827)

The Transfiguration
The Transfiguration

BAL25409: The Transfiguration, Blake, William (1757-1827) / Bridgeman Images

ID: BAL25409

The Transfiguration

Blake, William (1757-1827)

Songs of Innocence;
Songs of Innocence;

XND70209: Songs of Innocence; "the Piper" (frontispiece), 1789 (relief-etching, tinted with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XND70209

Songs of Innocence; "the Piper" (frontispiece), 1789 (relief-etching, tinted with w/c)

Blake, William (1757-1827)

'Infant Joy', plate 23 from 'Songs of Innocence and of Experience [Bentley 25] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)
'Infant Joy', plate 23 from 'Songs of Innocence and of Experience [Bentley 25] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)

XYC243177: 'Infant Joy', plate 23 from 'Songs of Innocence and of Experience [Bentley 25] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC243177

'Infant Joy', plate 23 from 'Songs of Innocence and of Experience [Bentley 25] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)

Blake, William (1757-1827)

The Punishment of Rusticucci and his Companions, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Punishment of Rusticucci and his Companions, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909448: The Punishment of Rusticucci and his Companions, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909448

The Punishment of Rusticucci and his Companions, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

The Descent of Typhon and the Gods into Hell: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper)
The Descent of Typhon and the Gods into Hell: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper)

WHT161685: The Descent of Typhon and the Gods into Hell: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: WHT161685

The Descent of Typhon and the Gods into Hell: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper)

Blake, William (1757-1827)

Enitharmon Hovering Over the Sleeping Los by William Blake
Enitharmon Hovering Over the Sleeping Los by William Blake

XLA3761494: Enitharmon Hovering Over the Sleeping Los by William Blake, Blake, William (1757-1827) / Bridgeman Images

ID: XLA3761494

Enitharmon Hovering Over the Sleeping Los by William Blake

Blake, William (1757-1827)

Christ Tempted by Satan to Turn the Stones to Bread, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Christ Tempted by Satan to Turn the Stones to Bread, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113932: Christ Tempted by Satan to Turn the Stones to Bread, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113932

Christ Tempted by Satan to Turn the Stones to Bread, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

Blake, William (1757-1827)

'A naked man with a long beard kneeling with one knee raised and both hands on the ground', plate 23 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'A naked man with a long beard kneeling with one knee raised and both hands on the ground', plate 23 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256909: 'A naked man with a long beard kneeling with one knee raised and both hands on the ground', plate 23 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC256909

'A naked man with a long beard kneeling with one knee raised and both hands on the ground', plate 23 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

Blake, William (1757-1827)

Sabrina's Silvery Flood, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Sabrina's Silvery Flood, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273292: Sabrina's Silvery Flood, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

ID: SOU273292

Sabrina's Silvery Flood, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

Blake, William (1757-1827)

'Innocence', plate 1 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'Innocence', plate 1 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC262886: 'Innocence', plate 1 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC262886

'Innocence', plate 1 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

Blake, William (1757-1827)

Joseph and Potiphar's Wife, 1803-05 (pen & ink and w/c on paper)
Joseph and Potiphar's Wife, 1803-05 (pen & ink and w/c on paper)

XYC213852: Joseph and Potiphar's Wife, 1803-05 (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC213852

Joseph and Potiphar's Wife, 1803-05 (pen & ink and w/c on paper)

Blake, William (1757-1827)

The Nativity, c.1799-1800 (tempera on copper)
The Nativity, c.1799-1800 (tempera on copper)

PHL434536: The Nativity, c.1799-1800 (tempera on copper), Blake, William (1757-1827) / Bridgeman Images

ID: PHL434536

The Nativity, c.1799-1800 (tempera on copper)

Blake, William (1757-1827)

The Complaint of the Giant Nimrod, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Complaint of the Giant Nimrod, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909433: The Complaint of the Giant Nimrod, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909433

The Complaint of the Giant Nimrod, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)


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