Blake, William (1757-1827) Assets (1066 in total)

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'All Human Forms Identified...', plate 99 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)
'All Human Forms Identified...', plate 99 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)

XYC144697: 'All Human Forms Identified...', plate 99 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Unyoked Heifers Loitering Homeward, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Unyoked Heifers Loitering Homeward, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU257794: Unyoked Heifers Loitering Homeward, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

'The Garden of Love', plate 45 (Bentley 44) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'The Garden of Love', plate 45 (Bentley 44) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220133: 'The Garden of Love', plate 45 (Bentley 44) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

The symbolic figure of the course of human history, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The symbolic figure of the course of human history, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909152: The symbolic figure of the course of human history, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt10 The Little Black Boy (cont.): plate 10 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt10 The Little Black Boy (cont.): plate 10 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83163: P.125-1950.pt10 The Little Black Boy (cont.): plate 10 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt28 Frontispiece to Songs of Experience: plate 28 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt28 Frontispiece to Songs of Experience: plate 28 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83181: P.125-1950.pt28 Frontispiece to Songs of Experience: plate 28 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Oh! Flames of Furious Desires: Plate 3 of Urizen, 1796 (colour printed relief etching, finished in pen and ink and water)
Oh! Flames of Furious Desires: Plate 3 of Urizen, 1796 (colour printed relief etching, finished in pen and ink and water)

CH824149: Oh! Flames of Furious Desires: Plate 3 of Urizen, 1796 (colour printed relief etching, finished in pen and ink and water), Blake, William (1757-1827) / Bridgeman Images

Francois Marie Arouet de Voltaire, c.1800 (tempera on canvas)
Francois Marie Arouet de Voltaire, c.1800 (tempera on canvas)

MAN1772306: Francois Marie Arouet de Voltaire, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt6 The Echoing Green (cont.): plate 6 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt6 The Echoing Green (cont.): plate 6 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83106: P.124-1950.pt6 The Echoing Green (cont.): plate 6 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour)
Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour)

XND70210: Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour), Blake, William (1757-1827) / Bridgeman Images

Children round a Fire (pen & ink and wash on paper)
Children round a Fire (pen & ink and wash on paper)

AGN265319: Children round a Fire (pen & ink and wash on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Job 40:15 &  41:34 illustrated by William Blake
The Book of Job 40:15 &  41:34 illustrated by William Blake

XLA3765289: The Book of Job 40:15 & 41:34 illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt17 A Cradle Song (cont.): plate 17 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt17 A Cradle Song (cont.): plate 17 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83170: P.125-1950.pt17 A Cradle Song (cont.): plate 17 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The necromancers and augurs, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The necromancers and augurs, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909165: The necromancers and augurs, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

The thieves and serpents, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The thieves and serpents, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909168: The thieves and serpents, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The souls of those who only repented at the point of death, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The souls of those who only repented at the point of death, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909179: The souls of those who only repented at the point of death, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

The Transfiguration
The Transfiguration

BAL25409: The Transfiguration, Blake, William (1757-1827) / Bridgeman Images

'And One Stood Forth...', plate 37 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)
'And One Stood Forth...', plate 37 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)

XYC239822: 'And One Stood Forth...', plate 37 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence;
Songs of Innocence;

XND70209: Songs of Innocence; "the Piper" (frontispiece), 1789 (relief-etching, tinted with w/c), Blake, William (1757-1827) / Bridgeman Images

Plate 1, Job and his Family, illustration from the 'Book of Job', c.1825 (black carbon ink on paper)
Plate 1, Job and his Family, illustration from the 'Book of Job', c.1825 (black carbon ink on paper)

FIT479918: Plate 1, Job and his Family, illustration from the 'Book of Job', c.1825 (black carbon ink on paper), Blake, William (1757-1827) / Bridgeman Images

Dante seizing the Traitor Bocca by the Hair, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante seizing the Traitor Bocca by the Hair, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909432: Dante seizing the Traitor Bocca by the Hair, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Donati transformed into a serpent; Francesco de'Cavalcanti retransformed into a man, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Donati transformed into a serpent; Francesco de'Cavalcanti retransformed into a man, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909436: Donati transformed into a serpent; Francesco de'Cavalcanti retransformed into a man, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Ugolino's Narrative, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Ugolino's Narrative, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909443: Ugolino's Narrative, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761442: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Geoffrey Chaucer, c.1800 (tempera on canvas)
Geoffrey Chaucer, c.1800 (tempera on canvas)

MAN1772296: Geoffrey Chaucer, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Plate 100 from 'Jerusalem' (Bentley Copy E), 1804-20 (etching with pen, w/c and gold on paper)
Plate 100 from 'Jerusalem' (Bentley Copy E), 1804-20 (etching with pen, w/c and gold on paper)

XYC144693: Plate 100 from 'Jerusalem' (Bentley Copy E), 1804-20 (etching with pen, w/c and gold on paper), Blake, William (1757-1827) / Bridgeman Images

A page from 'Songs
A page from 'Songs

XLA3769608: A page from 'Songs, Blake, William (1757-1827) / Bridgeman Images

Enitharmon Hovering Over the Sleeping Los by William Blake
Enitharmon Hovering Over the Sleeping Los by William Blake

XLA3761494: Enitharmon Hovering Over the Sleeping Los by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Punishment of Rusticucci and his Companions, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Punishment of Rusticucci and his Companions, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909448: The Punishment of Rusticucci and his Companions, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The Descent of Typhon and the Gods into Hell: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper)
The Descent of Typhon and the Gods into Hell: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper)

WHT161685: The Descent of Typhon and the Gods into Hell: Milton's Hymn on the Morning of Christ's Nativity (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Infant Joy', plate 23 from 'Songs of Innocence and of Experience [Bentley 25] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)
'Infant Joy', plate 23 from 'Songs of Innocence and of Experience [Bentley 25] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)

XYC243177: 'Infant Joy', plate 23 from 'Songs of Innocence and of Experience [Bentley 25] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

An Angel Striding Among the Stars (drawing)
An Angel Striding Among the Stars (drawing)

GR24712: An Angel Striding Among the Stars (drawing), Blake, William (1757-1827) / Bridgeman Images

The Nativity, c.1799-1800 (tempera on copper)
The Nativity, c.1799-1800 (tempera on copper)

PHL434536: The Nativity, c.1799-1800 (tempera on copper), Blake, William (1757-1827) / Bridgeman Images

'A naked man with a long beard kneeling with one knee raised and both hands on the ground', plate 23 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'A naked man with a long beard kneeling with one knee raised and both hands on the ground', plate 23 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256909: 'A naked man with a long beard kneeling with one knee raised and both hands on the ground', plate 23 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Complaint of the Giant Nimrod, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Complaint of the Giant Nimrod, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909433: The Complaint of the Giant Nimrod, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Dante and Virgil gazing into the Ditch of Flatterers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante and Virgil gazing into the Ditch of Flatterers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909437: Dante and Virgil gazing into the Ditch of Flatterers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images


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