Blake, William (1757-1827) Assets (1067 in total)
Results
XYC309889: 'The Tyger', plate 41 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
FOG909445: Virgil rescues Dante from the evil demons, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
NGV909171: Ulysses and Diomed swathed in the same flame, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
FIT58229: Job and his Daughters (pl.20) from the Book of Job, c.1793 (hand tinted line engraving), Blake, William (1757-1827) / Bridgeman Images
FIT83154: P.125-1950.pt1 Title page: plate 1 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83171: P.125-1950.pt18 The Divine Image: plate 18 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
NGS68767: God writing upon the Tables of the Covenant (pen, w/c, pencil, paper), Blake, William (1757-1827) / Bridgeman Images
XYC256361: '12: Los howld in a dismal stupor...', plate 10 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images
NGV909174: The Pit of Disease: Gianni Schicchi and Myrrha illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images
NGV909186: St Peter and St James with Dante and Beatrice, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images
BAL25408: The Healing of the Woman with an Issue of Blood, Blake, William (1757-1827) / Bridgeman Images
MAN62921: Alexander Pope, c.1800-03 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images
FIT57616: The Ascension, c.1805-6 (pen, pencil, indian ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC223017: 'The Little Black Boy', plate 6 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
NGV909159: The angel crossing the Styx, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
NGV909181: The angel inviting Dante to enter the fire, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
FOG909434: Agnello de Brunelleschi of Florence being transformed into a serpent, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
BAL25417: The Christ Child asleep on a Cross, c.1799-1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images
AGN81581: Lady Macbeth approaching the murdered Duncan (ink and wash), Blake, William (1757-1827) / Bridgeman Images
SOU80694: Naomi entreating Ruth and Orpah to return to the land of Moab, 1803 (wash, pencil, coloured chalk), Blake, William (1757-1827) / Bridgeman Images
MAN1113188: Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas), Blake, William (1757-1827) / Bridgeman Images
NGV909176: Anataeus setting down Dante and Virgil in the Last Circle of Hell, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
MAN1772304: Edmund Spenser, c.1800-03 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images
WHT161684: The Angels appearing to the Shepherds, 1809 (w/c, pencil, pen & brown ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC214589: 'Awake! Awake Jerusalem...', plate 97 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching printed in orange with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images
XYC173218: Copy of the Laocoon, for Rees's Cyclopedia, 1815 (graphite on laid paper), Blake, William (1757-1827) / Bridgeman Images
XYC256355: A naked man with a long, white beard, plate 3 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC256911: 'A boy in a long dress, standing with clasped hands next to a dog', plate 25 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
MAN1772297: Marcus Tulius Cicero, (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images
XLA3761484: Urizen Penned in the Rock by William Blake, Blake, William (1757-1827) / Bridgeman Images
BAL25407: Mercy and Truth are met together, Righteousness and Peace have kissed each other, Blake, William (1757-1827) / Bridgeman Images
BAL25416: Our Lady with the Infant Jesus Riding on a Lamb with St John, 1800 (tempera), Blake, William (1757-1827) / Bridgeman Images
FIT83141: P.124-1950.pt41 The Fly: plate 41 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC144697: 'All Human Forms Identified...', plate 99 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
