FOG909445:
Virgil rescues Dante from the evil demons, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
NGV909171:
Ulysses and Diomed swathed in the same flame, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
FIT83154:
P.125-1950.pt1 Title page: plate 1 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83171:
P.125-1950.pt18 The Divine Image: plate 18 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC256361:
'12: Los howld in a dismal stupor...', plate 10 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images
NGV909174:
The Pit of Disease: Gianni Schicchi and Myrrha illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images
NGV909186:
St Peter and St James with Dante and Beatrice, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images
XYC223017:
'The Little Black Boy', plate 6 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
NGV909159:
The angel crossing the Styx, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
NGV909181:
The angel inviting Dante to enter the fire, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
FOG909434:
Agnello de Brunelleschi of Florence being transformed into a serpent, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
SOU80694:
Naomi entreating Ruth and Orpah to return to the land of Moab, 1803 (wash, pencil, coloured chalk), Blake, William (1757-1827) / Bridgeman Images
NGV909176:
Anataeus setting down Dante and Virgil in the Last Circle of Hell, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC256355:
A naked man with a long, white beard, plate 3 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC256911:
'A boy in a long dress, standing with clasped hands next to a dog', plate 25 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83141:
P.124-1950.pt41 The Fly: plate 41 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC144697:
'All Human Forms Identified...', plate 99 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220133:
'The Garden of Love', plate 45 (Bentley 44) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images