Blake, William (1757-1827) Assets (1067 in total)

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'The Tyger', plate 41 from 'Songs of Experience', 1794 (relief etching with w/c)
'The Tyger', plate 41 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309889: 'The Tyger', plate 41 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Virgil rescues Dante from the evil demons, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Virgil rescues Dante from the evil demons, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909445: Virgil rescues Dante from the evil demons, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Ulysses and Diomed swathed in the same flame, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
Ulysses and Diomed swathed in the same flame, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909171: Ulysses and Diomed swathed in the same flame, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

Job and his Daughters (pl.20) from the Book of Job, c.1793 (hand tinted line engraving)
Job and his Daughters (pl.20) from the Book of Job, c.1793 (hand tinted line engraving)

FIT58229: Job and his Daughters (pl.20) from the Book of Job, c.1793 (hand tinted line engraving), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt1 Title page: plate 1 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt1 Title page: plate 1 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83154: P.125-1950.pt1 Title page: plate 1 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt18 The Divine Image: plate 18 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt18 The Divine Image: plate 18 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83171: P.125-1950.pt18 The Divine Image: plate 18 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

God writing upon the Tables of the Covenant (pen, w/c, pencil, paper)
God writing upon the Tables of the Covenant (pen, w/c, pencil, paper)

NGS68767: God writing upon the Tables of the Covenant (pen, w/c, pencil, paper), Blake, William (1757-1827) / Bridgeman Images

The Pit of Disease: Gianni Schicchi and Myrrha illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)
The Pit of Disease: Gianni Schicchi and Myrrha illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)

NGV909174: The Pit of Disease: Gianni Schicchi and Myrrha illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

St Peter and St James with Dante and Beatrice, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)
St Peter and St James with Dante and Beatrice, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)

NGV909186: St Peter and St James with Dante and Beatrice, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'12: Los howld in a dismal stupor...', plate 10 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'12: Los howld in a dismal stupor...', plate 10 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256361: '12: Los howld in a dismal stupor...', plate 10 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Alexander Pope, c.1800-03 (tempera on canvas)
Alexander Pope, c.1800-03 (tempera on canvas)

MAN62921: Alexander Pope, c.1800-03 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

The Healing of the Woman with an Issue of Blood
The Healing of the Woman with an Issue of Blood

BAL25408: The Healing of the Woman with an Issue of Blood, Blake, William (1757-1827) / Bridgeman Images

The Ascension, c.1805-6 (pen, pencil, indian ink and w/c)
The Ascension, c.1805-6 (pen, pencil, indian ink and w/c)

FIT57616: The Ascension, c.1805-6 (pen, pencil, indian ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'The Little Black Boy', plate 6 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'The Little Black Boy', plate 6 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC223017: 'The Little Black Boy', plate 6 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Agnello de Brunelleschi of Florence being transformed into a serpent, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Agnello de Brunelleschi of Florence being transformed into a serpent, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909434: Agnello de Brunelleschi of Florence being transformed into a serpent, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The angel crossing the Styx, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The angel crossing the Styx, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909159: The angel crossing the Styx, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

The angel inviting Dante to enter the fire, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The angel inviting Dante to enter the fire, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909181: The angel inviting Dante to enter the fire, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

The Christ Child asleep on a Cross, c.1799-1800 (tempera on canvas)
The Christ Child asleep on a Cross, c.1799-1800 (tempera on canvas)

BAL25417: The Christ Child asleep on a Cross, c.1799-1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Lady Macbeth approaching the murdered Duncan (ink and wash)
Lady Macbeth approaching the murdered Duncan (ink and wash)

AGN81581: Lady Macbeth approaching the murdered Duncan (ink and wash), Blake, William (1757-1827) / Bridgeman Images

Naomi entreating Ruth and Orpah to return to the land of Moab, 1803 (wash, pencil, coloured chalk)
Naomi entreating Ruth and Orpah to return to the land of Moab, 1803 (wash, pencil, coloured chalk)

SOU80694: Naomi entreating Ruth and Orpah to return to the land of Moab, 1803 (wash, pencil, coloured chalk), Blake, William (1757-1827) / Bridgeman Images

Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas)
Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas)

MAN1113188: Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Anataeus setting down Dante and Virgil in the Last Circle of Hell, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper)
Anataeus setting down Dante and Virgil in the Last Circle of Hell, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper)

NGV909176: Anataeus setting down Dante and Virgil in the Last Circle of Hell, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Edmund Spenser,  c.1800-03 (tempera on canvas)
Edmund Spenser,  c.1800-03 (tempera on canvas)

MAN1772304: Edmund Spenser, c.1800-03 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

The Angels appearing to the Shepherds, 1809 (w/c, pencil, pen & brown ink on paper)
The Angels appearing to the Shepherds, 1809 (w/c, pencil, pen & brown ink on paper)

WHT161684: The Angels appearing to the Shepherds, 1809 (w/c, pencil, pen & brown ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Awake! Awake Jerusalem...', plate 97 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching printed in orange with pen, w/c and gold)
'Awake! Awake Jerusalem...', plate 97 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching printed in orange with pen, w/c and gold)

XYC214589: 'Awake! Awake Jerusalem...', plate 97 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching printed in orange with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

Copy of the Laocoon, for Rees's Cyclopedia, 1815 (graphite on laid paper)
Copy of the Laocoon, for Rees's Cyclopedia, 1815 (graphite on laid paper)

XYC173218: Copy of the Laocoon, for Rees's Cyclopedia, 1815 (graphite on laid paper), Blake, William (1757-1827) / Bridgeman Images

A naked man with a long, white beard, plate 3 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
A naked man with a long, white beard, plate 3 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256355: A naked man with a long, white beard, plate 3 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'A boy in a long dress, standing with clasped hands next to a dog', plate 25 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'A boy in a long dress, standing with clasped hands next to a dog', plate 25 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256911: 'A boy in a long dress, standing with clasped hands next to a dog', plate 25 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Marcus Tulius Cicero, (tempera on canvas)
Marcus Tulius Cicero, (tempera on canvas)

MAN1772297: Marcus Tulius Cicero, (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Urizen Penned in the Rock by William Blake
Urizen Penned in the Rock by William Blake

XLA3761484: Urizen Penned in the Rock by William Blake, Blake, William (1757-1827) / Bridgeman Images

Mercy and Truth are met together, Righteousness and Peace have kissed each other
Mercy and Truth are met together, Righteousness and Peace have kissed each other

BAL25407: Mercy and Truth are met together, Righteousness and Peace have kissed each other, Blake, William (1757-1827) / Bridgeman Images

Our Lady with the Infant Jesus Riding on a Lamb with St John, 1800 (tempera)
Our Lady with the Infant Jesus Riding on a Lamb with St John, 1800 (tempera)

BAL25416: Our Lady with the Infant Jesus Riding on a Lamb with St John, 1800 (tempera), Blake, William (1757-1827) / Bridgeman Images

The Angel of the Divine Presence (w/c)
The Angel of the Divine Presence (w/c)

FIT55398: The Angel of the Divine Presence (w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt41 The Fly: plate 41 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt41 The Fly: plate 41 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83141: P.124-1950.pt41 The Fly: plate 41 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'All Human Forms Identified...', plate 99 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)
'All Human Forms Identified...', plate 99 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)

XYC144697: 'All Human Forms Identified...', plate 99 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Garden of Love', plate 45 (Bentley 44) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'The Garden of Love', plate 45 (Bentley 44) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220133: 'The Garden of Love', plate 45 (Bentley 44) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images


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