Blake, William (1757-1827) Assets (1067 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour)
I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour)

FIT63149: I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)
'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)

XYC239823: 'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)
The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)

XYC228385: The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

A Visionary Head (pencil on paper)
A Visionary Head (pencil on paper)

AGN265343: A Visionary Head (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256910: 'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Colinet Mocked by two boys, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Colinet Mocked by two boys, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273286: Colinet Mocked by two boys, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

The Good Shepherd chases away the Wolf, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
The Good Shepherd chases away the Wolf, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273296: The Good Shepherd chases away the Wolf, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273297: Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving)
Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving)

FIT277180: Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving), Blake, William (1757-1827) / Bridgeman Images

Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving)
Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving)

XYC277361: Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

Five Visionary Heads of Women, c.1820 (graphite on paper)
Five Visionary Heads of Women, c.1820 (graphite on paper)

XYC281168: Five Visionary Heads of Women, c.1820 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper)
The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper)

XYC291022: The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper), Blake, William (1757-1827) / Bridgeman Images

'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC284248: 'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

XCF282076: "The Terror Answered", plate 8 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'O little Cloud...', plate 5 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)
'O little Cloud...', plate 5 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)

XYC285544: 'O little Cloud...', plate 5 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c), Blake, William (1757-1827) / Bridgeman Images

'On Albions Angels...', plate 17 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'On Albions Angels...', plate 17 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285562: 'On Albions Angels...', plate 17 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

A naked man with a long beard kneeling with one knee raised and both hands on the ground, plate 8 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A naked man with a long beard kneeling with one knee raised and both hands on the ground, plate 8 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285518: A naked man with a long beard kneeling with one knee raised and both hands on the ground, plate 8 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'In the flames stood...', plate 16 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'In the flames stood...', plate 16 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285563: 'In the flames stood...', plate 16 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144095: The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144096: A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111246: Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)
Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)

FIT111249: Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819
England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819

PFH3519067: England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819, Blake, William (1757-1827) / Bridgeman Images


Back to top