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Blake, William (1757-1827) Assets (1067 in total)

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Dante and Virgil gazing into the Ditch of Flatterers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante and Virgil gazing into the Ditch of Flatterers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909437: Dante and Virgil gazing into the Ditch of Flatterers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909437

Dante and Virgil gazing into the Ditch of Flatterers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

The Circle of the Gluttons, with Cerberus, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Circle of the Gluttons, with Cerberus, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909442: The Circle of the Gluttons, with Cerberus, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909442

The Circle of the Gluttons, with Cerberus, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

The hell-hounds hunting the destroyers of their own goods, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The hell-hounds hunting the destroyers of their own goods, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909161: The hell-hounds hunting the destroyers of their own goods, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909161

The hell-hounds hunting the destroyers of their own goods, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

The six-footed serpent attacking Agnello dei Brunelleschi, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The six-footed serpent attacking Agnello dei Brunelleschi, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909170: The six-footed serpent attacking Agnello dei Brunelleschi, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909170

The six-footed serpent attacking Agnello dei Brunelleschi, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

Jeroboam and The Man of God, c.1804 (w/c on paper)
Jeroboam and The Man of God, c.1804 (w/c on paper)

MAN1772302: Jeroboam and The Man of God, c.1804 (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: MAN1772302

Jeroboam and The Man of God, c.1804 (w/c on paper)

Blake, William (1757-1827)

Joseph of Arimathea Among the Rocks of Albion engraved by William Blake
Joseph of Arimathea Among the Rocks of Albion engraved by William Blake

XLA3761425: Joseph of Arimathea Among the Rocks of Albion engraved by William Blake, Blake, William (1757-1827) / Bridgeman Images

ID: XLA3761425

Joseph of Arimathea Among the Rocks of Albion engraved by William Blake

Blake, William (1757-1827)

SHAKESPEARE - A MIDSUMMER
SHAKESPEARE - A MIDSUMMER

XLA3772449: SHAKESPEARE - A MIDSUMMER, Blake, William (1757-1827) / Bridgeman Images

ID: XLA3772449

SHAKESPEARE - A MIDSUMMER

Blake, William (1757-1827)

An Angel Striding Among the Stars (drawing)
An Angel Striding Among the Stars (drawing)

GR24712: An Angel Striding Among the Stars (drawing), Blake, William (1757-1827) / Bridgeman Images

ID: GR24712

An Angel Striding Among the Stars (drawing)

Blake, William (1757-1827)

Book of Urizen; Blake's retelling of the Creation of Eve in the Creation of Enitharmon, 'And left a round globe of blood, Trembling upon the Void', 1794 (colour-printed relief etching)
Book of Urizen; Blake's retelling of the Creation of Eve in the Creation of Enitharmon, 'And left a round globe of blood, Trembling upon the Void', 1794 (colour-printed relief etching)

XND70235: Book of Urizen; Blake's retelling of the Creation of Eve in the Creation of Enitharmon, 'And left a round globe of blood, Trembling upon the Void', 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

ID: XND70235

Book of Urizen; Blake's retelling of the Creation of Eve in the Creation of Enitharmon, 'And left a round globe of blood, Trembling upon the Void', 1794 (colour-printed relief etching)

Blake, William (1757-1827)

Proverbs of Hell, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
Proverbs of Hell, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113947: Proverbs of Hell, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113947

Proverbs of Hell, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

Blake, William (1757-1827)

'And There Was Heard...', plate 25 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)
'And There Was Heard...', plate 25 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC197600: 'And There Was Heard...', plate 25 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC197600

'And There Was Heard...', plate 25 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)

Blake, William (1757-1827)

Christ's Entry into Jerusalem (oil on copper)
Christ's Entry into Jerusalem (oil on copper)

GLS224046: Christ's Entry into Jerusalem (oil on copper), Blake, William (1757-1827) / Bridgeman Images

ID: GLS224046

Christ's Entry into Jerusalem (oil on copper)

Blake, William (1757-1827)

'The Progress of Poesy', design 44 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 44 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225035: 'The Progress of Poesy', design 44 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225035

'The Progress of Poesy', design 44 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

Blake, William (1757-1827)

Ode to Adversity, design 37 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)
Ode to Adversity, design 37 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)

XYC225763: Ode to Adversity, design 37 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225763

Ode to Adversity, design 37 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)

Blake, William (1757-1827)

'A Poison Tree', plate 50 (Bentley 49) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'A Poison Tree', plate 50 (Bentley 49) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220137: 'A Poison Tree', plate 50 (Bentley 49) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220137

'A Poison Tree', plate 50 (Bentley 49) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

Blake, William (1757-1827)

Demons tormenting the seducers of Malebolge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Demons tormenting the seducers of Malebolge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909438: Demons tormenting the seducers of Malebolge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909438

Demons tormenting the seducers of Malebolge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909447: illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909447

illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

Ephialtes and two other Titans, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Ephialtes and two other Titans, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909175: Ephialtes and two other Titans, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909175

Ephialtes and two other Titans, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

P.124-1950.pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83102: P.124-1950.pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83102

P.124-1950.pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

Blake, William (1757-1827)

P.125-1950.pt7 The Echoing Green (cont.): plate 7 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt7 The Echoing Green (cont.): plate 7 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83160: P.125-1950.pt7 The Echoing Green (cont.): plate 7 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83160

P.125-1950.pt7 The Echoing Green (cont.): plate 7 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

Blake, William (1757-1827)

The Marriage of Heaven and Hell; title-page, 1790-93 (relief etching tinted with w/c)
The Marriage of Heaven and Hell; title-page, 1790-93 (relief etching tinted with w/c)

XND70214: The Marriage of Heaven and Hell; title-page, 1790-93 (relief etching tinted with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XND70214

The Marriage of Heaven and Hell; title-page, 1790-93 (relief etching tinted with w/c)

Blake, William (1757-1827)

The First Book Of Urizen; Los at the forge with Enitharmon and Orc, showing Los' jealousy of Orc, his child, resulting in the tightening of the girdle around his neck, 1794 (colour-printed relief etching)
The First Book Of Urizen; Los at the forge with Enitharmon and Orc, showing Los' jealousy of Orc, his child, resulting in the tightening of the girdle around his neck, 1794 (colour-printed relief etching)

XND70228: The First Book Of Urizen; Los at the forge with Enitharmon and Orc, showing Los' jealousy of Orc, his child, resulting in the tightening of the girdle around his neck, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

ID: XND70228

The First Book Of Urizen; Los at the forge with Enitharmon and Orc, showing Los' jealousy of Orc, his child, resulting in the tightening of the girdle around his neck, 1794 (colour-printed relief etching)

Blake, William (1757-1827)

The Wise and Foolish Virgins, c.1822 (w/c and pen on paper)
The Wise and Foolish Virgins, c.1822 (w/c and pen on paper)

XYC139989: The Wise and Foolish Virgins, c.1822 (w/c and pen on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC139989

The Wise and Foolish Virgins, c.1822 (w/c and pen on paper)

Blake, William (1757-1827)

'The Sick Rose', plate 48 from 'Songs of Innocence and of Experience' [Bentley 39] c.1789-94 (relief etching in dark brown with pen & ink and w/c)
'The Sick Rose', plate 48 from 'Songs of Innocence and of Experience' [Bentley 39] c.1789-94 (relief etching in dark brown with pen & ink and w/c)

XYC243180: 'The Sick Rose', plate 48 from 'Songs of Innocence and of Experience' [Bentley 39] c.1789-94 (relief etching in dark brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC243180

'The Sick Rose', plate 48 from 'Songs of Innocence and of Experience' [Bentley 39] c.1789-94 (relief etching in dark brown with pen & ink and w/c)

Blake, William (1757-1827)

The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909164: The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909164

The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

The schismatics and sowers of discord: Mahomet, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)
The schismatics and sowers of discord: Mahomet, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)

NGV909172: The schismatics and sowers of discord: Mahomet, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909172

The schismatics and sowers of discord: Mahomet, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)

Blake, William (1757-1827)

Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909177: Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909177

Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909178: The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909178

The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909184: Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909184

Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909435: Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909435

Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909441: Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909441

Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909446: illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909446

illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & w/c on paper)
Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & w/c on paper)

FOG909451: Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909451

Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & w/c on paper)

Blake, William (1757-1827)

Buoso Attacked By Francesco Di Cavalcanti by William Blake
Buoso Attacked By Francesco Di Cavalcanti by William Blake

XLA3761469: Buoso Attacked By Francesco Di Cavalcanti by William Blake, Blake, William (1757-1827) / Bridgeman Images

ID: XLA3761469

Buoso Attacked By Francesco Di Cavalcanti by William Blake

Blake, William (1757-1827)

The Conversion of Saul, c.1800 (pen & ink and w/c on wove paper)
The Conversion of Saul, c.1800 (pen & ink and w/c on wove paper)

HEH5854526: The Conversion of Saul, c.1800 (pen & ink and w/c on wove paper), Blake, William (1757-1827) / Bridgeman Images

ID: HEH5854526

The Conversion of Saul, c.1800 (pen & ink and w/c on wove paper)

Blake, William (1757-1827)

The Faerie Queene
The Faerie Queene

BAL3085: The Faerie Queene, Blake, William (1757-1827) / Bridgeman Images

ID: BAL3085

The Faerie Queene

Blake, William (1757-1827)


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