Blake, William (1757-1827) Assets (1068 in total)
Results
FOG909448: The Punishment of Rusticucci and his Companions, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
XLA3761494: Enitharmon Hovering Over the Sleeping Los by William Blake, Blake, William (1757-1827) / Bridgeman Images
PHL434536: The Nativity, c.1799-1800 (tempera on copper), Blake, William (1757-1827) / Bridgeman Images
FIT113932: Christ Tempted by Satan to Turn the Stones to Bread, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC213852: Joseph and Potiphar's Wife, 1803-05 (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
SOU273292: Sabrina's Silvery Flood, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images
XYC256909: 'A naked man with a long beard kneeling with one knee raised and both hands on the ground', plate 23 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC262886: 'Innocence', plate 1 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
MAN1772302: Jeroboam and The Man of God, c.1804 (w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XLA3761425: Joseph of Arimathea Among the Rocks of Albion engraved by William Blake, Blake, William (1757-1827) / Bridgeman Images
NGV909161: The hell-hounds hunting the destroyers of their own goods, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
NGV909170: The six-footed serpent attacking Agnello dei Brunelleschi, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images
FOG909433: The Complaint of the Giant Nimrod, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
FOG909442: The Circle of the Gluttons, with Cerberus, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
FOG909437: Dante and Virgil gazing into the Ditch of Flatterers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220137: 'A Poison Tree', plate 50 (Bentley 49) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
GLS224046: Christ's Entry into Jerusalem (oil on copper), Blake, William (1757-1827) / Bridgeman Images
XYC225035: 'The Progress of Poesy', design 44 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC230560: Mary Magdalene at the Sepulchre, c.1805 (w/c and pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC197600: 'And There Was Heard...', plate 25 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113947: Proverbs of Hell, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC225763: Ode to Adversity, design 37 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83102: P.124-1950.pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83160: P.125-1950.pt7 The Echoing Green (cont.): plate 7 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XND70228: The First Book Of Urizen; Los at the forge with Enitharmon and Orc, showing Los' jealousy of Orc, his child, resulting in the tightening of the girdle around his neck, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images
FOG909438: Demons tormenting the seducers of Malebolge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
FOG909447: illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
NGV909175: Ephialtes and two other Titans, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images
XLA3761465: The Demons Tormenting Ceampolo by William Blake, Blake, William (1757-1827) / Bridgeman Images
BAL7036: The Divine Image, from Songs of Innocence, 1789 (coloured etching), Blake, William (1757-1827) / Bridgeman Images
GUL715566: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
RCM1066271: The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
