Blake, William (1757-1827) Assets (1067 in total)

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The six-footed serpent attacking Agnello dei Brunelleschi, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The six-footed serpent attacking Agnello dei Brunelleschi, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909170: The six-footed serpent attacking Agnello dei Brunelleschi, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

SHAKESPEARE - A MIDSUMMER
SHAKESPEARE - A MIDSUMMER

XLA3772449: SHAKESPEARE - A MIDSUMMER, Blake, William (1757-1827) / Bridgeman Images

An Angel Striding Among the Stars (drawing)
An Angel Striding Among the Stars (drawing)

GR24712: An Angel Striding Among the Stars (drawing), Blake, William (1757-1827) / Bridgeman Images

Christ Tempted by Satan to Turn the Stones to Bread, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Christ Tempted by Satan to Turn the Stones to Bread, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113932: Christ Tempted by Satan to Turn the Stones to Bread, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Joseph and Potiphar's Wife, 1803-05 (pen & ink and w/c on paper)
Joseph and Potiphar's Wife, 1803-05 (pen & ink and w/c on paper)

XYC213852: Joseph and Potiphar's Wife, 1803-05 (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'A naked man with a long beard kneeling with one knee raised and both hands on the ground', plate 23 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'A naked man with a long beard kneeling with one knee raised and both hands on the ground', plate 23 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256909: 'A naked man with a long beard kneeling with one knee raised and both hands on the ground', plate 23 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Innocence', plate 1 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'Innocence', plate 1 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC262886: 'Innocence', plate 1 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Sabrina's Silvery Flood, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Sabrina's Silvery Flood, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273292: Sabrina's Silvery Flood, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

The Nativity, c.1799-1800 (tempera on copper)
The Nativity, c.1799-1800 (tempera on copper)

PHL434536: The Nativity, c.1799-1800 (tempera on copper), Blake, William (1757-1827) / Bridgeman Images

Jeroboam and The Man of God, c.1804 (w/c on paper)
Jeroboam and The Man of God, c.1804 (w/c on paper)

MAN1772302: Jeroboam and The Man of God, c.1804 (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Marriage of Heaven and Hell; title-page, 1790-93 (relief etching tinted with w/c)
The Marriage of Heaven and Hell; title-page, 1790-93 (relief etching tinted with w/c)

XND70214: The Marriage of Heaven and Hell; title-page, 1790-93 (relief etching tinted with w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book Of Urizen; Los at the forge with Enitharmon and Orc, showing Los' jealousy of Orc, his child, resulting in the tightening of the girdle around his neck, 1794 (colour-printed relief etching)
The First Book Of Urizen; Los at the forge with Enitharmon and Orc, showing Los' jealousy of Orc, his child, resulting in the tightening of the girdle around his neck, 1794 (colour-printed relief etching)

XND70228: The First Book Of Urizen; Los at the forge with Enitharmon and Orc, showing Los' jealousy of Orc, his child, resulting in the tightening of the girdle around his neck, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83102: P.124-1950.pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt7 The Echoing Green (cont.): plate 7 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt7 The Echoing Green (cont.): plate 7 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83160: P.125-1950.pt7 The Echoing Green (cont.): plate 7 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'And There Was Heard...', plate 25 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)
'And There Was Heard...', plate 25 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC197600: 'And There Was Heard...', plate 25 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'A Poison Tree', plate 50 (Bentley 49) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'A Poison Tree', plate 50 (Bentley 49) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220137: 'A Poison Tree', plate 50 (Bentley 49) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

Ode to Adversity, design 37 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)
Ode to Adversity, design 37 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)

XYC225763: Ode to Adversity, design 37 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Proverbs of Hell, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
Proverbs of Hell, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113947: Proverbs of Hell, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 44 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 44 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225035: 'The Progress of Poesy', design 44 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Christ's Entry into Jerusalem (oil on copper)
Christ's Entry into Jerusalem (oil on copper)

GLS224046: Christ's Entry into Jerusalem (oil on copper), Blake, William (1757-1827) / Bridgeman Images

Ephialtes and two other Titans, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Ephialtes and two other Titans, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909175: Ephialtes and two other Titans, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Demons tormenting the seducers of Malebolge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Demons tormenting the seducers of Malebolge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909438: Demons tormenting the seducers of Malebolge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909447: illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Buoso Attacked By Francesco Di Cavalcanti by William Blake
Buoso Attacked By Francesco Di Cavalcanti by William Blake

XLA3761469: Buoso Attacked By Francesco Di Cavalcanti by William Blake, Blake, William (1757-1827) / Bridgeman Images

The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909164: The devils under the bridge, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

The schismatics and sowers of discord: Mahomet, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)
The schismatics and sowers of discord: Mahomet, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper)

NGV909172: The schismatics and sowers of discord: Mahomet, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909177: Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909178: The Rest on the Mountain Leading to Purgatory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909184: Dante adoring Christ, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909446: illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & w/c on paper)
Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & w/c on paper)

FOG909451: Dante, Virgil and Cato, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil with ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909435: Dante and Virgil among the Blasphemers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909441: Dante and Virgil in the Skiff of Phlegyas are hailed by Filippo Argenti, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt22 Spring: plate 22 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt22 Spring: plate 22 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83175: P.125-1950.pt22 Spring: plate 22 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen; Bearded man swimming through water, 1794 (colour-printed relief etching)
The First Book of Urizen; Bearded man swimming through water, 1794 (colour-printed relief etching)

XND70227: The First Book of Urizen; Bearded man swimming through water, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

The Wise and Foolish Virgins, c.1822 (w/c and pen on paper)
The Wise and Foolish Virgins, c.1822 (w/c and pen on paper)

XYC139989: The Wise and Foolish Virgins, c.1822 (w/c and pen on paper), Blake, William (1757-1827) / Bridgeman Images


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