Blake, William (1757-1827) Assets (1067 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper)
The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper)

RCM1066271: The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration 3 to Milton's
Illustration 3 to Milton's

HEH5854524: Illustration 3 to Milton's "Paradise Lost": Christ Offers to Redeem Man, 1807 (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761452: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job 2: 7 Illustrated by William Blake
The Book of Job 2: 7 Illustrated by William Blake

XLA3765267: The Book of Job 2: 7 Illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrated by William Blake
The Book of Job illustrated by William Blake

XLA3765285: The Book of Job illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715566: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Divine Image, from Songs of Innocence, 1789 (coloured etching)
The Divine Image, from Songs of Innocence, 1789 (coloured etching)

BAL7036: The Divine Image, from Songs of Innocence, 1789 (coloured etching), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt5 The Echoing Green: plate 5 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt5 The Echoing Green: plate 5 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83105: P.124-1950.pt5 The Echoing Green: plate 5 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt16 A Cradle Song (cont.): plate 16 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt16 A Cradle Song (cont.): plate 16 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83116: P.124-1950.pt16 A Cradle Song (cont.): plate 16 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83125: P.124-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt48 The Human Abstract: plate 48 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt48 The Human Abstract: plate 48 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83148: P.124-1950.pt48 The Human Abstract: plate 48 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt33 Holy Thursday: plate 33 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt33 Holy Thursday: plate 33 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83186: P.125-1950.pt33 Holy Thursday: plate 33 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt43 My Pretty Rose Tree; Ah! Sunflower; The Lilly: plate 43 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt43 My Pretty Rose Tree; Ah! Sunflower; The Lilly: plate 43 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83196: P.125-1950.pt43 My Pretty Rose Tree; Ah! Sunflower; The Lilly: plate 43 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Holy Thursday, 1789 (hand-coloured relief-etching, watercolour)
Holy Thursday, 1789 (hand-coloured relief-etching, watercolour)

CH985823: Holy Thursday, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil)
The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil)

CH985828: The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil), Blake, William (1757-1827) / Bridgeman Images

Frontispiece, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate)
Frontispiece, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate)

CH986380: Frontispiece, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate), Blake, William (1757-1827) / Bridgeman Images

The Last Supper, 1799 (tempera on canvas)
The Last Supper, 1799 (tempera on canvas)

XOS746456: The Last Supper, 1799 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 81 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen ink on paper)
'The Descent of Odin', design 81 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen ink on paper)

XYC222355: 'The Descent of Odin', design 81 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen ink on paper), Blake, William (1757-1827) / Bridgeman Images

Colinet's Fond Desire to know Strange Lands, illustration from Dr. Thorton's 'The Pastorals of Virgil' (woodcut)
Colinet's Fond Desire to know Strange Lands, illustration from Dr. Thorton's 'The Pastorals of Virgil' (woodcut)

SOU273287: Colinet's Fond Desire to know Strange Lands, illustration from Dr. Thorton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

'The Fly', plate 37 from 'Songs of Innocence and of Experience' [Bentley 40] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)
'The Fly', plate 37 from 'Songs of Innocence and of Experience' [Bentley 40] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)

XYC243179: 'The Fly', plate 37 from 'Songs of Innocence and of Experience' [Bentley 40] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Thomas Alphonso Hayley, Half-Length Drawing, c.1800 (graphite with grey b/c on paper)
Thomas Alphonso Hayley, Half-Length Drawing, c.1800 (graphite with grey b/c on paper)

XYC291035: Thomas Alphonso Hayley, Half-Length Drawing, c.1800 (graphite with grey b/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Baptism of Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
The Baptism of Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113931: The Baptism of Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Demosthenes (tempera on canvas)
Demosthenes (tempera on canvas)

MAN1772299: Demosthenes (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Alonso de Ercilla y Zúñiga, c.1800 (tempera on canvas)
Alonso de Ercilla y Zúñiga, c.1800 (tempera on canvas)

MAN1772307: Alonso de Ercilla y Zúñiga, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Comus with his Revellers (Illustration to Milton's 'Comus') c.1815 (pen & w/c on paper)
Comus with his Revellers (Illustration to Milton's 'Comus') c.1815 (pen & w/c on paper)

BST3083897: Comus with his Revellers (Illustration to Milton's 'Comus') c.1815 (pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt29 Frontispiece to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy R), c.1802-08 (etching, ink and w/c)
P.124-1950.pt29 Frontispiece to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy R), c.1802-08 (etching, ink and w/c)

FIT83129: P.124-1950.pt29 Frontispiece to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy R), c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen;
The First Book of Urizen;

XND70226: The First Book of Urizen; "As the stars are apart from the earth", 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

Preludium, Plate 2a from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c on paper)
Preludium, Plate 2a from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c on paper)

XYC314975: Preludium, Plate 2a from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Thel, plate 2 (Title Page), 1789 (relief etching with pen and w/c)
The Book of Thel, plate 2 (Title Page), 1789 (relief etching with pen and w/c)

XYC309854: The Book of Thel, plate 2 (Title Page), 1789 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Four naked men emerging from their elements, plate 4 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Four naked men emerging from their elements, plate 4 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256356: Four naked men emerging from their elements, plate 4 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper)
Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper)

FIT111438: Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper), Blake, William (1757-1827) / Bridgeman Images

Jerusalem, plate 28 from chapter 2 (relief etching with pen and w/c)
Jerusalem, plate 28 from chapter 2 (relief etching with pen and w/c)

XYC123133: Jerusalem, plate 28 from chapter 2 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715569: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715582: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper)
Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper)

FOG909450: Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper), Blake, William (1757-1827) / Bridgeman Images

Louis Vaz de Camoens, c.1800 (tempera on canvas)
Louis Vaz de Camoens, c.1800 (tempera on canvas)

MAN1772295: Louis Vaz de Camoens, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images


Back to top