Blake, William (1757-1827) Assets (1067 in total)

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The Demons Tormenting Ceampolo by William Blake
The Demons Tormenting Ceampolo by William Blake

XLA3766583: The Demons Tormenting Ceampolo by William Blake, Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715569: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715582: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Harlot and the Giant, illustration to Canto 32 of Purgatory from Dante's 'Divine Comedy', 1824-27 (pen, ink & w/c over pencil & black chalk on paper)
The Harlot and the Giant, illustration to Canto 32 of Purgatory from Dante's 'Divine Comedy', 1824-27 (pen, ink & w/c over pencil & black chalk on paper)

NGV191595: The Harlot and the Giant, illustration to Canto 32 of Purgatory from Dante's 'Divine Comedy', 1824-27 (pen, ink & w/c over pencil & black chalk on paper), Blake, William (1757-1827) / Bridgeman Images

Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper)
Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper)

FOG909450: Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper), Blake, William (1757-1827) / Bridgeman Images

Louis Vaz de Camoens, c.1800 (tempera on canvas)
Louis Vaz de Camoens, c.1800 (tempera on canvas)

MAN1772295: Louis Vaz de Camoens, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

John Dryden, c.1800 (tempera on canvas)
John Dryden, c.1800 (tempera on canvas)

MAN1772300: John Dryden, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83178: P.125-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

PD.18-1950 Christ refusing the banquet offered by Satan, from 'Paradise Regained' by John Milton, c.1816-18 (w/c, pen and ink with wash)
PD.18-1950 Christ refusing the banquet offered by Satan, from 'Paradise Regained' by John Milton, c.1816-18 (w/c, pen and ink with wash)

FIT84913: PD.18-1950 Christ refusing the banquet offered by Satan, from 'Paradise Regained' by John Milton, c.1816-18 (w/c, pen and ink with wash), Blake, William (1757-1827) / Bridgeman Images

Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper)
Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper)

FIT111438: Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper), Blake, William (1757-1827) / Bridgeman Images

The Crucifixion (pen and wash)
The Crucifixion (pen and wash)

AGN81579: The Crucifixion (pen and wash), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715568: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715579: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Thel; Title Page, 1789 (relief etching and w/c)
The Book of Thel; Title Page, 1789 (relief etching and w/c)

XND70213: The Book of Thel; Title Page, 1789 (relief etching and w/c), Blake, William (1757-1827) / Bridgeman Images

The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour)
The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour)

XND70216: The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour), Blake, William (1757-1827) / Bridgeman Images

Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching)
Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching)

XND70234: Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

The Vision of Eliphaz, 1825 (pen, w/c and pencil)
The Vision of Eliphaz, 1825 (pen, w/c and pencil)

XND70238: The Vision of Eliphaz, 1825 (pen, w/c and pencil), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of The Giant Albion;
Jerusalem The Emanation of The Giant Albion;

XND70245: Jerusalem The Emanation of The Giant Albion; "Then the Divine Hand" showing Christ soaring above Albion within whose bosom "the Divine hand found the Two Limits, Satan and Adam", 1804 (relief etching and white line engraving with w/c), Blake, William (1757-1827) / Bridgeman Images

The Shepherd, from Songs of Innocence, 1789 (coloured etching)
The Shepherd, from Songs of Innocence, 1789 (coloured etching)

BAL7035: The Shepherd, from Songs of Innocence, 1789 (coloured etching), Blake, William (1757-1827) / Bridgeman Images

Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters
Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters

BAL25410: Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters, Blake, William (1757-1827) / Bridgeman Images

The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper)
The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper)

XBM99625: The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Divine Image', plate 12 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Divine Image', plate 12 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218331: 'The Divine Image', plate 12 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Infant Joy', plate 14 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'Infant Joy', plate 14 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218333: 'Infant Joy', plate 14 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285522: A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)
A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)

XYC173212: A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Infant Joy, from 'Songs of Innocence', 1789 (hand-coloured etching with brown ink)
Infant Joy, from 'Songs of Innocence', 1789 (hand-coloured etching with brown ink)

CH393595: Infant Joy, from 'Songs of Innocence', 1789 (hand-coloured etching with brown ink), Blake, William (1757-1827) / Bridgeman Images

On Another's Sorrow, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.28 (Bentley 27) 1789-94 (relief etching with pen & w/c on paper)
On Another's Sorrow, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.28 (Bentley 27) 1789-94 (relief etching with pen & w/c on paper)

XYC225768: On Another's Sorrow, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.28 (Bentley 27) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song,' plate 18 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'Nurse's Song,' plate 18 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225883: 'Nurse's Song,' plate 18 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour)
'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour)

XYC225896: 'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour), Blake, William (1757-1827) / Bridgeman Images

David Hartley
David Hartley

XLA3763544: David Hartley, Blake, William (1757-1827) / Bridgeman Images

Bocca Degli Abati in the Lake of Ice by William Blake
Bocca Degli Abati in the Lake of Ice by William Blake

XLA3761462: Bocca Degli Abati in the Lake of Ice by William Blake, Blake, William (1757-1827) / Bridgeman Images

Thel and the Worm by William Blake
Thel and the Worm by William Blake

XLA3761473: Thel and the Worm by William Blake, Blake, William (1757-1827) / Bridgeman Images

Oothoon Plucking Leutha's Flower by William Blake
Oothoon Plucking Leutha's Flower by William Blake

XLA3761475: Oothoon Plucking Leutha's Flower by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job 4:15 & 18
The Book of Job 4:15 & 18

XLA3765273: The Book of Job 4:15 & 18, Blake, William (1757-1827) / Bridgeman Images

Thenot Remonstrates with Colinet, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot Remonstrates with Colinet, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273293: Thenot Remonstrates with Colinet, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt49 Infant Sorrow: plate 49 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt49 Infant Sorrow: plate 49 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83149: P.124-1950.pt49 Infant Sorrow: plate 49 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images


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