NGV191595:
The Harlot and the Giant, illustration to Canto 32 of Purgatory from Dante's 'Divine Comedy', 1824-27 (pen, ink & watercolour over pencil & black chalk on paper), Blake, William (1757-1827) / Bridgeman Images
XYC256356:
Four naked men emerging from their elements, plate 4 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC314975:
Preludium, Plate 2a from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220130:
'To Tirzah', plate 42 (Bentley 52) from 'Songs of innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with ink & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC225890:
'When Wolves and tygers...,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images
FIT83178:
P.125-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT84913:
PD.18-1950 Christ refusing the banquet offered by Satan, from 'Paradise Regained' by John Milton, c.1816-18 (w/c, pen and ink with wash), Blake, William (1757-1827) / Bridgeman Images
XND70220:
Europe a Prophecy 'Unwilling I look up', 1794 (relief etching with white line engraving and w/c), Blake, William (1757-1827) / Bridgeman Images
FOG909450:
Dante and the Usurers, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pencil and wash on paper), Blake, William (1757-1827) / Bridgeman Images
XYC218331:
'The Divine Image', plate 12 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images