Blake, William (1757-1827) Assets (1067 in total)

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Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715569: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Europe a Prophecy 'Unwilling I look up', 1794 (relief etching with white line engraving and w/c)
Europe a Prophecy 'Unwilling I look up', 1794 (relief etching with white line engraving and w/c)

XND70220: Europe a Prophecy 'Unwilling I look up', 1794 (relief etching with white line engraving and w/c), Blake, William (1757-1827) / Bridgeman Images

The Crucifixion (pen and wash)
The Crucifixion (pen and wash)

AGN81579: The Crucifixion (pen and wash), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83178: P.125-1950.pt25 Infant Joy: plate 25 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

PD.18-1950 Christ refusing the banquet offered by Satan, from 'Paradise Regained' by John Milton, c.1816-18 (w/c, pen and ink with wash)
PD.18-1950 Christ refusing the banquet offered by Satan, from 'Paradise Regained' by John Milton, c.1816-18 (w/c, pen and ink with wash)

FIT84913: PD.18-1950 Christ refusing the banquet offered by Satan, from 'Paradise Regained' by John Milton, c.1816-18 (w/c, pen and ink with wash), Blake, William (1757-1827) / Bridgeman Images

Louis Vaz de Camoens, c.1800 (tempera on canvas)
Louis Vaz de Camoens, c.1800 (tempera on canvas)

MAN1772295: Louis Vaz de Camoens, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

John Dryden, c.1800 (tempera on canvas)
John Dryden, c.1800 (tempera on canvas)

MAN1772300: John Dryden, c.1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

'To Tirzah', plate 42 (Bentley 52) from 'Songs of innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with ink & w/c)
'To Tirzah', plate 42 (Bentley 52) from 'Songs of innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with ink & w/c)

XYC220130: 'To Tirzah', plate 42 (Bentley 52) from 'Songs of innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with ink & w/c), Blake, William (1757-1827) / Bridgeman Images

Four naked men emerging from their elements, plate 4 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Four naked men emerging from their elements, plate 4 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256356: Four naked men emerging from their elements, plate 4 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Preludium, Plate 2a from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c on paper)
Preludium, Plate 2a from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c on paper)

XYC314975: Preludium, Plate 2a from 'The First Book of Urizen', 1794 (colour-printed relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper)
Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper)

FIT111438: Har and Heva Bathing, Mnetha Looking On, c.1785-89 (brush, ink and wash on paper), Blake, William (1757-1827) / Bridgeman Images

Jerusalem, plate 28 from chapter 2 (relief etching with pen and w/c)
Jerusalem, plate 28 from chapter 2 (relief etching with pen and w/c)

XYC123133: Jerusalem, plate 28 from chapter 2 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Bocca Degli Abati in the Lake of Ice by William Blake
Bocca Degli Abati in the Lake of Ice by William Blake

XLA3761462: Bocca Degli Abati in the Lake of Ice by William Blake, Blake, William (1757-1827) / Bridgeman Images

Thel and the Worm by William Blake
Thel and the Worm by William Blake

XLA3761473: Thel and the Worm by William Blake, Blake, William (1757-1827) / Bridgeman Images

Oothoon Plucking Leutha's Flower by William Blake
Oothoon Plucking Leutha's Flower by William Blake

XLA3761475: Oothoon Plucking Leutha's Flower by William Blake, Blake, William (1757-1827) / Bridgeman Images

David Hartley
David Hartley

XLA3763544: David Hartley, Blake, William (1757-1827) / Bridgeman Images

The Book of Job 4:15 & 18
The Book of Job 4:15 & 18

XLA3765273: The Book of Job 4:15 & 18, Blake, William (1757-1827) / Bridgeman Images

The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper)
The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper)

XBM99625: The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Thenot Remonstrates with Colinet, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot Remonstrates with Colinet, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273293: Thenot Remonstrates with Colinet, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt49 Infant Sorrow: plate 49 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt49 Infant Sorrow: plate 49 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83149: P.124-1950.pt49 Infant Sorrow: plate 49 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt53 A Little Boy Lost: plate 53 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt53 A Little Boy Lost: plate 53 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83153: P.124-1950.pt53 A Little Boy Lost: plate 53 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt3 Title page: plate 3 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt3 Title page: plate 3 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83156: P.125-1950.pt3 Title page: plate 3 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83197: P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt54 The Voice of the Ancient Bard: plate 54 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt54 The Voice of the Ancient Bard: plate 54 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83207: P.125-1950.pt54 The Voice of the Ancient Bard: plate 54 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Book of Thel; Title Page, 1789 (relief etching and w/c)
The Book of Thel; Title Page, 1789 (relief etching and w/c)

XND70213: The Book of Thel; Title Page, 1789 (relief etching and w/c), Blake, William (1757-1827) / Bridgeman Images

The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour)
The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour)

XND70216: The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour), Blake, William (1757-1827) / Bridgeman Images

Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching)
Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching)

XND70234: Book of Thel; Thel leaning over the 'Matron Clay' and the worm, 1789 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

The Vision of Eliphaz, 1825 (pen, w/c and pencil)
The Vision of Eliphaz, 1825 (pen, w/c and pencil)

XND70238: The Vision of Eliphaz, 1825 (pen, w/c and pencil), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of The Giant Albion;
Jerusalem The Emanation of The Giant Albion;

XND70245: Jerusalem The Emanation of The Giant Albion; "Then the Divine Hand" showing Christ soaring above Albion within whose bosom "the Divine hand found the Two Limits, Satan and Adam", 1804 (relief etching and white line engraving with w/c), Blake, William (1757-1827) / Bridgeman Images

Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters
Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters

BAL25410: Tiriel, borne back to the Palace on the Shoulders of his Brother Ijim, addressing his five Daughters, Blake, William (1757-1827) / Bridgeman Images

The Shepherd, from Songs of Innocence, 1789 (coloured etching)
The Shepherd, from Songs of Innocence, 1789 (coloured etching)

BAL7035: The Shepherd, from Songs of Innocence, 1789 (coloured etching), Blake, William (1757-1827) / Bridgeman Images

A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)
A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper)

XYC173212: A Naked Man in Flames, plate 26 from 'Jerusalem', 1804-20 (etching printed in orange with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Silent as despairing love...', plate 4 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Silent as despairing love...', plate 4 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285567: 'Silent as despairing love...', plate 4 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285522: A naked man with a floating white beard, plate 5 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song,' plate 18 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'Nurse's Song,' plate 18 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225883: 'Nurse's Song,' plate 18 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour)
'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour)

XYC225896: 'My Pretty Rose Tree,' and 'Ah! Sun-flower,' and 'The Lily,' from 'Songs of Experience,' 1794 (relief etching with hand colouring and watercolour), Blake, William (1757-1827) / Bridgeman Images


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