Blake, William (1757-1827) Assets (1067 in total)

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The Soldiers Casting Lots for Christ's Garments, 1800 (pen, indian ink, grey wash and w/c)
The Soldiers Casting Lots for Christ's Garments, 1800 (pen, indian ink, grey wash and w/c)

FIT57603: The Soldiers Casting Lots for Christ's Garments, 1800 (pen, indian ink, grey wash and w/c), Blake, William (1757-1827) / Bridgeman Images

Dante running from the three beasts, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
Dante running from the three beasts, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909153: Dante running from the three beasts, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

Capaneus the Blasphemer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper)
Capaneus the Blasphemer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper)

NGV909162: Capaneus the Blasphemer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt42 The Tyger: plate 42 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt42 The Tyger: plate 42 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83195: P.125-1950.pt42 The Tyger: plate 42 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Satan Calling up his Legions
Satan Calling up his Legions

BAL25414: Satan Calling up his Legions, Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 17, 1794 (relief etching finished in w/c on paper)
The First Book of Urizen, plate 17, 1794 (relief etching finished in w/c on paper)

XCF277694: The First Book of Urizen, plate 17, 1794 (relief etching finished in w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.128-1950.p5 Satan going forth from the presence of the Lord, and Job's charity from the 'Book of Job', 1825 (engraving)
P.128-1950.p5 Satan going forth from the presence of the Lord, and Job's charity from the 'Book of Job', 1825 (engraving)

FIT77550: P.128-1950.p5 Satan going forth from the presence of the Lord, and Job's charity from the 'Book of Job', 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

Frontispiece to 'Jerusalem' (Bentley Copy E) 1804-20 (etching with pen, w/c and gold on paper)
Frontispiece to 'Jerusalem' (Bentley Copy E) 1804-20 (etching with pen, w/c and gold on paper)

XYC144695: Frontispiece to 'Jerusalem' (Bentley Copy E) 1804-20 (etching with pen, w/c and gold on paper), Blake, William (1757-1827) / Bridgeman Images

The Fall of Man (pen & ink and w/c on paper)
The Fall of Man (pen & ink and w/c on paper)

STC25418: The Fall of Man (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-19503.pt39 The Sick Rose: plate 39 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-19503.pt39 The Sick Rose: plate 39 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83192: P.125-19503.pt39 The Sick Rose: plate 39 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Ezekiel Kneeling By the Death-Bed of his Wife by William Blake
Ezekiel Kneeling By the Death-Bed of his Wife by William Blake

XLA3761431: Ezekiel Kneeling By the Death-Bed of his Wife by William Blake, Blake, William (1757-1827) / Bridgeman Images

Europe a Prophecy; Left to right frontispiece and title page; God Creating the Universe (The Creation of the Material World by Jehovah in the guise of Urizen, the embodiment of unimaginative reason), ('The Ancient of Days'); Orc, the embodiment of Energy, in the form of a serpent, 1794, (colour-printed relief etching, w/c)
Europe a Prophecy; Left to right frontispiece and title page; God Creating the Universe (The Creation of the Material World by Jehovah in the guise of Urizen, the embodiment of unimaginative reason), ('The Ancient of Days'); Orc, the embodiment of Energy, in the form of a serpent, 1794, (colour-printed relief etching, w/c)

XND70219: Europe a Prophecy; Left to right frontispiece and title page; God Creating the Universe (The Creation of the Material World by Jehovah in the guise of Urizen, the embodiment of unimaginative reason), ('The Ancient of Days'); Orc, the embodiment of Energy, in the form of a serpent, 1794, (colour-printed relief etching, w/c), Blake, William (1757-1827) / Bridgeman Images

Christ in the House of Martha and Mary or The Penitent Magdalen
Christ in the House of Martha and Mary or The Penitent Magdalen

BAL25406: Christ in the House of Martha and Mary or The Penitent Magdalen, Blake, William (1757-1827) / Bridgeman Images

The Harlot and the Giant, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Harlot and the Giant, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909183: The Harlot and the Giant, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt8 The Lamb: plate 8 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt8 The Lamb: plate 8 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83161: P.125-1950.pt8 The Lamb: plate 8 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113962: "Impulse, not from rules...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

America a Prophecy; 'Thus wept the Angel voice', the emergence of Orc (the embodiment of Energy) from captivity to which he had been submitted by his parents Los and Enitharmon, 1793 (relief etching and w/c)
America a Prophecy; 'Thus wept the Angel voice', the emergence of Orc (the embodiment of Energy) from captivity to which he had been submitted by his parents Los and Enitharmon, 1793 (relief etching and w/c)

XND70218: America a Prophecy; 'Thus wept the Angel voice', the emergence of Orc (the embodiment of Energy) from captivity to which he had been submitted by his parents Los and Enitharmon, 1793 (relief etching and w/c), Blake, William (1757-1827) / Bridgeman Images

P.127-1950.pt1 Albion's Angel, frontispiece to 'America, a Prophecy', c.1821 (relief etching with pen and w/c on paper)
P.127-1950.pt1 Albion's Angel, frontispiece to 'America, a Prophecy', c.1821 (relief etching with pen and w/c on paper)

FIT77540: P.127-1950.pt1 Albion's Angel, frontispiece to 'America, a Prophecy', c.1821 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt46 London: plate 46 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt46 London: plate 46 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83199: P.125-1950.pt46 London: plate 46 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Laughing Song', plate 26 from 'Songs of Innocence and of Experience' [Bentley 15] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)
'Laughing Song', plate 26 from 'Songs of Innocence and of Experience' [Bentley 15] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)

XYC243178: 'Laughing Song', plate 26 from 'Songs of Innocence and of Experience' [Bentley 15] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Minos, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
Minos, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909155: Minos, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

Devils setting out with Dante and Virgil, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
Devils setting out with Dante and Virgil, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909167: Devils setting out with Dante and Virgil, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

The Three Marys at the Sepulchre, c.1800 (pen & ink with wash and w/c on paper)
The Three Marys at the Sepulchre, c.1800 (pen & ink with wash and w/c on paper)

FIT282894: The Three Marys at the Sepulchre, c.1800 (pen & ink with wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of the Giant Albion; plate 76 Albion before Christ crucified on the Tree of Knowledge and Good and Evil, 1804-20 (relief etching finished with w/c)
Jerusalem The Emanation of the Giant Albion; plate 76 Albion before Christ crucified on the Tree of Knowledge and Good and Evil, 1804-20 (relief etching finished with w/c)

XND70242: Jerusalem The Emanation of the Giant Albion; plate 76 Albion before Christ crucified on the Tree of Knowledge and Good and Evil, 1804-20 (relief etching finished with w/c), Blake, William (1757-1827) / Bridgeman Images

Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas)
Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas)

MAN350937: Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt40 The Sick Rose: plate 40 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt40 The Sick Rose: plate 40 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83140: P.124-1950.pt40 The Sick Rose: plate 40 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence, title page
Songs of Innocence, title page

BAL7033: Songs of Innocence, title page, Blake, William (1757-1827) / Bridgeman Images

The vestibule of Hell and the souls mustering to cross the Acheron, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The vestibule of Hell and the souls mustering to cross the Acheron, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909154: The vestibule of Hell and the souls mustering to cross the Acheron, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

Satan calling up his Legions, from John Milton's 'Paradise Lost', c.1805-09 (tempera on canvas)
Satan calling up his Legions, from John Milton's 'Paradise Lost', c.1805-09 (tempera on canvas)

USB1155400: Satan calling up his Legions, from John Milton's 'Paradise Lost', c.1805-09 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

'A Cradle Song,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'A Cradle Song,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225888: 'A Cradle Song,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

The angel at the gate of Dis, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The angel at the gate of Dis, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909160: The angel at the gate of Dis, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

To go forth to the Great Harvest & Vintage of the Nations, c.1811 (copper-plate engraving)
To go forth to the Great Harvest & Vintage of the Nations, c.1811 (copper-plate engraving)

XOS1780689: To go forth to the Great Harvest & Vintage of the Nations, c.1811 (copper-plate engraving), Blake, William (1757-1827) / Bridgeman Images

The Book of Job 1:1  Illustrated by William Blake
The Book of Job 1:1  Illustrated by William Blake

XLA3765258: The Book of Job 1:1 Illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt1 Title page: plate 1 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt1 Title page: plate 1 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83154: P.125-1950.pt1 Title page: plate 1 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt18 The Divine Image: plate 18 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt18 The Divine Image: plate 18 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83171: P.125-1950.pt18 The Divine Image: plate 18 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Title page to 'The Marriage of Heaven and Hell', 1790-3 (relief etching finished in pen and w/c)
Title page to 'The Marriage of Heaven and Hell', 1790-3 (relief etching finished in pen and w/c)

FIT113940: Title page to 'The Marriage of Heaven and Hell', 1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images


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