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Blake, William (1757-1827) Assets (1067 in total)

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The Soldiers Casting Lots for Christ's Garments, 1800 (pen, indian ink, grey wash and w/c)
The Soldiers Casting Lots for Christ's Garments, 1800 (pen, indian ink, grey wash and w/c)

FIT57603: The Soldiers Casting Lots for Christ's Garments, 1800 (pen, indian ink, grey wash and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT57603

The Soldiers Casting Lots for Christ's Garments, 1800 (pen, indian ink, grey wash and w/c)

Blake, William (1757-1827)

Dante running from the three beasts, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
Dante running from the three beasts, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909153: Dante running from the three beasts, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909153

Dante running from the three beasts, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

The First Book of Urizen, plate 17, 1794 (relief etching finished in w/c on paper)
The First Book of Urizen, plate 17, 1794 (relief etching finished in w/c on paper)

XCF277694: The First Book of Urizen, plate 17, 1794 (relief etching finished in w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XCF277694

The First Book of Urizen, plate 17, 1794 (relief etching finished in w/c on paper)

Blake, William (1757-1827)

Capaneus the Blasphemer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper)
Capaneus the Blasphemer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper)

NGV909162: Capaneus the Blasphemer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909162

Capaneus the Blasphemer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c on paper)

Blake, William (1757-1827)

Satan Calling up his Legions
Satan Calling up his Legions

BAL25414: Satan Calling up his Legions, Blake, William (1757-1827) / Bridgeman Images

ID: BAL25414

Satan Calling up his Legions

Blake, William (1757-1827)

P.125-1950.pt42 The Tyger: plate 42 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt42 The Tyger: plate 42 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83195: P.125-1950.pt42 The Tyger: plate 42 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83195

P.125-1950.pt42 The Tyger: plate 42 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

Blake, William (1757-1827)

Frontispiece to 'Jerusalem' (Bentley Copy E) 1804-20 (etching with pen, w/c and gold on paper)
Frontispiece to 'Jerusalem' (Bentley Copy E) 1804-20 (etching with pen, w/c and gold on paper)

XYC144695: Frontispiece to 'Jerusalem' (Bentley Copy E) 1804-20 (etching with pen, w/c and gold on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC144695

Frontispiece to 'Jerusalem' (Bentley Copy E) 1804-20 (etching with pen, w/c and gold on paper)

Blake, William (1757-1827)

The Fall of Man (pen & ink and w/c on paper)
The Fall of Man (pen & ink and w/c on paper)

STC25418: The Fall of Man (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: STC25418

The Fall of Man (pen & ink and w/c on paper)

Blake, William (1757-1827)

P.128-1950.p5 Satan going forth from the presence of the Lord, and Job's charity from the 'Book of Job', 1825 (engraving)
P.128-1950.p5 Satan going forth from the presence of the Lord, and Job's charity from the 'Book of Job', 1825 (engraving)

FIT77550: P.128-1950.p5 Satan going forth from the presence of the Lord, and Job's charity from the 'Book of Job', 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT77550

P.128-1950.p5 Satan going forth from the presence of the Lord, and Job's charity from the 'Book of Job', 1825 (engraving)

Blake, William (1757-1827)

Ezekiel Kneeling By the Death-Bed of his Wife by William Blake
Ezekiel Kneeling By the Death-Bed of his Wife by William Blake

XLA3761431: Ezekiel Kneeling By the Death-Bed of his Wife by William Blake, Blake, William (1757-1827) / Bridgeman Images

ID: XLA3761431

Ezekiel Kneeling By the Death-Bed of his Wife by William Blake

Blake, William (1757-1827)

P.125-19503.pt39 The Sick Rose: plate 39 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-19503.pt39 The Sick Rose: plate 39 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83192: P.125-19503.pt39 The Sick Rose: plate 39 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83192

P.125-19503.pt39 The Sick Rose: plate 39 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

Blake, William (1757-1827)

The Harlot and the Giant, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Harlot and the Giant, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909183: The Harlot and the Giant, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909183

The Harlot and the Giant, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

Christ in the House of Martha and Mary or The Penitent Magdalen
Christ in the House of Martha and Mary or The Penitent Magdalen

BAL25406: Christ in the House of Martha and Mary or The Penitent Magdalen, Blake, William (1757-1827) / Bridgeman Images

ID: BAL25406

Christ in the House of Martha and Mary or The Penitent Magdalen

Blake, William (1757-1827)

Europe a Prophecy; Left to right frontispiece and title page; God Creating the Universe (The Creation of the Material World by Jehovah in the guise of Urizen, the embodiment of unimaginative reason), ('The Ancient of Days'); Orc, the embodiment of Energy, in the form of a serpent, 1794, (colour-printed relief etching, w/c)
Europe a Prophecy; Left to right frontispiece and title page; God Creating the Universe (The Creation of the Material World by Jehovah in the guise of Urizen, the embodiment of unimaginative reason), ('The Ancient of Days'); Orc, the embodiment of Energy, in the form of a serpent, 1794, (colour-printed relief etching, w/c)

XND70219: Europe a Prophecy; Left to right frontispiece and title page; God Creating the Universe (The Creation of the Material World by Jehovah in the guise of Urizen, the embodiment of unimaginative reason), ('The Ancient of Days'); Orc, the embodiment of Energy, in the form of a serpent, 1794, (colour-printed relief etching, w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XND70219

Europe a Prophecy; Left to right frontispiece and title page; God Creating the Universe (The Creation of the Material World by Jehovah in the guise of Urizen, the embodiment of unimaginative reason), ('The Ancient of Days'); Orc, the embodiment of Energy, in the form of a serpent, 1794, (colour-printed relief etching, w/c)

Blake, William (1757-1827)

FIT113962: "Impulse, not from rules...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113962

"Impulse, not from rules...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

Blake, William (1757-1827)

P.125-1950.pt8 The Lamb: plate 8 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt8 The Lamb: plate 8 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83161: P.125-1950.pt8 The Lamb: plate 8 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83161

P.125-1950.pt8 The Lamb: plate 8 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

Blake, William (1757-1827)

America a Prophecy; 'Thus wept the Angel voice', the emergence of Orc (the embodiment of Energy) from captivity to which he had been submitted by his parents Los and Enitharmon, 1793 (relief etching and w/c)
America a Prophecy; 'Thus wept the Angel voice', the emergence of Orc (the embodiment of Energy) from captivity to which he had been submitted by his parents Los and Enitharmon, 1793 (relief etching and w/c)

XND70218: America a Prophecy; 'Thus wept the Angel voice', the emergence of Orc (the embodiment of Energy) from captivity to which he had been submitted by his parents Los and Enitharmon, 1793 (relief etching and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XND70218

America a Prophecy; 'Thus wept the Angel voice', the emergence of Orc (the embodiment of Energy) from captivity to which he had been submitted by his parents Los and Enitharmon, 1793 (relief etching and w/c)

Blake, William (1757-1827)

'Laughing Song', plate 26 from 'Songs of Innocence and of Experience' [Bentley 15] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)
'Laughing Song', plate 26 from 'Songs of Innocence and of Experience' [Bentley 15] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)

XYC243178: 'Laughing Song', plate 26 from 'Songs of Innocence and of Experience' [Bentley 15] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC243178

'Laughing Song', plate 26 from 'Songs of Innocence and of Experience' [Bentley 15] c.1789-94 (relief etching printed in dark brown with pen & ink and w/c)

Blake, William (1757-1827)

The Ancient of Days - Urizen measuring out the material world - Urizen measuring the material world. Illustration of the frontispiece of the book “” Europe. To Prophecy.” Drawing by William Blake (1757-1827), 1794.
The Ancient of Days - Urizen measuring out the material world - Urizen measuring the material world. Illustration of the frontispiece of the book “” Europe. To Prophecy.” Drawing by William Blake (1757-1827), 1794.

XEE4162477: The Ancient of Days - Urizen measuring out the material world - Urizen measuring the material world. Illustration of the frontispiece of the book “” Europe. To Prophecy.” Drawing by William Blake (1757-1827), 1794., Blake, William (1757-1827) / Bridgeman Images

ID: XEE4162477

The Ancient of Days - Urizen measuring out the material world - Urizen measuring the material world. Illustration of the frontispiece of the book “” Europe. To Prophecy.” Drawing by William Blake (1757-1827), 1794.

Blake, William (1757-1827)

P.125-1950.pt46 London: plate 46 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt46 London: plate 46 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83199: P.125-1950.pt46 London: plate 46 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83199

P.125-1950.pt46 London: plate 46 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

Blake, William (1757-1827)

P.127-1950.pt1 Albion's Angel, frontispiece to 'America, a Prophecy', c.1821 (relief etching with pen and w/c on paper)
P.127-1950.pt1 Albion's Angel, frontispiece to 'America, a Prophecy', c.1821 (relief etching with pen and w/c on paper)

FIT77540: P.127-1950.pt1 Albion's Angel, frontispiece to 'America, a Prophecy', c.1821 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT77540

P.127-1950.pt1 Albion's Angel, frontispiece to 'America, a Prophecy', c.1821 (relief etching with pen and w/c on paper)

Blake, William (1757-1827)

The Three Marys at the Sepulchre, c.1800 (pen & ink with wash and w/c on paper)
The Three Marys at the Sepulchre, c.1800 (pen & ink with wash and w/c on paper)

FIT282894: The Three Marys at the Sepulchre, c.1800 (pen & ink with wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT282894

The Three Marys at the Sepulchre, c.1800 (pen & ink with wash and w/c on paper)

Blake, William (1757-1827)

'The Lamb', plate 8 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Lamb', plate 8 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218327: 'The Lamb', plate 8 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC218327

'The Lamb', plate 8 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

Blake, William (1757-1827)

Minos, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
Minos, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909155: Minos, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909155

Minos, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

Devils setting out with Dante and Virgil, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
Devils setting out with Dante and Virgil, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909167: Devils setting out with Dante and Virgil, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909167

Devils setting out with Dante and Virgil, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

Jerusalem The Emanation of the Giant Albion; plate 76 Albion before Christ crucified on the Tree of Knowledge and Good and Evil, 1804-20 (relief etching finished with w/c)
Jerusalem The Emanation of the Giant Albion; plate 76 Albion before Christ crucified on the Tree of Knowledge and Good and Evil, 1804-20 (relief etching finished with w/c)

XND70242: Jerusalem The Emanation of the Giant Albion; plate 76 Albion before Christ crucified on the Tree of Knowledge and Good and Evil, 1804-20 (relief etching finished with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XND70242

Jerusalem The Emanation of the Giant Albion; plate 76 Albion before Christ crucified on the Tree of Knowledge and Good and Evil, 1804-20 (relief etching finished with w/c)

Blake, William (1757-1827)

Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas)
Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas)

MAN350937: Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

ID: MAN350937

Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas)

Blake, William (1757-1827)

Satan calling up his Legions, from John Milton's 'Paradise Lost', c.1805-09 (tempera on canvas)
Satan calling up his Legions, from John Milton's 'Paradise Lost', c.1805-09 (tempera on canvas)

USB1155400: Satan calling up his Legions, from John Milton's 'Paradise Lost', c.1805-09 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

ID: USB1155400

Satan calling up his Legions, from John Milton's 'Paradise Lost', c.1805-09 (tempera on canvas)

Blake, William (1757-1827)

The vestibule of Hell and the souls mustering to cross the Acheron, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The vestibule of Hell and the souls mustering to cross the Acheron, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909154: The vestibule of Hell and the souls mustering to cross the Acheron, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909154

The vestibule of Hell and the souls mustering to cross the Acheron, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

P.124-1950.pt40 The Sick Rose: plate 40 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt40 The Sick Rose: plate 40 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83140: P.124-1950.pt40 The Sick Rose: plate 40 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT83140

P.124-1950.pt40 The Sick Rose: plate 40 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

Blake, William (1757-1827)

Songs of Innocence, title page
Songs of Innocence, title page

BAL7033: Songs of Innocence, title page, Blake, William (1757-1827) / Bridgeman Images

ID: BAL7033

Songs of Innocence, title page

Blake, William (1757-1827)

'A Cradle Song,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'A Cradle Song,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225888: 'A Cradle Song,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225888

'A Cradle Song,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

Blake, William (1757-1827)

The angel at the gate of Dis, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)
The angel at the gate of Dis, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

NGV909160: The angel at the gate of Dis, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk), Blake, William (1757-1827) / Bridgeman Images

ID: NGV909160

The angel at the gate of Dis, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk)

Blake, William (1757-1827)

To go forth to the Great Harvest & Vintage of the Nations, c.1811 (copper-plate engraving)
To go forth to the Great Harvest & Vintage of the Nations, c.1811 (copper-plate engraving)

XOS1780689: To go forth to the Great Harvest & Vintage of the Nations, c.1811 (copper-plate engraving), Blake, William (1757-1827) / Bridgeman Images

ID: XOS1780689

To go forth to the Great Harvest & Vintage of the Nations, c.1811 (copper-plate engraving)

Blake, William (1757-1827)

The Book of Job 1:1 Illustrated by William Blake
The Book of Job 1:1 Illustrated by William Blake

XLA3765258: The Book of Job 1:1 Illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

ID: XLA3765258

The Book of Job 1:1 Illustrated by William Blake

Blake, William (1757-1827)

Title page to 'The Marriage of Heaven and Hell', 1790-3 (relief etching finished in pen and w/c)
Title page to 'The Marriage of Heaven and Hell', 1790-3 (relief etching finished in pen and w/c)

FIT113940: Title page to 'The Marriage of Heaven and Hell', 1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113940

Title page to 'The Marriage of Heaven and Hell', 1790-3 (relief etching finished in pen and w/c)

Blake, William (1757-1827)


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