Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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The Unsafe Tenement, 1858 (etching on paper)
The Unsafe Tenement, 1858 (etching on paper)

FSG324639: The Unsafe Tenement, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

St. Ives (w/c on paper)
St. Ives (w/c on paper)

FIT124371: St. Ives (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper)
Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper)

FIT1123782: Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Blacksmith, 1895-1896 (litho on paper)
The Blacksmith, 1895-1896 (litho on paper)

FSG3741999: The Blacksmith, 1895-1896 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper)
Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper)

XOS3614106: Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)
The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)

FSG2968823: The Staircase: Note in Red, 1880 (crayon and pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card)
Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card)

XCC2971457: Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper)
Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper)

XCC2971519: Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper)
Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper)

XCC2971545: Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Music Room, 1859 (etching)
The Music Room, 1859 (etching)

DNE6200337: The Music Room, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Beggars, 1879-80 (etching)
The Beggars, 1879-80 (etching)

DNE6200305: The Beggars, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Battersea, Dawn, 1877 (drypoint)
Battersea, Dawn, 1877 (drypoint)

DNE6200251: Battersea, Dawn, 1877 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Amsterdam from the Tolhuis, 1863 (drypoint)
Amsterdam from the Tolhuis, 1863 (drypoint)

DNE6200252: Amsterdam from the Tolhuis, 1863 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Seymour Standing Under a Tree, 1859 (etching)
Seymour Standing Under a Tree, 1859 (etching)

DNE6200331: Seymour Standing Under a Tree, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)
Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)

XCC2971983: Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)
Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)

XCC2971996: Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)
Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)

XCC2972432: Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study: Maud Seated, 1878 (lithotint)
Study: Maud Seated, 1878 (lithotint)

XCC2972440: Study: Maud Seated, 1878 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Fan, 1879 (transfer litho in black ink on ivory plate paper)
The Fan, 1879 (transfer litho in black ink on ivory plate paper)

XCC2972668: The Fan, 1879 (transfer litho in black ink on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Thames, 1896 (lithotint)
The Thames, 1896 (lithotint)

XCC2971546: The Thames, 1896 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)
Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)

XCC2972672: Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Broad Bridge, 1878 (lithotint, in brown ink, with scraping, on ivory plate paper)
The Broad Bridge, 1878 (lithotint, in brown ink, with scraping, on ivory plate paper)

XCC2972729: The Broad Bridge, 1878 (lithotint, in brown ink, with scraping, on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet)
Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet)

XCC2972791: Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Garden, 1891 (transfer lithograph in black on cream wove paper)
The Garden, 1891 (transfer lithograph in black on cream wove paper)

XCC2972730: The Garden, 1891 (transfer lithograph in black on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Drouet, 1859 (etching and drypoint)
Portrait of Drouet, 1859 (etching and drypoint)

XDM1066856: Portrait of Drouet, 1859 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

San Biagio, 1880 (etching & drypoint)
San Biagio, 1880 (etching & drypoint)

XDM1069211: San Biagio, 1880 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas)
Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas)

XOS3432810: Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

FIA5378977: "Caprice in purple and gold: The Dore screen", 1864 (print), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Variation In Purple And Green, 1871 (oil on canvas)
Variation In Purple And Green, 1871 (oil on canvas)

JLJ4683090: Variation In Purple And Green, 1871 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe, 1860 (etching and drypoint)
Rotherhithe, 1860 (etching and drypoint)

XCL5672876: Rotherhithe, 1860 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

By the Shore, St. Ives (oil on board)
By the Shore, St. Ives (oil on board)

CH204224: By the Shore, St. Ives (oil on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

By the Shore, St, (oil on panel)
By the Shore, St, (oil on panel)

CH650776: By the Shore, St, (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Mill (etching)
The Mill (etching)

TBM446067: The Mill (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Mast, 1880 (etching on paper)
The Mast, 1880 (etching on paper)

TBM446062: The Mast, 1880 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Storm (drypoint)
The Storm (drypoint)

IMA1559651: The Storm (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Black Lion Wharf (etching)
Black Lion Wharf (etching)

IMA1559657: Black Lion Wharf (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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