Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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The Model Resting, 1870
The Model Resting, 1870

MNS881708: The Model Resting, 1870, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Doorways from
Two Doorways from

MNS881710: Two Doorways from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Long Lagoon from
Long Lagoon from

MNS881711: Long Lagoon from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Street at Saverne from
Street at Saverne from

MNS881605: Street at Saverne from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chapel Doorway, Montresor, 1888
Chapel Doorway, Montresor, 1888

MNS881610: Chapel Doorway, Montresor, 1888, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Blacksmith, 1895-1896 (litho on paper)
The Blacksmith, 1895-1896 (litho on paper)

FSG3741999: The Blacksmith, 1895-1896 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

FIA5378977: "Caprice in purple and gold: The Dore screen", 1864 (print), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Music Room, 1859 (etching)
The Music Room, 1859 (etching)

DNE6200337: The Music Room, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Battersea, Dawn, 1877 (drypoint)
Battersea, Dawn, 1877 (drypoint)

DNE6200251: Battersea, Dawn, 1877 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Amsterdam from the Tolhuis, 1863 (drypoint)
Amsterdam from the Tolhuis, 1863 (drypoint)

DNE6200252: Amsterdam from the Tolhuis, 1863 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Beggars, 1879-80 (etching)
The Beggars, 1879-80 (etching)

DNE6200305: The Beggars, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Seymour Standing Under a Tree, 1859 (etching)
Seymour Standing Under a Tree, 1859 (etching)

DNE6200331: Seymour Standing Under a Tree, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper)
The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper)

SEM6386346: The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper)
The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper)

ISG7108195: The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: The Thames At Battersea (lithotint)
Nocturne: The Thames At Battersea (lithotint)

IMA1562292: Nocturne: The Thames At Battersea (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fumette (etching)
Fumette (etching)

IMA1560967: Fumette (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Lalouette (etching)
Bibi Lalouette (etching)

IMA1560282: Bibi Lalouette (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fulham (etching)
Fulham (etching)

IMA1559640: Fulham (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Annie Haden (etching)
Annie Haden (etching)

IMA1559643: Annie Haden (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Storm (drypoint)
The Storm (drypoint)

IMA1559651: The Storm (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Black Lion Wharf (etching)
Black Lion Wharf (etching)

IMA1559657: Black Lion Wharf (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The
The

IMA1559661: The "Adam And Eve", Old Chelsea (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Forge (drypoint)
The Forge (drypoint)

IMA1559668: The Forge (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fish Shop, Venice (etching)
Fish Shop, Venice (etching)

FAS160791: Fish Shop, Venice (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Variation In Purple And Green, 1871 (oil on canvas)
Variation In Purple And Green, 1871 (oil on canvas)

JLJ4683090: Variation In Purple And Green, 1871 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe, 1860 (etching and drypoint)
Rotherhithe, 1860 (etching and drypoint)

XCL5672876: Rotherhithe, 1860 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper)
Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper)

XOS3614106: Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card)
Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card)

XCC2971457: Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper)
Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper)

XCC2971519: Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper)
Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper)

XCC2971545: Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Thames, 1896 (lithotint)
The Thames, 1896 (lithotint)

XCC2971546: The Thames, 1896 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)
Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)

XCC2971983: Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)
Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)

XCC2971996: Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)
Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)

XCC2972432: Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study: Maud Seated, 1878 (lithotint)
Study: Maud Seated, 1878 (lithotint)

XCC2972440: Study: Maud Seated, 1878 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Fan, 1879 (transfer litho in black ink on ivory plate paper)
The Fan, 1879 (transfer litho in black ink on ivory plate paper)

XCC2972668: The Fan, 1879 (transfer litho in black ink on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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