Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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The Turret Ship, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
The Turret Ship, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251005: The Turret Ship, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Mast, 1879-1880
The Mast, 1879-1880

MNS880638: The Mast, 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Palaces from
The Palaces from

MNS880639: The Palaces from "The First Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Piazetta, plate from
The Piazetta, plate from

MNS880658: The Piazetta, plate from "The Second Venice Set or Twenty-Six Etchings", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

By the Shore, St, (oil on panel)
By the Shore, St, (oil on panel)

CH650776: By the Shore, St, (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas)
Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas)

XOS3432810: Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Blacksmith, 1895-1896 (litho on paper)
The Blacksmith, 1895-1896 (litho on paper)

FSG3741999: The Blacksmith, 1895-1896 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card)
Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card)

XCC2971457: Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper)
Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper)

XCC2971519: Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper)
Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper)

XCC2971545: Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Thames, 1896 (lithotint)
The Thames, 1896 (lithotint)

XCC2971546: The Thames, 1896 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)
Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)

XCC2971983: Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)
Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)

XCC2971996: Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)
Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)

XCC2972432: Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study: Maud Seated, 1878 (lithotint)
Study: Maud Seated, 1878 (lithotint)

XCC2972440: Study: Maud Seated, 1878 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Garden, 1891 (transfer lithograph in black on cream wove paper)
The Garden, 1891 (transfer lithograph in black on cream wove paper)

XCC2972730: The Garden, 1891 (transfer lithograph in black on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Fan, 1879 (transfer litho in black ink on ivory plate paper)
The Fan, 1879 (transfer litho in black ink on ivory plate paper)

XCC2972668: The Fan, 1879 (transfer litho in black ink on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)
Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)

XCC2972672: Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Broad Bridge, 1878 (lithotint, in brown ink, with scraping, on ivory plate paper)
The Broad Bridge, 1878 (lithotint, in brown ink, with scraping, on ivory plate paper)

XCC2972729: The Broad Bridge, 1878 (lithotint, in brown ink, with scraping, on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet)
Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet)

XCC2972791: Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)
The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)

FSG2968823: The Staircase: Note in Red, 1880 (crayon and pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper)
Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper)

XOS3614106: Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe, 1860 (etching and drypoint)
Rotherhithe, 1860 (etching and drypoint)

XCL5672876: Rotherhithe, 1860 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

FIA5378977: "Caprice in purple and gold: The Dore screen", 1864 (print), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Street at Saverne from
Street at Saverne from

MNS881605: Street at Saverne from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chapel Doorway, Montresor, 1888
Chapel Doorway, Montresor, 1888

MNS881610: Chapel Doorway, Montresor, 1888, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Model Resting, 1870
The Model Resting, 1870

MNS881708: The Model Resting, 1870, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Doorways from
Two Doorways from

MNS881710: Two Doorways from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Long Lagoon from
Long Lagoon from

MNS881711: Long Lagoon from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Whistler with the White Lock, 1879
Whistler with the White Lock, 1879

MNS881330: Whistler with the White Lock, 1879, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

San Biagio, 1880 (etching & drypoint)
San Biagio, 1880 (etching & drypoint)

XDM1069211: San Biagio, 1880 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Piazzetta, from the series 'Twelve Etchings', 1879-80 (etching & drypoint)
The Piazzetta, from the series 'Twelve Etchings', 1879-80 (etching & drypoint)

DMW937358: The Piazzetta, from the series 'Twelve Etchings', 1879-80 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Turkeys, 1879-80 (etching & drypoint)
Turkeys, 1879-80 (etching & drypoint)

DMW937847: Turkeys, 1879-80 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Putney Bridge, 1879 (etching & drypoint)
Old Putney Bridge, 1879 (etching & drypoint)

DMW937849: Old Putney Bridge, 1879 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper)
Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper)

FIT1123782: Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Whistler's Butterfly, c.1890 (pencil on cardboard)
Whistler's Butterfly, c.1890 (pencil on cardboard)

FSG324898: Whistler's Butterfly, c.1890 (pencil on cardboard), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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