Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Nocturne: The Thames At Battersea (lithotint)
Nocturne: The Thames At Battersea (lithotint)

IMA1562292: Nocturne: The Thames At Battersea (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fumette (etching)
Fumette (etching)

IMA1560967: Fumette (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Lalouette (etching)
Bibi Lalouette (etching)

IMA1560282: Bibi Lalouette (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fulham (etching)
Fulham (etching)

IMA1559640: Fulham (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Annie Haden (etching)
Annie Haden (etching)

IMA1559643: Annie Haden (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Storm (drypoint)
The Storm (drypoint)

IMA1559651: The Storm (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Black Lion Wharf (etching)
Black Lion Wharf (etching)

IMA1559657: Black Lion Wharf (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The
The

IMA1559661: The "Adam And Eve", Old Chelsea (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Forge (drypoint)
The Forge (drypoint)

IMA1559668: The Forge (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Piazzetta, from the series 'Twelve Etchings', 1879-80 (etching & drypoint)
The Piazzetta, from the series 'Twelve Etchings', 1879-80 (etching & drypoint)

DMW937358: The Piazzetta, from the series 'Twelve Etchings', 1879-80 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Mast, 1879-1880
The Mast, 1879-1880

MNS880638: The Mast, 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Palaces from
The Palaces from

MNS880639: The Palaces from "The First Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Turkeys, 1879-80 (etching & drypoint)
Turkeys, 1879-80 (etching & drypoint)

DMW937847: Turkeys, 1879-80 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Putney Bridge, 1879 (etching & drypoint)
Old Putney Bridge, 1879 (etching & drypoint)

DMW937849: Old Putney Bridge, 1879 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Piazetta, plate from
The Piazetta, plate from

MNS880658: The Piazetta, plate from "The Second Venice Set or Twenty-Six Etchings", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Whistler with the White Lock, 1879
Whistler with the White Lock, 1879

MNS881330: Whistler with the White Lock, 1879, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1879-80 (etching & drypoint)
Nocturne, 1879-80 (etching & drypoint)

CIN402975: Nocturne, 1879-80 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Mast, 1880 (etching on paper)
The Mast, 1880 (etching on paper)

TBM446062: The Mast, 1880 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Mill (etching)
The Mill (etching)

TBM446067: The Mill (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Battersea Reach, c.1863 (oil on canvas)
Battersea Reach, c.1863 (oil on canvas)

XOS497174: Battersea Reach, c.1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Turret Ship, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
The Turret Ship, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251005: The Turret Ship, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Morning After the Revolution (oil on canvas)
The Morning After the Revolution (oil on canvas)

HNT171769: The Morning After the Revolution (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver: La Petite Souris (oil on canvas)
Grey and Silver: La Petite Souris (oil on canvas)

HNT171779: Grey and Silver: La Petite Souris (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe, 1860 (etching and drypoint)
Rotherhithe, 1860 (etching and drypoint)

XCL5672876: Rotherhithe, 1860 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper)
The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper)

SEM6386346: The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Seymour Standing Under a Tree, 1859 (etching)
Seymour Standing Under a Tree, 1859 (etching)

DNE6200331: Seymour Standing Under a Tree, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Music Room, 1859 (etching)
The Music Room, 1859 (etching)

DNE6200337: The Music Room, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)
The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)

FSG2968823: The Staircase: Note in Red, 1880 (crayon and pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card)
Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card)

XCC2971457: Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper)
Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper)

XCC2971545: Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Thames, 1896 (lithotint)
The Thames, 1896 (lithotint)

XCC2971546: The Thames, 1896 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)
Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)

XCC2971983: Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)
Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)

XCC2971996: Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)
Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)

XCC2972432: Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study: Maud Seated, 1878 (lithotint)
Study: Maud Seated, 1878 (lithotint)

XCC2972440: Study: Maud Seated, 1878 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Fan, 1879 (transfer litho in black ink on ivory plate paper)
The Fan, 1879 (transfer litho in black ink on ivory plate paper)

XCC2972668: The Fan, 1879 (transfer litho in black ink on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


Back to top