Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

The Mast, 1879-1880
The Mast, 1879-1880

MNS880638: The Mast, 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Palaces from
The Palaces from

MNS880639: The Palaces from "The First Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Piazetta, plate from
The Piazetta, plate from

MNS880658: The Piazetta, plate from "The Second Venice Set or Twenty-Six Etchings", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

San Biagio, 1880 (etching & drypoint)
San Biagio, 1880 (etching & drypoint)

XDM1069211: San Biagio, 1880 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Drouet, 1859 (etching and drypoint)
Portrait of Drouet, 1859 (etching and drypoint)

XDM1066856: Portrait of Drouet, 1859 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Blacksmith, 1895-1896 (litho on paper)
The Blacksmith, 1895-1896 (litho on paper)

FSG3741999: The Blacksmith, 1895-1896 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)
The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)

FSG2968823: The Staircase: Note in Red, 1880 (crayon and pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper)
Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper)

XCC2971519: Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper)
Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper)

XCC2971545: Nocturne, 1878, published 1887 (lithotint from a prepared half-tint ground, in black ink, with scraping, on blue laid chine laid down on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Thames, 1896 (lithotint)
The Thames, 1896 (lithotint)

XCC2971546: The Thames, 1896 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)
Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)

XCC2971983: Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)
Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)

XCC2971996: Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)
Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)

XCC2972432: Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study: Maud Seated, 1878 (lithotint)
Study: Maud Seated, 1878 (lithotint)

XCC2972440: Study: Maud Seated, 1878 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Fan, 1879 (transfer litho in black ink on ivory plate paper)
The Fan, 1879 (transfer litho in black ink on ivory plate paper)

XCC2972668: The Fan, 1879 (transfer litho in black ink on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)
Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)

XCC2972672: Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card)
Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card)

XCC2971457: Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

By the Shore, St, (oil on panel)
By the Shore, St, (oil on panel)

CH650776: By the Shore, St, (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

FIA5378977: "Caprice in purple and gold: The Dore screen", 1864 (print), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper)
Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper)

XOS3614106: Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe, 1860 (etching and drypoint)
Rotherhithe, 1860 (etching and drypoint)

XCL5672876: Rotherhithe, 1860 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Battersea, Dawn, 1877 (drypoint)
Battersea, Dawn, 1877 (drypoint)

DNE6200251: Battersea, Dawn, 1877 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Amsterdam from the Tolhuis, 1863 (drypoint)
Amsterdam from the Tolhuis, 1863 (drypoint)

DNE6200252: Amsterdam from the Tolhuis, 1863 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Beggars, 1879-80 (etching)
The Beggars, 1879-80 (etching)

DNE6200305: The Beggars, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Seymour Standing Under a Tree, 1859 (etching)
Seymour Standing Under a Tree, 1859 (etching)

DNE6200331: Seymour Standing Under a Tree, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Music Room, 1859 (etching)
The Music Room, 1859 (etching)

DNE6200337: The Music Room, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper)
The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper)

ISG7108195: The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fish Shop, Venice (etching)
Fish Shop, Venice (etching)

FAS160791: Fish Shop, Venice (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Mast, 1880 (etching on paper)
The Mast, 1880 (etching on paper)

TBM446062: The Mast, 1880 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Mill (etching)
The Mill (etching)

TBM446067: The Mill (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper)
The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper)

SEM6386346: The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: The Thames At Battersea (lithotint)
Nocturne: The Thames At Battersea (lithotint)

IMA1562292: Nocturne: The Thames At Battersea (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fumette (etching)
Fumette (etching)

IMA1560967: Fumette (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fulham (etching)
Fulham (etching)

IMA1559640: Fulham (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Annie Haden (etching)
Annie Haden (etching)

IMA1559643: Annie Haden (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Storm (drypoint)
The Storm (drypoint)

IMA1559651: The Storm (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


Back to top