Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Steps in Algiers, 1900 (pencil on cream wove paper)
Steps in Algiers, 1900 (pencil on cream wove paper)

HMA616442: Steps in Algiers, 1900 (pencil on cream wove paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Doorways, 1880 (etching)
Two Doorways, 1880 (etching)

MAM712784: Two Doorways, 1880 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime Burner, 1859 (etching & drypoint)
The Lime Burner, 1859 (etching & drypoint)

HST1075507: The Lime Burner, 1859 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate (etching)
Billingsgate (etching)

IMA1555424: Billingsgate (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Valentin (etching)
Bibi Valentin (etching)

IMA1559660: Bibi Valentin (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime-Burner (etching and drypoint)
The Lime-Burner (etching and drypoint)

IMA1559666: The Lime-Burner (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Putney, No. 2 (etching)
The Little Putney, No. 2 (etching)

IMA1559634: The Little Putney, No. 2 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Lalouette, 1859 (etching & drypoint on paper)
Bibi Lalouette, 1859 (etching & drypoint on paper)

HMA616384: Bibi Lalouette, 1859 (etching & drypoint on paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Bridge and Church, 1871 (drypoint)
Chelsea Bridge and Church, 1871 (drypoint)

DNE6200254: Chelsea Bridge and Church, 1871 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Soupe a Trois Sous, 1859 (etching)
Soupe a Trois Sous, 1859 (etching)

DNE6200311: Soupe a Trois Sous, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Venice Street, 1879/80 (coloured chalk on paper)
Venice Street, 1879/80 (coloured chalk on paper)

DMW937761: Venice Street, 1879/80 (coloured chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching with drypoint)
Billingsgate, 1859 (etching with drypoint)

DMW937861: Billingsgate, 1859 (etching with drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver - North Sea, c.1884 (w/c on wove paper)
Grey and Silver - North Sea, c.1884 (w/c on wove paper)

FIT1123785: Grey and Silver - North Sea, c.1884 (w/c on wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)
Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)

XCK877065: Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime-Burner, 1859
The Lime-Burner, 1859

MNS881327: The Lime-Burner, 1859, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Bridge and Church from
Chelsea Bridge and Church from

MNS881707: Chelsea Bridge and Church from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1870-1871, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Vieille aux Loques from
La Vieille aux Loques from

MNS881606: La Vieille aux Loques from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Unsafe Tenement from
The Unsafe Tenement from

MNS881614: The Unsafe Tenement from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching and drypoint)
Billingsgate, 1859 (etching and drypoint)

XDM1066891: Billingsgate, 1859 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bead-Stringers, 1880 (black etching on laid paper)
Bead-Stringers, 1880 (black etching on laid paper)

XOS3526163: Bead-Stringers, 1880 (black etching on laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Piazzetta, 1879-1880 (etching and drypoint on paper)
The Piazzetta, 1879-1880 (etching and drypoint on paper)

FSG3742019: The Piazzetta, 1879-1880 (etching and drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

By the Balcony, 1896 (litho)
By the Balcony, 1896 (litho)

XCC2972746: By the Balcony, 1896 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)
Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)

XCC2968013: Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)
Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)

XCC2968008: Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)
Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)

XCC2968606: Grey and Silver: Old Battersea Reach, 1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Man Has The Pipe, 1859 (oil on canvas)
The Man Has The Pipe, 1859 (oil on canvas)

JLJ4587293: The Man Has The Pipe, 1859 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Campanile Santa Margherita, 1879-80 (chalk & pastel on wove paper)
Campanile Santa Margherita, 1879-80 (chalk & pastel on wove paper)

PLL3949569: Campanile Santa Margherita, 1879-80 (chalk & pastel on wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nude with a Parasol, c.1868 (white & black crayon on paper)
Nude with a Parasol, c.1868 (white & black crayon on paper)

PNH419726: Nude with a Parasol, c.1868 (white & black crayon on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419723)
Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419723)

PNH419724: Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419723), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Dressmaker's Shop, c.1897-98 (w/c on paper)
The Dressmaker's Shop, c.1897-98 (w/c on paper)

XYC185483: The Dressmaker's Shop, c.1897-98 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251008: Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC249728: Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251007: Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251006: Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper)
PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper)

FIT107399: PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933) (oil on canvas)
Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933) (oil on canvas)

HNT171773: Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933) (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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