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Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Nocturne: Palaces, 1879-80 (etching and drypoint on antique laid paper)
Nocturne: Palaces, 1879-80 (etching and drypoint on antique laid paper)

FAS179715: Nocturne: Palaces, 1879-80 (etching and drypoint on antique laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FAS179715

Nocturne: Palaces, 1879-80 (etching and drypoint on antique laid paper)

Whistler, James Abbott McNeill (1834-1903)

The Pretty New Yorker, 1894 (lithograph)
The Pretty New Yorker, 1894 (lithograph)

XDM1066874: The Pretty New Yorker, 1894 (lithograph), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XDM1066874

The Pretty New Yorker, 1894 (lithograph)

Whistler, James Abbott McNeill (1834-1903)

Fumette, c.1857 (etching and drypoint)
Fumette, c.1857 (etching and drypoint)

XDM1067445: Fumette, c.1857 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XDM1067445

Fumette, c.1857 (etching and drypoint)

Whistler, James Abbott McNeill (1834-1903)

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas)
Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas)

XCC2968006: Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2968006

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas)

Whistler, James Abbott McNeill (1834-1903)

Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)
Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)

XCC2971520: Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2971520

Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)

Whistler, James Abbott McNeill (1834-1903)

St. Giles-in-the-Fields, 1896 (transfer litho in black, with stumping, on cream laid paper)
St. Giles-in-the-Fields, 1896 (transfer litho in black, with stumping, on cream laid paper)

XCC2972439: St. Giles-in-the-Fields, 1896 (transfer litho in black, with stumping, on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2972439

St. Giles-in-the-Fields, 1896 (transfer litho in black, with stumping, on cream laid paper)

Whistler, James Abbott McNeill (1834-1903)

Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC249729: Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC249729

Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

Whistler, James Abbott McNeill (1834-1903)

The Smith's Yard, 1895 (lithograph)
The Smith's Yard, 1895 (lithograph)

XDM1066718: The Smith's Yard, 1895 (lithograph), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XDM1066718

The Smith's Yard, 1895 (lithograph)

Whistler, James Abbott McNeill (1834-1903)

George Sauter at the Red Lion, 1858 (pencil on off-white wove paper)
George Sauter at the Red Lion, 1858 (pencil on off-white wove paper)

FSG324605: George Sauter at the Red Lion, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324605

George Sauter at the Red Lion, 1858 (pencil on off-white wove paper)

Whistler, James Abbott McNeill (1834-1903)

A man asleep on a pile of luggage, 1858 (pencil on off-white wove paper)
A man asleep on a pile of luggage, 1858 (pencil on off-white wove paper)

FSG324617: A man asleep on a pile of luggage, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324617

A man asleep on a pile of luggage, 1858 (pencil on off-white wove paper)

Whistler, James Abbott McNeill (1834-1903)

Group of three standing figures, 1858 (pencil on off-white wove paper)
Group of three standing figures, 1858 (pencil on off-white wove paper)

FSG324619: Group of three standing figures, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324619

Group of three standing figures, 1858 (pencil on off-white wove paper)

Whistler, James Abbott McNeill (1834-1903)

The Dog on the Kennel, 1858 (etching on paper)
The Dog on the Kennel, 1858 (etching on paper)

FSG324640: The Dog on the Kennel, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324640

The Dog on the Kennel, 1858 (etching on paper)

Whistler, James Abbott McNeill (1834-1903)

The Dog on the Kennel, 1858 (etching on paper)
The Dog on the Kennel, 1858 (etching on paper)

FSG324641: The Dog on the Kennel, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324641

The Dog on the Kennel, 1858 (etching on paper)

Whistler, James Abbott McNeill (1834-1903)

Venus, 1859 (etching on paper)
Venus, 1859 (etching on paper)

FSG324645: Venus, 1859 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324645

Venus, 1859 (etching on paper)

Whistler, James Abbott McNeill (1834-1903)

The Little Velvet Dress, 1873 (drypoint on paper)
The Little Velvet Dress, 1873 (drypoint on paper)

FSG324673: The Little Velvet Dress, 1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324673

The Little Velvet Dress, 1873 (drypoint on paper)

Whistler, James Abbott McNeill (1834-1903)

Tatting (possibly Lizzie Dawson) c.1873 (drypoint on paper)
Tatting (possibly Lizzie Dawson) c.1873 (drypoint on paper)

FSG324675: Tatting (possibly Lizzie Dawson) c.1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324675

Tatting (possibly Lizzie Dawson) c.1873 (drypoint on paper)

Whistler, James Abbott McNeill (1834-1903)

Maude, seated, 1873 (drypoint on paper)
Maude, seated, 1873 (drypoint on paper)

FSG324677: Maude, seated, 1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324677

Maude, seated, 1873 (drypoint on paper)

Whistler, James Abbott McNeill (1834-1903)

Charing Cross Railway Bridge, c.1887 (etching on paper)
Charing Cross Railway Bridge, c.1887 (etching on paper)

FSG324501: Charing Cross Railway Bridge, c.1887 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324501

Charing Cross Railway Bridge, c.1887 (etching on paper)

Whistler, James Abbott McNeill (1834-1903)

Windsor, No. 2, 1887 (etching on paper)
Windsor, No. 2, 1887 (etching on paper)

FSG324502: Windsor, No. 2, 1887 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324502

Windsor, No. 2, 1887 (etching on paper)

Whistler, James Abbott McNeill (1834-1903)

Arthur Haden, 1859 (copper)
Arthur Haden, 1859 (copper)

FSG324510: Arthur Haden, 1859 (copper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324510

Arthur Haden, 1859 (copper)

Whistler, James Abbott McNeill (1834-1903)

Landscape with the Horse (The Meadow) 1859 (etching on paper)
Landscape with the Horse (The Meadow) 1859 (etching on paper)

FSG324513: Landscape with the Horse (The Meadow) 1859 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324513

Landscape with the Horse (The Meadow) 1859 (etching on paper)

Whistler, James Abbott McNeill (1834-1903)

Mr. Mann, 1860 (drypoint on paper)
Mr. Mann, 1860 (drypoint on paper)

FSG324525: Mr. Mann, 1860 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324525

Mr. Mann, 1860 (drypoint on paper)

Whistler, James Abbott McNeill (1834-1903)

Vitre: The Canal, 1893 (litho on paper)
Vitre: The Canal, 1893 (litho on paper)

FSG324527: Vitre: The Canal, 1893 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324527

Vitre: The Canal, 1893 (litho on paper)

Whistler, James Abbott McNeill (1834-1903)

The Market-place, Vitre, 1893 (litho on paper)
The Market-place, Vitre, 1893 (litho on paper)

FSG324528: The Market-place, Vitre, 1893 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324528

The Market-place, Vitre, 1893 (litho on paper)

Whistler, James Abbott McNeill (1834-1903)

Greenwich Pensioner, 1859 (etching on paper)
Greenwich Pensioner, 1859 (etching on paper)

FSG324540: Greenwich Pensioner, 1859 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324540

Greenwich Pensioner, 1859 (etching on paper)

Whistler, James Abbott McNeill (1834-1903)

The Master Smith, 1895 (litho on paper)
The Master Smith, 1895 (litho on paper)

FSG324546: The Master Smith, 1895 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324546

The Master Smith, 1895 (litho on paper)

Whistler, James Abbott McNeill (1834-1903)

The Russian Schube, 1896 (litho on paper)
The Russian Schube, 1896 (litho on paper)

FSG324550: The Russian Schube, 1896 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324550

The Russian Schube, 1896 (litho on paper)

Whistler, James Abbott McNeill (1834-1903)

Sketches on the Coast Survey Plate, 1854-55 (etching on paper)
Sketches on the Coast Survey Plate, 1854-55 (etching on paper)

FSG324556: Sketches on the Coast Survey Plate, 1854-55 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324556

Sketches on the Coast Survey Plate, 1854-55 (etching on paper)

Whistler, James Abbott McNeill (1834-1903)

Portrait of Charles Lang Freer, 1902-03 (oil on wood panel)
Portrait of Charles Lang Freer, 1902-03 (oil on wood panel)

FSG324831: Portrait of Charles Lang Freer, 1902-03 (oil on wood panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324831

Portrait of Charles Lang Freer, 1902-03 (oil on wood panel)

Whistler, James Abbott McNeill (1834-1903)

Note in Blue and Opal: Jersey, 1881 (w/c on paper)
Note in Blue and Opal: Jersey, 1881 (w/c on paper)

FSG324846: Note in Blue and Opal: Jersey, 1881 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324846

Note in Blue and Opal: Jersey, 1881 (w/c on paper)

Whistler, James Abbott McNeill (1834-1903)

Two Whistler Butterflies, c.1890 (pencil on paper)
Two Whistler Butterflies, c.1890 (pencil on paper)

FSG324886: Two Whistler Butterflies, c.1890 (pencil on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324886

Two Whistler Butterflies, c.1890 (pencil on paper)

Whistler, James Abbott McNeill (1834-1903)

Young Girl Standing, c.1873-75 (black & white chalk on brown paper)
Young Girl Standing, c.1873-75 (black & white chalk on brown paper)

FSG324903: Young Girl Standing, c.1873-75 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FSG324903

Young Girl Standing, c.1873-75 (black & white chalk on brown paper)

Whistler, James Abbott McNeill (1834-1903)

Early Morning, 1878 (litho)
Early Morning, 1878 (litho)

TBM342006: Early Morning, 1878 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: TBM342006

Early Morning, 1878 (litho)

Whistler, James Abbott McNeill (1834-1903)

Rotherhithe, 1860 (etching)
Rotherhithe, 1860 (etching)

TBM342199: Rotherhithe, 1860 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: TBM342199

Rotherhithe, 1860 (etching)

Whistler, James Abbott McNeill (1834-1903)

Ingres' 'Roger Deliverant Angelique', 1857 (oil on canvas)
Ingres' 'Roger Deliverant Angelique', 1857 (oil on canvas)

HNT171768: Ingres' 'Roger Deliverant Angelique', 1857 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: HNT171768

Ingres' 'Roger Deliverant Angelique', 1857 (oil on canvas)

Whistler, James Abbott McNeill (1834-1903)

Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933) (oil on canvas)
Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933) (oil on canvas)

HNT171773: Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933) (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: HNT171773

Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933) (oil on canvas)

Whistler, James Abbott McNeill (1834-1903)


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