Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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La Mere Gerard, 1858-59 (oil on panel)
La Mere Gerard, 1858-59 (oil on panel)

CH378290: La Mere Gerard, 1858-59 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas)
Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas)

XCC2968006: Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419724)
Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419724)

PNH419723: Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419724), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Miss Lillian Woakes, c.1890-91 (oil on canvas)
Miss Lillian Woakes, c.1890-91 (oil on canvas)

PCW439027: Miss Lillian Woakes, c.1890-91 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Lalouette, 1859 (etching & drypoint on paper)
Bibi Lalouette, 1859 (etching & drypoint on paper)

HMA616384: Bibi Lalouette, 1859 (etching & drypoint on paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Steps in Algiers, 1900 (pencil on cream wove paper)
Steps in Algiers, 1900 (pencil on cream wove paper)

HMA616442: Steps in Algiers, 1900 (pencil on cream wove paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Green and Gold, The Dancer, (watercolour on board)
Green and Gold, The Dancer, (watercolour on board)

CH650710: Green and Gold, The Dancer, (watercolour on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Doorways, 1880 (etching)
Two Doorways, 1880 (etching)

MAM712784: Two Doorways, 1880 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Pablo de Sarasate drawing by Whistler
Pablo de Sarasate drawing by Whistler

XLE3755443: Pablo de Sarasate drawing by Whistler, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Venice Street, 1879/80 (coloured chalk on paper)
Venice Street, 1879/80 (coloured chalk on paper)

DMW937761: Venice Street, 1879/80 (coloured chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching with drypoint)
Billingsgate, 1859 (etching with drypoint)

DMW937861: Billingsgate, 1859 (etching with drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper)
PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper)

FIT107399: PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Doorway, 1879-80 (etching)
The Doorway, 1879-80 (etching)

FAS147187: The Doorway, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Eagle Wharf (Tyzac, Whitely and Co), 1859 (etching)
Eagle Wharf (Tyzac, Whitely and Co), 1859 (etching)

DNE6200314: Eagle Wharf (Tyzac, Whitely and Co), 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Westminster Bridge, 1859 (etching)
Old Westminster Bridge, 1859 (etching)

DNE6200318: Old Westminster Bridge, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Forge, 1861 (drypoint)
The Forge, 1861 (drypoint)

DNE6200321: The Forge, 1861 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

J Becquet, sculptor, 1859 (drypoint)
J Becquet, sculptor, 1859 (drypoint)

DNE6200322: J Becquet, sculptor, 1859 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Forge, 1875 (drypoint)
The Little Forge, 1875 (drypoint)

DNE6200323: The Little Forge, 1875 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Elinor Leyland, 1873-74 (drypoint)
Elinor Leyland, 1873-74 (drypoint)

DNE6200324: Elinor Leyland, 1873-74 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fanny Leyland, c.1874 (drypoint)
Fanny Leyland, c.1874 (drypoint)

DNE6200326: Fanny Leyland, c.1874 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Velvet Dress, 1873 (drypoint)
The Little Velvet Dress, 1873 (drypoint)

DNE6200328: The Little Velvet Dress, 1873 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Muff, 1874 (drypoint)
The Muff, 1874 (drypoint)

DNE6200332: The Muff, 1874 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bead-Stringers, 1880 (black etching on laid paper)
Bead-Stringers, 1880 (black etching on laid paper)

XOS3526163: Bead-Stringers, 1880 (black etching on laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver - North Sea, c.1884 (w/c on wove paper)
Grey and Silver - North Sea, c.1884 (w/c on wove paper)

FIT1123785: Grey and Silver - North Sea, c.1884 (w/c on wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Archway, Brussels, 1887 (etching)
Archway, Brussels, 1887 (etching)

FSG781813: Archway, Brussels, 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)
Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)

XCK877065: Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Weary, 1863 (drypoint & roulette)
Weary, 1863 (drypoint & roulette)

HST861952: Weary, 1863 (drypoint & roulette), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe from
Rotherhithe from

MNS883314: Rotherhithe from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1860, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Vieille aux Loques from
La Vieille aux Loques from

MNS881606: La Vieille aux Loques from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Old Doorway from
The Old Doorway from

MNS881613: The Old Doorway from "The First Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Unsafe Tenement from
The Unsafe Tenement from

MNS881614: The Unsafe Tenement from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Bridge and Church from
Chelsea Bridge and Church from

MNS881707: Chelsea Bridge and Church from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1870-1871, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime-Burner, 1859
The Lime-Burner, 1859

MNS881327: The Lime-Burner, 1859, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching and drypoint)
Billingsgate, 1859 (etching and drypoint)

XDM1066891: Billingsgate, 1859 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sur Le Quai Montebello, Paris (etching)
Sur Le Quai Montebello, Paris (etching)

IMA1559639: Sur Le Quai Montebello, Paris (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Pool (etching)
The Pool (etching)

IMA1559655: The Pool (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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