Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Soupe a Trois Sous, 1859 (etching)
Soupe a Trois Sous, 1859 (etching)

DNE6200311: Soupe a Trois Sous, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Miss Lillian Woakes, c.1890-91 (oil on canvas)
Miss Lillian Woakes, c.1890-91 (oil on canvas)

PCW439027: Miss Lillian Woakes, c.1890-91 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: Palaces, 1879-80 (etching and drypoint on antique laid paper)
Nocturne: Palaces, 1879-80 (etching and drypoint on antique laid paper)

FAS179715: Nocturne: Palaces, 1879-80 (etching and drypoint on antique laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Lalouette, 1859 (etching & drypoint on paper)
Bibi Lalouette, 1859 (etching & drypoint on paper)

HMA616384: Bibi Lalouette, 1859 (etching & drypoint on paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Valentin (etching)
Bibi Valentin (etching)

IMA1559660: Bibi Valentin (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime-Burner (etching and drypoint)
The Lime-Burner (etching and drypoint)

IMA1559666: The Lime-Burner (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate (etching)
Billingsgate (etching)

IMA1555424: Billingsgate (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Putney, No. 2 (etching)
The Little Putney, No. 2 (etching)

IMA1559634: The Little Putney, No. 2 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime Burner, 1859 (etching & drypoint)
The Lime Burner, 1859 (etching & drypoint)

HST1075507: The Lime Burner, 1859 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Steps in Algiers, 1900 (pencil on cream wove paper)
Steps in Algiers, 1900 (pencil on cream wove paper)

HMA616442: Steps in Algiers, 1900 (pencil on cream wove paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Doorways, 1880 (etching)
Two Doorways, 1880 (etching)

MAM712784: Two Doorways, 1880 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)
Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)

XCK877065: Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Campanile Santa Margherita, 1879-80 (chalk & pastel on wove paper)
Campanile Santa Margherita, 1879-80 (chalk & pastel on wove paper)

PLL3949569: Campanile Santa Margherita, 1879-80 (chalk & pastel on wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bead-Stringers, 1880 (black etching on laid paper)
Bead-Stringers, 1880 (black etching on laid paper)

XOS3526163: Bead-Stringers, 1880 (black etching on laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Westminster Bridge, 1859 (etching)
Old Westminster Bridge, 1859 (etching)

DNE6200318: Old Westminster Bridge, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Forge, 1875 (drypoint)
The Little Forge, 1875 (drypoint)

DNE6200323: The Little Forge, 1875 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Velvet Dress, 1873 (drypoint)
The Little Velvet Dress, 1873 (drypoint)

DNE6200328: The Little Velvet Dress, 1873 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Forge, 1861 (drypoint)
The Forge, 1861 (drypoint)

DNE6200321: The Forge, 1861 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Elinor Leyland, 1873-74 (drypoint)
Elinor Leyland, 1873-74 (drypoint)

DNE6200324: Elinor Leyland, 1873-74 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Muff, 1874 (drypoint)
The Muff, 1874 (drypoint)

DNE6200332: The Muff, 1874 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Eagle Wharf (Tyzac, Whitely and Co), 1859 (etching)
Eagle Wharf (Tyzac, Whitely and Co), 1859 (etching)

DNE6200314: Eagle Wharf (Tyzac, Whitely and Co), 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

J Becquet, sculptor, 1859 (drypoint)
J Becquet, sculptor, 1859 (drypoint)

DNE6200322: J Becquet, sculptor, 1859 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fanny Leyland, c.1874 (drypoint)
Fanny Leyland, c.1874 (drypoint)

DNE6200326: Fanny Leyland, c.1874 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

By the Balcony, 1896 (litho)
By the Balcony, 1896 (litho)

XCC2972746: By the Balcony, 1896 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)
Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)

XCC2968013: Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)
Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)

XCC2968008: Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)
Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)

XCC2968606: Grey and Silver: Old Battersea Reach, 1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Man Has The Pipe, 1859 (oil on canvas)
The Man Has The Pipe, 1859 (oil on canvas)

JLJ4587293: The Man Has The Pipe, 1859 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Piazzetta, 1879-1880 (etching and drypoint on paper)
The Piazzetta, 1879-1880 (etching and drypoint on paper)

FSG3742019: The Piazzetta, 1879-1880 (etching and drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Venice Street, 1879/80 (coloured chalk on paper)
Venice Street, 1879/80 (coloured chalk on paper)

DMW937761: Venice Street, 1879/80 (coloured chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching with drypoint)
Billingsgate, 1859 (etching with drypoint)

DMW937861: Billingsgate, 1859 (etching with drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime-Burner, 1859
The Lime-Burner, 1859

MNS881327: The Lime-Burner, 1859, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Vieille aux Loques from
La Vieille aux Loques from

MNS881606: La Vieille aux Loques from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Bridge and Church from
Chelsea Bridge and Church from

MNS881707: Chelsea Bridge and Church from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1870-1871, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Unsafe Tenement from
The Unsafe Tenement from

MNS881614: The Unsafe Tenement from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver - North Sea, c.1884 (w/c on wove paper)
Grey and Silver - North Sea, c.1884 (w/c on wove paper)

FIT1123785: Grey and Silver - North Sea, c.1884 (w/c on wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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