Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

FSG324656: The Little Pool, 1861 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324664: Amsterdam from the Tolhuis, 1863 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324675: Tatting (possibly Lizzie Dawson) c.1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324676: Maude, standing, c.1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324689: From Pickle-Herring Stairs, c.1878 (etching & drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324694: The Little Putney, No. 1, 1879 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324773: Pantheon, Luxembourg Gardens, c.1892-93 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324781: The Bathers, 1883/84 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324782: The Anchorage, 1883/84 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324842: The Little Nurse, 1895 (oil on wood panel), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324846: Note in Blue and Opal: Jersey, 1881 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324849: Standing Figure, c.1890 (crayon on lithographic transfer paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324898: Whistler's Butterfly, c.1890 (pencil on cardboard), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324903: Young Girl Standing, c.1873-75 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

BIA327172: The Thames from Battersea Bridge, 1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Butler Institute of American Art, Youngstown, OH, USA / Bridgeman Images

FSG324594: A Gambling Room at Baden-Baden, 1858 (pencil and charcoal on white paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324602: Promenade at Baden, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324605: George Sauter at the Red Lion, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324613: Whistler with friends, 1858 (pencil on white paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324616: The esplanade at Dieppe, 1857 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324624: Group of four men, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

FSG324733: Little Smithfield, c.1877 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

HNT171769: The Morning After the Revolution (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / The Hunterian, University of Glasgow, Scotland / Bridgeman Images

FIT943032: Studies of Rosettes, 1871-74 (black & white chalks on brown paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

HMA616384: Bibi Lalouette, 1859 (etching & drypoint on paper) , Whistler, James Abbott McNeill (1834-1903) / The Heckscher Museum of Art, Huntington, NY, USA / Bridgeman Images

XCC2968013: Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

XCC2972702: Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

XCC2972730: The Garden, 1891 (transfer lithograph in black on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

XCC2972746: By the Balcony, 1896 (litho), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

XCC2971519: Sketch after the Portrait of Rosa Corder, c.1879 (brush & brown wash, with pen & brown ink, on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

XCC2971546: The Thames, 1896 (lithotint), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

XCC2971987: Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

XCC2972432: Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

FAS160791: Fish Shop, Venice (etching), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

FAS126213: Nocturne, 1879-80 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

FIT111422: Seated Lady Reading, study for Mrs Layland (pastel chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images