Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Green and Silver: Beaulieu, Touraine, 1888 (w/c on linen mounted on board)
Green and Silver: Beaulieu, Touraine, 1888 (w/c on linen mounted on board)

FSG324704: Green and Silver: Beaulieu, Touraine, 1888 (w/c on linen mounted on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Nurse, 1895 (oil on wood panel)
The Little Nurse, 1895 (oil on wood panel)

FSG324842: The Little Nurse, 1895 (oil on wood panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Women and Children at a Shop Door, c.1888 (w/c on linen laid down on board)
Women and Children at a Shop Door, c.1888 (w/c on linen laid down on board)

CH378286: Women and Children at a Shop Door, c.1888 (w/c on linen laid down on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Balcony, c.1888 (w/c on linen laid down on board)
The Balcony, c.1888 (w/c on linen laid down on board)

CH378291: The Balcony, c.1888 (w/c on linen laid down on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Seashore, 1883-85 (oil on board)
The Seashore, 1883-85 (oil on board)

MNS488042: The Seashore, 1883-85 (oil on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Doorway, 1880 (etching & drypoint on paper)
The Doorway, 1880 (etching & drypoint on paper)

TBM446061: The Doorway, 1880 (etching & drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Doorway, 1880 (etching & drypoint on paper)
The Doorway, 1880 (etching & drypoint on paper)

TBM695440: The Doorway, 1880 (etching & drypoint on paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Black Lion Wharf, from 'A Series of Sixteen Etchings of Scenes on the Thames', 1859 (printed 1871) (etching & drypoint)
Black Lion Wharf, from 'A Series of Sixteen Etchings of Scenes on the Thames', 1859 (printed 1871) (etching & drypoint)

DMW937357: Black Lion Wharf, from 'A Series of Sixteen Etchings of Scenes on the Thames', 1859 (printed 1871) (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Eagle Wharf, from
Eagle Wharf, from

DMW937496: Eagle Wharf, from "A Series of Sixteen Etchings of Scenes on the Thames", 1859, published 1871 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Wine Glass, 1858 (etching)
The Wine Glass, 1858 (etching)

XDM1066756: The Wine Glass, 1858 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Pool, 1859 (etching)
The Pool, 1859 (etching)

XDM1069908: The Pool, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Afternoon Tea, 1895 (litho)
Afternoon Tea, 1895 (litho)

XDM1071494: Afternoon Tea, 1895 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Landscape with Farm Buildings, c.1884 (w/c on paper)
Landscape with Farm Buildings, c.1884 (w/c on paper)

FIT1123784: Landscape with Farm Buildings, c.1884 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)
Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)

XCC2971987: Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketch of the Peacock Room, 1898 (graphite on cream wove paper)
Sketch of the Peacock Room, 1898 (graphite on cream wove paper)

XCC2972006: Sketch of the Peacock Room, 1898 (graphite on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)
Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)

XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)
Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)

XCC2972702: Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Longshoreman, 1859 (etching and drypoint on laid paper)
Longshoreman, 1859 (etching and drypoint on laid paper)

XOS3526218: Longshoreman, 1859 (etching and drypoint on laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

St. James Street (etching)
St. James Street (etching)

IMA1559672: St. James Street (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Zuyder Zee, c.1883 (watercolour on paper)
Zuyder Zee, c.1883 (watercolour on paper)

CH1767319: Zuyder Zee, c.1883 (watercolour on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Figures in a Doorway, c.1897-99 (watercolour on paper)
Figures in a Doorway, c.1897-99 (watercolour on paper)

CH1767673: Figures in a Doorway, c.1897-99 (watercolour on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Seymour Standing Under A Tree (etching)
Seymour Standing Under A Tree (etching)

IMA1561307: Seymour Standing Under A Tree (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Long Venice from
Long Venice from

MNS880665: Long Venice from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Mill, 1889
The Mill, 1889

MNS881611: The Mill, 1889, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Thames, 1896
The Thames, 1896

MNS881612: The Thames, 1896, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Florence Leyland, 1873
Florence Leyland, 1873

MNS881709: Florence Leyland, 1873, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fishing-Boat from
Fishing-Boat from

MNS881712: Fishing-Boat from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Salute: Dawn from
La Salute: Dawn from

MNS881713: La Salute: Dawn from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Square House, Amsterdam, 1889
Square House, Amsterdam, 1889

MNS881715: Square House, Amsterdam, 1889, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Zaandam, 1889
Zaandam, 1889

MNS881716: Zaandam, 1889, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: The River at Battersea, 1878
Nocturne: The River at Battersea, 1878

MNS881332: Nocturne: The River at Battersea, 1878, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Lalouette (etching)
Bibi Lalouette (etching)

LYT6816265: Bibi Lalouette (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Valentin, 1859 (drypoint)
Bibi Valentin, 1859 (drypoint)

DNE6200250: Bibi Valentin, 1859 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe (or Wapping), 1860 (etching)
Rotherhithe (or Wapping), 1860 (etching)

DNE6200308: Rotherhithe (or Wapping), 1860 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Large Pool, 1878-79 (etching)
The Large Pool, 1878-79 (etching)

DNE6200309: The Large Pool, 1878-79 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Wych Street, 1877 (etching)
Wych Street, 1877 (etching)

DNE6200313: Wych Street, 1877 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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