Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Black Lion Wharf (colour litho)
Black Lion Wharf (colour litho)

IL3611039: Black Lion Wharf (colour litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper)
Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper)

COU5948420: Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Doorway, 1880 (etching & drypoint on paper)
The Doorway, 1880 (etching & drypoint on paper)

TBM695440: The Doorway, 1880 (etching & drypoint on paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Zuyder Zee, 1884-85 (w/c on paper)
Zuyder Zee, 1884-85 (w/c on paper)

FAS238983: Zuyder Zee, 1884-85 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Seascape (w/c on paper)
Seascape (w/c on paper)

FAS147017: Seascape (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Doorway, 1880 (etching & drypoint on paper)
The Doorway, 1880 (etching & drypoint on paper)

TBM446061: The Doorway, 1880 (etching & drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Putney Bridge, 1879 (etching on paper)
Old Putney Bridge, 1879 (etching on paper)

TBM342040: Old Putney Bridge, 1879 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching)
Billingsgate, 1859 (etching)

PAL264015: Billingsgate, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bead-Stringers (etching)
Bead-Stringers (etching)

IMA1559665: Bead-Stringers (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Vielle Aux Loques (etching)
La Vielle Aux Loques (etching)

IMA1562051: La Vielle Aux Loques (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Dancing Girl (transfer lithograph)
The Dancing Girl (transfer lithograph)

IMA1560467: The Dancing Girl (transfer lithograph), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel)
Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel)

XCC2968019: Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)
Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)

XCC2971987: Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Longshoreman, 1859 (etching and drypoint on laid paper)
Longshoreman, 1859 (etching and drypoint on laid paper)

XOS3526218: Longshoreman, 1859 (etching and drypoint on laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketch of the Peacock Room, 1898 (graphite on cream wove paper)
Sketch of the Peacock Room, 1898 (graphite on cream wove paper)

XCC2972006: Sketch of the Peacock Room, 1898 (graphite on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)
Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)

XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)
Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)

XCC2972702: Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Black Lion Wharf, from 'A Series of Sixteen Etchings of Scenes on the Thames', 1859 (printed 1871) (etching & drypoint)
Black Lion Wharf, from 'A Series of Sixteen Etchings of Scenes on the Thames', 1859 (printed 1871) (etching & drypoint)

DMW937357: Black Lion Wharf, from 'A Series of Sixteen Etchings of Scenes on the Thames', 1859 (printed 1871) (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Eagle Wharf, from
Eagle Wharf, from

DMW937496: Eagle Wharf, from "A Series of Sixteen Etchings of Scenes on the Thames", 1859, published 1871 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Landscape with Farm Buildings, c.1884 (w/c on paper)
Landscape with Farm Buildings, c.1884 (w/c on paper)

FIT1123784: Landscape with Farm Buildings, c.1884 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Long Venice from
Long Venice from

MNS880665: Long Venice from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Florence Leyland, 1873
Florence Leyland, 1873

MNS881709: Florence Leyland, 1873, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Salute: Dawn from
La Salute: Dawn from

MNS881713: La Salute: Dawn from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Square House, Amsterdam, 1889
Square House, Amsterdam, 1889

MNS881715: Square House, Amsterdam, 1889, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Thames, 1896
The Thames, 1896

MNS881612: The Thames, 1896, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fishing-Boat from
Fishing-Boat from

MNS881712: Fishing-Boat from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Zaandam, 1889
Zaandam, 1889

MNS881716: Zaandam, 1889, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: The River at Battersea, 1878
Nocturne: The River at Battersea, 1878

MNS881332: Nocturne: The River at Battersea, 1878, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Mill, 1889
The Mill, 1889

MNS881611: The Mill, 1889, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Beggars, 1880 (etching and drypoint)
The Beggars, 1880 (etching and drypoint)

XCL5672885: The Beggars, 1880 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Visitor's Boat, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Visitor's Boat, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251004: Visitor's Boat, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251011: Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Troop Ships, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Troop Ships, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251003: Troop Ships, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Fleet: Evening, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
The Fleet: Evening, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251010: The Fleet: Evening, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study For `Symphony in Flesh Color and Pink' (Portrait of Mrs, 1870-73 (pastel and charcoal on brown paper)
Study For `Symphony in Flesh Color and Pink' (Portrait of Mrs, 1870-73 (pastel and charcoal on brown paper)

CH651142: Study For `Symphony in Flesh Color and Pink' (Portrait of Mrs, 1870-73 (pastel and charcoal on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Heads of two men, c.1855-59 (pencil on off-white wove paper)
Heads of two men, c.1855-59 (pencil on off-white wove paper)

FSG324600: Heads of two men, c.1855-59 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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