COU5948420:
Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251012:
Ryde Pier, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972728:
Early Morning, 1878 (lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972784:
Corte del Paradiso, 1880 (pastel & black chalk on brown wove paper with fibrous inclusions), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
DMW937357:
Black Lion Wharf, from 'A Series of Sixteen Etchings of Scenes on the Thames', 1859 (printed 1871) (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
DMW937496:
Eagle Wharf, from "A Series of Sixteen Etchings of Scenes on the Thames", 1859, published 1871 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
CH651142:
Study For `Symphony in Flesh Color and Pink' (Portrait of Mrs, 1870-73 (pastel and charcoal on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324601:
Entrance of the Grande Promenade at Baden, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images