Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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The Pool, 1859 (etching)
The Pool, 1859 (etching)

DNE6200312: The Pool, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Dam Wood, 1875 (drypoint)
The Dam Wood, 1875 (drypoint)

DNE6200329: The Dam Wood, 1875 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper)
Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper)

COU5948420: Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Doorway, 1880 (etching & drypoint on paper)
The Doorway, 1880 (etching & drypoint on paper)

TBM446061: The Doorway, 1880 (etching & drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Dancing Girl (transfer lithograph)
The Dancing Girl (transfer lithograph)

IMA1560467: The Dancing Girl (transfer lithograph), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Doorway, 1880 (etching & drypoint on paper)
The Doorway, 1880 (etching & drypoint on paper)

TBM695440: The Doorway, 1880 (etching & drypoint on paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching)
Billingsgate, 1859 (etching)

PAL264015: Billingsgate, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Putney Bridge, 1879 (etching on paper)
Old Putney Bridge, 1879 (etching on paper)

TBM342040: Old Putney Bridge, 1879 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Seascape (w/c on paper)
Seascape (w/c on paper)

FAS147017: Seascape (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Zuyder Zee, 1884-85 (w/c on paper)
Zuyder Zee, 1884-85 (w/c on paper)

FAS238983: Zuyder Zee, 1884-85 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bead-Stringers (etching)
Bead-Stringers (etching)

IMA1559665: Bead-Stringers (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Vielle Aux Loques (etching)
La Vielle Aux Loques (etching)

IMA1562051: La Vielle Aux Loques (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel)
Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel)

XCC2968019: Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Coast Scene, Bathers, 1884-85 (oil on panel)
Coast Scene, Bathers, 1884-85 (oil on panel)

XCC2968007: Coast Scene, Bathers, 1884-85 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)
Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)

XCC2971987: Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)
Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)

XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)
Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)

XCC2972702: Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketch of the Peacock Room, 1898 (graphite on cream wove paper)
Sketch of the Peacock Room, 1898 (graphite on cream wove paper)

XCC2972006: Sketch of the Peacock Room, 1898 (graphite on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Longshoreman, 1859 (etching and drypoint on laid paper)
Longshoreman, 1859 (etching and drypoint on laid paper)

XOS3526218: Longshoreman, 1859 (etching and drypoint on laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Beggars, 1880 (etching and drypoint)
The Beggars, 1880 (etching and drypoint)

XCL5672885: The Beggars, 1880 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Large Pool, 1878-79 (etching)
The Large Pool, 1878-79 (etching)

DNE6200309: The Large Pool, 1878-79 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Landscape with the Horse, 1859 (etching)
The Landscape with the Horse, 1859 (etching)

DNE6200316: The Landscape with the Horse, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Hungerford Bridge, 1861 (etching)
Old Hungerford Bridge, 1861 (etching)

DNE6200325: Old Hungerford Bridge, 1861 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Valentin, 1859 (drypoint)
Bibi Valentin, 1859 (drypoint)

DNE6200250: Bibi Valentin, 1859 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe (or Wapping), 1860 (etching)
Rotherhithe (or Wapping), 1860 (etching)

DNE6200308: Rotherhithe (or Wapping), 1860 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Hurlingham, 1879 (etching)
Hurlingham, 1879 (etching)

DNE6200315: Hurlingham, 1879 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Millbank, 1861 (etching)
Millbank, 1861 (etching)

DNE6200319: Millbank, 1861 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Wych Street, 1877 (etching)
Wych Street, 1877 (etching)

DNE6200313: Wych Street, 1877 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Greenwich Park, 1859 (etching)
Greenwich Park, 1859 (etching)

DNE6200317: Greenwich Park, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Pool, 1861 (drypoint)
The Little Pool, 1861 (drypoint)

DNE6200330: The Little Pool, 1861 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Lalouette (etching)
Bibi Lalouette (etching)

LYT6816265: Bibi Lalouette (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study For `Symphony in Flesh Color and Pink' (Portrait of Mrs, 1870-73 (pastel and charcoal on brown paper)
Study For `Symphony in Flesh Color and Pink' (Portrait of Mrs, 1870-73 (pastel and charcoal on brown paper)

CH651142: Study For `Symphony in Flesh Color and Pink' (Portrait of Mrs, 1870-73 (pastel and charcoal on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Landscape with Farm Buildings, c.1884 (w/c on paper)
Landscape with Farm Buildings, c.1884 (w/c on paper)

FIT1123784: Landscape with Farm Buildings, c.1884 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Thames, 1896
The Thames, 1896

MNS881612: The Thames, 1896, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fishing-Boat from
Fishing-Boat from

MNS881712: Fishing-Boat from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Long Venice from
Long Venice from

MNS880665: Long Venice from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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