COU5948420:
Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324601:
Entrance of the Grande Promenade at Baden, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324618:
A girl reclining on a couch, reading, 1858-60 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251003:
Troop Ships, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251004:
Visitor's Boat, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251010:
The Fleet: Evening, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251011:
Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972702:
Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images