Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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The Thames, 1896 (lithotint)
The Thames, 1896 (lithotint)

XCC2971546: The Thames, 1896 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)
Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper)

XCC2971983: Old Battersea Bridge, 1879, published 1887 (lithograph, in black ink, with scraping, on white plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)
Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper)

XCC2971996: Girl Reading in Bed, c.1882 (pen & brown ink, with traces of graphite, on pink wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)
Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper)

XCC2972432: Vauxhall Bridge, 1861 (etching and drypoint in black ink on ivory laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study: Maud Seated, 1878 (lithotint)
Study: Maud Seated, 1878 (lithotint)

XCC2972440: Study: Maud Seated, 1878 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Fan, 1879 (transfer litho in black ink on ivory plate paper)
The Fan, 1879 (transfer litho in black ink on ivory plate paper)

XCC2972668: The Fan, 1879 (transfer litho in black ink on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

FIA5378977: "Caprice in purple and gold: The Dore screen", 1864 (print), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe, 1860 (etching and drypoint)
Rotherhithe, 1860 (etching and drypoint)

XCL5672876: Rotherhithe, 1860 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate (etching)
Billingsgate (etching)

IMA1555424: Billingsgate (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: Palaces, 1879-80 (etching and drypoint on antique laid paper)
Nocturne: Palaces, 1879-80 (etching and drypoint on antique laid paper)

FAS179715: Nocturne: Palaces, 1879-80 (etching and drypoint on antique laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Putney, No. 2 (etching)
The Little Putney, No. 2 (etching)

IMA1559634: The Little Putney, No. 2 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Valentin (etching)
Bibi Valentin (etching)

IMA1559660: Bibi Valentin (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime-Burner (etching and drypoint)
The Lime-Burner (etching and drypoint)

IMA1559666: The Lime-Burner (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Seated Lady Reading, study for Mrs Layland (pastel chalk on paper)
Seated Lady Reading, study for Mrs Layland (pastel chalk on paper)

FIT111422: Seated Lady Reading, study for Mrs Layland (pastel chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Lalouette, 1859 (etching & drypoint on paper)
Bibi Lalouette, 1859 (etching & drypoint on paper)

HMA616384: Bibi Lalouette, 1859 (etching & drypoint on paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Steps in Algiers, 1900 (pencil on cream wove paper)
Steps in Algiers, 1900 (pencil on cream wove paper)

HMA616442: Steps in Algiers, 1900 (pencil on cream wove paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Miss Lillian Woakes, c.1890-91 (oil on canvas)
Miss Lillian Woakes, c.1890-91 (oil on canvas)

PCW439027: Miss Lillian Woakes, c.1890-91 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Doorways, 1880 (etching)
Two Doorways, 1880 (etching)

MAM712784: Two Doorways, 1880 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419724)
Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419724)

PNH419723: Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419724), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime Burner, 1859 (etching & drypoint)
The Lime Burner, 1859 (etching & drypoint)

HST1075507: The Lime Burner, 1859 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Wine Glass, 1858
The Wine Glass, 1858

MNS881326: The Wine Glass, 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Dipping the Flag, 1887
Dipping the Flag, 1887

MNS881714: Dipping the Flag, 1887, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Wharf, 1863 (etching on paper)
Chelsea Wharf, 1863 (etching on paper)

FSG324662: Chelsea Wharf, 1863 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Weary, 1863 (drypoint on paper)
Weary, 1863 (drypoint on paper)

FSG324665: Weary, 1863 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Reading a Book (possibly Lizzie Dawson) c.1873 (drypoint on paper)
Reading a Book (possibly Lizzie Dawson) c.1873 (drypoint on paper)

FSG324674: Reading a Book (possibly Lizzie Dawson) c.1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Maude, standing, c.1873 (drypoint on paper)
Maude, standing, c.1873 (drypoint on paper)

FSG324676: Maude, standing, c.1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Tillie, a Model, 1873 (drypoint on paper)
Tillie, a Model, 1873 (drypoint on paper)

FSG324678: Tillie, a Model, 1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Boy, c.1873-75 (drypoint on paper)
The Boy, c.1873-75 (drypoint on paper)

FSG324680: The Boy, c.1873-75 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Free Trade Wharf, 1877 (etching on paper)
Free Trade Wharf, 1877 (etching on paper)

FSG324687: Free Trade Wharf, 1877 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nude Figure Reclining, c.1885-88 (etching on paper)
Nude Figure Reclining, c.1885-88 (etching on paper)

FSG324719: Nude Figure Reclining, c.1885-88 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The White House, c.1884-85 (oil on wood panel)
The White House, c.1884-85 (oil on wood panel)

FSG324778: The White House, c.1884-85 (oil on wood panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Symphony in Green and Violet, c.1868 (oil on millboard mounted on wood panel)
Symphony in Green and Violet, c.1868 (oil on millboard mounted on wood panel)

FSG324811: Symphony in Green and Violet, c.1868 (oil on millboard mounted on wood panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Summer Sea, 1880s (oil on wood panel)
The Summer Sea, 1880s (oil on wood panel)

FSG324844: The Summer Sea, 1880s (oil on wood panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Blue and Silver - Boat Entering Pourville, 1899 (oil on wood panel)
Blue and Silver - Boat Entering Pourville, 1899 (oil on wood panel)

FSG324855: Blue and Silver - Boat Entering Pourville, 1899 (oil on wood panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chambre  la Ferme de Maladrie, c.1861 (pencil on white paper);
Chambre  la Ferme de Maladrie, c.1861 (pencil on white paper);

FSG324589: Chambre la Ferme de Maladrie, c.1861 (pencil on white paper);, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

A man reclining on a bed, 1858 (pencil on off-white wove paper)
A man reclining on a bed, 1858 (pencil on off-white wove paper)

FSG324603: A man reclining on a bed, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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