Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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The Blacksmith, 1895-1896 (litho on paper)
The Blacksmith, 1895-1896 (litho on paper)

FSG3741999: The Blacksmith, 1895-1896 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Variation In Purple And Green, 1871 (oil on canvas)
Variation In Purple And Green, 1871 (oil on canvas)

JLJ4683090: Variation In Purple And Green, 1871 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe, 1860 (etching and drypoint)
Rotherhithe, 1860 (etching and drypoint)

XCL5672876: Rotherhithe, 1860 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper)
The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper)

ISG7108195: The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Beggars, 1879-80 (etching)
The Beggars, 1879-80 (etching)

DNE6200305: The Beggars, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Music Room, 1859 (etching)
The Music Room, 1859 (etching)

DNE6200337: The Music Room, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Amsterdam from the Tolhuis, 1863 (drypoint)
Amsterdam from the Tolhuis, 1863 (drypoint)

DNE6200252: Amsterdam from the Tolhuis, 1863 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Battersea, Dawn, 1877 (drypoint)
Battersea, Dawn, 1877 (drypoint)

DNE6200251: Battersea, Dawn, 1877 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Seymour Standing Under a Tree, 1859 (etching)
Seymour Standing Under a Tree, 1859 (etching)

DNE6200331: Seymour Standing Under a Tree, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper)
The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper)

SEM6386346: The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas)
Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas)

XCC2968006: Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

St. Giles-in-the-Fields, 1896 (transfer litho in black, with stumping, on cream laid paper)
St. Giles-in-the-Fields, 1896 (transfer litho in black, with stumping, on cream laid paper)

XCC2972439: St. Giles-in-the-Fields, 1896 (transfer litho in black, with stumping, on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)
Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)

XCC2971520: Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketches on the Coast Survey Plate, 1854 (etching on paper)
Sketches on the Coast Survey Plate, 1854 (etching on paper)

FSG3741960: Sketches on the Coast Survey Plate, 1854 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Mere Gerard, 1858-59 (oil on panel)
La Mere Gerard, 1858-59 (oil on panel)

CH378290: La Mere Gerard, 1858-59 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Shop Window, c.1885-90 (oil on panel)
The Shop Window, c.1885-90 (oil on panel)

CH378293: The Shop Window, c.1885-90 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Valentin (etching)
Bibi Valentin (etching)

IMA1559660: Bibi Valentin (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Putney, No. 2 (etching)
The Little Putney, No. 2 (etching)

IMA1559634: The Little Putney, No. 2 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate (etching)
Billingsgate (etching)

IMA1555424: Billingsgate (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime-Burner (etching and drypoint)
The Lime-Burner (etching and drypoint)

IMA1559666: The Lime-Burner (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Putney Bridge, 1879
Old Putney Bridge, 1879

MNS883535: Old Putney Bridge, 1879, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Weary, 1863
Weary, 1863

MNS883689: Weary, 1863, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: Palaces from
Nocturne: Palaces from

MNS883730: Nocturne: Palaces from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Long House, Dyer’s, Amsterdam, 1889
Long House, Dyer’s, Amsterdam, 1889

MNS881328: Long House, Dyer’s, Amsterdam, 1889, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Dipping the Flag, 1887
Dipping the Flag, 1887

MNS881714: Dipping the Flag, 1887, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Ponte del Piovan from
Ponte del Piovan from

MNS880669: Ponte del Piovan from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Wine Glass, 1858
The Wine Glass, 1858

MNS881326: The Wine Glass, 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Annie Haden, 1860
Annie Haden, 1860

MNS881331: Annie Haden, 1860, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime Burner, 1859 (etching & drypoint)
The Lime Burner, 1859 (etching & drypoint)

HST1075507: The Lime Burner, 1859 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Smith's Yard, 1895 (lithograph)
The Smith's Yard, 1895 (lithograph)

XDM1066718: The Smith's Yard, 1895 (lithograph), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Pretty New Yorker, 1894 (lithograph)
The Pretty New Yorker, 1894 (lithograph)

XDM1066874: The Pretty New Yorker, 1894 (lithograph), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fumette, c.1857 (etching and drypoint)
Fumette, c.1857 (etching and drypoint)

XDM1067445: Fumette, c.1857 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Becquet (The Fiddler), from
Becquet (The Fiddler), from

DMW937697: Becquet (The Fiddler), from "A Series of Sixteen Etchings of Scenes on the Thames", 1859-60 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Studies of Rosettes, 1871-74 (black & white chalks on brown paper)
Studies of Rosettes, 1871-74 (black & white chalks on brown paper)

FIT943032: Studies of Rosettes, 1871-74 (black & white chalks on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Reading in Bed (The Slipper) 1858 (black carbon ink on Antique laid paper)
Reading in Bed (The Slipper) 1858 (black carbon ink on Antique laid paper)

FIT1123783: Reading in Bed (The Slipper) 1858 (black carbon ink on Antique laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC249729: Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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