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Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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The Little Forge, 1875 (drypoint)
The Little Forge, 1875 (drypoint)

DNE6200323: The Little Forge, 1875 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: DNE6200323

The Little Forge, 1875 (drypoint)

Whistler, James Abbott McNeill (1834-1903)

Elinor Leyland, 1873-74 (drypoint)
Elinor Leyland, 1873-74 (drypoint)

DNE6200324: Elinor Leyland, 1873-74 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: DNE6200324

Elinor Leyland, 1873-74 (drypoint)

Whistler, James Abbott McNeill (1834-1903)

Fanny Leyland, c.1874 (drypoint)
Fanny Leyland, c.1874 (drypoint)

DNE6200326: Fanny Leyland, c.1874 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: DNE6200326

Fanny Leyland, c.1874 (drypoint)

Whistler, James Abbott McNeill (1834-1903)

The Little Velvet Dress, 1873 (drypoint)
The Little Velvet Dress, 1873 (drypoint)

DNE6200328: The Little Velvet Dress, 1873 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: DNE6200328

The Little Velvet Dress, 1873 (drypoint)

Whistler, James Abbott McNeill (1834-1903)

The Muff, 1874 (drypoint)
The Muff, 1874 (drypoint)

DNE6200332: The Muff, 1874 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: DNE6200332

The Muff, 1874 (drypoint)

Whistler, James Abbott McNeill (1834-1903)

Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)
Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)

XCK877065: Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCK877065

Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)

Whistler, James Abbott McNeill (1834-1903)

Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC249728: Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC249728

Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

Whistler, James Abbott McNeill (1834-1903)

Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251006: Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC251006

Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

Whistler, James Abbott McNeill (1834-1903)

Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251007: Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC251007

Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

Whistler, James Abbott McNeill (1834-1903)

Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251008: Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC251008

Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

Whistler, James Abbott McNeill (1834-1903)

Street Scene in Chelsea, c.1888 (w/c on card)
Street Scene in Chelsea, c.1888 (w/c on card)

XYC273652: Street Scene in Chelsea, c.1888 (w/c on card), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC273652

Street Scene in Chelsea, c.1888 (w/c on card)

Whistler, James Abbott McNeill (1834-1903)

Billingsgate, 1859 (etching and drypoint)
Billingsgate, 1859 (etching and drypoint)

XDM1066891: Billingsgate, 1859 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XDM1066891

Billingsgate, 1859 (etching and drypoint)

Whistler, James Abbott McNeill (1834-1903)

By the Balcony, 1896 (litho)
By the Balcony, 1896 (litho)

XCC2972746: By the Balcony, 1896 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2972746

By the Balcony, 1896 (litho)

Whistler, James Abbott McNeill (1834-1903)

Bead-Stringers, 1880 (black etching on laid paper)
Bead-Stringers, 1880 (black etching on laid paper)

XOS3526163: Bead-Stringers, 1880 (black etching on laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XOS3526163

Bead-Stringers, 1880 (black etching on laid paper)

Whistler, James Abbott McNeill (1834-1903)

Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)
Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)

XCC2968008: Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2968008

Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)

Whistler, James Abbott McNeill (1834-1903)

Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)
Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)

XCC2968013: Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2968013

Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)

Whistler, James Abbott McNeill (1834-1903)

Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)
Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)

XCC2968606: Grey and Silver: Old Battersea Reach, 1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2968606

Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)

Whistler, James Abbott McNeill (1834-1903)

The Man Has The Pipe, 1859 (oil on canvas)
The Man Has The Pipe, 1859 (oil on canvas)

JLJ4587293: The Man Has The Pipe, 1859 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: JLJ4587293

The Man Has The Pipe, 1859 (oil on canvas)

Whistler, James Abbott McNeill (1834-1903)


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