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Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding)
Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding)

IMA1560727: Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: IMA1560727

Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding)

Whistler, James Abbott McNeill (1834-1903)

Sur Le Quai Montebello, Paris (etching)
Sur Le Quai Montebello, Paris (etching)

IMA1559639: Sur Le Quai Montebello, Paris (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: IMA1559639

Sur Le Quai Montebello, Paris (etching)

Whistler, James Abbott McNeill (1834-1903)

The Pool (etching)
The Pool (etching)

IMA1559655: The Pool (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: IMA1559655

The Pool (etching)

Whistler, James Abbott McNeill (1834-1903)

The Doorway, 1879-80 (etching)
The Doorway, 1879-80 (etching)

FAS147187: The Doorway, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: FAS147187

The Doorway, 1879-80 (etching)

Whistler, James Abbott McNeill (1834-1903)

Street Scene in Chelsea, c.1888 (w/c on card)
Street Scene in Chelsea, c.1888 (w/c on card)

XYC273652: Street Scene in Chelsea, c.1888 (w/c on card), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC273652

Street Scene in Chelsea, c.1888 (w/c on card)

Whistler, James Abbott McNeill (1834-1903)

Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC249728: Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC249728

Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

Whistler, James Abbott McNeill (1834-1903)

Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251006: Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC251006

Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

Whistler, James Abbott McNeill (1834-1903)

Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251007: Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC251007

Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

Whistler, James Abbott McNeill (1834-1903)

Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251008: Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XYC251008

Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

Whistler, James Abbott McNeill (1834-1903)

By the Balcony, 1896 (litho)
By the Balcony, 1896 (litho)

XCC2972746: By the Balcony, 1896 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2972746

By the Balcony, 1896 (litho)

Whistler, James Abbott McNeill (1834-1903)

Bead-Stringers, 1880 (black etching on laid paper)
Bead-Stringers, 1880 (black etching on laid paper)

XOS3526163: Bead-Stringers, 1880 (black etching on laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XOS3526163

Bead-Stringers, 1880 (black etching on laid paper)

Whistler, James Abbott McNeill (1834-1903)

The Man Has The Pipe, 1859 (oil on canvas)
The Man Has The Pipe, 1859 (oil on canvas)

JLJ4587293: The Man Has The Pipe, 1859 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: JLJ4587293

The Man Has The Pipe, 1859 (oil on canvas)

Whistler, James Abbott McNeill (1834-1903)

Pablo de Sarasate drawing by Whistler
Pablo de Sarasate drawing by Whistler

XLE3755443: Pablo de Sarasate drawing by Whistler, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XLE3755443

Pablo de Sarasate drawing by Whistler

Whistler, James Abbott McNeill (1834-1903)

Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)
Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)

XCC2968606: Grey and Silver: Old Battersea Reach, 1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2968606

Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)

Whistler, James Abbott McNeill (1834-1903)

Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)
Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)

XCC2968008: Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2968008

Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)

Whistler, James Abbott McNeill (1834-1903)

Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)
Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)

XCC2968013: Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2968013

Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)

Whistler, James Abbott McNeill (1834-1903)

Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)
Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)

XCK877065: Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCK877065

Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)

Whistler, James Abbott McNeill (1834-1903)

Billingsgate, 1859 (etching and drypoint)
Billingsgate, 1859 (etching and drypoint)

XDM1066891: Billingsgate, 1859 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XDM1066891

Billingsgate, 1859 (etching and drypoint)

Whistler, James Abbott McNeill (1834-1903)


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