Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Weary, 1863 (drypoint & roulette)
Weary, 1863 (drypoint & roulette)

HST861952: Weary, 1863 (drypoint & roulette), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Archway, Brussels, 1887 (etching)
Archway, Brussels, 1887 (etching)

FSG781813: Archway, Brussels, 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)
Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)

XCK877065: Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe from
Rotherhithe from

MNS883314: Rotherhithe from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1860, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime-Burner, 1859
The Lime-Burner, 1859

MNS881327: The Lime-Burner, 1859, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Vieille aux Loques from
La Vieille aux Loques from

MNS881606: La Vieille aux Loques from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Old Doorway from
The Old Doorway from

MNS881613: The Old Doorway from "The First Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Unsafe Tenement from
The Unsafe Tenement from

MNS881614: The Unsafe Tenement from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Bridge and Church from
Chelsea Bridge and Church from

MNS881707: Chelsea Bridge and Church from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1870-1871, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nude with a Parasol, c.1868 (white & black crayon on paper)
Nude with a Parasol, c.1868 (white & black crayon on paper)

PNH419726: Nude with a Parasol, c.1868 (white & black crayon on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper)
PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper)

FIT107399: PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching and drypoint)
Billingsgate, 1859 (etching and drypoint)

XDM1066891: Billingsgate, 1859 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver - North Sea, c.1884 (w/c on wove paper)
Grey and Silver - North Sea, c.1884 (w/c on wove paper)

FIT1123785: Grey and Silver - North Sea, c.1884 (w/c on wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding)
Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding)

IMA1560727: Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sur Le Quai Montebello, Paris (etching)
Sur Le Quai Montebello, Paris (etching)

IMA1559639: Sur Le Quai Montebello, Paris (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Pool (etching)
The Pool (etching)

IMA1559655: The Pool (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate (etching with drypoint)
Billingsgate (etching with drypoint)

IMA1562436: Billingsgate (etching with drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

By the Balcony, 1896 (litho)
By the Balcony, 1896 (litho)

XCC2972746: By the Balcony, 1896 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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