Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)
Results
FSG324890: Three Whistler Butterflies and a destroyed sketch, c.1890 (crayon & Chinese white on lithographic transfer paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324503: The Tall Bridge, 1878 (lithotint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324644: Finette, 1859 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324648: The Miser, c.1861 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324665: Weary, 1863 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324612: Seated woman, smoking, 1858-59 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324631: Near Mayence, 1858 (pencil on white paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324662: Chelsea Wharf, 1863 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324676: Maude, standing, c.1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324687: Free Trade Wharf, 1877 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324844: The Summer Sea, 1880s (oil on wood panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324855: Blue and Silver - Boat Entering Pourville, 1899 (oil on wood panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324888: Three Whistler Butterflies, c.1890 (crayon & Chinese white on lithographic transfer paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324902: Standing Woman in Flounced Dress, c.1873-75 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324904: Green and Gold: The Storyteller, c.1896-1900 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324907: A Fire at Pomfret, c.1858 (w/c on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC249729: Monitors, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FIT111422: Seated Lady Reading, study for Mrs Layland (pastel chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS883730: Nocturne: Palaces from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS880669: Ponte del Piovan from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS881328: Long House, Dyers, Amsterdam, 1889, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
CH650710: Green and Gold, The Dancer, (watercolour on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XDM1066718: The Smith's Yard, 1895 (lithograph), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XDM1066874: The Pretty New Yorker, 1894 (lithograph), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XDM1067445: Fumette, c.1857 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FIT1123783: Reading in Bed (The Slipper) 1858 (black carbon ink on Antique laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972439: St. Giles-in-the-Fields, 1896 (transfer litho in black, with stumping, on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2971520: Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2968006: Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG3741960: Sketches on the Coast Survey Plate, 1854 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
