Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Two figures, 1858 (pencil on beige wove paper)
Two figures, 1858 (pencil on beige wove paper)

FSG324623: Two figures, 1858 (pencil on beige wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two scenes by a river, 1858 (pencil on off-white wove paper)
Two scenes by a river, 1858 (pencil on off-white wove paper)

FSG324630: Two scenes by a river, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Tinker, 1858 (etching on paper)
The Tinker, 1858 (etching on paper)

FSG324636: The Tinker, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Unsafe Tenement, 1858 (etching on paper)
The Unsafe Tenement, 1858 (etching on paper)

FSG324639: The Unsafe Tenement, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Punt, 1861 (etching on paper)
The Punt, 1861 (etching on paper)

FSG324651: The Punt, 1861 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Pool, 1861 (etching on paper)
The Little Pool, 1861 (etching on paper)

FSG324656: The Little Pool, 1861 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Amsterdam from the Tolhuis, 1863 (etching on paper)
Amsterdam from the Tolhuis, 1863 (etching on paper)

FSG324663: Amsterdam from the Tolhuis, 1863 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Bridge and Church, c.1870-71 (drypoint on paper)
Chelsea Bridge and Church, c.1870-71 (drypoint on paper)

FSG324667: Chelsea Bridge and Church, c.1870-71 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Model Resting, 1870 (drypoint on paper) (see also 324669)
The Model Resting, 1870 (drypoint on paper) (see also 324669)

FSG324670: The Model Resting, 1870 (drypoint on paper) (see also 324669), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fosco, 1872 (drypoint on paper)
Fosco, 1872 (drypoint on paper)

FSG324671: Fosco, 1872 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Thames towards Erith, c.1877 (drypoint on paper)
The Thames towards Erith, c.1877 (drypoint on paper)

FSG324688: The Thames towards Erith, c.1877 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Putney Bridge, 1879 (etching on paper) (see also 324692)
Old Putney Bridge, 1879 (etching on paper) (see also 324692)

FSG324693: Old Putney Bridge, 1879 (etching on paper) (see also 324692), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Little Smithfield, c.1877 (etching on paper)
Little Smithfield, c.1877 (etching on paper)

FSG324733: Little Smithfield, c.1877 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Bathers, 1883/84 (w/c on paper)
The Bathers, 1883/84 (w/c on paper)

FSG324781: The Bathers, 1883/84 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Little Maunder's, c.1886-87 (etching on paper)
Little Maunder's, c.1886-87 (etching on paper)

FSG324817: Little Maunder's, c.1886-87 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Morning After the Revolution (oil on canvas)
The Morning After the Revolution (oil on canvas)

HNT171769: The Morning After the Revolution (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver: La Petite Souris (oil on canvas)
Grey and Silver: La Petite Souris (oil on canvas)

HNT171779: Grey and Silver: La Petite Souris (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Three Whistler Butterflies and one destroyed sketch, c.1890 (crayon on paper)
Three Whistler Butterflies and one destroyed sketch, c.1890 (crayon on paper)

FSG324884: Three Whistler Butterflies and one destroyed sketch, c.1890 (crayon on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Three Whistler Butterflies (crayon & Chinese white on lithographic transfer paper)
Three Whistler Butterflies (crayon & Chinese white on lithographic transfer paper)

FSG324885: Three Whistler Butterflies (crayon & Chinese white on lithographic transfer paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Whistler's Butterfly, c.1890 (pencil on cardboard)
Whistler's Butterfly, c.1890 (pencil on cardboard)

FSG324898: Whistler's Butterfly, c.1890 (pencil on cardboard), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Battersea Reach, c.1863 (oil on canvas)
Battersea Reach, c.1863 (oil on canvas)

XOS497174: Battersea Reach, c.1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Broad Bridge, 1878 (lithotint, in brown ink, with scraping, on ivory plate paper)
The Broad Bridge, 1878 (lithotint, in brown ink, with scraping, on ivory plate paper)

XCC2972729: The Broad Bridge, 1878 (lithotint, in brown ink, with scraping, on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Garden, 1891 (transfer lithograph in black on cream wove paper)
The Garden, 1891 (transfer lithograph in black on cream wove paper)

XCC2972730: The Garden, 1891 (transfer lithograph in black on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet)
Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet)

XCC2972791: Invitation to Mr. Whistler's Ten O'Clock, 1885 (engraving in black with additions in pen and black ink and watercolour on tan card, with metal grommet), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas)
Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas)

XOS3432810: Blue and Coral: The Little Blue Bonnet, 1898 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Pool, No.2 (etching)
The Little Pool, No.2 (etching)

LMG144812: The Little Pool, No.2 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

By the Shore, St. Ives (oil on board)
By the Shore, St. Ives (oil on board)

CH204224: By the Shore, St. Ives (oil on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Turret Ship, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
The Turret Ship, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251005: The Turret Ship, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1879-80 (etching & drypoint)
Nocturne, 1879-80 (etching & drypoint)

CIN402975: Nocturne, 1879-80 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Model Resting, 1870
The Model Resting, 1870

MNS881708: The Model Resting, 1870, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Doorways from
Two Doorways from

MNS881710: Two Doorways from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Long Lagoon from
Long Lagoon from

MNS881711: Long Lagoon from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Whistler with the White Lock, 1879
Whistler with the White Lock, 1879

MNS881330: Whistler with the White Lock, 1879, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Street at Saverne from
Street at Saverne from

MNS881605: Street at Saverne from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chapel Doorway, Montresor, 1888
Chapel Doorway, Montresor, 1888

MNS881610: Chapel Doorway, Montresor, 1888, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper)
Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper)

FIT1123782: Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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