Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Long Lagoon from
Long Lagoon from

MNS881711: Long Lagoon from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Street at Saverne from
Street at Saverne from

MNS881605: Street at Saverne from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chapel Doorway, Montresor, 1888
Chapel Doorway, Montresor, 1888

MNS881610: Chapel Doorway, Montresor, 1888, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)
Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)

XCC2972672: Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper)
The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper)

SEM6386346: The Novel - Girl Reading, 1890 (lithograph on Dutch laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper)
The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper)

ISG7108195: The Little Note in Yellow and Gold, 1886 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Battersea, Dawn, 1877 (drypoint)
Battersea, Dawn, 1877 (drypoint)

DNE6200251: Battersea, Dawn, 1877 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Amsterdam from the Tolhuis, 1863 (drypoint)
Amsterdam from the Tolhuis, 1863 (drypoint)

DNE6200252: Amsterdam from the Tolhuis, 1863 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Beggars, 1879-80 (etching)
The Beggars, 1879-80 (etching)

DNE6200305: The Beggars, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Seymour Standing Under a Tree, 1859 (etching)
Seymour Standing Under a Tree, 1859 (etching)

DNE6200331: Seymour Standing Under a Tree, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Music Room, 1859 (etching)
The Music Room, 1859 (etching)

DNE6200337: The Music Room, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Morning After the Revolution (oil on canvas)
The Morning After the Revolution (oil on canvas)

HNT171769: The Morning After the Revolution (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver: La Petite Souris (oil on canvas)
Grey and Silver: La Petite Souris (oil on canvas)

HNT171779: Grey and Silver: La Petite Souris (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)
The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)

FSG2968823: The Staircase: Note in Red, 1880 (crayon and pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Barber in Mayence, 1858 (pencil on off-white wove paper)
Barber in Mayence, 1858 (pencil on off-white wove paper)

FSG324604: Barber in Mayence, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Woman seated at a window, 1858 (pencil on off-white wove paper)
Woman seated at a window, 1858 (pencil on off-white wove paper)

FSG324609: Woman seated at a window, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Profile sketch of a child, 1858 (pencil on off-white wove paper)
Profile sketch of a child, 1858 (pencil on off-white wove paper)

FSG324610: Profile sketch of a child, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

At Maladrie's farm, 1858 (pencil on off-white wove paper
At Maladrie's farm, 1858 (pencil on off-white wove paper

FSG324611: At Maladrie's farm, 1858 (pencil on off-white wove paper, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Couple seated at a table, 1858 (pencil on off-white wove paper)
Couple seated at a table, 1858 (pencil on off-white wove paper)

FSG324614: Couple seated at a table, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two figures, 1858 (pencil on beige wove paper)
Two figures, 1858 (pencil on beige wove paper)

FSG324623: Two figures, 1858 (pencil on beige wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two scenes by a river, 1858 (pencil on off-white wove paper)
Two scenes by a river, 1858 (pencil on off-white wove paper)

FSG324630: Two scenes by a river, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Tinker, 1858 (etching on paper)
The Tinker, 1858 (etching on paper)

FSG324636: The Tinker, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Unsafe Tenement, 1858 (etching on paper)
The Unsafe Tenement, 1858 (etching on paper)

FSG324639: The Unsafe Tenement, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Punt, 1861 (etching on paper)
The Punt, 1861 (etching on paper)

FSG324651: The Punt, 1861 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Pool, 1861 (etching on paper)
The Little Pool, 1861 (etching on paper)

FSG324656: The Little Pool, 1861 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

High Street, Brussels, 1887 (etching on paper)
High Street, Brussels, 1887 (etching on paper)

FSG324504: High Street, Brussels, 1887 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Fleet - Evening, 1887 (etching on paper)
The Fleet - Evening, 1887 (etching on paper)

FSG324505: The Fleet - Evening, 1887 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Little Arthur, c.1857-58 (etching on paper)
Little Arthur, c.1857-58 (etching on paper)

FSG324512: Little Arthur, c.1857-58 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Annie, c.1857-58 (etching on paper)
Annie, c.1857-58 (etching on paper)

FSG324515: Annie, c.1857-58 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Conversation under the Statue, Luxembourg Gardens, 1893 (litho on paper)
Conversation under the Statue, Luxembourg Gardens, 1893 (litho on paper)

FSG324531: Conversation under the Statue, Luxembourg Gardens, 1893 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Rag Gatherers, 1858 (etching on paper)
The Rag Gatherers, 1858 (etching on paper)

FSG324536: The Rag Gatherers, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Bridge and Church, c.1870-71 (drypoint on paper)
Chelsea Bridge and Church, c.1870-71 (drypoint on paper)

FSG324537: Chelsea Bridge and Church, c.1870-71 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Priest's House, Rouen, 1894-95 (litho on paper)
The Priest's House, Rouen, 1894-95 (litho on paper)

FSG324545: The Priest's House, Rouen, 1894-95 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Amsterdam from the Tolhuis, 1863 (etching on paper)
Amsterdam from the Tolhuis, 1863 (etching on paper)

FSG324663: Amsterdam from the Tolhuis, 1863 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Bridge and Church, c.1870-71 (drypoint on paper)
Chelsea Bridge and Church, c.1870-71 (drypoint on paper)

FSG324667: Chelsea Bridge and Church, c.1870-71 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Model Resting, 1870 (drypoint on paper) (see also 324669)
The Model Resting, 1870 (drypoint on paper) (see also 324669)

FSG324670: The Model Resting, 1870 (drypoint on paper) (see also 324669), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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