Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)
Results
FSG324694: The Little Putney, No. 1, 1879 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG348608: The Duet (lithograph on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XOS3526218: Longshoreman, 1859 (etching and drypoint on laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2968007: Coast Scene, Bathers, 1884-85 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2968019: Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972702: Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2971987: Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972006: Sketch of the Peacock Room, 1898 (graphite on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
CH1767319: Zuyder Zee, c.1883 (watercolour on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
CH1767673: Figures in a Doorway, c.1897-99 (watercolour on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
BOO74000: Street in Saverne, 1858 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251003: Troop Ships, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251004: Visitor's Boat, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251010: The Fleet: Evening, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251011: Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
CH378285: Portrait of Dorothy Whistler Menpes (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
CH378287: A Brittany Shop with Shuttered Windows (w/c on linen laid down on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
CH651142: Study For `Symphony in Flesh Color and Pink' (Portrait of Mrs, 1870-73 (pastel and charcoal on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCL5672885: The Beggars, 1880 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XDM1071494: Afternoon Tea, 1895 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
TBM446062: The Mast, 1880 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972672: Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS881710: Two Doorways from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS881711: Long Lagoon from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS881605: Street at Saverne from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS881610: Chapel Doorway, Montresor, 1888, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FAS160791: Fish Shop, Venice (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
IMA1562292: Nocturne: The Thames At Battersea (lithotint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
