Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Agnes, c.1873-75 (drypont on paper)
Agnes, c.1873-75 (drypont on paper)

FSG324679: Agnes, c.1873-75 (drypont on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Steamboats off the Tower, 1875 (drypoint on paper)
Steamboats off the Tower, 1875 (drypoint on paper)

FSG324681: Steamboats off the Tower, 1875 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Putney, No. 1, 1879 (etching on paper)
The Little Putney, No. 1, 1879 (etching on paper)

FSG324694: The Little Putney, No. 1, 1879 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Mouth of the River, 1876/77 (w/c on paper)
The Mouth of the River, 1876/77 (w/c on paper)

FSG324780: The Mouth of the River, 1876/77 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Anchorage, 1883/84 (w/c on paper)
The Anchorage, 1883/84 (w/c on paper)

FSG324782: The Anchorage, 1883/84 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Black Lion Wharf, from 'A Series of Sixteen Etchings of Scenes on the Thames', 1859 (printed 1871) (etching & drypoint)
Black Lion Wharf, from 'A Series of Sixteen Etchings of Scenes on the Thames', 1859 (printed 1871) (etching & drypoint)

DMW937357: Black Lion Wharf, from 'A Series of Sixteen Etchings of Scenes on the Thames', 1859 (printed 1871) (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Eagle Wharf, from
Eagle Wharf, from

DMW937496: Eagle Wharf, from "A Series of Sixteen Etchings of Scenes on the Thames", 1859, published 1871 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Long Venice from
Long Venice from

MNS880665: Long Venice from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: The River at Battersea, 1878
Nocturne: The River at Battersea, 1878

MNS881332: Nocturne: The River at Battersea, 1878, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

St. James Street (etching)
St. James Street (etching)

IMA1559672: St. James Street (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Wine Glass, 1858 (etching)
The Wine Glass, 1858 (etching)

XDM1066756: The Wine Glass, 1858 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)
Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)

XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)
Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)

XCC2971987: Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Thames from Battersea Bridge, 1863 (oil on canvas)
The Thames from Battersea Bridge, 1863 (oil on canvas)

BIA327172: The Thames from Battersea Bridge, 1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Beggars, 1880 (etching and drypoint)
The Beggars, 1880 (etching and drypoint)

XCL5672885: The Beggars, 1880 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Valentin, 1859 (drypoint)
Bibi Valentin, 1859 (drypoint)

DNE6200250: Bibi Valentin, 1859 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Pool, 1861 (drypoint)
The Little Pool, 1861 (drypoint)

DNE6200330: The Little Pool, 1861 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Dorothy Whistler Menpes (oil on canvas)
Portrait of Dorothy Whistler Menpes (oil on canvas)

CH378285: Portrait of Dorothy Whistler Menpes (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

A Brittany Shop with Shuttered Windows (w/c on linen laid down on board)
A Brittany Shop with Shuttered Windows (w/c on linen laid down on board)

CH378287: A Brittany Shop with Shuttered Windows (w/c on linen laid down on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study For `Symphony in Flesh Color and Pink' (Portrait of Mrs, 1870-73 (pastel and charcoal on brown paper)
Study For `Symphony in Flesh Color and Pink' (Portrait of Mrs, 1870-73 (pastel and charcoal on brown paper)

CH651142: Study For `Symphony in Flesh Color and Pink' (Portrait of Mrs, 1870-73 (pastel and charcoal on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Figures in a Doorway, c.1897-99 (watercolour on paper)
Figures in a Doorway, c.1897-99 (watercolour on paper)

CH1767673: Figures in a Doorway, c.1897-99 (watercolour on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Zuyder Zee, c.1883 (watercolour on paper)
Zuyder Zee, c.1883 (watercolour on paper)

CH1767319: Zuyder Zee, c.1883 (watercolour on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper)
Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper)

FIT1123782: Vauxhall Bridge, 1861 (etching, black carbon ink on Japanese paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

San Biagio, 1880 (etching & drypoint)
San Biagio, 1880 (etching & drypoint)

XDM1069211: San Biagio, 1880 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Drouet, 1859 (etching and drypoint)
Portrait of Drouet, 1859 (etching and drypoint)

XDM1066856: Portrait of Drouet, 1859 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fish Shop, Venice (etching)
Fish Shop, Venice (etching)

FAS160791: Fish Shop, Venice (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Pool, No.2 (etching)
The Little Pool, No.2 (etching)

LMG144812: The Little Pool, No.2 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Little Maunder's, c.1886-87 (etching on paper)
Little Maunder's, c.1886-87 (etching on paper)

FSG324817: Little Maunder's, c.1886-87 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Street at Saverne from
Street at Saverne from

MNS881605: Street at Saverne from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chapel Doorway, Montresor, 1888
Chapel Doorway, Montresor, 1888

MNS881610: Chapel Doorway, Montresor, 1888, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Model Resting, 1870
The Model Resting, 1870

MNS881708: The Model Resting, 1870, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Doorways from
Two Doorways from

MNS881710: Two Doorways from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Long Lagoon from
Long Lagoon from

MNS881711: Long Lagoon from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

High Street, Brussels, 1887 (etching on paper)
High Street, Brussels, 1887 (etching on paper)

FSG324504: High Street, Brussels, 1887 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Fleet - Evening, 1887 (etching on paper)
The Fleet - Evening, 1887 (etching on paper)

FSG324505: The Fleet - Evening, 1887 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Little Arthur, c.1857-58 (etching on paper)
Little Arthur, c.1857-58 (etching on paper)

FSG324512: Little Arthur, c.1857-58 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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