XCC2972681:
Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972702:
Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2971987:
Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251003:
Troop Ships, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251004:
Visitor's Boat, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251010:
The Fleet: Evening, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XYC251011:
Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972672:
Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images