Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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The Large Pool, 1878-79 (etching)
The Large Pool, 1878-79 (etching)

DNE6200309: The Large Pool, 1878-79 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Wych Street, 1877 (etching)
Wych Street, 1877 (etching)

DNE6200313: Wych Street, 1877 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Hurlingham, 1879 (etching)
Hurlingham, 1879 (etching)

DNE6200315: Hurlingham, 1879 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Landscape with the Horse, 1859 (etching)
The Landscape with the Horse, 1859 (etching)

DNE6200316: The Landscape with the Horse, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Greenwich Park, 1859 (etching)
Greenwich Park, 1859 (etching)

DNE6200317: Greenwich Park, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Hungerford Bridge, 1861 (etching)
Old Hungerford Bridge, 1861 (etching)

DNE6200325: Old Hungerford Bridge, 1861 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Pool, 1861 (drypoint)
The Little Pool, 1861 (drypoint)

DNE6200330: The Little Pool, 1861 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bibi Lalouette (etching)
Bibi Lalouette (etching)

LYT6816265: Bibi Lalouette (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Forge (litho)
The Forge (litho)

XYC283256: The Forge (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Longshoreman, 1859 (etching and drypoint on laid paper)
Longshoreman, 1859 (etching and drypoint on laid paper)

XOS3526218: Longshoreman, 1859 (etching and drypoint on laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)
Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)

XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)
Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)

XCC2972702: Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)
Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum)

XCC2971987: Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketch of the Peacock Room, 1898 (graphite on cream wove paper)
Sketch of the Peacock Room, 1898 (graphite on cream wove paper)

XCC2972006: Sketch of the Peacock Room, 1898 (graphite on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Coast Scene, Bathers, 1884-85 (oil on panel)
Coast Scene, Bathers, 1884-85 (oil on panel)

XCC2968007: Coast Scene, Bathers, 1884-85 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel)
Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel)

XCC2968019: Portrait of Dr. William McNeill Whistler, 1871-73 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Troop Ships, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Troop Ships, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251003: Troop Ships, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Visitor's Boat, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Visitor's Boat, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251004: Visitor's Boat, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Fleet: Evening, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
The Fleet: Evening, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251010: The Fleet: Evening, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251011: Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Afternoon Tea, 1895 (litho)
Afternoon Tea, 1895 (litho)

XDM1071494: Afternoon Tea, 1895 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Beggars, 1880 (etching and drypoint)
The Beggars, 1880 (etching and drypoint)

XCL5672885: The Beggars, 1880 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)
The Staircase: Note in Red, 1880 (crayon and pastel on brown paper)

FSG2968823: The Staircase: Note in Red, 1880 (crayon and pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)
Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper)

XCC2972672: Nocturne, 1879-80 (etching and drypoint in dark brown ink on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Morning After the Revolution (oil on canvas)
The Morning After the Revolution (oil on canvas)

HNT171769: The Morning After the Revolution (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver: La Petite Souris (oil on canvas)
Grey and Silver: La Petite Souris (oil on canvas)

HNT171779: Grey and Silver: La Petite Souris (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Barber in Mayence, 1858 (pencil on off-white wove paper)
Barber in Mayence, 1858 (pencil on off-white wove paper)

FSG324604: Barber in Mayence, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Woman seated at a window, 1858 (pencil on off-white wove paper)
Woman seated at a window, 1858 (pencil on off-white wove paper)

FSG324609: Woman seated at a window, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Profile sketch of a child, 1858 (pencil on off-white wove paper)
Profile sketch of a child, 1858 (pencil on off-white wove paper)

FSG324610: Profile sketch of a child, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

At Maladrie's farm, 1858 (pencil on off-white wove paper
At Maladrie's farm, 1858 (pencil on off-white wove paper

FSG324611: At Maladrie's farm, 1858 (pencil on off-white wove paper, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Couple seated at a table, 1858 (pencil on off-white wove paper)
Couple seated at a table, 1858 (pencil on off-white wove paper)

FSG324614: Couple seated at a table, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two figures, 1858 (pencil on beige wove paper)
Two figures, 1858 (pencil on beige wove paper)

FSG324623: Two figures, 1858 (pencil on beige wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two scenes by a river, 1858 (pencil on off-white wove paper)
Two scenes by a river, 1858 (pencil on off-white wove paper)

FSG324630: Two scenes by a river, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Tinker, 1858 (etching on paper)
The Tinker, 1858 (etching on paper)

FSG324636: The Tinker, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Unsafe Tenement, 1858 (etching on paper)
The Unsafe Tenement, 1858 (etching on paper)

FSG324639: The Unsafe Tenement, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Punt, 1861 (etching on paper)
The Punt, 1861 (etching on paper)

FSG324651: The Punt, 1861 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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