Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Chelsea Bridge and Church from
Chelsea Bridge and Church from

MNS881707: Chelsea Bridge and Church from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1870-1871, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver - North Sea, c.1884 (w/c on wove paper)
Grey and Silver - North Sea, c.1884 (w/c on wove paper)

FIT1123785: Grey and Silver - North Sea, c.1884 (w/c on wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Archway, Brussels, 1887 (etching)
Archway, Brussels, 1887 (etching)

FSG781813: Archway, Brussels, 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate (etching with drypoint)
Billingsgate (etching with drypoint)

IMA1562436: Billingsgate (etching with drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)
Grey and Silver: Old Battersea Reach, 1863 (oil on canvas)

XCC2968606: Grey and Silver: Old Battersea Reach, 1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)
Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel)

XCC2968008: Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)
Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas)

XCC2968013: Study for Arrangement in Grey and Black, No. 2: Thomas Carlyle, 1872-73 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bead-Stringers, 1880 (black etching on laid paper)
Bead-Stringers, 1880 (black etching on laid paper)

XOS3526163: Bead-Stringers, 1880 (black etching on laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Piazzetta, 1879-1880 (etching and drypoint on paper)
The Piazzetta, 1879-1880 (etching and drypoint on paper)

FSG3742019: The Piazzetta, 1879-1880 (etching and drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Pablo de Sarasate drawing by Whistler
Pablo de Sarasate drawing by Whistler

XLE3755443: Pablo de Sarasate drawing by Whistler, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Doorway, 1879-80 (etching)
The Doorway, 1879-80 (etching)

FAS147187: The Doorway, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Ingres' 'Roger Deliverant Angelique', 1857 (oil on canvas)
Ingres' 'Roger Deliverant Angelique', 1857 (oil on canvas)

HNT171768: Ingres' 'Roger Deliverant Angelique', 1857 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933) (oil on canvas)
Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933) (oil on canvas)

HNT171773: Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933) (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Weary, 1863 (drypoint & roulette)
Weary, 1863 (drypoint & roulette)

HST861952: Weary, 1863 (drypoint & roulette), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime-Burner, 1859
The Lime-Burner, 1859

MNS881327: The Lime-Burner, 1859, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Venice Street, 1879/80 (coloured chalk on paper)
Venice Street, 1879/80 (coloured chalk on paper)

DMW937761: Venice Street, 1879/80 (coloured chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching with drypoint)
Billingsgate, 1859 (etching with drypoint)

DMW937861: Billingsgate, 1859 (etching with drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding)
Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding)

IMA1560727: Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

By the Balcony, 1896 (litho)
By the Balcony, 1896 (litho)

XCC2972746: By the Balcony, 1896 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sur Le Quai Montebello, Paris (etching)
Sur Le Quai Montebello, Paris (etching)

IMA1559639: Sur Le Quai Montebello, Paris (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Pool (etching)
The Pool (etching)

IMA1559655: The Pool (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC249728: Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe, 1860 (etching)
Rotherhithe, 1860 (etching)

TBM342199: Rotherhithe, 1860 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Street Scene in Chelsea, c.1888 (w/c on card)
Street Scene in Chelsea, c.1888 (w/c on card)

XYC273652: Street Scene in Chelsea, c.1888 (w/c on card), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Mr. Mann, 1860 (drypoint on paper)
Mr. Mann, 1860 (drypoint on paper)

FSG324525: Mr. Mann, 1860 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vitre: The Canal, 1893 (litho on paper)
Vitre: The Canal, 1893 (litho on paper)

FSG324527: Vitre: The Canal, 1893 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Market-place, Vitre, 1893 (litho on paper)
The Market-place, Vitre, 1893 (litho on paper)

FSG324528: The Market-place, Vitre, 1893 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Greenwich Pensioner, 1859 (etching on paper)
Greenwich Pensioner, 1859 (etching on paper)

FSG324540: Greenwich Pensioner, 1859 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Master Smith, 1895 (litho on paper)
The Master Smith, 1895 (litho on paper)

FSG324546: The Master Smith, 1895 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Russian Schube, 1896 (litho on paper)
The Russian Schube, 1896 (litho on paper)

FSG324550: The Russian Schube, 1896 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketches on the Coast Survey Plate, 1854-55 (etching on paper)
Sketches on the Coast Survey Plate, 1854-55 (etching on paper)

FSG324556: Sketches on the Coast Survey Plate, 1854-55 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Annie, 1858-59 (pencil on grey-blue paper)
Annie, 1858-59 (pencil on grey-blue paper)

FSG324590: Annie, 1858-59 (pencil on grey-blue paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Figures: a girl seated and a man on the ground at her left, c.1855-59 (pencil on off-white paper)
Two Figures: a girl seated and a man on the ground at her left, c.1855-59 (pencil on off-white paper)

FSG324596: Two Figures: a girl seated and a man on the ground at her left, c.1855-59 (pencil on off-white paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

A street scene, 1858 (pencil on off-white wove paper)
A street scene, 1858 (pencil on off-white wove paper)

FSG324598: A street scene, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Pfalz, 1858 (pencil on white paper)
Pfalz, 1858 (pencil on white paper)

FSG324629: Pfalz, 1858 (pencil on white paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Liverdun, 1858 (etching on paper)
Liverdun, 1858 (etching on paper)

FSG324635: Liverdun, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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