Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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La Vieille aux Loques from
La Vieille aux Loques from

MNS881606: La Vieille aux Loques from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Bridge and Church from
Chelsea Bridge and Church from

MNS881707: Chelsea Bridge and Church from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1870-1871, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Unsafe Tenement from
The Unsafe Tenement from

MNS881614: The Unsafe Tenement from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver - North Sea, c.1884 (w/c on wove paper)
Grey and Silver - North Sea, c.1884 (w/c on wove paper)

FIT1123785: Grey and Silver - North Sea, c.1884 (w/c on wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe from
Rotherhithe from

MNS883314: Rotherhithe from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1860, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Archway, Brussels, 1887 (etching)
Archway, Brussels, 1887 (etching)

FSG781813: Archway, Brussels, 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching and drypoint)
Billingsgate, 1859 (etching and drypoint)

XDM1066891: Billingsgate, 1859 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC249728: Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251008: Bunting, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251007: Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251006: Dry-Dock, Southampton, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Street Scene in Chelsea, c.1888 (w/c on card)
Street Scene in Chelsea, c.1888 (w/c on card)

XYC273652: Street Scene in Chelsea, c.1888 (w/c on card), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Sketches (drypoint on paper)
Two Sketches (drypoint on paper)

FSG348607: Two Sketches (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nude with a Parasol, c.1868 (white & black crayon on paper)
Nude with a Parasol, c.1868 (white & black crayon on paper)

PNH419726: Nude with a Parasol, c.1868 (white & black crayon on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419723)
Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419723)

PNH419724: Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419723), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Charing Cross Railway Bridge, c.1887 (etching on paper)
Charing Cross Railway Bridge, c.1887 (etching on paper)

FSG324501: Charing Cross Railway Bridge, c.1887 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Landscape with the Horse (The Meadow) 1859 (etching on paper)
Landscape with the Horse (The Meadow) 1859 (etching on paper)

FSG324513: Landscape with the Horse (The Meadow) 1859 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Market-place, Vitre, 1893 (litho on paper)
The Market-place, Vitre, 1893 (litho on paper)

FSG324528: The Market-place, Vitre, 1893 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Windsor, No. 2, 1887 (etching on paper)
Windsor, No. 2, 1887 (etching on paper)

FSG324502: Windsor, No. 2, 1887 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Mr. Mann, 1860 (drypoint on paper)
Mr. Mann, 1860 (drypoint on paper)

FSG324525: Mr. Mann, 1860 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Master Smith, 1895 (litho on paper)
The Master Smith, 1895 (litho on paper)

FSG324546: The Master Smith, 1895 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Arthur Haden, 1859 (copper)
Arthur Haden, 1859 (copper)

FSG324510: Arthur Haden, 1859 (copper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vitre: The Canal, 1893 (litho on paper)
Vitre: The Canal, 1893 (litho on paper)

FSG324527: Vitre: The Canal, 1893 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Russian Schube, 1896 (litho on paper)
The Russian Schube, 1896 (litho on paper)

FSG324550: The Russian Schube, 1896 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Annie, 1858-59 (pencil on grey-blue paper)
Annie, 1858-59 (pencil on grey-blue paper)

FSG324590: Annie, 1858-59 (pencil on grey-blue paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Liverdun, 1858 (etching on paper)
Liverdun, 1858 (etching on paper)

FSG324635: Liverdun, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Tatting (possibly Lizzie Dawson) c.1873 (drypoint on paper)
Tatting (possibly Lizzie Dawson) c.1873 (drypoint on paper)

FSG324675: Tatting (possibly Lizzie Dawson) c.1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Shipbuilder's Yard, 1875 (drypoint on paper)
Shipbuilder's Yard, 1875 (drypoint on paper)

FSG324685: Shipbuilder's Yard, 1875 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

A street scene, 1858 (pencil on off-white wove paper)
A street scene, 1858 (pencil on off-white wove paper)

FSG324598: A street scene, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Group of three standing figures, 1858 (pencil on off-white wove paper)
Group of three standing figures, 1858 (pencil on off-white wove paper)

FSG324619: Group of three standing figures, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Miser, c.1861 (drypoint on paper)
The Miser, c.1861 (drypoint on paper)

FSG324647: The Miser, c.1861 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Figures: a girl seated and a man on the ground at her left, c.1855-59 (pencil on off-white paper)
Two Figures: a girl seated and a man on the ground at her left, c.1855-59 (pencil on off-white paper)

FSG324596: Two Figures: a girl seated and a man on the ground at her left, c.1855-59 (pencil on off-white paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

George Sauter at the Red Lion, 1858 (pencil on off-white wove paper)
George Sauter at the Red Lion, 1858 (pencil on off-white wove paper)

FSG324605: George Sauter at the Red Lion, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

A man asleep on a pile of luggage, 1858 (pencil on off-white wove paper)
A man asleep on a pile of luggage, 1858 (pencil on off-white wove paper)

FSG324617: A man asleep on a pile of luggage, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Pfalz, 1858 (pencil on white paper)
Pfalz, 1858 (pencil on white paper)

FSG324629: Pfalz, 1858 (pencil on white paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Venus, 1859 (etching on paper)
Venus, 1859 (etching on paper)

FSG324645: Venus, 1859 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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