Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Standing Draped Figure, c.1868 (black & white chalk on brown paper)
Standing Draped Figure, c.1868 (black & white chalk on brown paper)

FSG324899: Standing Draped Figure, c.1868 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Female Figure, Seated, 1870-73 (black & white chalk on brown paper)
Female Figure, Seated, 1870-73 (black & white chalk on brown paper)

FSG324900: Female Figure, Seated, 1870-73 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Ryde Pier, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Ryde Pier, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251012: Ryde Pier, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Long Lagoon, c.1879-80 (etching & carbon ink on paper)
Long Lagoon, c.1879-80 (etching & carbon ink on paper)

FIT277182: Long Lagoon, c.1879-80 (etching & carbon ink on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Balcony, Amsterdam, 1889 (etching, drypoint & carbon ink on paper)
Balcony, Amsterdam, 1889 (etching, drypoint & carbon ink on paper)

FIT277183: Balcony, Amsterdam, 1889 (etching, drypoint & carbon ink on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Women and Children at a Shop Door, c.1888 (w/c on linen laid down on board)
Women and Children at a Shop Door, c.1888 (w/c on linen laid down on board)

CH378286: Women and Children at a Shop Door, c.1888 (w/c on linen laid down on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Balcony, c.1888 (w/c on linen laid down on board)
The Balcony, c.1888 (w/c on linen laid down on board)

CH378291: The Balcony, c.1888 (w/c on linen laid down on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Seashore, 1883-85 (oil on board)
The Seashore, 1883-85 (oil on board)

MNS488042: The Seashore, 1883-85 (oil on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Black Lion Wharf (colour litho)
Black Lion Wharf (colour litho)

IL3611039: Black Lion Wharf (colour litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Bead Stringers, 1879-1880
Bead Stringers, 1879-1880

MNS880652: Bead Stringers, 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Riva, No. 1 from
The Riva, No. 1 from

MNS880660: The Riva, No. 1 from "The First Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Forge from
The Forge from

MNS881607: The Forge from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1861, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Price's Candle Works, 1875
Price's Candle Works, 1875

MNS881608: Price's Candle Works, 1875, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: Furnace from
Nocturne: Furnace from

MNS881609: Nocturne: Furnace from "The Second Venice Set", 1879-1903, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Firelight -Joseph Pennell, No. 1, 1896
Firelight -Joseph Pennell, No. 1, 1896

MNS881645: Firelight -Joseph Pennell, No. 1, 1896, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Early Morning, 1878 (lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper)
Early Morning, 1878 (lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper)

XCC2972728: Early Morning, 1878 (lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Corte del Paradiso, 1880 (pastel & black chalk on brown wove paper with fibrous inclusions)
Corte del Paradiso, 1880 (pastel & black chalk on brown wove paper with fibrous inclusions)

XCC2972784: Corte del Paradiso, 1880 (pastel & black chalk on brown wove paper with fibrous inclusions), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Putney Bridge, 1879 (etching on paper)
Old Putney Bridge, 1879 (etching on paper)

FSG3741992: Old Putney Bridge, 1879 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper)
Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper)

COU5948420: Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Joanna Douglas in 'The Trial Sermon', 1862 (wood engraving, black carbon ink on machine made wove paper)
Joanna Douglas in 'The Trial Sermon', 1862 (wood engraving, black carbon ink on machine made wove paper)

FIT5938044: Joanna Douglas in 'The Trial Sermon', 1862 (wood engraving, black carbon ink on machine made wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

'The Adam and Eve' Old Chelsea, 1878 (etching)
'The Adam and Eve' Old Chelsea, 1878 (etching)

DNE6200246: 'The Adam and Eve' Old Chelsea, 1878 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching)
Billingsgate, 1859 (etching)

DNE6200247: Billingsgate, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Arthur Haden, 1859 (drypoint)
Arthur Haden, 1859 (drypoint)

DNE6200248: Arthur Haden, 1859 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Battersea Dawn (Cadogan Pier), 1863 (etching)
Battersea Dawn (Cadogan Pier), 1863 (etching)

DNE6200253: Battersea Dawn (Cadogan Pier), 1863 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Putney Bridge, 1879 (etching)
Old Putney Bridge, 1879 (etching)

DNE6200306: Old Putney Bridge, 1879 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime Burner, 1859 (etching)
The Lime Burner, 1859 (etching)

DNE6200310: The Lime Burner, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Pool, 1859 (etching)
The Pool, 1859 (etching)

DNE6200312: The Pool, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Little Arthur, 1857-58 (etching)
Little Arthur, 1857-58 (etching)

DNE6200320: Little Arthur, 1857-58 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Weary, 1865 (drypoint)
Weary, 1865 (drypoint)

DNE6200327: Weary, 1865 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Dam Wood, 1875 (drypoint)
The Dam Wood, 1875 (drypoint)

DNE6200329: The Dam Wood, 1875 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Major's Daughter, 1862 (wood engraving)
The Major's Daughter, 1862 (wood engraving)

XCL5672883: The Major's Daughter, 1862 (wood engraving), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Kitchen, 1858 (etching)
The Kitchen, 1858 (etching)

XCL5672884: The Kitchen, 1858 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Doorway, 1880 (etching & drypoint on paper)
The Doorway, 1880 (etching & drypoint on paper)

TBM695440: The Doorway, 1880 (etching & drypoint on paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Doorway, 1880 (etching & drypoint on paper)
The Doorway, 1880 (etching & drypoint on paper)

TBM446061: The Doorway, 1880 (etching & drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Vielle Aux Loques (etching)
La Vielle Aux Loques (etching)

IMA1562051: La Vielle Aux Loques (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Dancing Girl (transfer lithograph)
The Dancing Girl (transfer lithograph)

IMA1560467: The Dancing Girl (transfer lithograph), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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