Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

MNS881326: The Wine Glass, 1858, Whistler, James Abbott McNeill (1834-1903) / Minneapolis Institute of Arts, MN, USA / Bridgeman Images

MNS881605: Street at Saverne from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Minneapolis Institute of Arts, MN, USA / Bridgeman Images

MNS881710: Two Doorways from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Minneapolis Institute of Arts, MN, USA / Bridgeman Images

MNS881713: La Salute: Dawn from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Minneapolis Institute of Arts, MN, USA / Bridgeman Images

MNS881610: Chapel Doorway, Montresor, 1888, Whistler, James Abbott McNeill (1834-1903) / Minneapolis Institute of Arts, MN, USA / Bridgeman Images

MNS881613: The Old Doorway from "The First Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Minneapolis Institute of Arts, MN, USA / Bridgeman Images

MNS488042: The Seashore, 1883-85 (oil on board), Whistler, James Abbott McNeill (1834-1903) / Minneapolis Institute of Arts, MN, USA / Bridgeman Images

CH378285: Portrait of Dorothy Whistler Menpes (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

CH378286: Women and Children at a Shop Door, c.1888 (w/c on linen laid down on board), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

XCC2968008: Study of a Young Girl's Head and Shoulders (Baroness de Meyer), 1896-97 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

HST1075507: The Lime Burner, 1859 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Museum of Fine Arts, Houston, Texas, USA / Bridgeman Images

FIT1123783: Reading in Bed (The Slipper) 1858 (black carbon ink on Antique laid paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

FIT1123785: Grey and Silver - North Sea, c.1884 (w/c on wove paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

XDM1066874: The Pretty New Yorker, 1894 (lithograph), Whistler, James Abbott McNeill (1834-1903) / Dallas Museum of Art, Texas, USA / Bridgeman Images

XDM1071494: Afternoon Tea, 1895 (litho), Whistler, James Abbott McNeill (1834-1903) / Dallas Museum of Art, Texas, USA / Bridgeman Images

XCC2968606: Grey and Silver: Old Battersea Reach, 1863 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

XCC2972729: The Broad Bridge, 1878 (lithotint, in brown ink, with scraping, on ivory plate paper), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

XCC2971520: Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

XCC2972006: Sketch of the Peacock Room, 1898 (graphite on cream wove paper), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

IMA1562292: Nocturne: The Thames At Battersea (lithotint), Whistler, James Abbott McNeill (1834-1903) / Indianapolis Museum of Art at Newfields, USA / Bridgeman Images

DNE6200246: 'The Adam and Eve' Old Chelsea, 1878 (etching), Whistler, James Abbott McNeill (1834-1903) / The McManus, Dundee, UK / Bridgeman Images

DNE6200247: Billingsgate, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / The McManus, Dundee, UK / Bridgeman Images

DNE6200250: Bibi Valentin, 1859 (drypoint), Whistler, James Abbott McNeill (1834-1903) / The McManus, Dundee, UK / Bridgeman Images

DNE6200306: Old Putney Bridge, 1879 (etching), Whistler, James Abbott McNeill (1834-1903) / The McManus, Dundee, UK / Bridgeman Images

DNE6200315: Hurlingham, 1879 (etching), Whistler, James Abbott McNeill (1834-1903) / The McManus, Dundee, UK / Bridgeman Images

DNE6200322: J Becquet, sculptor, 1859 (drypoint), Whistler, James Abbott McNeill (1834-1903) / The McManus, Dundee, UK / Bridgeman Images

DNE6200328: The Little Velvet Dress, 1873 (drypoint), Whistler, James Abbott McNeill (1834-1903) / The McManus, Dundee, UK / Bridgeman Images

DNE6200332: The Muff, 1874 (drypoint), Whistler, James Abbott McNeill (1834-1903) / The McManus, Dundee, UK / Bridgeman Images

DNE6200337: The Music Room, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / The McManus, Dundee, UK / Bridgeman Images

XCL5672876: Rotherhithe, 1860 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Cleveland Museum of Art, OH, USA / Bridgeman Images

COU5948420: Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper), Whistler, James Abbott McNeill (1834-1903) / The Courtauld, London (Samuel Courtauld Trust) / Bridgeman Images

FIT5938044: Joanna Douglas in 'The Trial Sermon', 1862 (wood engraving, black carbon ink on machine made wove paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

JLJ4683090: Variation In Purple And Green, 1871 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Musee d'Orsay, Paris, France / Bridgeman Images

FAS160791: Fish Shop, Venice (etching), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

CH378290: La Mere Gerard, 1858-59 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images