Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Waiting for the clothes to dry, Cologne, 1858 (pencil on off-white wove paper)
Waiting for the clothes to dry, Cologne, 1858 (pencil on off-white wove paper)

FSG324628: Waiting for the clothes to dry, Cologne, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Dutchman holding a glass, c.1857 (etching on paper)
The Dutchman holding a glass, c.1857 (etching on paper)

FSG324634: The Dutchman holding a glass, c.1857 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

In full sunlight, 1858 (etching on paper)
In full sunlight, 1858 (etching on paper)

FSG324637: In full sunlight, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Finette, 1859 (drypoint on paper)
Finette, 1859 (drypoint on paper)

FSG324643: Finette, 1859 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Millbank, 1861 (etching on paper)
Millbank, 1861 (etching on paper)

FSG324650: Millbank, 1861 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Ratcliffe Highway, 1861 (drypoint on paper)
Ratcliffe Highway, 1861 (drypoint on paper)

FSG324657: Ratcliffe Highway, 1861 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Storm, 1861 (drypoint on paper)
The Storm, 1861 (drypoint on paper)

FSG324659: The Storm, 1861 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Early Morning, Battersea, 1861 (drypoint on paper)
Early Morning, Battersea, 1861 (drypoint on paper)

FSG324660: Early Morning, Battersea, 1861 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Velvet Dress (Frances Leyland) 1873 (drypoint on paper)
The Velvet Dress (Frances Leyland) 1873 (drypoint on paper)

FSG324672: The Velvet Dress (Frances Leyland) 1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Ships, 1875 (etching on paper)
Two Ships, 1875 (etching on paper)

FSG324682: Two Ships, 1875 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Speke Shore, c.1875 (drypoint on paper)
Speke Shore, c.1875 (drypoint on paper)

FSG324684: Speke Shore, c.1875 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Guitar Player, 1875 (drypoint on paper)
The Guitar Player, 1875 (drypoint on paper)

FSG324686: The Guitar Player, 1875 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

From Pickle-Herring Stairs, c.1878 (etching & drypoint on paper)
From Pickle-Herring Stairs, c.1878 (etching & drypoint on paper)

FSG324689: From Pickle-Herring Stairs, c.1878 (etching & drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

St. James's Street, 1878 (etching on paper) (see also 324691)
St. James's Street, 1878 (etching on paper) (see also 324691)

FSG324690: St. James's Street, 1878 (etching on paper) (see also 324691), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Putney Bridge, 1879 (etching on paper) (see also 324693)
Old Putney Bridge, 1879 (etching on paper) (see also 324693)

FSG324692: Old Putney Bridge, 1879 (etching on paper) (see also 324693), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Green and Silver: Beaulieu, Touraine, 1888 (w/c on linen mounted on board)
Green and Silver: Beaulieu, Touraine, 1888 (w/c on linen mounted on board)

FSG324704: Green and Silver: Beaulieu, Touraine, 1888 (w/c on linen mounted on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Pantheon, Luxembourg Gardens, c.1892-93 (etching on paper)
Pantheon, Luxembourg Gardens, c.1892-93 (etching on paper)

FSG324773: Pantheon, Luxembourg Gardens, c.1892-93 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Pink Note: Shelling Peas, 1883/84 (w/c on paper)
Pink Note: Shelling Peas, 1883/84 (w/c on paper)

FSG324779: Pink Note: Shelling Peas, 1883/84 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

A Yellow Note, c.1871/74  (chalk & pastel on brown paper)
A Yellow Note, c.1871/74  (chalk & pastel on brown paper)

FSG324797: A Yellow Note, c.1871/74 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

River Landscape (pencil on wooden board)
River Landscape (pencil on wooden board)

FSG324798: River Landscape (pencil on wooden board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study for 'The Tall Flower', c.1886 (w/c on paper)
Study for 'The Tall Flower', c.1886 (w/c on paper)

FSG324840: Study for 'The Tall Flower', c.1886 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Nurse, 1895 (oil on wood panel)
The Little Nurse, 1895 (oil on wood panel)

FSG324842: The Little Nurse, 1895 (oil on wood panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Purple Iris, 1871-72 (chalk & pastel on brown paper)
The Purple Iris, 1871-72 (chalk & pastel on brown paper)

FSG324847: The Purple Iris, 1871-72 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Whistler Butterflies and a destroyed sketch, c.1890 (pencil & Chinese white on paper)
Two Whistler Butterflies and a destroyed sketch, c.1890 (pencil & Chinese white on paper)

FSG324887: Two Whistler Butterflies and a destroyed sketch, c.1890 (pencil & Chinese white on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Standing Draped Figure, c.1868 (black & white chalk on brown paper)
Standing Draped Figure, c.1868 (black & white chalk on brown paper)

FSG324899: Standing Draped Figure, c.1868 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Female Figure, Seated, 1870-73 (black & white chalk on brown paper)
Female Figure, Seated, 1870-73 (black & white chalk on brown paper)

FSG324900: Female Figure, Seated, 1870-73 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Early Morning, 1878 (lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper)
Early Morning, 1878 (lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper)

XCC2972728: Early Morning, 1878 (lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Corte del Paradiso, 1880 (pastel & black chalk on brown wove paper with fibrous inclusions)
Corte del Paradiso, 1880 (pastel & black chalk on brown wove paper with fibrous inclusions)

XCC2972784: Corte del Paradiso, 1880 (pastel & black chalk on brown wove paper with fibrous inclusions), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Putney Bridge, 1879 (etching on paper)
Old Putney Bridge, 1879 (etching on paper)

FSG3741992: Old Putney Bridge, 1879 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Black Lion Wharf (colour litho)
Black Lion Wharf (colour litho)

IL3611039: Black Lion Wharf (colour litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Joanna Douglas in 'The Trial Sermon', 1862 (wood engraving, black carbon ink on machine made wove paper)
Joanna Douglas in 'The Trial Sermon', 1862 (wood engraving, black carbon ink on machine made wove paper)

FIT5938044: Joanna Douglas in 'The Trial Sermon', 1862 (wood engraving, black carbon ink on machine made wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Major's Daughter, 1862 (wood engraving)
The Major's Daughter, 1862 (wood engraving)

XCL5672883: The Major's Daughter, 1862 (wood engraving), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Kitchen, 1858 (etching)
The Kitchen, 1858 (etching)

XCL5672884: The Kitchen, 1858 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

'The Adam and Eve' Old Chelsea, 1878 (etching)
'The Adam and Eve' Old Chelsea, 1878 (etching)

DNE6200246: 'The Adam and Eve' Old Chelsea, 1878 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching)
Billingsgate, 1859 (etching)

DNE6200247: Billingsgate, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Arthur Haden, 1859 (drypoint)
Arthur Haden, 1859 (drypoint)

DNE6200248: Arthur Haden, 1859 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


Back to top