Blake, William (1757-1827) Assets (1068 in total)

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The Fatal Sisters, design 75 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 75 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222869: The Fatal Sisters, design 75 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995609: The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995614: The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé)
With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé)

IMA1557088: With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

So The Lord Blessed The Latter End Of Job More Than The Beginning (engraving on india paper chine collé)
So The Lord Blessed The Latter End Of Job More Than The Beginning (engraving on india paper chine collé)

IMA1557098: So The Lord Blessed The Latter End Of Job More Than The Beginning (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Thou Has Fulfilled The Judgment Of The Wicked (engraving on india paper chine collé)
Thou Has Fulfilled The Judgment Of The Wicked (engraving on india paper chine collé)

IMA1557093: Thou Has Fulfilled The Judgment Of The Wicked (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Behold Now Behemoth Which I Made With Thee (engraving on india paper chine collé)
Behold Now Behemoth Which I Made With Thee (engraving on india paper chine collé)

IMA1557092: Behold Now Behemoth Which I Made With Thee (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995612: The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995611: The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

Night, 1789 (hand-coloured relief-etching, watercolour)
Night, 1789 (hand-coloured relief-etching, watercolour)

CH985825: Night, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas)
The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas)

XOS3493144: The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761448: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Mirth and her Companions by William Blake
Mirth and her Companions by William Blake

XLA3761437: Mirth and her Companions by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761456: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Satan Going Forth from the Presence of the Lord, c.1825
Illustrations of The Book of Job: Satan Going Forth from the Presence of the Lord, c.1825

WHT6426397: Illustrations of The Book of Job: Satan Going Forth from the Presence of the Lord, c.1825, Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: The Creation, 1825 (line engraving on paper)
Illustrations of The Book of Job: The Creation, 1825 (line engraving on paper)

WHT6439616: Illustrations of The Book of Job: The Creation, 1825 (line engraving on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job's Sacrifice, 1825 (line engraving on paper)
Illustrations of The Book of Job: Job's Sacrifice, 1825 (line engraving on paper)

WHT6439615: Illustrations of The Book of Job: Job's Sacrifice, 1825 (line engraving on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job's Evil Dream, 1825 (engraving)
Illustrations of The Book of Job: Job's Evil Dream, 1825 (engraving)

WHT6437196: Illustrations of The Book of Job: Job's Evil Dream, 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job's Comforters, 1825 (engraving)
Illustrations of The Book of Job: Job's Comforters, 1825 (engraving)

WHT6437194: Illustrations of The Book of Job: Job's Comforters, 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)
Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)

XYC225782: Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)
'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

XYC225895: 'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225033: 'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225887: 'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225039: 'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)
Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)

XYC225775: Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220124: 'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)
'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)

XYC220132: 'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)
'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)

XYC220139: 'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220126: 'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220134: 'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 68 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 68 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222863: The Fatal Sisters, design 68 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)
'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)

XYC223013: 'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)
The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)

XYC228385: The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218336: 'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

No.0456a Joseph's brethren bowing before him, plate 1 of 'The Story of Joseph', c.1785 (pen and ink with w/c over pencil on paper)
No.0456a Joseph's brethren bowing before him, plate 1 of 'The Story of Joseph', c.1785 (pen and ink with w/c over pencil on paper)

FIT77537: No.0456a Joseph's brethren bowing before him, plate 1 of 'The Story of Joseph', c.1785 (pen and ink with w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt29 Title page to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt29 Title page to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83182: P.125-1950.pt29 Title page to Songs of Experience: plate 29 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images


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