Blake, William (1757-1827) Assets (1068 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215081: Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper)
The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper)

XYC215095: The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper), Blake, William (1757-1827) / Bridgeman Images

Landscape with Spire, c.1801 (pencil on paper)
Landscape with Spire, c.1801 (pencil on paper)

XYC215094: Landscape with Spire, c.1801 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper)
Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper)

XYC215075: Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode on the Death of a Favourite Cat', design 8 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285539 for recto)
'Ode on the Death of a Favourite Cat', design 8 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285539 for recto)

XYC285540: 'Ode on the Death of a Favourite Cat', design 8 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285539 for recto), Blake, William (1757-1827) / Bridgeman Images

'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285549: 'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c)

XYC309857: The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c)
'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309882: 'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

When the Almighty was yet with me, When my Children were about me, 1825
When the Almighty was yet with me, When my Children were about me, 1825

MNS882792: When the Almighty was yet with me, When my Children were about me, 1825, Blake, William (1757-1827) / Bridgeman Images

With Dreams upon my bed thou scarest me & affrightest me with Visions, 1825
With Dreams upon my bed thou scarest me & affrightest me with Visions, 1825

MNS882801: With Dreams upon my bed thou scarest me & affrightest me with Visions, 1825, Blake, William (1757-1827) / Bridgeman Images

When the morning Stars sang together, & all the Sons of God shouted for joy, 1825
When the morning Stars sang together, & all the Sons of God shouted for joy, 1825

MNS882804: When the morning Stars sang together, & all the Sons of God shouted for joy, 1825, Blake, William (1757-1827) / Bridgeman Images

Thy Sons & thy Daughters were eating & drinking Wine…, 1825
Thy Sons & thy Daughters were eating & drinking Wine…, 1825

MNS882793: Thy Sons & thy Daughters were eating & drinking Wine…, 1825, Blake, William (1757-1827) / Bridgeman Images

Title page from Illustrations of the Book of Job, 1825
Title page from Illustrations of the Book of Job, 1825

MNS882790: Title page from Illustrations of the Book of Job, 1825, Blake, William (1757-1827) / Bridgeman Images

A Divine Image (engraving)
A Divine Image (engraving)

FIT55414: A Divine Image (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995616: The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83134: P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83152: P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83101: P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT109650: "Albion's Angel Stood Beside", plate 5 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)
Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

FIT109646: Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113935: Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113941: The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving)
At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146937: At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper)
Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper)

CEC44181: Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper), Blake, William (1757-1827) / Bridgeman Images

Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and watercolour over pencil on paper)
Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and watercolour over pencil on paper)

XYC213851: Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and watercolour over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218322: Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c)
'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220880: 'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Little Boy Found', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Little Boy Found', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220879: 'The Little Boy Found', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222357: 'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222341: 'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222868: The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Menalcas' Yearly Wake, illustration from 'Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Menalcas' Yearly Wake, illustration from 'Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273294: Menalcas' Yearly Wake, illustration from 'Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256362: And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)
The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)

IMJ242981: The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching), Blake, William (1757-1827) / Bridgeman Images

Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving)
Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving)

XYC309869: Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving), Blake, William (1757-1827) / Bridgeman Images

'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285520: 'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images


Back to top