Blake, William (1757-1827) Assets (1066 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256900: '7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256903: 'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256906: 'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper)
Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper)

XYC215075: Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper)
Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper)

XYC215079: Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215081: Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Landscape with Spire, c.1801 (pencil on paper)
Landscape with Spire, c.1801 (pencil on paper)

XYC215094: Landscape with Spire, c.1801 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper)
The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper)

XYC215095: The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995616: The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761460: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761435: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job42:8 illustrated by william Blake
The Book of Job42:8 illustrated by william Blake

XLA3765298: The Book of Job42:8 illustrated by william Blake, Blake, William (1757-1827) / Bridgeman Images

'The Little Boy Found', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Little Boy Found', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220879: 'The Little Boy Found', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c)
'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220880: 'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)
The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)

IMJ242981: The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching), Blake, William (1757-1827) / Bridgeman Images

Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c)
Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c)

XYC243175: Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)
Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)

XYC225764: Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)
Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC225783: Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225040: 'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218322: Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151894: 'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151895: 'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper)
The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper)

WHT161691: The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222341: 'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222868: The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222357: 'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)
The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)

XND70232: The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83134: P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83152: P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper)
Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper)

CEC44181: Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper), Blake, William (1757-1827) / Bridgeman Images

P.438-1985 Water, thou waterest him with tears, plate 2 of 'The Gates of Paradise', 1818-25 (line engraving)
P.438-1985 Water, thou waterest him with tears, plate 2 of 'The Gates of Paradise', 1818-25 (line engraving)

FIT77544: P.438-1985 Water, thou waterest him with tears, plate 2 of 'The Gates of Paradise', 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images

P.441-1985 Fire, That end in endless Strife, plate 5 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)
P.441-1985 Fire, That end in endless Strife, plate 5 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)

FIT77547: P.441-1985 Fire, That end in endless Strife, plate 5 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images

Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113935: Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113941: The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)
Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

FIT109646: Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109650: "Albion's Angel Stood Beside", plate 5 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images


Back to top