Blake, William (1757-1827) Assets (1067 in total)

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Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)
Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)

XYC225764: Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Voice of the Ancient Bard, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.25 (Bentley 54) 1789-94 (relief etching with pen & w/c on paper)
The Voice of the Ancient Bard, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.25 (Bentley 54) 1789-94 (relief etching with pen & w/c on paper)

XYC225770: The Voice of the Ancient Bard, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.25 (Bentley 54) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Little Boy Lost, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.21 (Bentley 13) 1789-94 (relief etching with pen & w/c on paper)
The Little Boy Lost, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.21 (Bentley 13) 1789-94 (relief etching with pen & w/c on paper)

XYC225773: The Little Boy Lost, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.21 (Bentley 13) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

When Wolves and Tygers... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.19 (Bentley 21) 1789-94 (relief etching with pen and w/c on paper)
When Wolves and Tygers... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.19 (Bentley 21) 1789-94 (relief etching with pen and w/c on paper)

XYC225774: When Wolves and Tygers... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.19 (Bentley 21) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Wept for Me... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.17 (Bentley 17) 1789-94 (relief etching with pen & w/c on paper)
Wept for Me... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.17 (Bentley 17) 1789-94 (relief etching with pen & w/c on paper)

XYC225776: Wept for Me... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.17 (Bentley 17) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)
Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC225783: Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Ecchoing Green,' and 'They laugh at our play...,' plate 8 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'The Ecchoing Green,' and 'They laugh at our play...,' plate 8 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225877: 'The Ecchoing Green,' and 'They laugh at our play...,' plate 8 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218322: Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Blossom', plate 9 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Blossom', plate 9 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218328: 'The Blossom', plate 9 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper)
A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper)

PHL434538: A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper), Blake, William (1757-1827) / Bridgeman Images

The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)
The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)

IMJ242981: The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching), Blake, William (1757-1827) / Bridgeman Images

Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c)
Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c)

XYC243175: Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Her voice pierc'd Albions clay cold ear...', plate 95 from 'Jerusalem' c.1810 (etching with pen & w/c)
'Her voice pierc'd Albions clay cold ear...', plate 95 from 'Jerusalem' c.1810 (etching with pen & w/c)

XYC258799: 'Her voice pierc'd Albions clay cold ear...', plate 95 from 'Jerusalem' c.1810 (etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (lithograph)
'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (lithograph)

NBY259420: 'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (lithograph), Blake, William (1757-1827) / Bridgeman Images

'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC257426: 'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256900: '7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256903: 'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256906: 'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256362: And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c)

XYC309857: The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c)
The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c)

XYC309861: The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving)
Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving)

XYC309869: Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving), Blake, William (1757-1827) / Bridgeman Images

'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)
'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)

XYC309870: 'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink), Blake, William (1757-1827) / Bridgeman Images

'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c)
'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309882: 'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Head of Job (graphite on paper)
Head of Job (graphite on paper)

FIT282893: Head of Job (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold)
'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold)

XYC284247: 'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold), Blake, William (1757-1827) / Bridgeman Images

'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c)
'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c)

XYC285516: 'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285519: A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285520: 'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285525: 'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Ode on the Death of a Favourite Cat', design 8 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285539 for recto)
'Ode on the Death of a Favourite Cat', design 8 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285539 for recto)

XYC285540: 'Ode on the Death of a Favourite Cat', design 8 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285539 for recto), Blake, William (1757-1827) / Bridgeman Images

'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)
'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)

XYC285543: 'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c), Blake, William (1757-1827) / Bridgeman Images

'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285549: 'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285551: 'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c)
Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c)

XYC285553: Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285559: 'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images


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