XYC215081:
Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC215095:
The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper), Blake, William (1757-1827) / Bridgeman Images
XYC215075:
Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC285540:
'Ode on the Death of a Favourite Cat', design 8 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285539 for recto), Blake, William (1757-1827) / Bridgeman Images
XYC285549:
'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC309857:
The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC309882:
'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
FIT995616:
The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images
FIT83134:
P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83152:
P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83101:
P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT113935:
Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113941:
The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC146937:
At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images
XYC213851:
Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and watercolour over pencil on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222357:
'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222341:
'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC222868:
The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC256362:
And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images
IMJ242981:
The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching), Blake, William (1757-1827) / Bridgeman Images
XYC285520:
'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images