XYC256900:
'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC256903:
'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC256906:
'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC215075:
Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC215079:
Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC215081:
Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC215095:
The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper), Blake, William (1757-1827) / Bridgeman Images
FIT995616:
The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images
IMJ242981:
The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching), Blake, William (1757-1827) / Bridgeman Images
XYC243175:
Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC225764:
Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225783:
Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225040:
'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC151894:
'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC151895:
'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222341:
'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC222868:
The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222357:
'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83134:
P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83152:
P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT77544:
P.438-1985 Water, thou waterest him with tears, plate 2 of 'The Gates of Paradise', 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images
FIT77547:
P.441-1985 Fire, That end in endless Strife, plate 5 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images
FIT113935:
Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113941:
The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images