Blake, William (1757-1827) Assets (1067 in total)
Results
CH985822: The Divine Image, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images
FIT995616: The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images
MNS882790: Title page from Illustrations of the Book of Job, 1825, Blake, William (1757-1827) / Bridgeman Images
MNS882792: When the Almighty was yet with me, When my Children were about me, 1825, Blake, William (1757-1827) / Bridgeman Images
MNS882793: Thy Sons & thy Daughters were eating & drinking Wine , 1825, Blake, William (1757-1827) / Bridgeman Images
MNS882801: With Dreams upon my bed thou scarest me & affrightest me with Visions, 1825, Blake, William (1757-1827) / Bridgeman Images
MNS882804: When the morning Stars sang together, & all the Sons of God shouted for joy, 1825, Blake, William (1757-1827) / Bridgeman Images
XYC225040: 'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225041: 'The Bard', design 54 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225764: Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225770: The Voice of the Ancient Bard, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.25 (Bentley 54) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225773: The Little Boy Lost, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.21 (Bentley 13) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225774: When Wolves and Tygers... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.19 (Bentley 21) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225776: Wept for Me... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.17 (Bentley 17) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225783: Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222544: 'Ode for Music', design 95 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222545: 'Ode for Music', design 96 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222868: The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222872: 'The Descent of Odin' design 78 from 'The Poems of Thomas Gray' 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222873: 'The Descent of Odin', design 80 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC223022: 'In thoughts perturb'd...', plate 11 from 'Europe. A Prophecy', 1794 (relief etching with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220877: 'Wept for Me' (cont) plate 19 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220878: 'The Little Boy Lost', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220879: 'The Little Boy Found', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220880: 'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220881: 'Holy Thursday', plate 23 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC222341: 'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC222357: 'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225877: 'The Ecchoing Green,' and 'They laugh at our play...,' plate 8 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images
IMJ242981: The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching), Blake, William (1757-1827) / Bridgeman Images
![Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c)](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.XYC.4536420.7055475/243175.jpg?old-wm)
XYC243175: Titlepage from 'Songs of Innocence and of Experience' [Bentley Copy 3] c.1789-94 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT77544: P.438-1985 Water, thou waterest him with tears, plate 2 of 'The Gates of Paradise', 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images
FIT77547: P.441-1985 Fire, That end in endless Strife, plate 5 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images
CEC44181: Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83101: P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
