Blake, William (1757-1827) Assets (1068 in total)

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Title page from Illustrations of the Book of Job, 1825
Title page from Illustrations of the Book of Job, 1825

MNS882790: Title page from Illustrations of the Book of Job, 1825, Blake, William (1757-1827) / Bridgeman Images

Thy Sons & thy Daughters were eating & drinking Wine…, 1825
Thy Sons & thy Daughters were eating & drinking Wine…, 1825

MNS882793: Thy Sons & thy Daughters were eating & drinking Wine…, 1825, Blake, William (1757-1827) / Bridgeman Images

When the morning Stars sang together, & all the Sons of God shouted for joy, 1825
When the morning Stars sang together, & all the Sons of God shouted for joy, 1825

MNS882804: When the morning Stars sang together, & all the Sons of God shouted for joy, 1825, Blake, William (1757-1827) / Bridgeman Images

When the Almighty was yet with me, When my Children were about me, 1825
When the Almighty was yet with me, When my Children were about me, 1825

MNS882792: When the Almighty was yet with me, When my Children were about me, 1825, Blake, William (1757-1827) / Bridgeman Images

With Dreams upon my bed thou scarest me & affrightest me with Visions, 1825
With Dreams upon my bed thou scarest me & affrightest me with Visions, 1825

MNS882801: With Dreams upon my bed thou scarest me & affrightest me with Visions, 1825, Blake, William (1757-1827) / Bridgeman Images

'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151895: 'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285549: 'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285559: 'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Rose up against me...', plate 8 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Rose up against me...', plate 8 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285569: 'Rose up against me...', plate 8 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)
'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)

XYC285543: 'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c), Blake, William (1757-1827) / Bridgeman Images

'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285551: 'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c)
Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c)

XYC285553: Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c)

XYC309857: The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)
'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)

XYC309870: 'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c)
The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c)

XYC309861: The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c)
'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309882: 'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256900: '7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256903: 'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256906: 'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC257426: 'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A Visionary Head, for Varley (pencil)
A Visionary Head, for Varley (pencil)

MAA6322678: A Visionary Head, for Varley (pencil), Blake, William (1757-1827) / Bridgeman Images

Plate II, Jerusalem, c.1804-20. The daughters of Albion represented by swan-like and fish-like creatures, (engraving with w/c)
Plate II, Jerusalem, c.1804-20. The daughters of Albion represented by swan-like and fish-like creatures, (engraving with w/c)

SC26920: Plate II, Jerusalem, c.1804-20. The daughters of Albion represented by swan-like and fish-like creatures, (engraving with w/c), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job and His Family, c.1825
Illustrations of The Book of Job: Job and His Family, c.1825

WHT6426398: Illustrations of The Book of Job: Job and His Family, c.1825, Blake, William (1757-1827) / Bridgeman Images

A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper)
A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper)

PHL434538: A Destroying Deity, c.1820-25 (pen, ink, w/c washes & graphite on wove paper), Blake, William (1757-1827) / Bridgeman Images

Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving)
Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving)

XYC309869: Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving), Blake, William (1757-1827) / Bridgeman Images

P.438-1985 Water, thou waterest him with tears, plate 2 of 'The Gates of Paradise', 1818-25 (line engraving)
P.438-1985 Water, thou waterest him with tears, plate 2 of 'The Gates of Paradise', 1818-25 (line engraving)

FIT77544: P.438-1985 Water, thou waterest him with tears, plate 2 of 'The Gates of Paradise', 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images

Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper)
Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper)

CEC44181: Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper), Blake, William (1757-1827) / Bridgeman Images

Job and his Daughters (pencil, pen and grey ink)
Job and his Daughters (pencil, pen and grey ink)

CH36591: Job and his Daughters (pencil, pen and grey ink), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83101: P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83134: P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.441-1985 Fire, That end in endless Strife, plate 5 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)
P.441-1985 Fire, That end in endless Strife, plate 5 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)

FIT77547: P.441-1985 Fire, That end in endless Strife, plate 5 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images

At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving)
At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146937: At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151894: 'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113935: Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113941: The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT109650: "Albion's Angel Stood Beside", plate 5 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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