Blake, William (1757-1827) Assets (1068 in total)

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FIT109647: "Silent as Despairing Love", plate 2 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109657: "What Time the Thirteen Governors", plate 13 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109659: "On Albion's Angels", plate 15 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113946: "Corroding fires he wrote the following...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113960: "One on earth that ever broke a net....", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113952: "I would at last be proved to originate...", text and illustration from 'The Marriage of Heaven', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111246: Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113964: "Hurl'd the newborn wonder thro' the starry night", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)
Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)

FIT111249: Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113944: "Those who restrain desire...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Thus did Job continually, 1825
Thus did Job continually, 1825

MNS882791: Thus did Job continually, 1825, Blake, William (1757-1827) / Bridgeman Images

And my Servant Job shall pray for you, 1825
And my Servant Job shall pray for you, 1825

MNS882808: And my Servant Job shall pray for you, 1825, Blake, William (1757-1827) / Bridgeman Images

And when they lifted up their eyes afar off…, 1825
And when they lifted up their eyes afar off…, 1825

MNS882797: And when they lifted up their eyes afar off…, 1825, Blake, William (1757-1827) / Bridgeman Images

Every one also gave him a piece of Money, 1825
Every one also gave him a piece of Money, 1825

MNS882811: Every one also gave him a piece of Money, 1825, Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)

FIT995615: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995617: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995608: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995610: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink)
Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink)

CH985776: Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink), Blake, William (1757-1827) / Bridgeman Images

England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819
England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819

PFH3519067: England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819, Blake, William (1757-1827) / Bridgeman Images

Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate)
Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate)

CH986379: Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate), Blake, William (1757-1827) / Bridgeman Images

'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)
'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)

XYC223026: 'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper), Blake, William (1757-1827) / Bridgeman Images

The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173622: The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The School Boy', plate 54 (Bentley 53) from 'Songs of Innocence and of Experience', (Bentley Copy L) c.1789-94 (relief etching with pen and w/c)
'The School Boy', plate 54 (Bentley 53) from 'Songs of Innocence and of Experience', (Bentley Copy L) c.1789-94 (relief etching with pen and w/c)

XYC223010: 'The School Boy', plate 54 (Bentley 53) from 'Songs of Innocence and of Experience', (Bentley Copy L) c.1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)
'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)

XYC223015: 'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215082: Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222353: 'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222358: 'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225039: 'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222858: The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)
'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)

XYC223013: 'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220126: 'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)
'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)

XYC220132: 'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220136: 'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)
'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)

XYC220890: 'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222560: 'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images


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