Blake, William (1757-1827) Assets (1068 in total)

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FIT109659: "On Albion's Angels", plate 15 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour)
America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour)

XND70217: America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)
Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)

XND70241: Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c)
Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c)

XND70244: Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour)
I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour)

FIT63149: I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching)
The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching)

XND70224: The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

plate 11 Book of Job, 1825 (engraving, w/c and wash)
plate 11 Book of Job, 1825 (engraving, w/c and wash)

FIT57617: plate 11 Book of Job, 1825 (engraving, w/c and wash), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225887: 'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)
The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)

XYC228385: The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)
'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)

XYC239823: 'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222340: 'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222358: 'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225889: 'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)
'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

XYC225895: 'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220888: 'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222854: The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83131: P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83203: P.125-1950.pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144095: The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83193: P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)
'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)

XYC222554: 'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'They have lived a period of years', plate 25 from 'The First Book of Urizen', 1794 (relief etching with w/c)
'They have lived a period of years', plate 25 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309886: 'They have lived a period of years', plate 25 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Angel', plate 40 from 'Songs of Experience', 1794 (relief etching with w/c)
'The Angel', plate 40 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309863: 'The Angel', plate 40 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC309866: 'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

Each Creature, Thenot, to his task is born, 1821 (wood engraving)
Each Creature, Thenot, to his task is born, 1821 (wood engraving)

XYC309890: Each Creature, Thenot, to his task is born, 1821 (wood engraving), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c)

XYC309858: The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song', plate 37 from 'Songs of Experience', 1794 (relief etching with w/c)
'Nurse's Song', plate 37 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309888: 'Nurse's Song', plate 37 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper)
The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper)

XYC291022: The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper), Blake, William (1757-1827) / Bridgeman Images

A naked man with a long beard kneeling with one knee raised and both hands on the ground, plate 8 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A naked man with a long beard kneeling with one knee raised and both hands on the ground, plate 8 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285518: A naked man with a long beard kneeling with one knee raised and both hands on the ground, plate 8 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'O little Cloud...', plate 5 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)
'O little Cloud...', plate 5 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)

XYC285544: 'O little Cloud...', plate 5 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c), Blake, William (1757-1827) / Bridgeman Images

'On Albions Angels...', plate 17 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'On Albions Angels...', plate 17 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285562: 'On Albions Angels...', plate 17 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273297: Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

XCF282076: "The Terror Answered", plate 8 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving)
Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving)

XYC277361: Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC284248: 'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'In the flames stood...', plate 16 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'In the flames stood...', plate 16 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285563: 'In the flames stood...', plate 16 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images


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