Blake, William (1757-1827) Assets (1068 in total)

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The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c)

XYC309858: The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song', plate 37 from 'Songs of Experience', 1794 (relief etching with w/c)
'Nurse's Song', plate 37 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309888: 'Nurse's Song', plate 37 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Angel', plate 40 from 'Songs of Experience', 1794 (relief etching with w/c)
'The Angel', plate 40 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309863: 'The Angel', plate 40 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC309866: 'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

Each Creature, Thenot, to his task is born, 1821 (wood engraving)
Each Creature, Thenot, to his task is born, 1821 (wood engraving)

XYC309890: Each Creature, Thenot, to his task is born, 1821 (wood engraving), Blake, William (1757-1827) / Bridgeman Images

The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper)
The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper)

XYC291022: The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144095: The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109647: "Silent as Despairing Love", plate 2 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109659: "On Albion's Angels", plate 15 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111246: Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)
Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)

FIT111249: Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151694: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)
Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)

FIT167639: Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113944: "Those who restrain desire...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144096: A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151692: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching)
The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching)

XND70224: The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour)
America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour)

XND70217: America a Prophecy: frontispiece and title page depicting Orc, the embodiment of Energy, 1793 (relief etching with white line engraving and watercolour), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)
Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)

XND70241: Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c)
Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c)

XND70244: Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113960: "One on earth that ever broke a net....", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113946: "Corroding fires he wrote the following...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113952: "I would at last be proved to originate...", text and illustration from 'The Marriage of Heaven', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113964: "Hurl'd the newborn wonder thro' the starry night", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819
England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819

PFH3519067: England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819, Blake, William (1757-1827) / Bridgeman Images

Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink)
Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink)

CH985776: Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink), Blake, William (1757-1827) / Bridgeman Images

Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate)
Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate)

CH986379: Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate), Blake, William (1757-1827) / Bridgeman Images

'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220124: 'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220136: 'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)
'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)

XYC220139: 'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)
'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)

XYC220890: 'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'The Little Girl Lost and The Little Girl Found', plate 34 (Bentley 35) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Girl Lost and The Little Girl Found', plate 34 (Bentley 35) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220123: 'The Little Girl Lost and The Little Girl Found', plate 34 (Bentley 35) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220126: 'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)
'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)

XYC220132: 'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

XCF282076: "The Terror Answered", plate 8 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving)
Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving)

XYC277361: Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images


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