Blake, William (1757-1827) Assets (1067 in total)

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Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273297: Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving)
Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving)

XYC277361: Plate 14, from 'Illustrations of the Book of Job', 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111246: Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)
Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)

FIT111249: Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113944: "Those who restrain desire...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113946: "Corroding fires he wrote the following...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113952: "I would at last be proved to originate...", text and illustration from 'The Marriage of Heaven', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113960: "One on earth that ever broke a net....", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113964: "Hurl'd the newborn wonder thro' the starry night", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT109647: "Silent as Despairing Love", plate 2 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109657: "What Time the Thirteen Governors", plate 13 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109659: "On Albion's Angels", plate 15 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109661: "Help! Help!", plate 10 from 'For the Sexes, The Gates of Paradise', pub. 1793 (line engraving), Blake, William (1757-1827) / Bridgeman Images

'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC284248: 'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

Five Visionary Heads of Women, c.1820 (graphite on paper)
Five Visionary Heads of Women, c.1820 (graphite on paper)

XYC281168: Five Visionary Heads of Women, c.1820 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

Then A Spirit Passed Before My Face (engraving on india paper chine collé)
Then A Spirit Passed Before My Face (engraving on india paper chine collé)

IMA1557085: Then A Spirit Passed Before My Face (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

When The Morning Stars Sang Together (engraving on india paper chine collé)
When The Morning Stars Sang Together (engraving on india paper chine collé)

IMA1557091: When The Morning Stars Sang Together (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

And My Servant Job Shall Pray For You (engraving on india paper chine collé)
And My Servant Job Shall Pray For You (engraving on india paper chine collé)

IMA1557095: And My Servant Job Shall Pray For You (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Every One Also Gave Him A Piece Of Money (engraving on india paper chine collé)
Every One Also Gave Him A Piece Of Money (engraving on india paper chine collé)

IMA1557096: Every One Also Gave Him A Piece Of Money (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Thus did Job continually, 1825
Thus did Job continually, 1825

MNS882791: Thus did Job continually, 1825, Blake, William (1757-1827) / Bridgeman Images

And when they lifted up their eyes afar off…, 1825
And when they lifted up their eyes afar off…, 1825

MNS882797: And when they lifted up their eyes afar off…, 1825, Blake, William (1757-1827) / Bridgeman Images

And my Servant Job shall pray for you, 1825
And my Servant Job shall pray for you, 1825

MNS882808: And my Servant Job shall pray for you, 1825, Blake, William (1757-1827) / Bridgeman Images

Every one also gave him a piece of Money, 1825
Every one also gave him a piece of Money, 1825

MNS882811: Every one also gave him a piece of Money, 1825, Blake, William (1757-1827) / Bridgeman Images

England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819
England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819

PFH3519067: England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819, Blake, William (1757-1827) / Bridgeman Images

Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink)
Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink)

CH985776: Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink), Blake, William (1757-1827) / Bridgeman Images

Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate)
Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate)

CH986379: Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995608: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995610: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)

FIT995615: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995617: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151692: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151694: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)
Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)

FIT167639: Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173622: The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144095: The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144096: A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images


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