Blake, William (1757-1827) Assets (1066 in total)

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'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220134: 'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220136: 'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)
'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)

XYC220139: 'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218336: 'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225033: 'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225039: 'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)
Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)

XYC225775: Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)
Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)

XYC225782: Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The School Boy', plate 54 (Bentley 53) from 'Songs of Innocence and of Experience', (Bentley Copy L) c.1789-94 (relief etching with pen and w/c)
'The School Boy', plate 54 (Bentley 53) from 'Songs of Innocence and of Experience', (Bentley Copy L) c.1789-94 (relief etching with pen and w/c)

XYC223010: 'The School Boy', plate 54 (Bentley 53) from 'Songs of Innocence and of Experience', (Bentley Copy L) c.1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)
'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)

XYC223013: 'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)
'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)

XYC223015: 'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Black Boy', plate 5 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'The Little Black Boy', plate 5 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC223016: 'The Little Black Boy', plate 5 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)
'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)

XYC223026: 'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper), Blake, William (1757-1827) / Bridgeman Images

'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)
'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)

XYC220890: 'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222560: 'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222858: The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 68 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 68 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222863: The Fatal Sisters, design 68 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222353: 'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)
The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)

XYC228385: The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111246: Visions of the Daughters of Albion: 'Wave Shadows of Discontent?', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)
Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper)

FIT111249: Visions of the Daughters of Albion: 'Visions. Enslav'd the Daughters of Albion...', plate 4, designed in 1793, completed c.1815 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144096: A Long Story, An Ancient Pile of Building which Employed the Power of Fairy Hands', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151694: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173622: The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

A naked man with a long beard kneeling with one knee raised and both hands on the ground, plate 8 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A naked man with a long beard kneeling with one knee raised and both hands on the ground, plate 8 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285518: A naked man with a long beard kneeling with one knee raised and both hands on the ground, plate 8 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256910: 'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Job 42:15 illustrated by William Blake
The Book of Job 42:15 illustrated by William Blake

XLA3765303: The Book of Job 42:15 illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job42:11 illustrated by william Blake
The Book of Job42:11 illustrated by william Blake

XLA3765302: The Book of Job42:11 illustrated by william Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job 1:   16  Illustrated by William Blake
The Book of Job 1:   16  Illustrated by William Blake

XLA3765266: The Book of Job 1: 16 Illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761439: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761458: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Albion Asleep by William Blake
Albion Asleep by William Blake

XLA3761496: Albion Asleep by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761510: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819
England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819

PFH3519067: England: Wat Tyler (died 1381) as envisaged by William Blake (1757 - 1827), drawing in graphite, 1819, Blake, William (1757-1827) / Bridgeman Images

And my Servant Job shall pray for you, 1825
And my Servant Job shall pray for you, 1825

MNS882808: And my Servant Job shall pray for you, 1825, Blake, William (1757-1827) / Bridgeman Images

Every one also gave him a piece of Money, 1825
Every one also gave him a piece of Money, 1825

MNS882811: Every one also gave him a piece of Money, 1825, Blake, William (1757-1827) / Bridgeman Images


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