Blake, William (1757-1827) Assets (1068 in total)
Results
XYC220882: 'On Another's Sorrow', plate 24 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC222342: 'The shrill winds wake...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC222869: The Fatal Sisters, design 75 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220887: 'For When Our Souls...', plate 30 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220893: 'The Little Black Boy', plate 8 (Bentley 9) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC215086: Spring, from 'Songs of Innocence', 1789 (coloure-printed relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC239820: 'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images
XYC256364: 'Chap: IV, Ages on ages roll'd over him...', plate 13 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT111247: Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT111248: Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC285548: 'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285554: 'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
FIT282892: Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images
SOU273291: Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images
XYC284249: 'And that toward Eden...', plate 13 from 'Jerusalem', 1804-20 (relief etching printed in orange, with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285512: 'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285521: A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285526: 'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC144094: The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83173: P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83185: P.125-1950.pt32 The Clod and the Pebble: plate 32 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83187: P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC266769: 'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT995612: The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images
CH985825: Night, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images
MNS882799: Then a Spirit passed before my face the hair of my flesh stood up, 1825, Blake, William (1757-1827) / Bridgeman Images
MNS882805: Behold now Behemoth which I made with thee, 1825, Blake, William (1757-1827) / Bridgeman Images
FIT995611: The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images
FIT995614: The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images
FIT995609: The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images
XOS3493144: The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas), Blake, William (1757-1827) / Bridgeman Images
MNS882807: I have heard thee with the hearing of the Ear but now my Eye seeth thee, 1825, Blake, William (1757-1827) / Bridgeman Images
MNS882794: And I only am escaped alone to tell thee., 1825, Blake, William (1757-1827) / Bridgeman Images
MNS882803: Then the Lord answered Job out of the Whirlwind, 1825, Blake, William (1757-1827) / Bridgeman Images
FIT109658: "In the Flames Stood", plate 14 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
