FIT77546:
P.440-1985 Air, On Cloudy Doubts and Reasoning Cares, plate 4 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images
XYC309859:
The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC309860:
The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC309885:
'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC173621:
The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC151691:
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC151693:
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC146941:
Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images
XYC144094:
The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC197601:
'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC189127:
Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper), Blake, William (1757-1827) / Bridgeman Images
XYC218332:
'The Chimney Sweeper', plate 13 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220122:
'The Little Girl Lost', plate 33 (Bentley 34) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220135:
'The Angel', plate 47 (Bentley 41) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220891:
'The Echoing Green', plate 5 (Bentley 6) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220893:
'The Little Black Boy', plate 8 (Bentley 9) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220894:
'The Little Black Boy' plate 9 (Bentley 10) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC215078:
Design 13 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC215080:
Design 27 for 'A Long Story' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC215083:
Design 33 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC215088:
'II / O Little Cloud...', plate 5 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225765:
Ode to Adversity, design 36 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225769:
The Divine Image, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.27 (Bentley 18) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images