Blake, William (1757-1827) Assets (1068 in total)

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No.0456b Joseph ordering Simeon to be bound, plate 2 of 'The Story of Joseph', c.1785 (pen & ink and watercolour over pencil on paper)
No.0456b Joseph ordering Simeon to be bound, plate 2 of 'The Story of Joseph', c.1785 (pen & ink and watercolour over pencil on paper)

FIT77536: No.0456b Joseph ordering Simeon to be bound, plate 2 of 'The Story of Joseph', c.1785 (pen & ink and watercolour over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

P.439-1985 Earth, He struggles into Life, plate 3 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)
P.439-1985 Earth, He struggles into Life, plate 3 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)

FIT77545: P.439-1985 Earth, He struggles into Life, plate 3 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images

FIT113945: "The Messiah fell and formed a heaven of what he stole...", text from 'The Marriage of heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Hymn of Christ and the Apostles (w/c)
Hymn of Christ and the Apostles (w/c)

AGN81580: Hymn of Christ and the Apostles (w/c), Blake, William (1757-1827) / Bridgeman Images

Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113949: Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

PD.28-1949 The Judgement of Solomon, c.1800 (tempera on copper)
PD.28-1949 The Judgement of Solomon, c.1800 (tempera on copper)

FIT88882: PD.28-1949 The Judgement of Solomon, c.1800 (tempera on copper), Blake, William (1757-1827) / Bridgeman Images

'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)
'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC197601: 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper)
Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper)

XYC189127: Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper), Blake, William (1757-1827) / Bridgeman Images

The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas)
The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas)

XOS3493144: The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

FIT113965: "He promulgates his ten commands...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.p11 The Chimney Sweeper: plate 11 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.p11 The Chimney Sweeper: plate 11 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83111: P.124-1950.p11 The Chimney Sweeper: plate 11 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83123: P.124-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt36 The Little Girl Found: plate 36 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt36 The Little Girl Found: plate 36 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83136: P.124-1950.pt36 The Little Girl Found: plate 36 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83187: P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995611: The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995614: The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995609: The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995612: The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

FIT109648: "A Prophecy", plate 3 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109651: "The Morning Comes", plate 6 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111247: Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'But When The Moon Arose...', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'But When The Moon Arose...', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111245: Visions of the Daughters of Albion: 'But When The Moon Arose...', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111248: Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109658: "In the Flames Stood", plate 14 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109649: "Appears to the Americans", plate 4 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.440-1985 Air, On Cloudy Doubts and Reasoning Cares, plate 4 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)
P.440-1985 Air, On Cloudy Doubts and Reasoning Cares, plate 4 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)

FIT77546: P.440-1985 Air, On Cloudy Doubts and Reasoning Cares, plate 4 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images

'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold)
'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold)

XYC239824: 'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)
'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)

XYC239820: 'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC237818: 'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

Pindar and Lais, 1820 (pencil on paper)
Pindar and Lais, 1820 (pencil on paper)

HMP244350: Pindar and Lais, 1820 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c)
'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c)

XYC243176: 'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256353: Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Chap: IV, Ages on ages roll'd over him...', plate 13 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'Chap: IV, Ages on ages roll'd over him...', plate 13 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256364: 'Chap: IV, Ages on ages roll'd over him...', plate 13 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256357: Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Design 13 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 13 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215078: Design 13 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Divine Image, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.27 (Bentley 18) 1789-94 (relief etching with pen & w/c on paper)
The Divine Image, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.27 (Bentley 18) 1789-94 (relief etching with pen & w/c on paper)

XYC225769: The Divine Image, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.27 (Bentley 18) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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