Blake, William (1757-1827) Assets (1067 in total)

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A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285521: A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285526: 'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285548: 'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'A Prophecy', plate 5 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'A Prophecy', plate 5 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285552: 'A Prophecy', plate 5 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285554: 'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)
Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)

FIT282892: Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)
Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)

XYC291040: Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c)

XYC309859: The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c)

XYC309860: The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c)
'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309862: 'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c)
'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309885: 'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173621: The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Design 13 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 13 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215078: Design 13 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Design 27 for 'A Long Story' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 27 for 'A Long Story' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215080: Design 27 for 'A Long Story' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Design 33 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 33 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215083: Design 33 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Spring, from 'Songs of Innocence', 1789 (coloure-printed relief etching with w/c on paper)
Spring, from 'Songs of Innocence', 1789 (coloure-printed relief etching with w/c on paper)

XYC215086: Spring, from 'Songs of Innocence', 1789 (coloure-printed relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'II / O Little Cloud...', plate 5 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)
'II / O Little Cloud...', plate 5 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)

XYC215088: 'II / O Little Cloud...', plate 5 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper)
Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper)

XYC189127: Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper), Blake, William (1757-1827) / Bridgeman Images

'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)
'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC197601: 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113945: "The Messiah fell and formed a heaven of what he stole...", text from 'The Marriage of heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113949: Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113965: "He promulgates his ten commands...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'But When The Moon Arose...', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'But When The Moon Arose...', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111245: Visions of the Daughters of Albion: 'But When The Moon Arose...', plate 7, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111247: Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111248: Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

1771 Queen Catherine's Dream, c.1783-90 (w/c, wash, pen & ink on paper)
1771 Queen Catherine's Dream, c.1783-90 (w/c, wash, pen & ink on paper)

FIT111410: 1771 Queen Catherine's Dream, c.1783-90 (w/c, wash, pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109648: "A Prophecy", plate 3 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109649: "Appears to the Americans", plate 4 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109651: "The Morning Comes", plate 6 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109658: "In the Flames Stood", plate 14 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper)
'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper)

XYC266769: 'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273291: Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

'Nude woman looking down at a boy and to the right, a bearded man leaning on a hammer', plate 18 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Nude woman looking down at a boy and to the right, a bearded man leaning on a hammer', plate 18 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256904: 'Nude woman looking down at a boy and to the right, a bearded man leaning on a hammer', plate 18 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256353: Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256357: Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Chap: IV, Ages on ages roll'd over him...', plate 13 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'Chap: IV, Ages on ages roll'd over him...', plate 13 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256364: 'Chap: IV, Ages on ages roll'd over him...', plate 13 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images


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