Blake, William (1757-1827) Assets (1068 in total)

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And When They Lifted Up Their Eyes Afar Off (engraving on india paper chine collé)
And When They Lifted Up Their Eyes Afar Off (engraving on india paper chine collé)

IMA1557083: And When They Lifted Up Their Eyes Afar Off (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

The Shrine of Apollo: Milton's Hymn on the Morning of Christ's Nativity (watercolour on paper)
The Shrine of Apollo: Milton's Hymn on the Morning of Christ's Nativity (watercolour on paper)

WHT161687: The Shrine of Apollo: Milton's Hymn on the Morning of Christ's Nativity (watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper)
The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper)

WHT161691: The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761435: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761460: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Thy Sons And Thy Daughters Were Eating And Drinking Wine In Their Eldest Brother'S House (engraving on india paper chine collé)
Thy Sons And Thy Daughters Were Eating And Drinking Wine In Their Eldest Brother'S House (engraving on india paper chine collé)

IMA1557079: Thy Sons And Thy Daughters Were Eating And Drinking Wine In Their Eldest Brother'S House (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Then Went Satan Forth From The Presence Of The Lord (engraving on india paper chine collé)
Then Went Satan Forth From The Presence Of The Lord (engraving on india paper chine collé)

IMA1557081: Then Went Satan Forth From The Presence Of The Lord (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job and His Family, c.1825
Illustrations of The Book of Job: Job and His Family, c.1825

WHT6426398: Illustrations of The Book of Job: Job and His Family, c.1825, Blake, William (1757-1827) / Bridgeman Images

Night, 1789 (hand-coloured relief-etching, watercolour)
Night, 1789 (hand-coloured relief-etching, watercolour)

CH985825: Night, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

And I only am escaped alone to tell thee., 1825
And I only am escaped alone to tell thee., 1825

MNS882794: And I only am escaped alone to tell thee., 1825, Blake, William (1757-1827) / Bridgeman Images

Then the Lord answered Job out of the Whirlwind, 1825
Then the Lord answered Job out of the Whirlwind, 1825

MNS882803: Then the Lord answered Job out of the Whirlwind, 1825, Blake, William (1757-1827) / Bridgeman Images

Then a Spirit passed before my face the hair of my flesh stood up, 1825
Then a Spirit passed before my face the hair of my flesh stood up, 1825

MNS882799: Then a Spirit passed before my face the hair of my flesh stood up, 1825, Blake, William (1757-1827) / Bridgeman Images

Behold now Behemoth which I made with thee, 1825
Behold now Behemoth which I made with thee, 1825

MNS882805: Behold now Behemoth which I made with thee, 1825, Blake, William (1757-1827) / Bridgeman Images

I have heard thee with the hearing of the Ear but now my Eye seeth thee, 1825
I have heard thee with the hearing of the Ear but now my Eye seeth thee, 1825

MNS882807: I have heard thee with the hearing of the Ear but now my Eye seeth thee, 1825, Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c)

XYC309859: The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c)
'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309862: 'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c)
'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309885: 'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)
Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)

FIT282892: Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c)

XYC309860: The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)
Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)

XYC291040: Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144094: The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving)
Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving)

XYC146941: Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151693: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151691: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173621: The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen)
Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen)

XND70229: Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen), Blake, William (1757-1827) / Bridgeman Images

Job Praying (pl.18) from the Book of Job, c.1793 (hand tinted line engraving)
Job Praying (pl.18) from the Book of Job, c.1793 (hand tinted line engraving)

FIT58231: Job Praying (pl.18) from the Book of Job, c.1793 (hand tinted line engraving), Blake, William (1757-1827) / Bridgeman Images

Marriage of Heaven and Hell (pl.20), c.1790-93 (relief etching finished in pen and w/c)
Marriage of Heaven and Hell (pl.20), c.1790-93 (relief etching finished in pen and w/c)

FIT58837: Marriage of Heaven and Hell (pl.20), c.1790-93 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

The Circumcision, 1799-1800 (tempera on canvas)
The Circumcision, 1799-1800 (tempera on canvas)

FIT55402: The Circumcision, 1799-1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt3 Introduction: plate 3 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt3 Introduction: plate 3 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83103: P.124-1950.pt3 Introduction: plate 3 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt37 The Little Girl Found (cont.): plate 37 from 'Songs of Innocence and Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt37 The Little Girl Found (cont.): plate 37 from 'Songs of Innocence and Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83137: P.124-1950.pt37 The Little Girl Found (cont.): plate 37 from 'Songs of Innocence and Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83173: P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt26 A Dream: plate 26 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching ink and w/c)
P.124-1950.pt26 A Dream: plate 26 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching ink and w/c)

FIT83179: P.124-1950.pt26 A Dream: plate 26 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching ink and w/c), Blake, William (1757-1827) / Bridgeman Images

No.0456b Joseph ordering Simeon to be bound, plate 2 of 'The Story of Joseph', c.1785 (pen & ink and watercolour over pencil on paper)
No.0456b Joseph ordering Simeon to be bound, plate 2 of 'The Story of Joseph', c.1785 (pen & ink and watercolour over pencil on paper)

FIT77536: No.0456b Joseph ordering Simeon to be bound, plate 2 of 'The Story of Joseph', c.1785 (pen & ink and watercolour over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

P.439-1985 Earth, He struggles into Life, plate 3 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)
P.439-1985 Earth, He struggles into Life, plate 3 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)

FIT77545: P.439-1985 Earth, He struggles into Life, plate 3 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images

FIT113945: "The Messiah fell and formed a heaven of what he stole...", text from 'The Marriage of heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images


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