Blake, William (1757-1827) Assets (1068 in total)

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'The Descent of Odin' design 78 from 'The Poems of Thomas Gray' 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin' design 78 from 'The Poems of Thomas Gray' 1797-98 (w/c with pen & ink on paper)

XYC222872: 'The Descent of Odin' design 78 from 'The Poems of Thomas Gray' 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Boy Lost', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Little Boy Lost', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220878: 'The Little Boy Lost', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 23 from 'Songs of Innocence', 1789 (relief etching with w/c)
'Holy Thursday', plate 23 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220881: 'Holy Thursday', plate 23 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'In thoughts perturb'd...',  plate 11 from 'Europe. A Prophecy', 1794 (relief etching with w/c & oil on paper)
'In thoughts perturb'd...',  plate 11 from 'Europe. A Prophecy', 1794 (relief etching with w/c & oil on paper)

XYC223022: 'In thoughts perturb'd...', plate 11 from 'Europe. A Prophecy', 1794 (relief etching with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé)
With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé)

IMA1557088: With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Behold Now Behemoth Which I Made With Thee (engraving on india paper chine collé)
Behold Now Behemoth Which I Made With Thee (engraving on india paper chine collé)

IMA1557092: Behold Now Behemoth Which I Made With Thee (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

So The Lord Blessed The Latter End Of Job More Than The Beginning (engraving on india paper chine collé)
So The Lord Blessed The Latter End Of Job More Than The Beginning (engraving on india paper chine collé)

IMA1557098: So The Lord Blessed The Latter End Of Job More Than The Beginning (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Mirth and her Companions by William Blake
Mirth and her Companions by William Blake

XLA3761437: Mirth and her Companions by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761448: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761456: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Thou Has Fulfilled The Judgment Of The Wicked (engraving on india paper chine collé)
Thou Has Fulfilled The Judgment Of The Wicked (engraving on india paper chine collé)

IMA1557093: Thou Has Fulfilled The Judgment Of The Wicked (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

PD.28-1949 The Judgement of Solomon, c.1800 (tempera on copper)
PD.28-1949 The Judgement of Solomon, c.1800 (tempera on copper)

FIT88882: PD.28-1949 The Judgement of Solomon, c.1800 (tempera on copper), Blake, William (1757-1827) / Bridgeman Images

Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen)
Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen)

XND70229: Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen), Blake, William (1757-1827) / Bridgeman Images

Hymn of Christ and the Apostles (w/c)
Hymn of Christ and the Apostles (w/c)

AGN81580: Hymn of Christ and the Apostles (w/c), Blake, William (1757-1827) / Bridgeman Images

P.440-1985 Air, On Cloudy Doubts and Reasoning Cares, plate 4 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)
P.440-1985 Air, On Cloudy Doubts and Reasoning Cares, plate 4 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)

FIT77546: P.440-1985 Air, On Cloudy Doubts and Reasoning Cares, plate 4 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images

Job Praying (pl.18) from the Book of Job, c.1793 (hand tinted line engraving)
Job Praying (pl.18) from the Book of Job, c.1793 (hand tinted line engraving)

FIT58231: Job Praying (pl.18) from the Book of Job, c.1793 (hand tinted line engraving), Blake, William (1757-1827) / Bridgeman Images

The Circumcision, 1799-1800 (tempera on canvas)
The Circumcision, 1799-1800 (tempera on canvas)

FIT55402: The Circumcision, 1799-1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Marriage of Heaven and Hell (pl.20), c.1790-93 (relief etching finished in pen and w/c)
Marriage of Heaven and Hell (pl.20), c.1790-93 (relief etching finished in pen and w/c)

FIT58837: Marriage of Heaven and Hell (pl.20), c.1790-93 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c)
'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c)

XYC243176: 'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC237818: 'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

Pindar and Lais, 1820 (pencil on paper)
Pindar and Lais, 1820 (pencil on paper)

HMP244350: Pindar and Lais, 1820 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold)
'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold)

XYC239824: 'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c)

XYC309859: The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c)
'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309862: 'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c)

XYC309860: The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c)
'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309885: 'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)
Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)

XYC291040: Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256357: Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256353: Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173621: The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109649: "Appears to the Americans", plate 4 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151693: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)
'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC197601: 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper)
Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper)

XYC189127: Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper), Blake, William (1757-1827) / Bridgeman Images

Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving)
Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving)

XYC146941: Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

FIT109651: "The Morning Comes", plate 6 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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