Blake, William (1757-1827) Assets (1068 in total)

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'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151894: 'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113935: Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113941: The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT109650: "Albion's Angel Stood Beside", plate 5 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)
Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

FIT109646: Preludium, plate 1 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)
The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)

XND70232: The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and w/c over pencil on paper)
Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and w/c over pencil on paper)

XYC213851: Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and w/c over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225040: 'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Divine Image, 1789 (hand-coloured relief-etching, watercolour)
The Divine Image, 1789 (hand-coloured relief-etching, watercolour)

CH985822: The Divine Image, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

The Queen of Heaven in Glory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Queen of Heaven in Glory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909187: The Queen of Heaven in Glory, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

When the Almighty was yet with me, When my Children were about me, 1825 (engraving)
When the Almighty was yet with me, When my Children were about me, 1825 (engraving)

XDM1071381: When the Almighty was yet with me, When my Children were about me, 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

Thy Sons And Thy Daughters Were Eating And Drinking Wine In Their Eldest Brother'S House (engraving on india paper chine collé)
Thy Sons And Thy Daughters Were Eating And Drinking Wine In Their Eldest Brother'S House (engraving on india paper chine collé)

IMA1557079: Thy Sons And Thy Daughters Were Eating And Drinking Wine In Their Eldest Brother'S House (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

And When They Lifted Up Their Eyes Afar Off (engraving on india paper chine collé)
And When They Lifted Up Their Eyes Afar Off (engraving on india paper chine collé)

IMA1557083: And When They Lifted Up Their Eyes Afar Off (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Then Went Satan Forth From The Presence Of The Lord (engraving on india paper chine collé)
Then Went Satan Forth From The Presence Of The Lord (engraving on india paper chine collé)

IMA1557081: Then Went Satan Forth From The Presence Of The Lord (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

And I Only Am Escaped Alone To Tell Thee (engraving on india paper chine collé)
And I Only Am Escaped Alone To Tell Thee (engraving on india paper chine collé)

IMA1557080: And I Only Am Escaped Alone To Tell Thee (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Albions Angel, 1793 (illustration)
Albions Angel, 1793 (illustration)

CCI1822974: Albions Angel, 1793 (illustration), Blake, William (1757-1827) / Bridgeman Images

Job and his Daughters (pencil, brush and grey ink and watercolour)
Job and his Daughters (pencil, brush and grey ink and watercolour)

CH1765029: Job and his Daughters (pencil, brush and grey ink and watercolour), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995616: The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256362: And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)
The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching)

IMJ242981: The Six Footed Serpent Attacking Agnolo Brunelleschi, illustration from 'The Divine Comedy' (Inferno) by Dante Alighieri (1265-1321) 1826-27 (etching), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour)
Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour)

XYC243175: Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour), Blake, William (1757-1827) / Bridgeman Images

Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218322: Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold)
'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold)

XYC284247: 'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold), Blake, William (1757-1827) / Bridgeman Images

'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285525: 'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285519: A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c)
'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c)

XYC285516: 'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285520: 'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

A Divine Image (engraving)
A Divine Image (engraving)

FIT55414: A Divine Image (engraving), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83152: P.124-1950.pt52 A Little Girl Lost: plate 52 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper)
The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper)

WHT161691: The Night of Peace: Milton's Hymn on the Morning of Christ's Nativity, 1809 (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)
Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC225783: Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222868: The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)
Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)

XYC225764: Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c)
'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220880: 'Nurse's Song', plate 22 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Menalcas' Yearly Wake, illustration from 'Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Menalcas' Yearly Wake, illustration from 'Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273294: Menalcas' Yearly Wake, illustration from 'Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Colinet tending the lawn, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Colinet tending the lawn, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273295: Colinet tending the lawn, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images


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