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Blake, William (1757-1827) Assets (1067 in total)

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'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222357: 'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222357

'The Triumphs of Owen', Design 87 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218322: Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC218322

Introduction, plate 3 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

Blake, William (1757-1827)

'The Blossom', plate 9 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Blossom', plate 9 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218328: 'The Blossom', plate 9 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC218328

'The Blossom', plate 9 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

Blake, William (1757-1827)

Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper)
Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper)

XYC215075: Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215075

Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper)

Blake, William (1757-1827)

Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper)
Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper)

XYC215079: Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215079

Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215081: Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215081

Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

Landscape with Spire, c.1801 (pencil on paper)
Landscape with Spire, c.1801 (pencil on paper)

XYC215094: Landscape with Spire, c.1801 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215094

Landscape with Spire, c.1801 (pencil on paper)

Blake, William (1757-1827)

The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper)
The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper)

XYC215095: The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215095

The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper)

Blake, William (1757-1827)

The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222868: The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222868

The Fatal Sisters, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

'The Descent of Odin' design 78 from 'The Poems of Thomas Gray' 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin' design 78 from 'The Poems of Thomas Gray' 1797-98 (w/c with pen & ink on paper)

XYC222872: 'The Descent of Odin' design 78 from 'The Poems of Thomas Gray' 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222872

'The Descent of Odin' design 78 from 'The Poems of Thomas Gray' 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

'The Descent of Odin', design 80 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 80 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222873: 'The Descent of Odin', design 80 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222873

'The Descent of Odin', design 80 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

'In thoughts perturb'd...', plate 11 from 'Europe. A Prophecy', 1794 (relief etching with w/c & oil on paper)
'In thoughts perturb'd...', plate 11 from 'Europe. A Prophecy', 1794 (relief etching with w/c & oil on paper)

XYC223022: 'In thoughts perturb'd...', plate 11 from 'Europe. A Prophecy', 1794 (relief etching with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC223022

'In thoughts perturb'd...', plate 11 from 'Europe. A Prophecy', 1794 (relief etching with w/c & oil on paper)

Blake, William (1757-1827)

'Ode for Music', design 95 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 95 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222544: 'Ode for Music', design 95 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222544

'Ode for Music', design 95 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

'Ode for Music', design 96 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 96 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222545: 'Ode for Music', design 96 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222545

'Ode for Music', design 96 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256362: And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC256362

And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

Blake, William (1757-1827)

'Her voice pierc'd Albions clay cold ear...', plate 95 from 'Jerusalem' c.1810 (etching with pen & w/c)
'Her voice pierc'd Albions clay cold ear...', plate 95 from 'Jerusalem' c.1810 (etching with pen & w/c)

XYC258799: 'Her voice pierc'd Albions clay cold ear...', plate 95 from 'Jerusalem' c.1810 (etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC258799

'Her voice pierc'd Albions clay cold ear...', plate 95 from 'Jerusalem' c.1810 (etching with pen & w/c)

Blake, William (1757-1827)

'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256900: '7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC256900

'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

Blake, William (1757-1827)

'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256903: 'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC256903

'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

Blake, William (1757-1827)

'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256906: 'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC256906

'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

Blake, William (1757-1827)

'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC257426: 'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC257426

'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

Blake, William (1757-1827)

Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)
Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)

XYC225764: Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225764

Ode to Adversity, design 35 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and black ink on paper)

Blake, William (1757-1827)

The Voice of the Ancient Bard, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.25 (Bentley 54) 1789-94 (relief etching with pen & w/c on paper)
The Voice of the Ancient Bard, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.25 (Bentley 54) 1789-94 (relief etching with pen & w/c on paper)

XYC225770: The Voice of the Ancient Bard, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.25 (Bentley 54) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225770

The Voice of the Ancient Bard, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.25 (Bentley 54) 1789-94 (relief etching with pen & w/c on paper)

Blake, William (1757-1827)

The Little Boy Lost, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.21 (Bentley 13) 1789-94 (relief etching with pen & w/c on paper)
The Little Boy Lost, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.21 (Bentley 13) 1789-94 (relief etching with pen & w/c on paper)

XYC225773: The Little Boy Lost, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.21 (Bentley 13) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225773

The Little Boy Lost, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.21 (Bentley 13) 1789-94 (relief etching with pen & w/c on paper)

Blake, William (1757-1827)

When Wolves and Tygers... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.19 (Bentley 21) 1789-94 (relief etching with pen and w/c on paper)
When Wolves and Tygers... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.19 (Bentley 21) 1789-94 (relief etching with pen and w/c on paper)

XYC225774: When Wolves and Tygers... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.19 (Bentley 21) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225774

When Wolves and Tygers... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.19 (Bentley 21) 1789-94 (relief etching with pen and w/c on paper)

Blake, William (1757-1827)

Wept for Me... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.17 (Bentley 17) 1789-94 (relief etching with pen & w/c on paper)
Wept for Me... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.17 (Bentley 17) 1789-94 (relief etching with pen & w/c on paper)

XYC225776: Wept for Me... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.17 (Bentley 17) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225776

Wept for Me... illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.17 (Bentley 17) 1789-94 (relief etching with pen & w/c on paper)

Blake, William (1757-1827)

Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)
Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC225783: Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225783

Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)

Blake, William (1757-1827)

'The Ecchoing Green,' and 'They laugh at our play...,' plate 8 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'The Ecchoing Green,' and 'They laugh at our play...,' plate 8 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225877: 'The Ecchoing Green,' and 'They laugh at our play...,' plate 8 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225877

'The Ecchoing Green,' and 'They laugh at our play...,' plate 8 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

Blake, William (1757-1827)

'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225040: 'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225040

'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

Blake, William (1757-1827)

'The Bard', design 54 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Bard', design 54 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225041: 'The Bard', design 54 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225041

'The Bard', design 54 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

Blake, William (1757-1827)

Albions Angel, 1793 (illustration)
Albions Angel, 1793 (illustration)

CCI1822974: Albions Angel, 1793 (illustration), Blake, William (1757-1827) / Bridgeman Images

ID: CCI1822974

Albions Angel, 1793 (illustration)

Blake, William (1757-1827)

The Divine Image, 1789 (hand-coloured relief-etching, watercolour)
The Divine Image, 1789 (hand-coloured relief-etching, watercolour)

CH985822: The Divine Image, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: CH985822

The Divine Image, 1789 (hand-coloured relief-etching, watercolour)

Blake, William (1757-1827)

When the Almighty was yet with me, When my Children were about me, 1825 (engraving)
When the Almighty was yet with me, When my Children were about me, 1825 (engraving)

XDM1071381: When the Almighty was yet with me, When my Children were about me, 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: XDM1071381

When the Almighty was yet with me, When my Children were about me, 1825 (engraving)

Blake, William (1757-1827)

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761435: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

ID: XLA3761435

The Book of Job illustrations by William Blake

Blake, William (1757-1827)

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761460: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

ID: XLA3761460

The Book of Job illustrations by William Blake

Blake, William (1757-1827)

The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995609: The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT995609

The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

Blake, William (1757-1827)

The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995611: The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT995611

The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

Blake, William (1757-1827)


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