Blake, William (1757-1827) Assets (1068 in total)

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A Visionary Head, for Varley (pencil)
A Visionary Head, for Varley (pencil)

MAA6322678: A Visionary Head, for Varley (pencil), Blake, William (1757-1827) / Bridgeman Images

Albions Angel, 1793 (illustration)
Albions Angel, 1793 (illustration)

CCI1822974: Albions Angel, 1793 (illustration), Blake, William (1757-1827) / Bridgeman Images

Job and his Daughters (pencil, brush and grey ink and watercolour)
Job and his Daughters (pencil, brush and grey ink and watercolour)

CH1765029: Job and his Daughters (pencil, brush and grey ink and watercolour), Blake, William (1757-1827) / Bridgeman Images

Job and his Daughters (pencil, pen and grey ink)
Job and his Daughters (pencil, pen and grey ink)

CH36591: Job and his Daughters (pencil, pen and grey ink), Blake, William (1757-1827) / Bridgeman Images

Plate II, Jerusalem, c.1804-20. The daughters of Albion represented by swan-like and fish-like creatures, (engraving with w/c)
Plate II, Jerusalem, c.1804-20. The daughters of Albion represented by swan-like and fish-like creatures, (engraving with w/c)

SC26920: Plate II, Jerusalem, c.1804-20. The daughters of Albion represented by swan-like and fish-like creatures, (engraving with w/c), Blake, William (1757-1827) / Bridgeman Images

Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and watercolour over pencil on paper)
Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and watercolour over pencil on paper)

XYC213851: Sealing the Stone and Setting a Watch, 1800-03 (pen & ink and watercolour over pencil on paper), Blake, William (1757-1827) / Bridgeman Images

And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256362: And left a round globe of blood, Trembling upon the Void..., plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256900: '7. From the caverns of his jointed spine...', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256903: 'The globe of life blood trembled...', plate 17 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256906: 'Thus the Eternal Prophet was divided...', plate 20 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold)
'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold)

XYC284247: 'From Camberwell to Highgate...', plate 47 from 'Jerusalem', 1804-20 (relief etching in orange, with pen, w/c & gold), Blake, William (1757-1827) / Bridgeman Images

A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285519: A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285525: 'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c)
Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c)

XYC285553: Frontispiece from 'America: A Prophecy', 1793 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285559: 'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)
'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)

XYC285543: 'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c), Blake, William (1757-1827) / Bridgeman Images

'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285549: 'So cried he...', plate 14 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c)
'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c)

XYC285516: 'A Little Boy Lost', plate 42 from 'Songs of Experience', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285520: 'In living creations appear'd...', plate 6 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285551: 'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Rose up against me...', plate 8 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Rose up against me...', plate 8 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285569: 'Rose up against me...', plate 8 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c)
The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c)

XYC309861: The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)
'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)

XYC309870: 'A Long Story', design 23r from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c)

XYC309857: The First Book of Urizen, plate 4, 'Muster around the bleak desarts..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving)
Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving)

XYC309869: Or blasting winds o'er blossom'd hedge-rows pass, 1821 (wood engraving), Blake, William (1757-1827) / Bridgeman Images

'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c)
'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309882: 'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151895: 'And the Thirty-Two Counties...', plate 72 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151894: 'What do I See!...', plate 92 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving)
At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146937: At Length for Hatching Ripe He Breaks the Shell, plate 8 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

'Her voice pierc'd Albions clay cold ear...', plate 95 from 'Jerusalem' c.1810 (etching with pen & w/c)
'Her voice pierc'd Albions clay cold ear...', plate 95 from 'Jerusalem' c.1810 (etching with pen & w/c)

XYC258799: 'Her voice pierc'd Albions clay cold ear...', plate 95 from 'Jerusalem' c.1810 (etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC257426: 'Infant Joy', plate 27 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)
The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)

XND70232: The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)
Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC225783: Repose on me... plate 62 from 'Jerusalem the Emmanation of the Great Albion', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225040: 'The Bard', design 52 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222341: 'The Deep Winter Came...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

When the Almighty was yet with me, When my Children were about me, 1825 (engraving)
When the Almighty was yet with me, When my Children were about me, 1825 (engraving)

XDM1071381: When the Almighty was yet with me, When my Children were about me, 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images


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