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Blake, William (1757-1827) Assets (1068 in total)

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'In the flames stood...', plate 16 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'In the flames stood...', plate 16 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285563: 'In the flames stood...', plate 16 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285563

'In the flames stood...', plate 16 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

Blake, William (1757-1827)

'O little Cloud...', plate 5 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)
'O little Cloud...', plate 5 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)

XYC285544: 'O little Cloud...', plate 5 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285544

'O little Cloud...', plate 5 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)

Blake, William (1757-1827)

XCF282076: "The Terror Answered", plate 8 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XCF282076

"The Terror Answered", plate 8 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

Blake, William (1757-1827)

Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving)
Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving)

FIT277180: Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT277180

Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving)

Blake, William (1757-1827)

Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate)
Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate)

CH986379: Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate), Blake, William (1757-1827) / Bridgeman Images

ID: CH986379

Title page, from 'Songs of Innocence', 1789 (hand-coloured relief-etched printed plate)

Blake, William (1757-1827)

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995608: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT995608

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

Blake, William (1757-1827)

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)

FIT995615: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT995615

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)

Blake, William (1757-1827)

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995610: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT995610

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

Blake, William (1757-1827)

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995617: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

ID: FIT995617

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

Blake, William (1757-1827)

Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink)
Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink)

CH985776: Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink), Blake, William (1757-1827) / Bridgeman Images

ID: CH985776

Title page from 'America, A Prophesy', mid 1790s (relief-etched engraving, blue ink)

Blake, William (1757-1827)

Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)
Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)

XYC225775: Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225775

Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)

Blake, William (1757-1827)

Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)
Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)

XYC225782: Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225782

Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)

Blake, William (1757-1827)

'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225889: 'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225889

'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

Blake, William (1757-1827)

'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225887: 'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225887

'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

Blake, William (1757-1827)

'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)
'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

XYC225895: 'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225895

'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

Blake, William (1757-1827)

'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256910: 'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC256910

'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

Blake, William (1757-1827)

'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222340: 'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222340

'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

Blake, William (1757-1827)

'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222358: 'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222358

'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222555: 'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222555

'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222560: 'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222560

'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222854: The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222854

The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222858: The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222858

The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)
'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)

XYC223013: 'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC223013

'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)

Blake, William (1757-1827)

'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)
'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)

XYC223015: 'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC223015

'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)

Blake, William (1757-1827)

'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)
'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)

XYC223026: 'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC223026

'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)

Blake, William (1757-1827)

Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215082: Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215082

Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)
'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)

XYC239823: 'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XYC239823

'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)

Blake, William (1757-1827)

'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225033: 'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225033

'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

Blake, William (1757-1827)

The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)
The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)

XYC228385: The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC228385

The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)

Blake, William (1757-1827)

'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220126: 'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220126

'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

Blake, William (1757-1827)

'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220134: 'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220134

'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

Blake, William (1757-1827)

'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)
'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)

XYC220139: 'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220139

'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)

Blake, William (1757-1827)

'The Little Girl Lost and The Little Girl Found', plate 34 (Bentley 35) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Girl Lost and The Little Girl Found', plate 34 (Bentley 35) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220123: 'The Little Girl Lost and The Little Girl Found', plate 34 (Bentley 35) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220123

'The Little Girl Lost and The Little Girl Found', plate 34 (Bentley 35) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

Blake, William (1757-1827)

'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220131: 'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220131

'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

Blake, William (1757-1827)

'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220136: 'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220136

'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

Blake, William (1757-1827)

'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218336: 'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC218336

'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

Blake, William (1757-1827)


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