Blake, William (1757-1827) Assets (1068 in total)

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The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)
The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c)

XYC228385: The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225033: 'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225039: 'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)
Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)

XYC225775: Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225887: 'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving)
Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving)

FIT277180: Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving), Blake, William (1757-1827) / Bridgeman Images

Colinet Mocked by two boys, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Colinet Mocked by two boys, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273286: Colinet Mocked by two boys, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC284248: 'The Atlantic Mountains...', plate 50 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

Five Visionary Heads of Women, c.1820 (graphite on paper)
Five Visionary Heads of Women, c.1820 (graphite on paper)

XYC281168: Five Visionary Heads of Women, c.1820 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)
'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)

XYC239823: 'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256910: 'Of life forsaken mountains...', plate 24 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215082: Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)
'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper)

XYC223015: 'IV./ The Eternal gates...', plate 8 from 'The Book of Thel' 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220131: 'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220134: 'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220888: 'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222555: 'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222854: The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 68 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 68 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222863: The Fatal Sisters, design 68 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222340: 'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222358: 'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)
'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)

XYC222554: 'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222560: 'Epitaph on Mrs. Clarke', design 103 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)
'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)

XYC223026: 'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper), Blake, William (1757-1827) / Bridgeman Images

A Visionary Head (pencil on paper)
A Visionary Head (pencil on paper)

AGN265343: A Visionary Head (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273297: Thenot remonstrates with Colinet, Lightfoot in the Distance, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

The Good Shepherd chases away the Wolf, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
The Good Shepherd chases away the Wolf, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273296: The Good Shepherd chases away the Wolf, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222858: The Bard, design 61 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225889: 'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)
'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

XYC225895: 'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The School Boy', plate 54 (Bentley 53) from 'Songs of Innocence and of Experience', (Bentley Copy L) c.1789-94 (relief etching with pen and w/c)
'The School Boy', plate 54 (Bentley 53) from 'Songs of Innocence and of Experience', (Bentley Copy L) c.1789-94 (relief etching with pen and w/c)

XYC223010: 'The School Boy', plate 54 (Bentley 53) from 'Songs of Innocence and of Experience', (Bentley Copy L) c.1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)
'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)

XYC223013: 'Thel / I / The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Black Boy', plate 5 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'The Little Black Boy', plate 5 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC223016: 'The Little Black Boy', plate 5 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)
Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)

XYC225782: Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222353: 'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173622: The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images


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