Blake, William (1757-1827) Assets (1066 in total)

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The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995610: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995608: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving)

FIT995615: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995617: The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper)
The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper)

XYC291022: The Gambols of Ghosts According to Their Affections Previous to the Final Judgement, 1805-08 (graphite and brown wash on paper), Blake, William (1757-1827) / Bridgeman Images

A Visionary Head (pencil on paper)
A Visionary Head (pencil on paper)

AGN265343: A Visionary Head (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving)
Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving)

FIT277180: Frontispiece to the 'Book of Ahania', 1795 (etching & colour engraving), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151692: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144095: The Bard, A Pindaric Ode: 'O'er thy Country Hangs, The Scourge of Heaven, From thee be Born, who o'er the Country Hangs', from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83131: P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83193: P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching)
The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching)

XND70224: The First Book of Urizen; title page, showing Urizen (representing the embodiment of unenlightened reason) seated beneath the Tree of Mystery writing 'the secrets of wisdom' in his 'Book of Brass', 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)
Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)

XND70241: Jerusalem The Emanation of the Giant Albion; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c)
Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c)

XND70244: Jerusalem the Emanation of the Giant Albion; His western heaven, 1804 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour)
I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour)

FIT63149: I have always found that angels have..., illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

FIT113944: "Those who restrain desire...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT109659: "On Albion's Angels", plate 15 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109661: "Help! Help!", plate 10 from 'For the Sexes, The Gates of Paradise', pub. 1793 (line engraving), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c)

XYC309858: The First Book of Urizen, plate 7, 'As the stars are apart from the earth..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Angel', plate 40 from 'Songs of Experience', 1794 (relief etching with w/c)
'The Angel', plate 40 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309863: 'The Angel', plate 40 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC309866: 'Now thou maist marry', plate 4v from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from 'The First Book of Urizen', 1794 (relief etching with w/c)
A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309883: A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'They have lived a period of years', plate 25 from 'The First Book of Urizen', 1794 (relief etching with w/c)
'They have lived a period of years', plate 25 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309886: 'They have lived a period of years', plate 25 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Nurse's Song', plate 37 from 'Songs of Experience', 1794 (relief etching with w/c)
'Nurse's Song', plate 37 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309888: 'Nurse's Song', plate 37 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Each Creature, Thenot, to his task is born, 1821 (wood engraving)
Each Creature, Thenot, to his task is born, 1821 (wood engraving)

XYC309890: Each Creature, Thenot, to his task is born, 1821 (wood engraving), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225887: 'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225889: 'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)
'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

XYC225895: 'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220888: 'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222340: 'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222358: 'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)
'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper)

XYC222554: 'Elegy written in a Counrty Church-Yard', design 110 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222555: 'Elegy written in a Country Church-Yard', design 111 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222854: The Bard: A Pindaric Ode, design 57 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)
'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)

XYC223025: 'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)
'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour)

XYC239823: 'In Beauty the Daughters of Albion...', plate 58 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen and watercolour), Blake, William (1757-1827) / Bridgeman Images


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