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Blake, William (1757-1827) Assets (1067 in total)

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'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)
'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)

XYC223025: 'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC223025

'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)

Blake, William (1757-1827)

'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)
'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)

XYC223026: 'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC223026

'The red limb'd Angel...', plate 15 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c and oil on paper)

Blake, William (1757-1827)

'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220888: 'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220888

'The Voice of the Ancient Bard', plate 31 from 'Songs of Innocence', 1789 (relief etching with w/c)

Blake, William (1757-1827)

'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)
'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)

XYC220890: 'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220890

'Introduction', plate 4 (Bentley 4) from 'Songs of Innocence and of Experience'(Bentley Copy L) 1789-94 (relief etching with pen and w/c)

Blake, William (1757-1827)

'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222340: 'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222340

'Unwilling I look up...', plate 4 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

Blake, William (1757-1827)

'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222353: 'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222353

'The Triumphs of Owen', design 89 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222358: 'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC222358

'The Descent of Odin', design 83 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

'The Little Girl Lost and The Little Girl Found', plate 34 (Bentley 35) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Girl Lost and The Little Girl Found', plate 34 (Bentley 35) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220123: 'The Little Girl Lost and The Little Girl Found', plate 34 (Bentley 35) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220123

'The Little Girl Lost and The Little Girl Found', plate 34 (Bentley 35) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

Blake, William (1757-1827)

'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220124: 'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220124

'The Little Girl Found', plate 35 (Bentley 36) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

Blake, William (1757-1827)

'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220126: 'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220126

'Holy Thursday', plate 38 (Bentley 33) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

Blake, William (1757-1827)

'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220131: 'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220131

'The Little Vagabond', plate 43 (Bentley 45) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

Blake, William (1757-1827)

'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)
'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)

XYC220132: 'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220132

'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)

Blake, William (1757-1827)

'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220134: 'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220134

'A Little Boy Lost', plate 46 (Bentley 50) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

Blake, William (1757-1827)

'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220136: 'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220136

'Nurse's Song', plate 49 (Bentley 38) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

Blake, William (1757-1827)

'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)
'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)

XYC220139: 'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220139

'A Little Girl Lost', plate 52 (Bentley 51) from 'Songs of Innocence and of Experience (Bentley Copy L) 1789-94 (raised etching with pen and w/c)

Blake, William (1757-1827)

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151692: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC151692

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

Blake, William (1757-1827)

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151694: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC151694

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

Blake, William (1757-1827)

Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)
Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)

XYC225775: Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225775

Night, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.18 (Bentley 20) 1789-94 (relief etching with pen and w/c on paper)

Blake, William (1757-1827)

Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)
Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)

XYC225782: Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225782

Spring, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.11 (Bentley 22) 1789-04 (relief etching with pen & w/c on paper)

Blake, William (1757-1827)

'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225887: 'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225887

'Holy Thursday,' plate 25 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

Blake, William (1757-1827)

'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)
'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

XYC225889: 'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225889

'Night,' plate 30 from 'Songs of Innocence,' 1789 (hand coloured relief etching with watercolour)

Blake, William (1757-1827)

'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)
'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

XYC225895: 'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225895

'A Poison Tree,' plate 40 from 'Songs of Experience,' 1794 (colour printed relief etching with watercolour)

Blake, William (1757-1827)

'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225033: 'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225033

'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

Blake, William (1757-1827)

'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225039: 'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC225039

'The Progress of Poesy', design 51 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

Blake, William (1757-1827)

'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218336: 'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC218336

'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

Blake, William (1757-1827)

Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215082: Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215082

Design 32 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173622: The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC173622

The Progress of Poesy, A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

Blake, William (1757-1827)

Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)
Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)

FIT167639: Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT167639

Har and Heva Asleep with Mnetha Guarding Them, illustration from 'Tiriel', c.1788 (pen and grey wash over traces of black chalk on paper)

Blake, William (1757-1827)

FIT113944: "Those who restrain desire...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113944

"Those who restrain desire...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

Blake, William (1757-1827)

FIT113946: "Corroding fires he wrote the following...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113946

"Corroding fires he wrote the following...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

Blake, William (1757-1827)

FIT113960: "One on earth that ever broke a net....", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113960

"One on earth that ever broke a net....", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

Blake, William (1757-1827)

FIT113964: "Hurl'd the newborn wonder thro' the starry night", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113964

"Hurl'd the newborn wonder thro' the starry night", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

Blake, William (1757-1827)

FIT109647: "Silent as Despairing Love", plate 2 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT109647

"Silent as Despairing Love", plate 2 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

Blake, William (1757-1827)

FIT109659: "On Albion's Angels", plate 15 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT109659

"On Albion's Angels", plate 15 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

Blake, William (1757-1827)

FIT109657: "What Time the Thirteen Governors", plate 13 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT109657

"What Time the Thirteen Governors", plate 13 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

Blake, William (1757-1827)

FIT113952: "I would at last be proved to originate...", text and illustration from 'The Marriage of Heaven', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: FIT113952

"I would at last be proved to originate...", text and illustration from 'The Marriage of Heaven', c.1790-3 (relief etching finished in pen and w/c)

Blake, William (1757-1827)


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