Blake, William (1757-1827) Assets (1068 in total)

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Design 27 for 'A Long Story' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 27 for 'A Long Story' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215080: Design 27 for 'A Long Story' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Design 33 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 33 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215083: Design 33 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Spring, from 'Songs of Innocence', 1789 (coloure-printed relief etching with w/c on paper)
Spring, from 'Songs of Innocence', 1789 (coloure-printed relief etching with w/c on paper)

XYC215086: Spring, from 'Songs of Innocence', 1789 (coloure-printed relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)
'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)

XYC239820: 'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'Chap: IV, Ages on ages roll'd over him...', plate 13 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'Chap: IV, Ages on ages roll'd over him...', plate 13 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256364: 'Chap: IV, Ages on ages roll'd over him...', plate 13 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111247: Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111248: Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113949: Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285548: 'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285554: 'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)
Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)

FIT282892: Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273291: Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

'And that toward Eden...', plate 13 from 'Jerusalem', 1804-20 (relief etching printed in orange, with pen & w/c)
'And that toward Eden...', plate 13 from 'Jerusalem', 1804-20 (relief etching printed in orange, with pen & w/c)

XYC284249: 'And that toward Eden...', plate 13 from 'Jerusalem', 1804-20 (relief etching printed in orange, with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC285512: 'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285521: A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285526: 'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.p11 The Chimney Sweeper: plate 11 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.p11 The Chimney Sweeper: plate 11 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83111: P.124-1950.p11 The Chimney Sweeper: plate 11 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83123: P.124-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144094: The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt37 The Little Girl Found (cont.): plate 37 from 'Songs of Innocence and Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt37 The Little Girl Found (cont.): plate 37 from 'Songs of Innocence and Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83137: P.124-1950.pt37 The Little Girl Found (cont.): plate 37 from 'Songs of Innocence and Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83173: P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt26 A Dream: plate 26 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching ink and w/c)
P.124-1950.pt26 A Dream: plate 26 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching ink and w/c)

FIT83179: P.124-1950.pt26 A Dream: plate 26 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt32 The Clod and the Pebble: plate 32 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt32 The Clod and the Pebble: plate 32 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83185: P.125-1950.pt32 The Clod and the Pebble: plate 32 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt36 The Little Girl Found: plate 36 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt36 The Little Girl Found: plate 36 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83136: P.124-1950.pt36 The Little Girl Found: plate 36 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83187: P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'The Angel', plate 47 (Bentley 41) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'The Angel', plate 47 (Bentley 41) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220135: 'The Angel', plate 47 (Bentley 41) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Little Girl Lost', plate 33 (Bentley 34) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'The Little Girl Lost', plate 33 (Bentley 34) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220122: 'The Little Girl Lost', plate 33 (Bentley 34) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 99 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 99 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222547: 'Ode for Music', design 99 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Epitaph on Mrs. Clarke', design 102 from' The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)
'Epitaph on Mrs. Clarke', design 102 from' The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)

XYC222556: 'Epitaph on Mrs. Clarke', design 102 from' The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 113 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 113 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222559: 'Elegy written in a Country Church-Yard', design 113 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper)
'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper)

XYC266769: 'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995612: The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

Night, 1789 (hand-coloured relief-etching, watercolour)
Night, 1789 (hand-coloured relief-etching, watercolour)

CH985825: Night, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

Then a Spirit passed before my face the hair of my flesh stood up, 1825
Then a Spirit passed before my face the hair of my flesh stood up, 1825

MNS882799: Then a Spirit passed before my face the hair of my flesh stood up, 1825, Blake, William (1757-1827) / Bridgeman Images

Behold now Behemoth which I made with thee, 1825
Behold now Behemoth which I made with thee, 1825

MNS882805: Behold now Behemoth which I made with thee, 1825, Blake, William (1757-1827) / Bridgeman Images

The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995611: The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images


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