Blake, William (1757-1827) Assets (1067 in total)

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P.124-1950.pt3 Introduction: plate 3 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt3 Introduction: plate 3 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83103: P.124-1950.pt3 Introduction: plate 3 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.p11 The Chimney Sweeper: plate 11 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.p11 The Chimney Sweeper: plate 11 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83111: P.124-1950.p11 The Chimney Sweeper: plate 11 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83123: P.124-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt36 The Little Girl Found: plate 36 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt36 The Little Girl Found: plate 36 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83136: P.124-1950.pt36 The Little Girl Found: plate 36 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt37 The Little Girl Found (cont.): plate 37 from 'Songs of Innocence and Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt37 The Little Girl Found (cont.): plate 37 from 'Songs of Innocence and Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83137: P.124-1950.pt37 The Little Girl Found (cont.): plate 37 from 'Songs of Innocence and Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83173: P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt26 A Dream: plate 26 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching ink and w/c)
P.124-1950.pt26 A Dream: plate 26 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching ink and w/c)

FIT83179: P.124-1950.pt26 A Dream: plate 26 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt32 The Clod and the Pebble: plate 32 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt32 The Clod and the Pebble: plate 32 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83185: P.125-1950.pt32 The Clod and the Pebble: plate 32 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83187: P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving)
Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving)

XYC146941: Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

FIT113945: "The Messiah fell and formed a heaven of what he stole...", text from 'The Marriage of heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113949: Proverbs of Hell, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151691: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151693: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109648: "A Prophecy", plate 3 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109649: "Appears to the Americans", plate 4 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109651: "The Morning Comes", plate 6 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109658: "In the Flames Stood", plate 14 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113965: "He promulgates his ten commands...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)
Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)

XYC291040: Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC285512: 'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285521: A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285548: 'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285554: 'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

Pindar and Lais, 1820 (pencil on paper)
Pindar and Lais, 1820 (pencil on paper)

HMP244350: Pindar and Lais, 1820 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)
Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)

FIT282892: Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

Then the Lord answered Job out of the Whirlwind, 1825
Then the Lord answered Job out of the Whirlwind, 1825

MNS882803: Then the Lord answered Job out of the Whirlwind, 1825, Blake, William (1757-1827) / Bridgeman Images

And I only am escaped alone to tell thee., 1825
And I only am escaped alone to tell thee., 1825

MNS882794: And I only am escaped alone to tell thee., 1825, Blake, William (1757-1827) / Bridgeman Images

Then a Spirit passed before my face the hair of my flesh stood up, 1825
Then a Spirit passed before my face the hair of my flesh stood up, 1825

MNS882799: Then a Spirit passed before my face the hair of my flesh stood up, 1825, Blake, William (1757-1827) / Bridgeman Images

Behold now Behemoth which I made with thee, 1825
Behold now Behemoth which I made with thee, 1825

MNS882805: Behold now Behemoth which I made with thee, 1825, Blake, William (1757-1827) / Bridgeman Images

I have heard thee with the hearing of the Ear but now my Eye seeth thee, 1825
I have heard thee with the hearing of the Ear but now my Eye seeth thee, 1825

MNS882807: I have heard thee with the hearing of the Ear but now my Eye seeth thee, 1825, Blake, William (1757-1827) / Bridgeman Images

Night, 1789 (hand-coloured relief-etching, watercolour)
Night, 1789 (hand-coloured relief-etching, watercolour)

CH985825: Night, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995609: The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995611: The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995612: The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995614: The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images


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