Blake, William (1757-1827) Assets (1068 in total)

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'The Triumphs of Owen', design 90 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 90 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222350: 'The Triumphs of Owen', design 90 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', design 88 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 88 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222356: 'The Triumphs of Owen', design 88 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 93 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)
'Ode for Music', design 93 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)

XYC222346: 'Ode for Music', design 93 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 113 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 113 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222559: 'Elegy written in a Country Church-Yard', design 113 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Angel', plate 47 (Bentley 41) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)
'The Angel', plate 47 (Bentley 41) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c)

XYC220135: 'The Angel', plate 47 (Bentley 41) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Triumphs of Owen', design 92 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Triumphs of Owen', design 92 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222347: 'The Triumphs of Owen', design 92 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 84 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 84 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222360: 'The Descent of Odin', design 84 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 99 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 99 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222547: 'Ode for Music', design 99 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving)
Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving)

XYC146941: Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 62 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)
The Bard, design 62 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)

XYC222857: The Bard, design 62 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode to Adversity', design 38 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'Ode to Adversity', design 38 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225031: 'Ode to Adversity', design 38 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Night, 1789 (hand-coloured relief-etching, watercolour)
Night, 1789 (hand-coloured relief-etching, watercolour)

CH985825: Night, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper)
Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper)

XYC189127: Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper), Blake, William (1757-1827) / Bridgeman Images

'And that toward Eden...', plate 13 from 'Jerusalem', 1804-20 (relief etching printed in orange, with pen & w/c)
'And that toward Eden...', plate 13 from 'Jerusalem', 1804-20 (relief etching printed in orange, with pen & w/c)

XYC284249: 'And that toward Eden...', plate 13 from 'Jerusalem', 1804-20 (relief etching printed in orange, with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285526: 'To the Public...', plate 3 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285548: 'Fiery Angels rose...', plate 13 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285554: 'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)
Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)

XYC291040: Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c)

XYC309859: The First Book of Urizen, plate 17, 'They call'd her Pity and Fled..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c)
'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309862: 'Holy Thursday', plate 38 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c)

XYC309860: The First Book of Urizen, plate 19, 'Stretch'd for a work of eternity..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c)
'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309885: 'The Ox in the slaughter house moans..', plate 23 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC285512: 'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

The Circumcision, 1799-1800 (tempera on canvas)
The Circumcision, 1799-1800 (tempera on canvas)

FIT55402: The Circumcision, 1799-1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144094: The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'On Anothers Sorrow,' plate 7 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'On Anothers Sorrow,' plate 7 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225876: 'On Anothers Sorrow,' plate 7 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC237818: 'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Little Black Boy', plate 8 (Bentley 9) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c)
'The Little Black Boy', plate 8 (Bentley 9) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c)

XYC220893: 'The Little Black Boy', plate 8 (Bentley 9) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'The shrill winds wake...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'The shrill winds wake...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222342: 'The shrill winds wake...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas)
The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas)

XOS3493144: The Angel Appearing to Zacharias, 1799–1800 (pen, black ink and tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen)
Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen)

XND70229: Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen), Blake, William (1757-1827) / Bridgeman Images

'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper)
'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper)

XYC266769: 'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)
'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)

XYC239820: 'Two nostrils bent down to the deep...', plate 11 from 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold)
'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold)

XYC239824: 'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c)
'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c)

XYC243176: 'The Blossom', plate 20 from 'Songs of Innocence and of Experience' [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173621: The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images


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