Blake, William (1757-1827) Assets (1068 in total)

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Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111248: Visions of the Daughters of Albion, 'Now Thou Maist Marry Bromions Harlot..', plate 5, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111247: Visions of the Daughters of Albion: 'And None But Branian Can Hear...', plate 6 designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Black Boy', plate 8 (Bentley 9) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c)
'The Little Black Boy', plate 8 (Bentley 9) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c)

XYC220893: 'The Little Black Boy', plate 8 (Bentley 9) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'On Another's Sorrow', plate 24 from 'Songs of Innocence', 1789 (relief etching with w/c)
'On Another's Sorrow', plate 24 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220882: 'On Another's Sorrow', plate 24 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'For When Our Souls...', plate 30 from 'Songs of Innocence', 1789 (relief etching with w/c)
'For When Our Souls...', plate 30 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220887: 'For When Our Souls...', plate 30 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The shrill winds wake...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)
'The shrill winds wake...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c)

XYC222342: 'The shrill winds wake...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 75 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 75 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222869: The Fatal Sisters, design 75 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper)
Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper)

XYC189127: Tiriel Supporting the Dying Myratana and Cursing his Sons, 1786-89 (pen, ink & brush on paper), Blake, William (1757-1827) / Bridgeman Images

'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)
'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC197601: 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)
Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold)

XYC291040: Jerusalem 'Highgates heights & Hampstead..', plate 84, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-20 (relief etching with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285521: A nude woman looking down at a half-grown boy, plate 18 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273291: Colinet Resting at Cambridge by Night, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256357: Chap. I, Lo, a shadow..., plate 5 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256353: Title page, plate 1 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Circumcision, 1799-1800 (tempera on canvas)
The Circumcision, 1799-1800 (tempera on canvas)

FIT55402: The Circumcision, 1799-1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83187: P.125-1950.pt34 The Little Girl Lost: plate 34 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83173: P.125-1950.pt20 Night: plate 20 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt32 The Clod and the Pebble: plate 32 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt32 The Clod and the Pebble: plate 32 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83185: P.125-1950.pt32 The Clod and the Pebble: plate 32 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen)
Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen)

XND70229: Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen), Blake, William (1757-1827) / Bridgeman Images

FIT109649: "Appears to the Americans", plate 4 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109651: "The Morning Comes", plate 6 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

PD.28-1949 The Judgement of Solomon, c.1800 (tempera on copper)
PD.28-1949 The Judgement of Solomon, c.1800 (tempera on copper)

FIT88882: PD.28-1949 The Judgement of Solomon, c.1800 (tempera on copper), Blake, William (1757-1827) / Bridgeman Images

P.440-1985 Air, On Cloudy Doubts and Reasoning Cares, plate 4 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)
P.440-1985 Air, On Cloudy Doubts and Reasoning Cares, plate 4 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving)

FIT77546: P.440-1985 Air, On Cloudy Doubts and Reasoning Cares, plate 4 of 'The Gates of Paradise', first pub. 17th May 1793, 1818-25 (line engraving), Blake, William (1757-1827) / Bridgeman Images

Job Praying (pl.18) from the Book of Job, c.1793 (hand tinted line engraving)
Job Praying (pl.18) from the Book of Job, c.1793 (hand tinted line engraving)

FIT58231: Job Praying (pl.18) from the Book of Job, c.1793 (hand tinted line engraving), Blake, William (1757-1827) / Bridgeman Images

Marriage of Heaven and Hell (pl.20), c.1790-93 (relief etching finished in pen and w/c)
Marriage of Heaven and Hell (pl.20), c.1790-93 (relief etching finished in pen and w/c)

FIT58837: Marriage of Heaven and Hell (pl.20), c.1790-93 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)
Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper)

XYC151693: Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', published in 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving)
Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving)

XYC146941: Fear and Hope are...Vision, plate 14 from ' For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173621: The Progress of Poesy, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)
The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper)

XYC144094: The Bard, A Pindaric Ode, from 'The Poems of Thomas Gray', 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold)
'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold)

XYC239824: 'Jehovah stood among the Druids...', plate 63 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen, w/c and gold), Blake, William (1757-1827) / Bridgeman Images

'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC237818: 'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

Pindar and Lais, 1820 (pencil on paper)
Pindar and Lais, 1820 (pencil on paper)

HMP244350: Pindar and Lais, 1820 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper)
'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper)

XYC266769: 'To the Jews...', plate 27 from 'Jerusalem', 1804-20 (etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)
Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper)

FIT282892: Hyperion, from a 'Study for Gray's Poems', Page 46 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285554: 'Into the Furnaces...', plate 10 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC285512: 'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images


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