Blake, William (1757-1827) Assets (1067 in total)

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The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper)
The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper)

CH986334: The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995607: The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761444: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761453: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Milton Advancing Disrobed and Ungirded by William Blake
Milton Advancing Disrobed and Ungirded by William Blake

XLA3761488: Milton Advancing Disrobed and Ungirded by William Blake, Blake, William (1757-1827) / Bridgeman Images

Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591071: Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819., Blake, William (1757-1827) / Bridgeman Images

The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite)
The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite)

XOS3493158: The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour)
Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour)

XOS3493165: Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour), Blake, William (1757-1827) / Bridgeman Images

William Cowper portrait
William Cowper portrait

XLA3750912: William Cowper portrait, Blake, William (1757-1827) / Bridgeman Images

Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas)
Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas)

SBL7146819: Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job's Despair, 1825 (engraving)
Illustrations of The Book of Job: Job's Despair, 1825 (engraving)

WHT6437195: Illustrations of The Book of Job: Job's Despair, 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Behemoth and Leviathan, 1825 (line engraving on paper)
Illustrations of The Book of Job: Behemoth and Leviathan, 1825 (line engraving on paper)

WHT6439612: Illustrations of The Book of Job: Behemoth and Leviathan, 1825 (line engraving on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job Accepting Charity, 1825 (line engraving on paper)
Illustrations of The Book of Job: Job Accepting Charity, 1825 (line engraving on paper)

WHT6439613: Illustrations of The Book of Job: Job Accepting Charity, 1825 (line engraving on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: The Vision of God, 1825 (line engraving on paper)
Illustrations of The Book of Job: The Vision of God, 1825 (line engraving on paper)

WHT6439618: Illustrations of The Book of Job: The Vision of God, 1825 (line engraving on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: The Wrath of Elihu, 1825 (line engraving on paper)
Illustrations of The Book of Job: The Wrath of Elihu, 1825 (line engraving on paper)

WHT6439619: Illustrations of The Book of Job: The Wrath of Elihu, 1825 (line engraving on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: The Wrath of Elihu, 1825 (line engraving on paper)
Illustrations of The Book of Job: The Wrath of Elihu, 1825 (line engraving on paper)

WHT6439621: Illustrations of The Book of Job: The Wrath of Elihu, 1825 (line engraving on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: The Destruction of Job's Sons, c.1825
Illustrations of The Book of Job: The Destruction of Job's Sons, c.1825

WHT6426401: Illustrations of The Book of Job: The Destruction of Job's Sons, c.1825, Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Titlepage, c.1825
Illustrations of The Book of Job: Titlepage, c.1825

WHT6426402: Illustrations of The Book of Job: Titlepage, c.1825, Blake, William (1757-1827) / Bridgeman Images

Battle scene (pen & ink) (b/w photo)
Battle scene (pen & ink) (b/w photo)

AGN81814: Battle scene (pen & ink) (b/w photo), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83110: P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83113: P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt15 A Cradle Song: plate 15 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt15 A Cradle Song: plate 15 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83115: P.124-1950.pt15 A Cradle Song: plate 15 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83120: P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83124: P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83139: P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83184: P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving)
P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving)

FIT88861: P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper)
The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper)

XBM99626: The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, w/c on paper)
The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, w/c on paper)

XBM99627: The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper)
The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper)

XBM99628: The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper)
The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper)

XBM99629: The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Europe a Prophecy;
Europe a Prophecy;

XND70222: Europe a Prophecy; "Entharmon slept", Mildews Blighting Ears of Corn, c.1794 (relief etching, w/c), Blake, William (1757-1827) / Bridgeman Images

Book of Urizen; the creation of Urizen in material form by Los, 1794 (colour-printed relief etching)
Book of Urizen; the creation of Urizen in material form by Los, 1794 (colour-printed relief etching)

XND70231: Book of Urizen; the creation of Urizen in material form by Los, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113935: Morning Chasing away the Phantoms, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113941: The Argument, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Proverbs of Hell, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
Proverbs of Hell, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113948: Proverbs of Hell, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images


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