Blake, William (1757-1827) Assets (1068 in total)

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'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour)
'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225892: 'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83139: P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83124: P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83120: P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Book of Urizen; the creation of Urizen in material form by Los, 1794 (colour-printed relief etching)
Book of Urizen; the creation of Urizen in material form by Los, 1794 (colour-printed relief etching)

XND70231: Book of Urizen; the creation of Urizen in material form by Los, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)
'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)

XYC165991: 'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving)
Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146943: Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper)
The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper)

CH986334: The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper), Blake, William (1757-1827) / Bridgeman Images

The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring)
The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring)

CH659522: The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring), Blake, William (1757-1827) / Bridgeman Images

William Blake  book of job title page c 1825
William Blake  book of job title page c 1825

PVD1693069: William Blake book of job title page c 1825, Blake, William (1757-1827) / Bridgeman Images

I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé)
I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé)

IMA1557094: I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

When The Almighty Was Yet With Me (engraving on india paper chine collé)
When The Almighty Was Yet With Me (engraving on india paper chine collé)

IMA1557078: When The Almighty Was Yet With Me (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé)
With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé)

IMA1557087: With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Then The Lord Answered Job Out Of The Whirlwind (engraving on india paper chine collé)
Then The Lord Answered Job Out Of The Whirlwind (engraving on india paper chine collé)

IMA1557090: Then The Lord Answered Job Out Of The Whirlwind (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

'The Ox in the slaughter house moans...', plate 26 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'The Ox in the slaughter house moans...', plate 26 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256912: 'The Ox in the slaughter house moans...', plate 26 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Visions', plate 4 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'Visions', plate 4 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC285514: 'Visions', plate 4 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown)
'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown)

XYC285560: 'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown), Blake, William (1757-1827) / Bridgeman Images

'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto)
'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto)

XYC285538: 'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto), Blake, William (1757-1827) / Bridgeman Images

Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547)
Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547)

XYC146936: Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547), Blake, William (1757-1827) / Bridgeman Images

Europe a Prophecy; Mildew Blighting Ears of Corn, c.1794 (relief etching, w/c)
Europe a Prophecy; Mildew Blighting Ears of Corn, c.1794 (relief etching, w/c)

XND70222: Europe a Prophecy; Mildew Blighting Ears of Corn, c.1794 (relief etching, w/c), Blake, William (1757-1827) / Bridgeman Images

'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso)
'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso)

XYC285537: 'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso), Blake, William (1757-1827) / Bridgeman Images

'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285555: 'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 3, 'Chapter I/ I. Lo, a shadow..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 3, 'Chapter I/ I. Lo, a shadow..', 1794 (relief etching with w/c)

XYC309856: The First Book of Urizen, plate 3, 'Chapter I/ I. Lo, a shadow..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256360: 'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'They call'd her Pity and fled...', plate 19 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'They call'd her Pity and fled...', plate 19 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256905: 'They call'd her Pity and fled...', plate 19 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Descent of Peace (w/c on paper)
The Descent of Peace (w/c on paper)

WHT161686: The Descent of Peace (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)
The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)

XBM99628: The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, watercolour on paper)
The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, watercolour on paper)

XBM99627: The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

'Two nostrils bent down to the deep...', plate 11, 'The First Book of Urizen' 1794 (pen and w/c on paper)
'Two nostrils bent down to the deep...', plate 11, 'The First Book of Urizen' 1794 (pen and w/c on paper)

XCF290936: 'Two nostrils bent down to the deep...', plate 11, 'The First Book of Urizen' 1794 (pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper)
Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper)

FIT109645: Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)
The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)

XBM99626: The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)
The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)

XBM99629: The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper)
Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper)

XCF290935: Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)
Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)

XYC151695: Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas)
Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas)

SBL7146819: Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761444: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images


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