Blake, William (1757-1827) Assets (1067 in total)

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P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83184: P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Battle scene (pen & ink) (b/w photo)
Battle scene (pen & ink) (b/w photo)

AGN81814: Battle scene (pen & ink) (b/w photo), Blake, William (1757-1827) / Bridgeman Images

P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving)
P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving)

FIT88861: P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113938: Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113942: "As a new heaven is begun..", illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113950: "The ancient poets...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113951: A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113961: "Greatest men best, those who envy...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT109652: "In Thunders Ends the Voice", plate 7 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109655: "Fiery the Angels Rose", plate 11 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching)
Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching)

FIT282805: Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching), Blake, William (1757-1827) / Bridgeman Images

Then went Satan forth from the presence of the Lord, 1825
Then went Satan forth from the presence of the Lord, 1825

MNS882795: Then went Satan forth from the presence of the Lord, 1825, Blake, William (1757-1827) / Bridgeman Images

Let the Day perish wherein I was Born, 1825
Let the Day perish wherein I was Born, 1825

MNS882798: Let the Day perish wherein I was Born, 1825, Blake, William (1757-1827) / Bridgeman Images

Thou hast fulfilled the Judgment of the Wicked, 1825
Thou hast fulfilled the Judgment of the Wicked, 1825

MNS882806: Thou hast fulfilled the Judgment of the Wicked, 1825, Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: The Destruction of Job's Sons, c.1825
Illustrations of The Book of Job: The Destruction of Job's Sons, c.1825

WHT6426401: Illustrations of The Book of Job: The Destruction of Job's Sons, c.1825, Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Titlepage, c.1825
Illustrations of The Book of Job: Titlepage, c.1825

WHT6426402: Illustrations of The Book of Job: Titlepage, c.1825, Blake, William (1757-1827) / Bridgeman Images

Thenot, with Colinet waving his arms in sorrow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot, with Colinet waving his arms in sorrow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273288: Thenot, with Colinet waving his arms in sorrow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Queen Katherine's Dream, 1807 (pen with wash over graphite on paper)
Queen Katherine's Dream, 1807 (pen with wash over graphite on paper)

FIT282895: Queen Katherine's Dream, 1807 (pen with wash over graphite on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: The Wrath of Elihu, 1825 (line engraving on paper)
Illustrations of The Book of Job: The Wrath of Elihu, 1825 (line engraving on paper)

WHT6439621: Illustrations of The Book of Job: The Wrath of Elihu, 1825 (line engraving on paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995607: The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

When The Almighty Was Yet With Me (engraving on india paper chine collé)
When The Almighty Was Yet With Me (engraving on india paper chine collé)

IMA1557078: When The Almighty Was Yet With Me (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé)
With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé)

IMA1557087: With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Then The Lord Answered Job Out Of The Whirlwind (engraving on india paper chine collé)
Then The Lord Answered Job Out Of The Whirlwind (engraving on india paper chine collé)

IMA1557090: Then The Lord Answered Job Out Of The Whirlwind (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé)
I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé)

IMA1557094: I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite)
The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite)

XOS3493158: The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour)
Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour)

XOS3493165: Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour), Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761444: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761453: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Milton Advancing Disrobed and Ungirded by William Blake
Milton Advancing Disrobed and Ungirded by William Blake

XLA3761488: Milton Advancing Disrobed and Ungirded by William Blake, Blake, William (1757-1827) / Bridgeman Images

Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591071: Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819., Blake, William (1757-1827) / Bridgeman Images

Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas)
Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas)

SBL7146819: Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

William Cowper portrait
William Cowper portrait

XLA3750912: William Cowper portrait, Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222549: 'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

A Divine Image (engraving)
A Divine Image (engraving)

FIT55414: A Divine Image (engraving), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt22 Spring: plate 22 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt22 Spring: plate 22 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83122: P.124-1950.pt22 Spring: plate 22 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'And A Palace of Eternity...', plate 8, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'And A Palace of Eternity...', plate 8, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111244: Visions of the Daughters of Albion: 'And A Palace of Eternity...', plate 8, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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