Blake, William (1757-1827) Assets (1068 in total)

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The First Book of Urizen, plate 3, 'Chapter I/ I. Lo, a shadow..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 3, 'Chapter I/ I. Lo, a shadow..', 1794 (relief etching with w/c)

XYC309856: The First Book of Urizen, plate 3, 'Chapter I/ I. Lo, a shadow..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Figures on rocks, above them a sun appears in a break of heavy clouds, from 'Visions of the Daughters of Albion', 1793 (relief etching with w/c)
Figures on rocks, above them a sun appears in a break of heavy clouds, from 'Visions of the Daughters of Albion', 1793 (relief etching with w/c)

XYC309865: Figures on rocks, above them a sun appears in a break of heavy clouds, from 'Visions of the Daughters of Albion', 1793 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 1, 1794 (relief etching with w/c)
The First Book of Urizen, plate 1, 1794 (relief etching with w/c)

XYC309855: The First Book of Urizen, plate 1, 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper)
Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper)

XCF290935: Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Two nostrils bent down to the deep...', plate 11, 'The First Book of Urizen' 1794 (pen and w/c on paper)
'Two nostrils bent down to the deep...', plate 11, 'The First Book of Urizen' 1794 (pen and w/c on paper)

XCF290936: 'Two nostrils bent down to the deep...', plate 11, 'The First Book of Urizen' 1794 (pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Chaucer's Canterbury Pilgrims, 1810 (engraving)
Chaucer's Canterbury Pilgrims, 1810 (engraving)

XJF483342: Chaucer's Canterbury Pilgrims, 1810 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite)
The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite)

XOS3493158: The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour)
Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour)

XOS3493165: Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour), Blake, William (1757-1827) / Bridgeman Images

'In living creations appear'd...', plate 8 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'In living creations appear'd...', plate 8 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256359: 'In living creations appear'd...', plate 8 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'The Ox in the slaughter house moans...', plate 26 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'The Ox in the slaughter house moans...', plate 26 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256912: 'The Ox in the slaughter house moans...', plate 26 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'They call'd her Pity and fled...', plate 19 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'They call'd her Pity and fled...', plate 19 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256905: 'They call'd her Pity and fled...', plate 19 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256360: 'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso)
'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso)

XYC285537: 'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso), Blake, William (1757-1827) / Bridgeman Images

'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso)
'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso)

XYC285541: 'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso), Blake, William (1757-1827) / Bridgeman Images

'The Terror answered...', plate 10 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'The Terror answered...', plate 10 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285550: 'The Terror answered...', plate 10 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Visions', plate 4 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'Visions', plate 4 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC285514: 'Visions', plate 4 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285555: 'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'Over the hills...', plate 18 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Over the hills...', plate 18 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285561: 'Over the hills...', plate 18 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto)
'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto)

XYC285538: 'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto), Blake, William (1757-1827) / Bridgeman Images

'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto)
'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto)

XYC285542: 'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto), Blake, William (1757-1827) / Bridgeman Images

'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown)
'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown)

XYC285560: 'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown), Blake, William (1757-1827) / Bridgeman Images

'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220886: 'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour)
'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225894: 'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour)
'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225892: 'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)
'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)

XYC165991: 'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper)
Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper)

XYC151892: Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547)
Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547)

XYC146936: Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)
The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)

XBM99626: The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)
The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)

XBM99629: The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper)
Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper)

FIT109645: Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, watercolour on paper)
The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, watercolour on paper)

XBM99627: The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

The Descent of Peace (w/c on paper)
The Descent of Peace (w/c on paper)

WHT161686: The Descent of Peace (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)
The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)

XBM99628: The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

William Blake  book of job title page c 1825
William Blake  book of job title page c 1825

PVD1693069: William Blake book of job title page c 1825, Blake, William (1757-1827) / Bridgeman Images

I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé)
I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé)

IMA1557094: I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

When The Almighty Was Yet With Me (engraving on india paper chine collé)
When The Almighty Was Yet With Me (engraving on india paper chine collé)

IMA1557078: When The Almighty Was Yet With Me (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images


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