Blake, William (1757-1827) Assets (1068 in total)

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P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83184: P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Europe a Prophecy; Mildew Blighting Ears of Corn, c.1794 (relief etching, w/c)
Europe a Prophecy; Mildew Blighting Ears of Corn, c.1794 (relief etching, w/c)

XND70222: Europe a Prophecy; Mildew Blighting Ears of Corn, c.1794 (relief etching, w/c), Blake, William (1757-1827) / Bridgeman Images

Book of Urizen; the creation of Urizen in material form by Los, 1794 (colour-printed relief etching)
Book of Urizen; the creation of Urizen in material form by Los, 1794 (colour-printed relief etching)

XND70231: Book of Urizen; the creation of Urizen in material form by Los, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111242: Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173620: A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Elegy Written in a Country Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
Elegy Written in a Country Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173623: Elegy Written in a Country Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Famish'd, Weeping, Weak...', plate 7 from 'Songs of Innocence, 1789 (relief etching with w/c on paper)
'Famish'd, Weeping, Weak...', plate 7 from 'Songs of Innocence, 1789 (relief etching with w/c on paper)

XYC218326: 'Famish'd, Weeping, Weak...', plate 7 from 'Songs of Innocence, 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'They Laugh at our Play...', plate 11 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'They Laugh at our Play...', plate 11 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218329: 'They Laugh at our Play...', plate 11 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Earth's Answer', plate 32 (Bentley 31) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)
'Earth's Answer', plate 32 (Bentley 31) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c)

XYC220121: 'Earth's Answer', plate 32 (Bentley 31) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220886: 'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 10 (Bentley 19) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c)
'Holy Thursday', plate 10 (Bentley 19) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c)

XYC220895: 'Holy Thursday', plate 10 (Bentley 19) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'Epitaph on Mrs. Clarke', design 104 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Epitaph on Mrs. Clarke', design 104 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222541: 'Epitaph on Mrs. Clarke', design 104 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Albions Angel rose...', plate 12 from 'Europe. A Prohecy', 1794 (relief etching with w/c & oil on paper)
'Albions Angel rose...', plate 12 from 'Europe. A Prohecy', 1794 (relief etching with w/c & oil on paper)

XYC223023: 'Albions Angel rose...', plate 12 from 'Europe. A Prohecy', 1794 (relief etching with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547)
Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547)

XYC146936: Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547), Blake, William (1757-1827) / Bridgeman Images

'The Bard', design 56 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Bard', design 56 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225042: 'The Bard', design 56 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)
'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)

XYC165991: 'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'A Dream', plate 4 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'A Dream', plate 4 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218323: 'A Dream', plate 4 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving)
Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146943: Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83110: P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83113: P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113961: "Greatest men best, those who envy...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Thou hast fulfilled the Judgment of the Wicked, 1825
Thou hast fulfilled the Judgment of the Wicked, 1825

MNS882806: Thou hast fulfilled the Judgment of the Wicked, 1825, Blake, William (1757-1827) / Bridgeman Images

The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper)
The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper)

CH986334: The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper), Blake, William (1757-1827) / Bridgeman Images

The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring)
The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring)

CH659522: The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 50 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 50 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225037: 'The Progress of Poesy', design 50 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Little Boy Found, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.22 (Bentley 14) 1789-94 (relief etching with pen and w/c on paper)
The Little Boy Found, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.22 (Bentley 14) 1789-94 (relief etching with pen and w/c on paper)

XYC225772: The Little Boy Found, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.22 (Bentley 14) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour)
'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225894: 'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113938: Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113950: "The ancient poets...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113942: "As a new heaven is begun..", illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113951: A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995607: The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto)
'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto)

XYC285542: 'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto), Blake, William (1757-1827) / Bridgeman Images

'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown)
'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown)

XYC285560: 'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown), Blake, William (1757-1827) / Bridgeman Images

Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper)
Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper)

XCF290935: Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 1, 1794 (relief etching with w/c)
The First Book of Urizen, plate 1, 1794 (relief etching with w/c)

XYC309855: The First Book of Urizen, plate 1, 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images


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