Blake, William (1757-1827) Assets (1068 in total)
Results
XYC151696: The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC151695: Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
FIT109652: "In Thunders Ends the Voice", plate 7 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT109655: "Fiery the Angels Rose", plate 11 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC165991: 'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113942: "As a new heaven is begun..", illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC151892: Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper), Blake, William (1757-1827) / Bridgeman Images
XYC146943: Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images
XYC173620: A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC173623: Elegy Written in a Country Churchyard, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
FIT111242: Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113961: "Greatest men best, those who envy...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC146936: Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547), Blake, William (1757-1827) / Bridgeman Images
FIT113938: Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113950: "The ancient poets...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT113951: A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
CH659522: The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring), Blake, William (1757-1827) / Bridgeman Images
CH986334: The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper), Blake, William (1757-1827) / Bridgeman Images
FIT995607: The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images
XYC256360: 'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC256359: 'In living creations appear'd...', plate 8 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC309855: The First Book of Urizen, plate 1, 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC309856: The First Book of Urizen, plate 3, 'Chapter I/ I. Lo, a shadow..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC309865: Figures on rocks, above them a sun appears in a break of heavy clouds, from 'Visions of the Daughters of Albion', 1793 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC218330: 'The Ecchoing Green', plate 10 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220138: 'London', plate 51 (Bentley 46) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC256905: 'They call'd her Pity and fled...', plate 19 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222543: 'The Triumphs of Owen', design 86 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222546: 'Ode for Music', design 98 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222549: 'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XCF290936: 'Two nostrils bent down to the deep...', plate 11, 'The First Book of Urizen' 1794 (pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC223012: 'My Pretty Rose Tree', plate 53 (Bentley 43) from 'The Songs of Innocence and of Experience' (Bentley copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225034: 'The Progress of Poesy', design 42 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
