Blake, William (1757-1827) Assets (1067 in total)

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The Shepherd, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.14 (Bentley 5) 1789-94 (relief etching with pen & w/c on paper)
The Shepherd, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.14 (Bentley 5) 1789-94 (relief etching with pen & w/c on paper)

XYC225779: The Shepherd, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.14 (Bentley 5) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour)
'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225892: 'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour)
'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225894: 'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

FIT109652: "In Thunders Ends the Voice", plate 7 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109655: "Fiery the Angels Rose", plate 11 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Chaucer's Canterbury Pilgrims, 1810 (engraving)
Chaucer's Canterbury Pilgrims, 1810 (engraving)

XJF483342: Chaucer's Canterbury Pilgrims, 1810 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring)
The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring)

CH659522: The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring), Blake, William (1757-1827) / Bridgeman Images

Then went Satan forth from the presence of the Lord, 1825
Then went Satan forth from the presence of the Lord, 1825

MNS882795: Then went Satan forth from the presence of the Lord, 1825, Blake, William (1757-1827) / Bridgeman Images

Let the Day perish wherein I was Born, 1825
Let the Day perish wherein I was Born, 1825

MNS882798: Let the Day perish wherein I was Born, 1825, Blake, William (1757-1827) / Bridgeman Images

Thou hast fulfilled the Judgment of the Wicked, 1825
Thou hast fulfilled the Judgment of the Wicked, 1825

MNS882806: Thou hast fulfilled the Judgment of the Wicked, 1825, Blake, William (1757-1827) / Bridgeman Images

The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper)
The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper)

CH986334: The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995607: The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

'IV / The Eternal Gates...', plate 8 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)
'IV / The Eternal Gates...', plate 8 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)

XYC215089: 'IV / The Eternal Gates...', plate 8 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A Visionary Head, 1819-20 (pencil on paper)
A Visionary Head, 1819-20 (pencil on paper)

XYC215090: A Visionary Head, 1819-20 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

A Woody Landscape, c.1801 (w/c and graphite on paper)
A Woody Landscape, c.1801 (w/c and graphite on paper)

XYC215096: A Woody Landscape, c.1801 (w/c and graphite on paper), Blake, William (1757-1827) / Bridgeman Images

Thenot, with Colinet waving his arms in sorrow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot, with Colinet waving his arms in sorrow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273288: Thenot, with Colinet waving his arms in sorrow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching)
Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching)

FIT282805: Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching), Blake, William (1757-1827) / Bridgeman Images

Queen Katherine's Dream, 1807 (pen with wash over graphite on paper)
Queen Katherine's Dream, 1807 (pen with wash over graphite on paper)

FIT282895: Queen Katherine's Dream, 1807 (pen with wash over graphite on paper), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 42 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 42 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225034: 'The Progress of Poesy', design 42 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 50 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 50 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225037: 'The Progress of Poesy', design 50 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Bard', design 56 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Bard', design 56 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225042: 'The Bard', design 56 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 85 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 85 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222359: 'The Descent of Odin', design 85 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Visionary head, 1820 (pencil on paper)
Visionary head, 1820 (pencil on paper)

HMP244351: Visionary head, 1820 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

'In living creations appear'd...', plate 8 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'In living creations appear'd...', plate 8 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256359: 'In living creations appear'd...', plate 8 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256360: 'As the stars are apart from the earth...', plate 9 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'They call'd her Pity and fled...', plate 19 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'They call'd her Pity and fled...', plate 19 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256905: 'They call'd her Pity and fled...', plate 19 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Ox in the slaughter house moans...', plate 26 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'The Ox in the slaughter house moans...', plate 26 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256912: 'The Ox in the slaughter house moans...', plate 26 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)
Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)

XYC151695: Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)
The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)

XYC151696: The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper)
Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper)

XYC151892: Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113950: "The ancient poets...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113951: A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113961: "Greatest men best, those who envy...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547)
Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547)

XYC146936: Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547), Blake, William (1757-1827) / Bridgeman Images

My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving)
My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146939: My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving)
Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146943: Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images


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