Blake, William (1757-1827) Assets (1067 in total)

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Thou hast fulfilled the Judgment of the Wicked, 1825
Thou hast fulfilled the Judgment of the Wicked, 1825

MNS882806: Thou hast fulfilled the Judgment of the Wicked, 1825, Blake, William (1757-1827) / Bridgeman Images

The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper)
The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper)

CH986334: The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995607: The Circle of the Corrupt Officials: The Devils Mauling Each Other, Inferno, Canto XXII, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite)
The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite)

XOS3493158: The Rest on the Flight into Egypt, 1806 (w/c, pen and black ink over graphite), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour)
Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour)

XOS3493165: Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour), Blake, William (1757-1827) / Bridgeman Images

'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)
'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)

XYC165991: 'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Descent of Peace (w/c on paper)
The Descent of Peace (w/c on paper)

WHT161686: The Descent of Peace (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)
Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)

XYC151695: Contents page for 'Ode on the Spring', from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)
The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper)

XYC151696: The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper)
Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper)

XYC151892: Spring, plate 11 recto, from 'Songs of Innocence', 1789 (hand-coloured relief etching with watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547)
Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547)

XYC146936: Fire, plate 7 from 'For Children. The Gates of Paradise', 1793 (engraving) (see 77547), Blake, William (1757-1827) / Bridgeman Images

My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving)
My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146939: My Son! My Son!, plate 10 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving)
Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146943: Death's Door, plate 16 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper)
Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper)

FIT109645: Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109652: "In Thunders Ends the Voice", plate 7 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109655: "Fiery the Angels Rose", plate 11 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111242: Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113938: Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113942: "As a new heaven is begun..", illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113950: "The ancient poets...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113951: A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113961: "Greatest men best, those who envy...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring)
The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring)

CH659522: The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring), Blake, William (1757-1827) / Bridgeman Images

Chaucer's Canterbury Pilgrims, 1810 (engraving)
Chaucer's Canterbury Pilgrims, 1810 (engraving)

XJF483342: Chaucer's Canterbury Pilgrims, 1810 (engraving), Blake, William (1757-1827) / Bridgeman Images

Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching)
Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching)

FIT282805: Little Tom the Sailor, by William Hayley, 1800 (hand coloured etching), Blake, William (1757-1827) / Bridgeman Images

Queen Katherine's Dream, 1807 (pen with wash over graphite on paper)
Queen Katherine's Dream, 1807 (pen with wash over graphite on paper)

FIT282895: Queen Katherine's Dream, 1807 (pen with wash over graphite on paper), Blake, William (1757-1827) / Bridgeman Images

'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour)
'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225892: 'Introduction,' plate 33 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour)
'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225894: 'The Clod & the Pebble,' plate 36 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Visionary head, 1820 (pencil on paper)
Visionary head, 1820 (pencil on paper)

HMP244351: Visionary head, 1820 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 1, 1794 (relief etching with w/c)
The First Book of Urizen, plate 1, 1794 (relief etching with w/c)

XYC309855: The First Book of Urizen, plate 1, 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

The First Book of Urizen, plate 3, 'Chapter I/ I. Lo, a shadow..', 1794 (relief etching with w/c)
The First Book of Urizen, plate 3, 'Chapter I/ I. Lo, a shadow..', 1794 (relief etching with w/c)

XYC309856: The First Book of Urizen, plate 3, 'Chapter I/ I. Lo, a shadow..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Figures on rocks, above them a sun appears in a break of heavy clouds, from 'Visions of the Daughters of Albion', 1793 (relief etching with w/c)
Figures on rocks, above them a sun appears in a break of heavy clouds, from 'Visions of the Daughters of Albion', 1793 (relief etching with w/c)

XYC309865: Figures on rocks, above them a sun appears in a break of heavy clouds, from 'Visions of the Daughters of Albion', 1793 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The School Boy', plate 27 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The School Boy', plate 27 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220884: 'The School Boy', plate 27 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Laughing Song', plate 28 from 'Songs of Innocence', 1789 (relief etching with w/c)
'Laughing Song', plate 28 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220885: 'Laughing Song', plate 28 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c)
'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220886: 'The Little Black Boy', plate 29 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Holy Thursday', plate 10 (Bentley 19) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c)
'Holy Thursday', plate 10 (Bentley 19) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c)

XYC220895: 'Holy Thursday', plate 10 (Bentley 19) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images


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