Blake, William (1757-1827) Assets (1067 in total)
Results
FIT109645: Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FLO4591071: Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819., Blake, William (1757-1827) / Bridgeman Images
XLA3761488: Milton Advancing Disrobed and Ungirded by William Blake, Blake, William (1757-1827) / Bridgeman Images
IMA1557078: When The Almighty Was Yet With Me (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images
IMA1557087: With Dreams Upon My Bed Thou Scarest Me (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images
IMA1557090: Then The Lord Answered Job Out Of The Whirlwind (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images
IMA1557094: I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images
WHT6426401: Illustrations of The Book of Job: The Destruction of Job's Sons, c.1825, Blake, William (1757-1827) / Bridgeman Images
WHT6426402: Illustrations of The Book of Job: Titlepage, c.1825, Blake, William (1757-1827) / Bridgeman Images
XLA3761444: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images
XLA3761453: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images
XBM99629: The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XBM99626: The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XBM99627: The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XBM99628: The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC165991: 'Repelling Weeping Enion...' plate 87 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113938: Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113942: "As a new heaven is begun..", illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT111242: Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XCF290935: Study for 'Leaning Against the Pillars...', plate 32 from 'Jerusalem', 1804-20 (pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XCF290936: 'Two nostrils bent down to the deep...', plate 11, 'The First Book of Urizen' 1794 (pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC309855: The First Book of Urizen, plate 1, 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC309856: The First Book of Urizen, plate 3, 'Chapter I/ I. Lo, a shadow..', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC309865: Figures on rocks, above them a sun appears in a break of heavy clouds, from 'Visions of the Daughters of Albion', 1793 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285538: 'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto), Blake, William (1757-1827) / Bridgeman Images
XYC285555: 'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285560: 'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown), Blake, William (1757-1827) / Bridgeman Images
XYC285561: 'Over the hills...', plate 18 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285514: 'Visions', plate 4 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC285537: 'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso), Blake, William (1757-1827) / Bridgeman Images
XYC285541: 'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso), Blake, William (1757-1827) / Bridgeman Images
XYC285542: 'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto), Blake, William (1757-1827) / Bridgeman Images
XYC285550: 'The Terror answered...', plate 10 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images
