Blake, William (1757-1827) Assets (1066 in total)
Results
XYC151696: The Pindaric Genius Receiving his Lyre, title page from 'The Poems of Thomas Gray', published in 1797-98 (w/c with pen and black ink on paper), Blake, William (1757-1827) / Bridgeman Images
FIT83110: P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83113: P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83115: P.124-1950.pt15 A Cradle Song: plate 15 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83120: P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT83184: P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT88861: P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images
FIT113938: Christ Returns to his Mother, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT113942: "As a new heaven is begun..", illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT113950: "The ancient poets...", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT113951: A Memorable Fancy, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT113961: "Greatest men best, those who envy...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images
FIT109652: "In Thunders Ends the Voice", plate 7 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
FIT109655: "Fiery the Angels Rose", plate 11 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC215090: A Visionary Head, 1819-20 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images
XYC215096: A Woody Landscape, c.1801 (w/c and graphite on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225034: 'The Progress of Poesy', design 42 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225037: 'The Progress of Poesy', design 50 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225042: 'The Bard', design 56 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225772: The Little Boy Found, illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.22 (Bentley 14) 1789-94 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC225779: The Shepherd, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.14 (Bentley 5) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC218326: 'Famish'd, Weeping, Weak...', plate 7 from 'Songs of Innocence, 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC218329: 'They Laugh at our Play...', plate 11 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC220121: 'Earth's Answer', plate 32 (Bentley 31) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220128: 'The Clod & the Pebble', plate 40 (Bentley 32) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220138: 'London', plate 51 (Bentley 46) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (raised etching with pen & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220884: 'The School Boy', plate 27 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
XYC220895: 'Holy Thursday', plate 10 (Bentley 19) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images
XYC223012: 'My Pretty Rose Tree', plate 53 (Bentley 43) from 'The Songs of Innocence and of Experience' (Bentley copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
XYC223023: 'Albions Angel rose...', plate 12 from 'Europe. A Prohecy', 1794 (relief etching with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222541: 'Epitaph on Mrs. Clarke', design 104 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222543: 'The Triumphs of Owen', design 86 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222546: 'Ode for Music', design 98 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222549: 'Ode for Music', design 101 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
