Blake, William (1757-1827) Assets (1068 in total)

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Illustrations of The Book of Job: The Vision of Eliphaz, 1825 (engraving)
Illustrations of The Book of Job: The Vision of Eliphaz, 1825 (engraving)

WHT6437197: Illustrations of The Book of Job: The Vision of Eliphaz, 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Satan Smiting Job with Boils, c.1825
Illustrations of The Book of Job: Satan Smiting Job with Boils, c.1825

WHT6426400: Illustrations of The Book of Job: Satan Smiting Job with Boils, c.1825, Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Job and His Daughters, 1825 (line engraving on paper)
Illustrations of The Book of Job: Job and His Daughters, 1825 (line engraving on paper)

WHT6439614: Illustrations of The Book of Job: Job and His Daughters, 1825 (line engraving on paper), Blake, William (1757-1827) / Bridgeman Images

Illustrations of The Book of Job: Satan Before The Throne of God, c.1825
Illustrations of The Book of Job: Satan Before The Throne of God, c.1825

WHT6426399: Illustrations of The Book of Job: Satan Before The Throne of God, c.1825, Blake, William (1757-1827) / Bridgeman Images

The Book of Job2:7 illustrated by William Blake
The Book of Job2:7 illustrated by William Blake

XLA3765308: The Book of Job2:7 illustrated by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761461: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

'Night The Third, Narcissa'
'Night The Third, Narcissa'

XLE3749748: 'Night The Third, Narcissa', Blake, William (1757-1827) / Bridgeman Images

Hell Is Naked Before Him And Destruction Has No Covering (engraving)
Hell Is Naked Before Him And Destruction Has No Covering (engraving)

IMA1559847: Hell Is Naked Before Him And Destruction Has No Covering (engraving), Blake, William (1757-1827) / Bridgeman Images

And Smote Job With Sore Boils (engraving on india paper chine collé)
And Smote Job With Sore Boils (engraving on india paper chine collé)

IMA1557082: And Smote Job With Sore Boils (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

These Were Not Found Women Fair As The Daughters Of Job (engraving on india paper chine collé)
These Were Not Found Women Fair As The Daughters Of Job (engraving on india paper chine collé)

IMA1557097: These Were Not Found Women Fair As The Daughters Of Job (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

The Just Upright Man Is Laughed To Scorn (engraving on india paper chine collé)
The Just Upright Man Is Laughed To Scorn (engraving on india paper chine collé)

IMA1557086: The Just Upright Man Is Laughed To Scorn (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Iam Young  And Ye Are Very Old (engraving on india paper chine collé)
Iam Young  And Ye Are Very Old (engraving on india paper chine collé)

IMA1557089: Iam Young And Ye Are Very Old (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

Let The Day Perish Wherein I Was Born (engraving on india paper chine collé)
Let The Day Perish Wherein I Was Born (engraving on india paper chine collé)

IMA1557084: Let The Day Perish Wherein I Was Born (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

The Descent of Peace (w/c on paper)
The Descent of Peace (w/c on paper)

WHT161686: The Descent of Peace (w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)
The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)

XBM99628: The Baffled Devils Fighting, illustration from 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, watercolour on paper)
The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, watercolour on paper)

XBM99627: The Recording Angel, illustration from Canto 19 'Paradiso' of the 'Divine Comedy' by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper)
Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper)

FIT109645: Titlepage to 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)
The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)

XBM99626: The Circle of the Traitors, illustration from Canto 32 of 'Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)
The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper)

XBM99629: The Mission of Virgil, illustration from Canto 2 of 'Inferno' of 'The Divine Comedy' by Dante Alighieri (1265-1321) (pen & ink, pencil, watercolour on paper), Blake, William (1757-1827) / Bridgeman Images

William Blake  book of job title page c 1825
William Blake  book of job title page c 1825

PVD1693069: William Blake book of job title page c 1825, Blake, William (1757-1827) / Bridgeman Images

I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé)
I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé)

IMA1557094: I Have Heard Thee With The Hearing Of The Ear But Now My Eye Seeth Thee (engraving on india paper chine collé), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt15 A Cradle Song: plate 15 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt15 A Cradle Song: plate 15 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83115: P.124-1950.pt15 A Cradle Song: plate 15 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83184: P.125-1950.pt31 Earth's Answer: plate 31 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83113: P.124-1950.pt13 The Little Boy Found: plate 13 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Battle scene (pen & ink) (b/w photo)
Battle scene (pen & ink) (b/w photo)

AGN81814: Battle scene (pen & ink) (b/w photo), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83139: P.124-1950.pt39 Nurse's Song: plate 39 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83124: P.124-1950.pt24 Nurse's Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving)
P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving)

FIT88861: P.437-1985 `I found him beneath a tree', illustration to 'For the Sexes, The Gates of Paradise`, pub. 17 May 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111242: Visions of the Daughters of Albion: 'Where the Cold Miser Spreads His Gold..' designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83120: P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83110: P.124-1950.pt10 The Blossom: plate 10 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT113942: "As a new heaven is begun..", illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT109655: "Fiery the Angels Rose", plate 11 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109652: "In Thunders Ends the Voice", plate 7 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Thenot, with Colinet waving his arms in sorrow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot, with Colinet waving his arms in sorrow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273288: Thenot, with Colinet waving his arms in sorrow, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Visionary head, 1820 (pencil on paper)
Visionary head, 1820 (pencil on paper)

HMP244351: Visionary head, 1820 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images


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