Blake, William (1757-1827) Assets (1068 in total)

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'A naked man crouched in flames, with his hands behind his head', plate 21 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'A naked man crouched in flames, with his hands behind his head', plate 21 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256907: 'A naked man crouched in flames, with his hands behind his head', plate 21 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Appear to the Americans...', plate 6 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Appear to the Americans...', plate 6 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285566: 'Appear to the Americans...', plate 6 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

PD.20-1950 Christ's troubled sleep from Milton's 'Paradise Regained', Book IV lines 401-25, c.1816-18 (pen and ink, grey wash and w/c on paper)
PD.20-1950 Christ's troubled sleep from Milton's 'Paradise Regained', Book IV lines 401-25, c.1816-18 (pen and ink, grey wash and w/c on paper)

FIT77539: PD.20-1950 Christ's troubled sleep from Milton's 'Paradise Regained', Book IV lines 401-25, c.1816-18 (pen and ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt28 On Another's Sorrow: plate 28 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt28 On Another's Sorrow: plate 28 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83128: P.124-1950.pt28 On Another's Sorrow: plate 28 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music' design 94 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music' design 94 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222344: 'Ode for Music' design 94 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Sea of Time and Place (The Arlington Court Picture) (pen, ink & w/c on paper)
The Sea of Time and Place (The Arlington Court Picture) (pen, ink & w/c on paper)

USB132568: The Sea of Time and Place (The Arlington Court Picture) (pen, ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Job illustrations by William Blake
The Book of Job illustrations by William Blake

XLA3761445: The Book of Job illustrations by William Blake, Blake, William (1757-1827) / Bridgeman Images

Children Guiding a Serpent by William Blake
Children Guiding a Serpent by William Blake

XLA3761482: Children Guiding a Serpent by William Blake, Blake, William (1757-1827) / Bridgeman Images

The Annihilation of the Self-Hood by William Blake
The Annihilation of the Self-Hood by William Blake

XLA3761492: The Annihilation of the Self-Hood by William Blake, Blake, William (1757-1827) / Bridgeman Images

FIT113957: "Root of an oak, he was suspended in a fungus...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Dante at the moment of entering the fire, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Dante at the moment of entering the fire, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

NGV909182: Dante at the moment of entering the fire, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

The Demons Tormenting Ciampolo the Barrator, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Demons Tormenting Ciampolo the Barrator, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909487: The Demons Tormenting Ciampolo the Barrator, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt9 The Little Black Boy: plate 9 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt9 The Little Black Boy: plate 9 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83162: P.125-1950.pt9 The Little Black Boy: plate 9 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

PD.19-1950 Satan Tempts Christ with the Kingdoms of Earth from Milton's 'Paradise Regained', Book III lines 251-426, c.1816-18 (pen and ink, grey wash and w/c on paper)
PD.19-1950 Satan Tempts Christ with the Kingdoms of Earth from Milton's 'Paradise Regained', Book III lines 251-426, c.1816-18 (pen and ink, grey wash and w/c on paper)

FIT77538: PD.19-1950 Satan Tempts Christ with the Kingdoms of Earth from Milton's 'Paradise Regained', Book III lines 251-426, c.1816-18 (pen and ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 71 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 71 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222866: The Fatal Sisters, design 71 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113958: "Us with all the fury of a spirtual existence...", text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and watercolour), Blake, William (1757-1827) / Bridgeman Images

P.127-1950 Pt.12 Orc springs up, enveloped in the flames of revolution, plate 10 from 'America, a Prophecy', c.1812 (relief etching with pen and w/c on paper)
P.127-1950 Pt.12 Orc springs up, enveloped in the flames of revolution, plate 10 from 'America, a Prophecy', c.1812 (relief etching with pen and w/c on paper)

FIT77541: P.127-1950 Pt.12 Orc springs up, enveloped in the flames of revolution, plate 10 from 'America, a Prophecy', c.1812 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt52 To Tirzah: plate 52 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt52 To Tirzah: plate 52 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83205: P.125-1950.pt52 To Tirzah: plate 52 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Design 9 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 9 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215077: Design 9 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'A Prophecy', plate 5 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'A Prophecy', plate 5 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285552: 'A Prophecy', plate 5 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Nude woman looking down at a boy and to the right, a bearded man leaning on a hammer', plate 18 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Nude woman looking down at a boy and to the right, a bearded man leaning on a hammer', plate 18 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256904: 'Nude woman looking down at a boy and to the right, a bearded man leaning on a hammer', plate 18 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

I am Young & ye are very Old wherefore I was afraid, 1825
I am Young & ye are very Old wherefore I was afraid, 1825

MNS882802: I am Young & ye are very Old wherefore I was afraid, 1825, Blake, William (1757-1827) / Bridgeman Images

Great Plague of London, c.1779 (watercolour)
Great Plague of London, c.1779 (watercolour)

FIA5402766: Great Plague of London, c.1779 (watercolour), Blake, William (1757-1827) / Bridgeman Images

A Title Page for
A Title Page for

HEH5854527: A Title Page for "The Grave", 1806 (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Moses Receiving the Law, c.1780 (brush and black ink over graphite on paper)
Moses Receiving the Law, c.1780 (brush and black ink over graphite on paper)

XYC144008: Moses Receiving the Law, c.1780 (brush and black ink over graphite on paper), Blake, William (1757-1827) / Bridgeman Images

FIT113959: "Number of monkeys, baboons..", illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

The Lazar House, 1795
The Lazar House, 1795

FIT55404: The Lazar House, 1795, Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt35 The Little Girl Lost: plate 35 from from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt35 The Little Girl Lost: plate 35 from from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83135: P.124-1950.pt35 The Little Girl Lost: plate 35 from from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt11 The Blossom: plate 11 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt11 The Blossom: plate 11 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c)

FIT83164: P.125-1950.pt11 The Blossom: plate 11 from 'Songs of Innocence and of Experience' (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt21 Night (cont.): plate 21 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt21 Night (cont.): plate 21 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83174: P.125-1950.pt21 Night (cont.): plate 21 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt47 The Human Abstract: plate 47 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt47 The Human Abstract: plate 47 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83200: P.125-1950.pt47 The Human Abstract: plate 47 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt51 A Little Girl Lost: plate 51 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt51 A Little Girl Lost: plate 51 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83204: P.125-1950.pt51 A Little Girl Lost: plate 51 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt19 Night: plate 19 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt19 Night: plate 19 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83119: P.124-1950.pt19 Night: plate 19 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Europe a Prophecy; Mildew Blighting Ears of Corn, c.1794 (relief etching, w/c)
Europe a Prophecy; Mildew Blighting Ears of Corn, c.1794 (relief etching, w/c)

BAL3667: Europe a Prophecy; Mildew Blighting Ears of Corn, c.1794 (relief etching, w/c), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715572: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715578: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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