Blake, William (1757-1827) Assets (1068 in total)

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A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113963: A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Har and Heva sleeping, with Mnetha looking on, one of twelve illustrations from 'Tiriel', c.1789 (ink and wash)
Har and Heva sleeping, with Mnetha looking on, one of twelve illustrations from 'Tiriel', c.1789 (ink and wash)

TOP73474: Har and Heva sleeping, with Mnetha looking on, one of twelve illustrations from 'Tiriel', c.1789 (ink and wash), Blake, William (1757-1827) / Bridgeman Images

Jerusalem 'His Western Heaven...', pl.31, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-1820 (relief etching with pen and w/c on paper)
Jerusalem 'His Western Heaven...', pl.31, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-1820 (relief etching with pen and w/c on paper)

XYC291039: Jerusalem 'His Western Heaven...', pl.31, from 'Jerusalem the Emanation of the Giant Albion' by William Blake (1757-1827), 1804-1820 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

And smote Job with sore Boils from the sole of his foot to the crown of his head, 1825
And smote Job with sore Boils from the sole of his foot to the crown of his head, 1825

MNS882796: And smote Job with sore Boils from the sole of his foot to the crown of his head, 1825, Blake, William (1757-1827) / Bridgeman Images

'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c)
'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c)

XYC222339: 'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

'Stretch'd for a work of eternity...', plate 22 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'Stretch'd for a work of eternity...', plate 22 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256908: 'Stretch'd for a work of eternity...', plate 22 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256354: 'Preludium to the Book of Urizen', plate 2 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'The Blossom', plate 28 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
'The Blossom', plate 28 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC257427: 'The Blossom', plate 28 from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Muster around the bleak desarts...', plate 6 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'Muster around the bleak desarts...', plate 6 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256358: 'Muster around the bleak desarts...', plate 6 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Los smitten with astonishment...', plate 12 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'Los smitten with astonishment...', plate 12 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256363: 'Los smitten with astonishment...', plate 12 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256901: 'A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds', plate 14 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'They lived a period of years...', plate 27 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)
'They lived a period of years...', plate 27 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper)

XYC256913: 'They lived a period of years...', plate 27 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Thus the Eternal Prophet was Divided...', plate 13 form 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)
'Thus the Eternal Prophet was Divided...', plate 13 form 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)

XYC239821: 'Thus the Eternal Prophet was Divided...', plate 13 form 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence and of Experience, Plate 22,
Songs of Innocence and of Experience, Plate 22,

XYC225885: Songs of Innocence and of Experience, Plate 22, "The Little Girl Found", 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Title page of 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
Title page of 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285568: Title page of 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

'Wave shadows of discontent..', plate 7 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'Wave shadows of discontent..', plate 7 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC309867: 'Wave shadows of discontent..', plate 7 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

'The Chimney Sweeper', plate 45 from 'Songs of Experience', 1794 (relief etching with w/c)
'The Chimney Sweeper', plate 45 from 'Songs of Experience', 1794 (relief etching with w/c)

XYC309864: 'The Chimney Sweeper', plate 45 from 'Songs of Experience', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from 'The First Book of Urizen', 1794 (relief etching with w/c)
Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309884: Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Songs of Experience: Title page, c.1825 (brown ink etching hand-coloured in watercolour)
Songs of Experience: Title page, c.1825 (brown ink etching hand-coloured in watercolour)

XOS3493164: Songs of Experience: Title page, c.1825 (brown ink etching hand-coloured in watercolour), Blake, William (1757-1827) / Bridgeman Images

For Children. The Gates of Paradise (and Frontispiece), 1793 (engraving)
For Children. The Gates of Paradise (and Frontispiece), 1793 (engraving)

XYC289255: For Children. The Gates of Paradise (and Frontispiece), 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper)
Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper)

PHL434537: Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper), Blake, William (1757-1827) / Bridgeman Images

The Book of Urizen, plate 2, 1794 (etching)
The Book of Urizen, plate 2, 1794 (etching)

NUM938612: The Book of Urizen, plate 2, 1794 (etching), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995605: The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

Sketch for 'The Angel crossing the Styx, c.1824-27 (graphite on paper)
Sketch for 'The Angel crossing the Styx, c.1824-27 (graphite on paper)

FIT995619: Sketch for 'The Angel crossing the Styx, c.1824-27 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995597: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995618: The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

On Albion's Angels, mid 1790s (elief-etched engraving, blue ink)
On Albion's Angels, mid 1790s (elief-etched engraving, blue ink)

CH985778: On Albion's Angels, mid 1790s (elief-etched engraving, blue ink), Blake, William (1757-1827) / Bridgeman Images

Thenot and Colinet sup togther, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot and Colinet sup togther, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273290: Thenot and Colinet sup togther, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

Title Page from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper)
Title Page from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper)

XYC151688: Title Page from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83104: P.124-1950.pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83117: P.124-1950.pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Book of Thel: title page, 1794 (colour-printed relief etching)
The Book of Thel: title page, 1794 (colour-printed relief etching)

XND70230: The Book of Thel: title page, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

Book of Urizen;
Book of Urizen;

XND70233: Book of Urizen; "from the caverns of his jointed spine', 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113939: Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113943: The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

FIT109653: "The Terror Answered", plate 8 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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