Blake, William (1757-1827) Assets (1068 in total)

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The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995597: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

Sketch for 'The Angel crossing the Styx, c.1824-27 (graphite on paper)
Sketch for 'The Angel crossing the Styx, c.1824-27 (graphite on paper)

FIT995619: Sketch for 'The Angel crossing the Styx, c.1824-27 (graphite on paper), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)
The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving)

FIT995605: The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustration to the 'Divine Comedy' by Dante Alighieri, 1827 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)
The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving)

FIT995618: The Circle of the Traitors: Dante's Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the 'Divine Comedy' by Dante Alighieri, c.1827-38 (engraving), Blake, William (1757-1827) / Bridgeman Images

The Book of Urizen, plate 2, 1794 (etching)
The Book of Urizen, plate 2, 1794 (etching)

NUM938612: The Book of Urizen, plate 2, 1794 (etching), Blake, William (1757-1827) / Bridgeman Images

On Albion's Angels, mid 1790s (elief-etched engraving, blue ink)
On Albion's Angels, mid 1790s (elief-etched engraving, blue ink)

CH985778: On Albion's Angels, mid 1790s (elief-etched engraving, blue ink), Blake, William (1757-1827) / Bridgeman Images

Title Page, recto, plate 2 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c on paper)
Title Page, recto, plate 2 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c on paper)

XYC151690: Title Page, recto, plate 2 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Voice of the Ancient Bard, from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
The Voice of the Ancient Bard, from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC151889: The Voice of the Ancient Bard, from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Europe, a prophecy, 1794 (illustration)
Europe, a prophecy, 1794 (illustration)

CCI1949292: Europe, a prophecy, 1794 (illustration), Blake, William (1757-1827) / Bridgeman Images

Design 34 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 34 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215084: Design 34 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Title Page, plate 2 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
Title Page, plate 2 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218321: Title Page, plate 2 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Girl Lost', plate 5 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Little Girl Lost', plate 5 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218324: 'The Little Girl Lost', plate 5 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper)
'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper)

XYC151886: 'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c)
'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220876: 'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'A Long Story', design 24 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)
'A Long Story', design 24 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink)

XYC309871: 'A Long Story', design 24 from 'The Poems of Thomas Gray', 1797-1798 (w/c with pen and black ink), Blake, William (1757-1827) / Bridgeman Images

A Cradle Song, pl. 1 illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.16 (Bentley 16) 1789-94 (relief etching with pen & w/c on paper)
A Cradle Song, pl. 1 illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.16 (Bentley 16) 1789-94 (relief etching with pen & w/c on paper)

XYC225777: A Cradle Song, pl. 1 illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.16 (Bentley 16) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The School Boy,'plate 12 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'The School Boy,'plate 12 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225878: 'The School Boy,'plate 12 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 100 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 100 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222548: 'Ode for Music', design 100 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 66 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 66 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222861: The Fatal Sisters, design 66 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (relief etching with pen and w/c)
'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (relief etching with pen and w/c)

XYC223011: 'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 49 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 49 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225038: 'The Progress of Poesy', design 49 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper)
'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper)

XYC222361: 'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222859: The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222865: The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Girl Found', plate 6 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Little Girl Found', plate 6 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218325: 'The Little Girl Found', plate 6 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Thel/I/The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)
'Thel/I/The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)

XYC215087: 'Thel/I/The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Elevation and Plan of a Monument, 1819-20 (pencil on paper)
Elevation and Plan of a Monument, 1819-20 (pencil on paper)

XYC215091: Elevation and Plan of a Monument, 1819-20 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

A Long Story, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
A Long Story, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173616: A Long Story, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Lord answering Job out of the Whirlwind, plate 14 from 'Illustrations of the Book of Job', 1825 (engraving)
The Lord answering Job out of the Whirlwind, plate 14 from 'Illustrations of the Book of Job', 1825 (engraving)

XYC277362: The Lord answering Job out of the Whirlwind, plate 14 from 'Illustrations of the Book of Job', 1825 (engraving), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 43 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 43 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225036: 'The Progress of Poesy', design 43 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Lamb, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.24 (Bentley 8) 1789-94 (relief etching with pen & w/c on paper)
The Lamb, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.24 (Bentley 8) 1789-94 (relief etching with pen & w/c on paper)

XYC225771: The Lamb, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.24 (Bentley 8) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Alas, plate 9 from 'For Children. The Gates of Paradise', 1793 (engraving)
Alas, plate 9 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146938: Alas, plate 9 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 105 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)
'Elegy written in a Country Church-Yard', design 105 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)

XYC222550: 'Elegy written in a Country Church-Yard', design 105 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Why Should the Mistress...', plate 4 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)
'Why Should the Mistress...', plate 4 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)

XYC223014: 'Why Should the Mistress...', plate 4 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'From Every One of the Four Regions...', plate 18 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)
'From Every One of the Four Regions...', plate 18 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper)

XYC162460: 'From Every One of the Four Regions...', plate 18 from 'Jerusalem', 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Ode on the Death of a Favourite Cat, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
Ode on the Death of a Favourite Cat, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173617: Ode on the Death of a Favourite Cat, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images


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