Blake, William (1757-1827) Assets (1067 in total)

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'And this the Form of Mighty Hand...', plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)
'And this the Form of Mighty Hand...', plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper)

XYC151896: 'And this the Form of Mighty Hand...', plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

I Found Him Beneath a Tree, plate 3 from 'For Children. The Gates of Paradise', 1793 (engraving)
I Found Him Beneath a Tree, plate 3 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146932: I Found Him Beneath a Tree, plate 3 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Water, plate 4 from 'For Children. Gates of Paradise', 1793 (engraving)
Water, plate 4 from 'For Children. Gates of Paradise', 1793 (engraving)

XYC146933: Water, plate 4 from 'For Children. Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Earth, plate 5 from 'For Children. The Gates of Paradise', 1793 (engraving)
Earth, plate 5 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146934: Earth, plate 5 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Alas, plate 9 from 'For Children. The Gates of Paradise', 1793 (engraving)
Alas, plate 9 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146938: Alas, plate 9 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Does Thy God O' Priest Take Such Vengeance, plate 13 from 'For Children. The Gates of Paradise', 1793 (engraving)
Does Thy God O' Priest Take Such Vengeance, plate 13 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146940: Does Thy God O' Priest Take Such Vengeance, plate 13 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113939: Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113943: The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113963: A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'Thus the Eternal Prophet was Divided...', plate 13 form 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)
'Thus the Eternal Prophet was Divided...', plate 13 form 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)

XYC239821: 'Thus the Eternal Prophet was Divided...', plate 13 form 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 43 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 43 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225036: 'The Progress of Poesy', design 43 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 49 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 49 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225038: 'The Progress of Poesy', design 49 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The School Boy,'plate 12 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'The School Boy,'plate 12 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225878: 'The School Boy,'plate 12 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Little Boy Found,' plate 16 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'The Little Boy Found,' plate 16 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225881: 'The Little Boy Found,' plate 16 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence and of Experience, Plate 22,
Songs of Innocence and of Experience, Plate 22,

XYC225885: Songs of Innocence and of Experience, Plate 22, "The Little Girl Found", 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225886: 'The Divine Image,' plate 24 from 'The Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c)
'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220876: 'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Plate 1 from 'Songs of Innocence and of Experience' (Bentley 2) 1789-74 (relief etching with pen and w/c)
Plate 1 from 'Songs of Innocence and of Experience' (Bentley 2) 1789-74 (relief etching with pen and w/c)

XYC220889: Plate 1 from 'Songs of Innocence and of Experience' (Bentley 2) 1789-74 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 60 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 60 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222856: The Bard, design 60 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222859: The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 66 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 66 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222861: The Fatal Sisters, design 66 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222865: The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222871: 'The Descent of Odin', design 77 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (relief etching with pen and w/c)
'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (relief etching with pen and w/c)

XYC223011: 'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

'Why Should the Mistress...', plate 4 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)
'Why Should the Mistress...', plate 4 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper)

XYC223014: 'Why Should the Mistress...', plate 4 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Now comes the night...' plate 7 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper)
'Now comes the night...' plate 7 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper)

XYC223019: 'Now comes the night...' plate 7 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Frontispiece from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.29 (Bentley 28) 1789-94 (relief etching with pen & w/c on paper)
Frontispiece from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.29 (Bentley 28) 1789-94 (relief etching with pen & w/c on paper)

XYC225767: Frontispiece from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.29 (Bentley 28) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Lamb, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.24 (Bentley 8) 1789-94 (relief etching with pen & w/c on paper)
The Lamb, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.24 (Bentley 8) 1789-94 (relief etching with pen & w/c on paper)

XYC225771: The Lamb, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.24 (Bentley 8) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A Cradle Song, pl. 1 illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.16 (Bentley 16) 1789-94 (relief etching with pen & w/c on paper)
A Cradle Song, pl. 1 illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.16 (Bentley 16) 1789-94 (relief etching with pen & w/c on paper)

XYC225777: A Cradle Song, pl. 1 illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.16 (Bentley 16) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c)
'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c)

XYC222339: 'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper)
'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper)

XYC222361: 'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Ode for Music', design 100 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Ode for Music', design 100 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222548: 'Ode for Music', design 100 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 105 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)
'Elegy written in a Country Church-Yard', design 105 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper)

XYC222550: 'Elegy written in a Country Church-Yard', design 105 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 108 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 108 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222553: 'Elegy written in a Country Church-Yard', design 108 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

Title Page, plate 2 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
Title Page, plate 2 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218321: Title Page, plate 2 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Little Girl Lost', plate 5 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'The Little Girl Lost', plate 5 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218324: 'The Little Girl Lost', plate 5 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images


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