Blake, William (1757-1827) Assets (1068 in total)

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A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from 'The First Book of Urizen', 1794 (relief etching with w/c)
A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309883: A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 114 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 114 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222558: 'Elegy written in a Country Church-Yard', design 114 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Shot from the heights...', plate 17 from 'Europe, A Prophecy', 1794 (relief etching with w/c & oil)
'Shot from the heights...', plate 17 from 'Europe, A Prophecy', 1794 (relief etching with w/c & oil)

XYC223008: 'Shot from the heights...', plate 17 from 'Europe, A Prophecy', 1794 (relief etching with w/c & oil), Blake, William (1757-1827) / Bridgeman Images

'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)
'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)

XYC223025: 'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

The Good and Evil Angels Struggling for Possession of A Child, 1795 (chromolithography)
The Good and Evil Angels Struggling for Possession of A Child, 1795 (chromolithography)

FIA5403184: The Good and Evil Angels Struggling for Possession of A Child, 1795 (chromolithography), Blake, William (1757-1827) / Bridgeman Images

'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper)
'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper)

XYC151886: 'Thel's Motto...', plate 1 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Voice of the Ancient Bard, from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
The Voice of the Ancient Bard, from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC151889: The Voice of the Ancient Bard, from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper)
'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper)

XYC222361: 'The Descent of Odin', design 82 from 'The Poems of Thomas Gray' (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 66 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 66 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222861: The Fatal Sisters, design 66 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Lamb, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.24 (Bentley 8) 1789-94 (relief etching with pen & w/c on paper)
The Lamb, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.24 (Bentley 8) 1789-94 (relief etching with pen & w/c on paper)

XYC225771: The Lamb, illustration from 'Songs of Innocence and of Experience', (Bentley Copy L) pl.24 (Bentley 8) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A Cradle Song, pl. 1 illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.16 (Bentley 16) 1789-94 (relief etching with pen & w/c on paper)
A Cradle Song, pl. 1 illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.16 (Bentley 16) 1789-94 (relief etching with pen & w/c on paper)

XYC225777: A Cradle Song, pl. 1 illustration from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.16 (Bentley 16) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The School Boy,'plate 12 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'The School Boy,'plate 12 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225878: 'The School Boy,'plate 12 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'The Little Boy Found,' plate 16 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)
'The Little Boy Found,' plate 16 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour)

XYC225881: 'The Little Boy Found,' plate 16 from 'Songs of Innocence,' 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'Thus the Eternal Prophet was Divided...', plate 13 form 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)
'Thus the Eternal Prophet was Divided...', plate 13 form 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour)

XYC239821: 'Thus the Eternal Prophet was Divided...', plate 13 form 'The First Book of Urizen', 1794 (colour-printed relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

FIT109653: "The Terror Answered", plate 8 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113943: The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113963: A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Long Story, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
A Long Story, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173616: A Long Story, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard: A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Bard: A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173619: The Bard: A Pindaric Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Los smitten with astonishment...', plate 12 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)
'Los smitten with astonishment...', plate 12 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c)

XYC256363: 'Los smitten with astonishment...', plate 12 from 'The First Book of Urizen', 1794 (colour-printed relief etching with ink and w/c), Blake, William (1757-1827) / Bridgeman Images

The Descent of Odin, An Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)
The Descent of Odin, An Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper)

XYC173618: The Descent of Odin, An Ode, from 'The Poems of Thomas Gray', published 1797-98 (w/c and black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Plate 1 from 'Songs of Innocence and of Experience' (Bentley 2) 1789-74 (relief etching with pen and w/c)
Plate 1 from 'Songs of Innocence and of Experience' (Bentley 2) 1789-74 (relief etching with pen and w/c)

XYC220889: Plate 1 from 'Songs of Innocence and of Experience' (Bentley 2) 1789-74 (relief etching with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Songs of Innocence and of Experience, Plate 22,
Songs of Innocence and of Experience, Plate 22,

XYC225885: Songs of Innocence and of Experience, Plate 22, "The Little Girl Found", 1789 (hand-coloured relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c)
'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c)

XYC220876: 'A Cradle', plate 18 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

Elevation and Plan of a Monument, 1819-20 (pencil on paper)
Elevation and Plan of a Monument, 1819-20 (pencil on paper)

XYC215091: Elevation and Plan of a Monument, 1819-20 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

Design 34 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 34 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215084: Design 34 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Thel/I/The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)
'Thel/I/The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper)

XYC215087: 'Thel/I/The Daughters of Mne Seraphim...', plate 3 from 'The Book of Thel', 1789 (hand-coloured relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Satan Approaching the Court of Chaos, 1784-85 (pencil, pen & ink and wash on paper)
Satan Approaching the Court of Chaos, 1784-85 (pencil, pen & ink and wash on paper)

XYC215093: Satan Approaching the Court of Chaos, 1784-85 (pencil, pen & ink and wash on paper), Blake, William (1757-1827) / Bridgeman Images

'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c)
'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c)

XYC222339: 'Preludium', plate 3 from 'Europe. A Prophecy', 1823 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images

Frontispiece from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.29 (Bentley 28) 1789-94 (relief etching with pen & w/c on paper)
Frontispiece from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.29 (Bentley 28) 1789-94 (relief etching with pen & w/c on paper)

XYC225767: Frontispiece from 'Songs of Innocence and of Experience' (Bentley Copy L) pl.29 (Bentley 28) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 60 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 60 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222856: The Bard, design 60 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222859: The Bard, design 63 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222865: The Fatal Sisters, design 69 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

The Argument, from Vision of the Daughters of Albion, 1793 (coloured etching)
The Argument, from Vision of the Daughters of Albion, 1793 (coloured etching)

BAL7042: The Argument, from Vision of the Daughters of Albion, 1793 (coloured etching), Blake, William (1757-1827) / Bridgeman Images

Earth, plate 5 from 'For Children. The Gates of Paradise', 1793 (engraving)
Earth, plate 5 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146934: Earth, plate 5 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

Does Thy God O' Priest Take Such Vengeance, plate 13 from 'For Children. The Gates of Paradise', 1793 (engraving)
Does Thy God O' Priest Take Such Vengeance, plate 13 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146940: Does Thy God O' Priest Take Such Vengeance, plate 13 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images


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