Blake, William (1757-1827) Assets (1068 in total)

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Visions of the Daughters of Albion: Title Page, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)
Visions of the Daughters of Albion: Title Page, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper)

FIT111241: Visions of the Daughters of Albion: Title Page, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

A Memorable Fancy, text and illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished with pen and w/c)
A Memorable Fancy, text and illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished with pen and w/c)

FIT113954: A Memorable Fancy, text and illustration from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished with pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Christ Placed on the Pinnacle of the Temple, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink and w/c on paper)
Christ Placed on the Pinnacle of the Temple, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink and w/c on paper)

FIT113936: Christ Placed on the Pinnacle of the Temple, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Lucifer and the Pope in Hell, c.1794-96 (colour etching)
Lucifer and the Pope in Hell, c.1794-96 (colour etching)

HEH5854537: Lucifer and the Pope in Hell, c.1794-96 (colour etching), Blake, William (1757-1827) / Bridgeman Images

The Lamb, 1789 (hand-coloured relief-etching, watercolour)
The Lamb, 1789 (hand-coloured relief-etching, watercolour)

CH985824: The Lamb, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)
'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper)

XYC218336: 'When Wolves and Tygers Howl...', plate 17 from 'Songs of Innocence', 1789 (relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)
'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper)

XYC225033: 'The Progress of Poesy', design 41 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

Spring, 1789 (hand-coloured relief-etching, watercolour)
Spring, 1789 (hand-coloured relief-etching, watercolour)

CH985826: Spring, 1789 (hand-coloured relief-etching, watercolour), Blake, William (1757-1827) / Bridgeman Images

The Chimney Sweeper, plate 9 recto from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)
The Chimney Sweeper, plate 9 recto from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper)

XYC151888: The Chimney Sweeper, plate 9 recto from 'Songs of Innocence', 1789 (hand-coloured relief etching with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

An Angel with a Trumpet, 1805-08 (pen & black ink and w/c on paper)
An Angel with a Trumpet, 1805-08 (pen & black ink and w/c on paper)

XYC215092: An Angel with a Trumpet, 1805-08 (pen & black ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)
Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper)

GUL715570: Illustration from 'Europe: a Prophecy', Lambeth, 1794 (ink & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Plate 76 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)
Plate 76 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper)

XYC197604: Plate 76 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

I Have Said to the Worm Thou Art My Mother and My Sister, plate 17 from 'For Children. The Gates of Paradise', 1793 (engraving)
I Have Said to the Worm Thou Art My Mother and My Sister, plate 17 from 'For Children. The Gates of Paradise', 1793 (engraving)

XYC146944: I Have Said to the Worm Thou Art My Mother and My Sister, plate 17 from 'For Children. The Gates of Paradise', 1793 (engraving), Blake, William (1757-1827) / Bridgeman Images

A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from 'The First Book of Urizen', 1794 (relief etching with w/c)
A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from 'The First Book of Urizen', 1794 (relief etching with w/c)

XYC309883: A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from 'The First Book of Urizen', 1794 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)
'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper)

XYC223025: 'And the clouds & fires...', plate 14 from 'Europe. A Prophecy', 1794 (relief etching printed in dark brown with w/c & oil on paper), Blake, William (1757-1827) / Bridgeman Images

'Earth's Answer,' plate 34 from 'Songs of Experience,' 1794 (relief etching with watercolour)
'Earth's Answer,' plate 34 from 'Songs of Experience,' 1794 (relief etching with watercolour)

XYC225893: 'Earth's Answer,' plate 34 from 'Songs of Experience,' 1794 (relief etching with watercolour), Blake, William (1757-1827) / Bridgeman Images

'Elegy written in a Country Church-Yard', design 114 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)
'Elegy written in a Country Church-Yard', design 114 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper)

XYC222558: 'Elegy written in a Country Church-Yard', design 114 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

'Shot from the heights...', plate 17 from 'Europe, A Prophecy', 1794 (relief etching with w/c & oil)
'Shot from the heights...', plate 17 from 'Europe, A Prophecy', 1794 (relief etching with w/c & oil)

XYC223008: 'Shot from the heights...', plate 17 from 'Europe, A Prophecy', 1794 (relief etching with w/c & oil), Blake, William (1757-1827) / Bridgeman Images

Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)
Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper)

FIT113939: Andrew, Simon Peter Searching for Christ, illustration from 'Paradise Regained' by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper), Blake, William (1757-1827) / Bridgeman Images

The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113943: The Voice of the Devil, illustration and text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)
A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c)

FIT113963: A Song of Liberty, text from 'The Marriage of Heaven and Hell', c.1790-3 (relief etching finished in pen and w/c), Blake, William (1757-1827) / Bridgeman Images

Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper)
Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper)

PHL434537: Malevolence, or A Husband Parting from his Wife and Child, Two Assassins Lurking in Ambush, 1799 (ink & w/c over graphite on ivory paper), Blake, William (1757-1827) / Bridgeman Images

FIT109653: "The Terror Answered", plate 8 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109654: "Sound! Sound !", plate 9 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt41 The Angel: plate 41 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt41 The Angel: plate 41 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83194: P.125-1950.pt41 The Angel: plate 41 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83104: P.124-1950.pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

And smote Job with sore Boils from the sole of his foot to the crown of his head, 1825
And smote Job with sore Boils from the sole of his foot to the crown of his head, 1825

MNS882796: And smote Job with sore Boils from the sole of his foot to the crown of his head, 1825, Blake, William (1757-1827) / Bridgeman Images

Har and Heva sleeping, with Mnetha looking on, one of twelve illustrations from 'Tiriel', c.1789 (ink and wash)
Har and Heva sleeping, with Mnetha looking on, one of twelve illustrations from 'Tiriel', c.1789 (ink and wash)

TOP73474: Har and Heva sleeping, with Mnetha looking on, one of twelve illustrations from 'Tiriel', c.1789 (ink and wash), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt14 Laughing Song: plate 14 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt14 Laughing Song: plate 14 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83114: P.124-1950.pt14 Laughing Song: plate 14 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt53 The School Boy: plate 53 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt53 The School Boy: plate 53 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83206: P.125-1950.pt53 The School Boy: plate 53 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt44 My Pretty Rose Tree; Ah! Sunflower; The Lilly: plate 44 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt44 My Pretty Rose Tree; Ah! Sunflower; The Lilly: plate 44 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c)

FIT83144: P.124-1950.pt44 My Pretty Rose Tree; Ah! Sunflower; The Lilly: plate 44 from 'Songs of Innocence and of Experience' (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt12 The Little Boy Lost: plate 12 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt12 The Little Boy Lost: plate 12 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83112: P.124-1950.pt12 The Little Boy Lost: plate 12 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.125-1950.pt19 Holy Thursday: plate 19 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)
P.125-1950.pt19 Holy Thursday: plate 19 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c)

FIT83172: P.125-1950.pt19 Holy Thursday: plate 19 from Songs of Innocence and of Experience (copy AA) c.1815-26 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

P.124-1950.pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)
P.124-1950.pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c)

FIT83117: P.124-1950.pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c), Blake, William (1757-1827) / Bridgeman Images

Thenot and Colinet sup togther, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)
Thenot and Colinet sup togther, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut)

SOU273290: Thenot and Colinet sup togther, illustration from Dr. Thornton's 'The Pastorals of Virgil' (woodcut), Blake, William (1757-1827) / Bridgeman Images

The Argument, from Vision of the Daughters of Albion, 1793 (coloured etching)
The Argument, from Vision of the Daughters of Albion, 1793 (coloured etching)

BAL7042: The Argument, from Vision of the Daughters of Albion, 1793 (coloured etching), Blake, William (1757-1827) / Bridgeman Images


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