Gillray, James (1757-1815) Assets (1002 in total)
Results
NCO189721: Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189780: Ars Musica, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190101: A Uniform Whig, published by Hannah Humphrey in 1791 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190116: Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning, published by Hannah Humphrey in 1808 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190161: Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190169: A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190186: Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190446: Contemplations upon a Coronet, published by Hannah Humphrey in 1807 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO190431: Market Day, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190460: Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190493: The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190422: Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190449: French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO190463: French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190473: The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing, published by Hannah Humphrey in 1805 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO191211: Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191251: A Welch Tandem, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191274: L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191201: Patriots amusing themselves, or Swedes practising at a Post, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191207: Blindman's Buff, or Too Many for John Bull, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191218: Westminster Conscripts under the Training Act, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191706: Cambridge Commencement Sermon, July 2nd 1809 A.M. published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191755: The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191714: Cincinnatus in Retirement, published by E. D'Archery in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191743: Juge du Tribunal Correctionnel, plate 9 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191751: Venus a la Coquelle, or The Swan Sea Venus, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191708: The Accusing Spirit and the Recording Angel, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191744: The Treasurer, plate 11 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191754: The Daily Advertiser, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191760: The Hustings, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189748: End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189731: Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189710: Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189729: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189770: Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
