Gillray, James (1757-1815) Assets (983 in total)

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Maniac Ravings, or Little Boney in a Strong Fit, pub.1803 (hand coloured engraving)
Maniac Ravings, or Little Boney in a Strong Fit, pub.1803 (hand coloured engraving)

STC2636947: Maniac Ravings, or Little Boney in a Strong Fit, pub.1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Comforts of a Bed of Roses: pub. Hannah Humphrey, 21st April, 1806 (hand coloured engraving)
Comforts of a Bed of Roses: pub. Hannah Humphrey, 21st April, 1806 (hand coloured engraving)

STC2636948: Comforts of a Bed of Roses: pub. Hannah Humphrey, 21st April, 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Malagrida, driving post, 1792 (etching)
Malagrida, driving post, 1792 (etching)

HRP2966589: Malagrida, driving post, 1792 (etching), Gillray, James (1757-1815) / Bridgeman Images

Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub.   (hand coloured engraving)
Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub.   (hand coloured engraving)

STC2966805: Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub. (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)
Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)

STC2966891: Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Consequences of a Succesful French Invasion pub. 1798 (hand coloured engraving)
Consequences of a Succesful French Invasion pub. 1798 (hand coloured engraving)

STC3025912: Consequences of a Succesful French Invasion pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Bat Catching, pub. 1803  (hand coloured engraving)
Bat Catching, pub. 1803  (hand coloured engraving)

STC3025916: Bat Catching, pub. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Death of Admiral Lord Nelson, in the moment of Victory, pub. 1805 (hand coloured engraving)
The Death of Admiral Lord Nelson, in the moment of Victory, pub. 1805 (hand coloured engraving)

STC3025923: The Death of Admiral Lord Nelson, in the moment of Victory, pub. 1805 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

View of the Hustings in Covent Garden - The Westminster Election November 1806, pub. 1806 (hand coloured engraving)
View of the Hustings in Covent Garden - The Westminster Election November 1806, pub. 1806 (hand coloured engraving)

STC3025924: View of the Hustings in Covent Garden - The Westminster Election November 1806, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Pandora Opening her Box, pub. 1809 (hand coloured engraving)
Pandora Opening her Box, pub. 1809 (hand coloured engraving)

STC3025931: Pandora Opening her Box, pub. 1809 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Meeting of Umbrellas, pub. 1782 (hand coloured engraving)
A Meeting of Umbrellas, pub. 1782 (hand coloured engraving)

STC3025936: A Meeting of Umbrellas, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)
A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)

HST2908325: A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper), Gillray, James (1757-1815) / Bridgeman Images

Introduction of Citizen Volpone and his suite, at Paris '(Napoleon Bonaparte; Arthur O'Connor; Elizabeth Bridget Fox (née Cane); Charles James Fox; Thomas Erskine, 1st Baron Erskine; Sir Robert Adair; Henry Richard Vassall Fox, 3rd Baron Holland; El...), English caricature by James Gillray, published by Hannah Humphrey on November 15, 1814 02.
Introduction of Citizen Volpone and his suite, at Paris '(Napoleon Bonaparte; Arthur O'Connor; Elizabeth Bridget Fox (née Cane); Charles James Fox; Thomas Erskine, 1st Baron Erskine; Sir Robert Adair; Henry Richard Vassall Fox, 3rd Baron Holland; El...), English caricature by James Gillray, published by Hannah Humphrey on November 15, 1814 02.

LSE4111960: Introduction of Citizen Volpone and his suite, at Paris '(Napoleon Bonaparte; Arthur O'Connor; Elizabeth Bridget Fox (née Cane); Charles James Fox; Thomas Erskine, 1st Baron Erskine; Sir Robert Adair; Henry Richard Vassall Fox, 3rd Baron Holland; El...), English caricature by James Gillray, published by Hannah Humphrey on November 15, 1814 02., Gillray, James (1757-1815) / Bridgeman Images

Politeness (engraving) (b/w photo)
Politeness (engraving) (b/w photo)

XJF179196: Politeness (engraving) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)
Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)

NCO189707: Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint), Gillray, James (1757-1815) / Bridgeman Images

Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching)
Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching)

NCO189710: Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)
Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189721: Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)
A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO189729: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching)
Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO189731: Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)
Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)

NCO189770: Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching)
Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching)

NCO189790: Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)
The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189742: The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching)
End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO189748: End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Ars Musica, published by Hannah Humphrey in 1800 (hand-coloured etching)
Ars Musica, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189780: Ars Musica, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO187699: Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching)
Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO190161: Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190169: A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Flannel-Armour - Female Patriotism, or Modern Heroes Accoutred for the Wars, published by Hannah Humphrey in 1793 (hand-coloured etching)
Flannel-Armour - Female Patriotism, or Modern Heroes Accoutred for the Wars, published by Hannah Humphrey in 1793 (hand-coloured etching)

NCO190180: Flannel-Armour - Female Patriotism, or Modern Heroes Accoutred for the Wars, published by Hannah Humphrey in 1793 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee, published by Hannah Humphrey in 1803 (hand-coloured etching)
Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO190186: Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching)
Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching)

NCO190422: Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

Evidence to Character: being, a Portrait of a Traitor, by his Friends and by Himself, published by J. Wright for the 'Anti-Jacobin Review' in 1798 (hand-coloured etching)
Evidence to Character: being, a Portrait of a Traitor, by his Friends and by Himself, published by J. Wright for the 'Anti-Jacobin Review' in 1798 (hand-coloured etching)

NCO190424: Evidence to Character: being, a Portrait of a Traitor, by his Friends and by Himself, published by J. Wright for the 'Anti-Jacobin Review' in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Market Day, published by S.W. Fores in 1788 (hand-coloured etching)
Market Day, published by S.W. Fores in 1788 (hand-coloured etching)

NCO190431: Market Day, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Contemplations upon a Coronet, published by Hannah Humphrey in 1807 (hand-coloured etching with aquatint)
Contemplations upon a Coronet, published by Hannah Humphrey in 1807 (hand-coloured etching with aquatint)

NCO190446: Contemplations upon a Coronet, published by Hannah Humphrey in 1807 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint)
French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint)

NCO190449: French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching)
Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO190460: Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)
French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190463: French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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