Gillray, James (1757-1815) Assets (983 in total)
Results
NCO253723: 'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving), Gillray, James (1757-1815) / Bridgeman Images
XYC261313: Sophia, Honour, and the Chambermaid, scene from 'Tom Jones' by Henry Fielding (1707-54) (stipple engraving), Gillray, James (1757-1815) / Bridgeman Images
![Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.11851010.7055475/1012632.jpg?old-wm)
LZT1012632: Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace., Gillray, James (1757-1815) / Bridgeman Images
LZT1012664: The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden, Gillray, James (1757-1815) / Bridgeman Images
NCO2632300: Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings, 1806 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632302: John Bull, Baited by the Dogs of Excise, 1790 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632307: Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632311: Portrait of an Irish Chief: drawn from Life at Wexford, 1798 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632315: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632316: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632320: The Life of William Cobbett, written by himself, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2489003: Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
LSE4111960: Introduction of Citizen Volpone and his suite, at Paris '(Napoleon Bonaparte; Arthur O'Connor; Elizabeth Bridget Fox (née Cane); Charles James Fox; Thomas Erskine, 1st Baron Erskine; Sir Robert Adair; Henry Richard Vassall Fox, 3rd Baron Holland; El...), English caricature by James Gillray, published by Hannah Humphrey on November 15, 1814 02., Gillray, James (1757-1815) / Bridgeman Images
STC3025912: Consequences of a Succesful French Invasion pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3025916: Bat Catching, pub. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3025936: A Meeting of Umbrellas, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
RNM3244692: Design for the Naval Pillar, 1800 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
EVB2931185: Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805, Gillray, James (1757-1815) / Bridgeman Images
STC2966805: Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub. (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
BAL42766: A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
BAL42770: 'The Friend of Humanity and the Knife Grinder', 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
XZL147688: The Liberty of the Subject, publ. by H. Humphrey, October 15th 1779 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO89947: "Counsellor O.P., defender of our Theatric Liberties", showing the burning of Covent Garden Theatre, pub. by Hannah Humphrey, 1809 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO89957: "My Poll and My Partner Joe", engraved by T. Adams, pub. by Hannah Humphrey, 1796 (etching), Gillray, James (1757-1815) / Bridgeman Images
FIT88863: P.265-1948 "Oh, that this too, too solid flesh would melt", quotation from Hamlet, Act I. Scene I, designed for the Shakespeare Gallery, pub. by H. Humphrey, London, 1791 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
XJF129845: Plate 1, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images
NCO189729: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189731: Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189790: Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190422: Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190431: Market Day, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190449: French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO190460: Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190473: The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing, published by Hannah Humphrey in 1805 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images
