Gillray, James (1757-1815) Assets (1002 in total)
Results
NCO191211: Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191251: A Welch Tandem, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191274: L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191201: Patriots amusing themselves, or Swedes practising at a Post, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191207: Blindman's Buff, or Too Many for John Bull, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191218: Westminster Conscripts under the Training Act, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191706: Cambridge Commencement Sermon, July 2nd 1809 A.M. published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191755: The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191714: Cincinnatus in Retirement, published by E. D'Archery in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191743: Juge du Tribunal Correctionnel, plate 9 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191751: Venus a la Coquelle, or The Swan Sea Venus, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191708: The Accusing Spirit and the Recording Angel, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191744: The Treasurer, plate 11 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191754: The Daily Advertiser, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191760: The Hustings, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189748: End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189731: Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189710: Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189729: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189770: Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO189790: Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190180: Flannel-Armour - Female Patriotism, or Modern Heroes Accoutred for the Wars, published by Hannah Humphrey in 1793 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190424: Evidence to Character: being, a Portrait of a Traitor, by his Friends and by Himself, published by J. Wright for the 'Anti-Jacobin Review' in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191297: 'Miss I have a Monstrous Crow to pluck with you', published by Hannah Humphrey in 1794 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191742: Member of the High Court of Justice, plate 8 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191730: Diana return'd from the Chace, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193170: Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193198: Plate 3 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193162: Alecto and her Train at the Gate of Pandemonium, or The Recruiting Serjeant enlisting John Bull into the Revolution Service, published by S.W. Fores in 1791 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193168: An Angel gliding on a Sun-beam into Paradise (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193197: Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO192596: How to Ride with Elegance thro' the Streets, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193112: A Sun setting in the Fog, with the Old Hanover Hack defending, published by J. Williams in 1783 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193132: Field-Marshall Count Suwarrow-Rominiskoy (1729-1800) published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193145: A Witch, upon a Mount's Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
