Gillray, James (1757-1815) Assets (1003 in total)

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P.265-1948
P.265-1948

FIT88863: P.265-1948 "Oh, that this too, too solid flesh would melt", quotation from Hamlet, Act I. Scene I, designed for the Shakespeare Gallery, pub. by H. Humphrey, London, 1791 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Integrity Retiring from Office!, a Group of Resigning Ministers, Led by Pitt Who Holds a Document Entitled Justice of Emancipating Ye Catholicks, Leaving Through an Arched Gateway Inscribed Treasury.Following Pitt Are Dundas, Grenville, Spencer and Loughborough. From the Left, Represented by a Plebian Rabble, is the Opposition, Led by Sheridan and Tierney. Behind Are Jekyll, Bedford, Nicholls, Tyrhwitt Jones, Norfolk and Burdett. The Opposition is Held at Bay by a Sentry with G.R. On His Busby. The Sentry Stands Near His Sentry-Box with the Placard: G.R. Orders for Keeping All Improper Persons Out of the Public Offices.
Integrity Retiring from Office!, a Group of Resigning Ministers, Led by Pitt Who Holds a Document Entitled Justice of Emancipating Ye Catholicks, Leaving Through an Arched Gateway Inscribed Treasury.Following Pitt Are Dundas, Grenville, Spencer and Loughborough. From the Left, Represented by a Plebian Rabble, is the Opposition, Led by Sheridan and Tierney. Behind Are Jekyll, Bedford, Nicholls, Tyrhwitt Jones, Norfolk and Burdett. The Opposition is Held at Bay by a Sentry with G.R. On His Busby. The Sentry Stands Near His Sentry-Box with the Placard: G.R. Orders for Keeping All Improper Persons Out of the Public Offices.

LZT1012639: Integrity Retiring from Office!, a Group of Resigning Ministers, Led by Pitt Who Holds a Document Entitled Justice of Emancipating Ye Catholicks, Leaving Through an Arched Gateway Inscribed Treasury.Following Pitt Are Dundas, Grenville, Spencer and Loughborough. From the Left, Represented by a Plebian Rabble, is the Opposition, Led by Sheridan and Tierney. Behind Are Jekyll, Bedford, Nicholls, Tyrhwitt Jones, Norfolk and Burdett. The Opposition is Held at Bay by a Sentry with G.R. On His Busby. The Sentry Stands Near His Sentry-Box with the Placard: G.R. Orders for Keeping All Improper Persons Out of the Public Offices., Gillray, James (1757-1815) / Bridgeman Images

The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden
The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden

LZT1012664: The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden, Gillray, James (1757-1815) / Bridgeman Images

Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.
Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.

LZT1012632: Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace., Gillray, James (1757-1815) / Bridgeman Images

High Change in Bond Street,  Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway.
High Change in Bond Street,  Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway.

LZT1012626: High Change in Bond Street, Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway., Gillray, James (1757-1815) / Bridgeman Images

L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government.
L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government.

LZT1012674: L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government., Gillray, James (1757-1815) / Bridgeman Images

Design for the Naval Pillar, 1800 (coloured etching)
Design for the Naval Pillar, 1800 (coloured etching)

RNM3244692: Design for the Naval Pillar, 1800 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)
French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190463: French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing, published by Hannah Humphrey in 1805 (hand-coloured etching & aquatint)
The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing, published by Hannah Humphrey in 1805 (hand-coloured etching & aquatint)

NCO190473: The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing, published by Hannah Humphrey in 1805 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Patriots amusing themselves, or Swedes practising at a Post, published by Hannah Humphrey in 1792 (hand-coloured etching)
Patriots amusing themselves, or Swedes practising at a Post, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO191201: Patriots amusing themselves, or Swedes practising at a Post, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching)
Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO191211: Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Welch Tandem, published by Hannah Humphrey in 1803 (hand-coloured etching)
A Welch Tandem, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO191251: A Welch Tandem, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning, published by Hannah Humphrey in 1808 (hand-coloured etching)
Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning, published by Hannah Humphrey in 1808 (hand-coloured etching)

NCO190116: Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning, published by Hannah Humphrey in 1808 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Alecto and her Train at the Gate of Pandemonium, or The Recruiting Serjeant enlisting John Bull into the Revolution Service, published by S.W. Fores in 1791 (etching)
Alecto and her Train at the Gate of Pandemonium, or The Recruiting Serjeant enlisting John Bull into the Revolution Service, published by S.W. Fores in 1791 (etching)

NCO193162: Alecto and her Train at the Gate of Pandemonium, or The Recruiting Serjeant enlisting John Bull into the Revolution Service, published by S.W. Fores in 1791 (etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193196: Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193197: Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Ward of Chancery, published by S.W. Fores (etching)
A Ward of Chancery, published by S.W. Fores (etching)

NCO193113: A Ward of Chancery, published by S.W. Fores (etching), Gillray, James (1757-1815) / Bridgeman Images

Field-Marshall Count Suwarrow-Rominiskoy (1729-1800) published by Hannah Humphrey in 1799 (hand-coloured etching)
Field-Marshall Count Suwarrow-Rominiskoy (1729-1800) published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO193132: Field-Marshall Count Suwarrow-Rominiskoy (1729-1800) published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Witch, upon a Mount's Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching)
A Witch, upon a Mount's Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO193145: A Witch, upon a Mount's Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Accusing Spirit and the Recording Angel, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Accusing Spirit and the Recording Angel, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO191708: The Accusing Spirit and the Recording Angel, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Treasurer, plate 11 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
The Treasurer, plate 11 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191744: The Treasurer, plate 11 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee, published by Hannah Humphrey in 1803 (hand-coloured etching)
Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO190186: Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching)
Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching)

NCO190422: Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

Flannel-Armour - Female Patriotism, or Modern Heroes Accoutred for the Wars, published by Hannah Humphrey in 1793 (hand-coloured etching)
Flannel-Armour - Female Patriotism, or Modern Heroes Accoutred for the Wars, published by Hannah Humphrey in 1793 (hand-coloured etching)

NCO190180: Flannel-Armour - Female Patriotism, or Modern Heroes Accoutred for the Wars, published by Hannah Humphrey in 1793 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching)
Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO190161: Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190169: A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Evidence to Character: being, a Portrait of a Traitor, by his Friends and by Himself, published by J. Wright for the 'Anti-Jacobin Review' in 1798 (hand-coloured etching)
Evidence to Character: being, a Portrait of a Traitor, by his Friends and by Himself, published by J. Wright for the 'Anti-Jacobin Review' in 1798 (hand-coloured etching)

NCO190424: Evidence to Character: being, a Portrait of a Traitor, by his Friends and by Himself, published by J. Wright for the 'Anti-Jacobin Review' in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Contemplations upon a Coronet, published by Hannah Humphrey in 1807 (hand-coloured etching with aquatint)
Contemplations upon a Coronet, published by Hannah Humphrey in 1807 (hand-coloured etching with aquatint)

NCO190446: Contemplations upon a Coronet, published by Hannah Humphrey in 1807 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Market Day, published by S.W. Fores in 1788 (hand-coloured etching)
Market Day, published by S.W. Fores in 1788 (hand-coloured etching)

NCO190431: Market Day, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint)
French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint)

NCO190449: French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching)
Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO190460: Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190493: The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Blindman's Buff, or Too Many for John Bull, published by Hannah Humphrey in 1795 (hand-coloured etching)
Blindman's Buff, or Too Many for John Bull, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO191207: Blindman's Buff, or Too Many for John Bull, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Uniform Whig, published by Hannah Humphrey in 1791 (etching)
A Uniform Whig, published by Hannah Humphrey in 1791 (etching)

NCO190101: A Uniform Whig, published by Hannah Humphrey in 1791 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632316: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings, 1806 (coloured engraving)
Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings, 1806 (coloured engraving)

NCO2632300: Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings, 1806 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images


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