Gillray, James (1757-1815) Assets (983 in total)

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Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching)
Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO190460: Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)
French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190463: French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing, published by Hannah Humphrey in 1805 (hand-coloured etching & aquatint)
The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing, published by Hannah Humphrey in 1805 (hand-coloured etching & aquatint)

NCO190473: The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing, published by Hannah Humphrey in 1805 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images

The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190493: The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching)
Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO190161: Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190169: A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Flannel-Armour - Female Patriotism, or Modern Heroes Accoutred for the Wars, published by Hannah Humphrey in 1793 (hand-coloured etching)
Flannel-Armour - Female Patriotism, or Modern Heroes Accoutred for the Wars, published by Hannah Humphrey in 1793 (hand-coloured etching)

NCO190180: Flannel-Armour - Female Patriotism, or Modern Heroes Accoutred for the Wars, published by Hannah Humphrey in 1793 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee, published by Hannah Humphrey in 1803 (hand-coloured etching)
Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO190186: Destruction of the French Gun Boats, or Little Boney and his Friend Talley in High Glee, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching)
Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching)

NCO190422: Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

Evidence to Character: being, a Portrait of a Traitor, by his Friends and by Himself, published by J. Wright for the 'Anti-Jacobin Review' in 1798 (hand-coloured etching)
Evidence to Character: being, a Portrait of a Traitor, by his Friends and by Himself, published by J. Wright for the 'Anti-Jacobin Review' in 1798 (hand-coloured etching)

NCO190424: Evidence to Character: being, a Portrait of a Traitor, by his Friends and by Himself, published by J. Wright for the 'Anti-Jacobin Review' in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)
Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)

NCO189707: Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint), Gillray, James (1757-1815) / Bridgeman Images

Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching)
Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching)

NCO189710: Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)
Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189721: Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)
A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO189729: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching)
Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO189731: Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)
The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189742: The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching)
End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO189748: End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)
Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)

NCO189770: Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Ars Musica, published by Hannah Humphrey in 1800 (hand-coloured etching)
Ars Musica, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189780: Ars Musica, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching)
Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO193170: Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Un Diplomatique Settling Affairs at Stevens' published by Hannah Humphrey in 1797 (hand-coloured etching)
Un Diplomatique Settling Affairs at Stevens' published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO193174: Un Diplomatique Settling Affairs at Stevens' published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The New Speaker (i.e. the Law-Chick) between the Hawks & the Buzzards, published by Hannah Humphrey in 1800 (hand-coloured etching)
The New Speaker (i.e. the Law-Chick) between the Hawks & the Buzzards, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO193183: The New Speaker (i.e. the Law-Chick) between the Hawks & the Buzzards, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193196: Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193197: Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 3 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 3 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193198: Plate 3 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Patriots amusing themselves, or Swedes practising at a Post, published by Hannah Humphrey in 1792 (hand-coloured etching)
Patriots amusing themselves, or Swedes practising at a Post, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO191201: Patriots amusing themselves, or Swedes practising at a Post, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Blindman's Buff, or Too Many for John Bull, published by Hannah Humphrey in 1795 (hand-coloured etching)
Blindman's Buff, or Too Many for John Bull, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO191207: Blindman's Buff, or Too Many for John Bull, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching)
Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO191211: Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Westminster Conscripts under the Training Act, published by Hannah Humphrey in 1806 (hand-coloured etching)
Westminster Conscripts under the Training Act, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO191218: Westminster Conscripts under the Training Act, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Welch Tandem, published by Hannah Humphrey in 1803 (hand-coloured etching)
A Welch Tandem, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO191251: A Welch Tandem, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching)
L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO191274: L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

'Miss I have a Monstrous Crow to pluck with you', published by Hannah Humphrey in 1794 (hand-coloured etching)
'Miss I have a Monstrous Crow to pluck with you', published by Hannah Humphrey in 1794 (hand-coloured etching)

NCO191297: 'Miss I have a Monstrous Crow to pluck with you', published by Hannah Humphrey in 1794 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

How to Ride with Elegance thro' the Streets, published by Hannah Humphrey in 1800 (hand-coloured etching)
How to Ride with Elegance thro' the Streets, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO192596: How to Ride with Elegance thro' the Streets, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching)
Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching)

NCO189790: Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Uniform Whig, published by Hannah Humphrey in 1791 (etching)
A Uniform Whig, published by Hannah Humphrey in 1791 (etching)

NCO190101: A Uniform Whig, published by Hannah Humphrey in 1791 (etching), Gillray, James (1757-1815) / Bridgeman Images

Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning, published by Hannah Humphrey in 1808 (hand-coloured etching)
Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning, published by Hannah Humphrey in 1808 (hand-coloured etching)

NCO190116: Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning, published by Hannah Humphrey in 1808 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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