1. Home
  2. All Artists
  3. Gillray, James (1757-1815)
  4. All Assets

Gillray, James (1757-1815) Assets (1002 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260495: Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO260495

Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

Gillray, James (1757-1815)

Mr. Thomas Ogle, the Notorious Swindler, published by Hannah Humphrey, 1801 (engraving)
Mr. Thomas Ogle, the Notorious Swindler, published by Hannah Humphrey, 1801 (engraving)

NCO253701: Mr. Thomas Ogle, the Notorious Swindler, published by Hannah Humphrey, 1801 (engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO253701

Mr. Thomas Ogle, the Notorious Swindler, published by Hannah Humphrey, 1801 (engraving)

Gillray, James (1757-1815)

Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713)
Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713)

NCO253714: Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO253714

Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713)

Gillray, James (1757-1815)

Flemish Characters, published by Hannah Humphrey, 1822 (coloured enrgaving)
Flemish Characters, published by Hannah Humphrey, 1822 (coloured enrgaving)

NCO253721: Flemish Characters, published by Hannah Humphrey, 1822 (coloured enrgaving), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO253721

Flemish Characters, published by Hannah Humphrey, 1822 (coloured enrgaving)

Gillray, James (1757-1815)

Thirty Years have I lived in the parish of Covent Garden, published by Hannah Humphrey, 1797 (coloured engraving)
Thirty Years have I lived in the parish of Covent Garden, published by Hannah Humphrey, 1797 (coloured engraving)

NCO253704: Thirty Years have I lived in the parish of Covent Garden, published by Hannah Humphrey, 1797 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO253704

Thirty Years have I lived in the parish of Covent Garden, published by Hannah Humphrey, 1797 (coloured engraving)

Gillray, James (1757-1815)

'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving)
'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving)

NCO253723: 'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO253723

'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving)

Gillray, James (1757-1815)

The Theatrical Bubble: being a new specimen of the astonishing Powers of the great Politico-Punchinello in the Art of Dramatic Puffing, pub. 1805 (hand coloured engraving)
The Theatrical Bubble: being a new specimen of the astonishing Powers of the great Politico-Punchinello in the Art of Dramatic Puffing, pub. 1805 (hand coloured engraving)

STC3051751: The Theatrical Bubble: being a new specimen of the astonishing Powers of the great Politico-Punchinello in the Art of Dramatic Puffing, pub. 1805 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3051751

The Theatrical Bubble: being a new specimen of the astonishing Powers of the great Politico-Punchinello in the Art of Dramatic Puffing, pub. 1805 (hand coloured engraving)

Gillray, James (1757-1815)

The Rakes Progress at the University. No. 3, pub. 1806 (hand coloured engraving)
The Rakes Progress at the University. No. 3, pub. 1806 (hand coloured engraving)

STC3051759: The Rakes Progress at the University. No. 3, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3051759

The Rakes Progress at the University. No. 3, pub. 1806 (hand coloured engraving)

Gillray, James (1757-1815)

The Man of Feeling in search of Indispensibles; a scene at the little French Milliners, pub. 1800 (hand coloured engraving)
The Man of Feeling in search of Indispensibles; a scene at the little French Milliners, pub. 1800 (hand coloured engraving)

STC3051741: The Man of Feeling in search of Indispensibles; a scene at the little French Milliners, pub. 1800 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3051741

The Man of Feeling in search of Indispensibles; a scene at the little French Milliners, pub. 1800 (hand coloured engraving)

Gillray, James (1757-1815)

Advantages of wearing Muslin Dresses!, pub. 1802 (hand coloured engraving)
Advantages of wearing Muslin Dresses!, pub. 1802 (hand coloured engraving)

STC3051748: Advantages of wearing Muslin Dresses!, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3051748

Advantages of wearing Muslin Dresses!, pub. 1802 (hand coloured engraving)

Gillray, James (1757-1815)

Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, pub. 1804 (hand coloured engraving)
Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, pub. 1804 (hand coloured engraving)

STC3051749: Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, pub. 1804 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3051749

Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, pub. 1804 (hand coloured engraving)

Gillray, James (1757-1815)

John Bull and The Sinking Fund - a Petty scheme for Reducing the Taxes & paying off the National Debt, pub. H Humphrey, London, 1807 (hand-coloured engaving)
John Bull and The Sinking Fund - a Petty scheme for Reducing the Taxes & paying off the National Debt, pub. H Humphrey, London, 1807 (hand-coloured engaving)

STC872450: John Bull and The Sinking Fund - a Petty scheme for Reducing the Taxes & paying off the National Debt, pub. H Humphrey, London, 1807 (hand-coloured engaving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC872450

John Bull and The Sinking Fund - a Petty scheme for Reducing the Taxes & paying off the National Debt, pub. H Humphrey, London, 1807 (hand-coloured engaving)

Gillray, James (1757-1815)

A Squall, pub. H Humphrey, London, 1810 (hand-coloured engraving)
A Squall, pub. H Humphrey, London, 1810 (hand-coloured engraving)

STC872459: A Squall, pub. H Humphrey, London, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC872459

A Squall, pub. H Humphrey, London, 1810 (hand-coloured engraving)

Gillray, James (1757-1815)

High Change in Bond Street, Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway.
High Change in Bond Street, Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway.

LZT1012626: High Change in Bond Street, Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012626

High Change in Bond Street, Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway.

Gillray, James (1757-1815)

L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government.
L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government.

LZT1012674: L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012674

L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government.

Gillray, James (1757-1815)

Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.
Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.

LZT1012632: Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012632

Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.

Gillray, James (1757-1815)

The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden
The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden

LZT1012664: The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden, Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012664

The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden

Gillray, James (1757-1815)

'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)
'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)

STC1275083: 'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: STC1275083

'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will, 1791 (hand-coloured etching)
Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will, 1791 (hand-coloured etching)

STC2562145: Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will, 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2562145

Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will, 1791 (hand-coloured etching)

Gillray, James (1757-1815)

The Bridal-Night, 1797 (hand-coloured etching)
The Bridal-Night, 1797 (hand-coloured etching)

STC2562192: The Bridal-Night, 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2562192

The Bridal-Night, 1797 (hand-coloured etching)

Gillray, James (1757-1815)

The Contrast, 1792 (engraving)
The Contrast, 1792 (engraving)

NCO2632304: The Contrast, 1792 (engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO2632304

The Contrast, 1792 (engraving)

Gillray, James (1757-1815)

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632315: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO2632315

The Life of William Cobbett, written by himself (coloured engraving)

Gillray, James (1757-1815)

View of the Hustings in Covent Garden – Vide. The Westminster Election, November 1806 (coloured engraving)
View of the Hustings in Covent Garden – Vide. The Westminster Election, November 1806 (coloured engraving)

NCO2632287: View of the Hustings in Covent Garden – Vide. The Westminster Election, November 1806 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO2632287

View of the Hustings in Covent Garden – Vide. The Westminster Election, November 1806 (coloured engraving)

Gillray, James (1757-1815)

Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings, 1806 (coloured engraving)
Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings, 1806 (coloured engraving)

NCO2632300: Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings, 1806 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO2632300

Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings, 1806 (coloured engraving)

Gillray, James (1757-1815)

Portrait of an Irish Chief: drawn from Life at Wexford, 1798 (coloured engraving)
Portrait of an Irish Chief: drawn from Life at Wexford, 1798 (coloured engraving)

NCO2632311: Portrait of an Irish Chief: drawn from Life at Wexford, 1798 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO2632311

Portrait of an Irish Chief: drawn from Life at Wexford, 1798 (coloured engraving)

Gillray, James (1757-1815)

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632316: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO2632316

The Life of William Cobbett, written by himself (coloured engraving)

Gillray, James (1757-1815)

Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching)
Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching)

STC2489003: Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2489003

Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching)

Gillray, James (1757-1815)

Integrity retiring from Office!, pub. 1801 (hand coloured engraving)
Integrity retiring from Office!, pub. 1801 (hand coloured engraving)

STC2490981: Integrity retiring from Office!, pub. 1801 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2490981

Integrity retiring from Office!, pub. 1801 (hand coloured engraving)

Gillray, James (1757-1815)

The Dutch Divisions, pub. 1787 (hand coloured engraving)
The Dutch Divisions, pub. 1787 (hand coloured engraving)

STC2962475: The Dutch Divisions, pub. 1787 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2962475

The Dutch Divisions, pub. 1787 (hand coloured engraving)

Gillray, James (1757-1815)

Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub. 1785 (hand coloured engraving)
Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub. 1785 (hand coloured engraving)

STC2962526: Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub. 1785 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2962526

Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub. 1785 (hand coloured engraving)

Gillray, James (1757-1815)

At Church, pub. 1791 (hand coloured engraving)
At Church, pub. 1791 (hand coloured engraving)

STC2962490: At Church, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2962490

At Church, pub. 1791 (hand coloured engraving)

Gillray, James (1757-1815)

Despair, pub. 1802 (hand coloured engraving)
Despair, pub. 1802 (hand coloured engraving)

STC2962486: Despair, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2962486

Despair, pub. 1802 (hand coloured engraving)

Gillray, James (1757-1815)

A Peep into Lady W!!!!!y's Seraglio, pub. 1782 (hand coloured engraving)
A Peep into Lady W!!!!!y's Seraglio, pub. 1782 (hand coloured engraving)

STC2962487: A Peep into Lady W!!!!!y's Seraglio, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2962487

A Peep into Lady W!!!!!y's Seraglio, pub. 1782 (hand coloured engraving)

Gillray, James (1757-1815)

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub. 1782 (hand coloured engraving)
Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub. 1782 (hand coloured engraving)

STC2962523: Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2962523

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub. 1782 (hand coloured engraving)

Gillray, James (1757-1815)

Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)
Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)

STC2966891: Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2966891

Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)

Gillray, James (1757-1815)

Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub. (hand coloured engraving)
Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub. (hand coloured engraving)

STC2966805: Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub. (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2966805

Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub. (hand coloured engraving)

Gillray, James (1757-1815)


Back to top