Gillray, James (1757-1815) Assets (1003 in total)

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Symptoms of Deep Thinking, published by Hannah Humphrey in 1800 (hand-coloured etching)
Symptoms of Deep Thinking, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO191265: Symptoms of Deep Thinking, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Standing-Dish at Boodles, vide 'a d__d good Cocoa Tree Pun', published by Hannah Humphrey in 1800 (hand coloured etching)
A Standing-Dish at Boodles, vide 'a d__d good Cocoa Tree Pun', published by Hannah Humphrey in 1800 (hand coloured etching)

NCO192593: A Standing-Dish at Boodles, vide 'a d__d good Cocoa Tree Pun', published by Hannah Humphrey in 1800 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Bishop of a Tun's Breeches, or The Flaming Eveque purifying the House of Office, published by Hannah Humphrey in 1792 (hand-coloured etching)
The Bishop of a Tun's Breeches, or The Flaming Eveque purifying the House of Office, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO192597: The Bishop of a Tun's Breeches, or The Flaming Eveque purifying the House of Office, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Patriotic Petitions on the Convention, published by Hannah Humphrey (hand-coloured etching)
Patriotic Petitions on the Convention, published by Hannah Humphrey (hand-coloured etching)

NCO193107: Patriotic Petitions on the Convention, published by Hannah Humphrey (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Visit to Piccadilly, or A Prussian Reception, published by Hannah Humphrey in 1793 (hand-coloured etching)
The Visit to Piccadilly, or A Prussian Reception, published by Hannah Humphrey in 1793 (hand-coloured etching)

NCO193110: The Visit to Piccadilly, or A Prussian Reception, published by Hannah Humphrey in 1793 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The State Waggoner and John Bull, or The Waggon too much for the Donkeys! published by Hannah Humphrey in 1804 (hand-coloured etching)
The State Waggoner and John Bull, or The Waggon too much for the Donkeys! published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO193151: The State Waggoner and John Bull, or The Waggon too much for the Donkeys! published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Meeting of Unfortunate Citoyens, published by Hannah Humphrey in 1798 (hand-coloured etching)
Meeting of Unfortunate Citoyens, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193160: Meeting of Unfortunate Citoyens, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

More Pigs than Teats, published by Hannah Humphrey in 1806 (hand-coloured etching)
More Pigs than Teats, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO190483: More Pigs than Teats, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Evening Consolation, published by William Humphrey in 1785 (hand-coloured etching)
Evening Consolation, published by William Humphrey in 1785 (hand-coloured etching)

NCO191202: Evening Consolation, published by William Humphrey in 1785 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Georgey a' Cockhorse, published by Hannah Humphrey in 1796 (hand-coloured etching)
Georgey a' Cockhorse, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191229: Georgey a' Cockhorse, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The York Minuet, published by Hannah Humphrey in 1791 (etching)
The York Minuet, published by Hannah Humphrey in 1791 (etching)

NCO191246: The York Minuet, published by Hannah Humphrey in 1791 (etching), Gillray, James (1757-1815) / Bridgeman Images

Mental Energy, published by Hannah Humphrey in 1801 (hand-coloured etching)
Mental Energy, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO191255: Mental Energy, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Sketch for a Monument of Disappointed Justice, published by Hannah Humphrey in 1806 (hand-coloured etching)
Sketch for a Monument of Disappointed Justice, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO192599: Sketch for a Monument of Disappointed Justice, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787 (hand-coloured etching)
The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787 (hand-coloured etching)

NCO193109: The Prince at Grass and The Prince in Clover, published by S.W. Fores in 1787 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Polonius, published by Hannah Humphrey in 1795 (hand-coloured etching)
Polonius, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO193115: Polonius, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Pacific Entrance of Earl-Wolf into Blackhaven, published by Hannah Humphrey in 1792 (hand-coloured etching)
The Pacific Entrance of Earl-Wolf into Blackhaven, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO193190: The Pacific Entrance of Earl-Wolf into Blackhaven, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The House that Jack Built, published by Walker in 1809 (hand-coloured etching)
The House that Jack Built, published by Walker in 1809 (hand-coloured etching)

BBC193404: The House that Jack Built, published by Walker in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Good Shot, or Billy-Ranger the Game-Keeper in a fine Sporting Country, published by Hannah Humphrey in 1792 (hand-coloured etching)
A Good Shot, or Billy-Ranger the Game-Keeper in a fine Sporting Country, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO193189: A Good Shot, or Billy-Ranger the Game-Keeper in a fine Sporting Country, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Here lie the Remains of the Requisition, 1784 (engraving)
Here lie the Remains of the Requisition, 1784 (engraving)

NCO253707: Here lie the Remains of the Requisition, 1784 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Little Snuggerer (coloured engraving)
The Little Snuggerer (coloured engraving)

NCO253716: The Little Snuggerer (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby.
Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby.

LZT1012533: Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby., Gillray, James (1757-1815) / Bridgeman Images

Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains.
Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains.

LZT1012647: Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains., Gillray, James (1757-1815) / Bridgeman Images

Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806,  Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William  Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon.
Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806,  Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William  Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon.

LZT1012650: Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806, Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon., Gillray, James (1757-1815) / Bridgeman Images

The Prince of Wales, 1802 (hand-coloured etching)
The Prince of Wales, 1802 (hand-coloured etching)

BLL1203617: The Prince of Wales, 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Cooling the Brain or the Little Major shaving the Shaver, pub. 1789 (hand coloured engraving)
Cooling the Brain or the Little Major shaving the Shaver, pub. 1789 (hand coloured engraving)

STC2962478: Cooling the Brain or the Little Major shaving the Shaver, pub. 1789 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Counsellor O.P. - defender of our Theatric Liberties (coloured engraving)
Counsellor O.P. - defender of our Theatric Liberties (coloured engraving)

LLJ586338: Counsellor O.P. - defender of our Theatric Liberties (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Duet, pub. 1792 (hand coloured engraving)
A Duet, pub. 1792 (hand coloured engraving)

STC3025380: A Duet, pub. 1792 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Injured Count,,,S, pub. 1786 (hand coloured engraving)
The Injured Count,,,S, pub. 1786 (hand coloured engraving)

STC3025938: The Injured Count,,,S, pub. 1786 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Guy-Vaux and Judas-Iscariot, pub. 1782 (hand coloured engraving)
Guy-Vaux and Judas-Iscariot, pub. 1782 (hand coloured engraving)

STC2962471: Guy-Vaux and Judas-Iscariot, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Evening Consolation, pub. 1785 (hand coloured engraving)
Evening Consolation, pub. 1785 (hand coloured engraving)

STC2962527: Evening Consolation, pub. 1785 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Siege de la Colonne de Pompee, Science in the Pillory, pub. 1799 (hand coloured engraving)
Siege de la Colonne de Pompee, Science in the Pillory, pub. 1799 (hand coloured engraving)

STC2966824: Siege de la Colonne de Pompee, Science in the Pillory, pub. 1799 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

National Conveniences, pub. 1796 (hand coloured engraving)
National Conveniences, pub. 1796 (hand coloured engraving)

STC3035661: National Conveniences, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Marriage of Cupid & Psyche, pub. 1797 (hand coloured engraving)
The Marriage of Cupid & Psyche, pub. 1797 (hand coloured engraving)

STC3035678: The Marriage of Cupid & Psyche, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Pillars of the Consitution: Three o'Clock & a Cloudy Morning, 1809 (hand-coloured etching)
Pillars of the Consitution: Three o'Clock & a Cloudy Morning, 1809 (hand-coloured etching)

BAL42764: Pillars of the Consitution: Three o'Clock & a Cloudy Morning, 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Marriage of Cupid & Psyche, 1797 (hand-coloured engraving)
The Marriage of Cupid & Psyche, 1797 (hand-coloured engraving)

BAL42772: The Marriage of Cupid & Psyche, 1797 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

'Discipline A La Kenyon', March 25th 1797 (hand-coloured etching)
'Discipline A La Kenyon', March 25th 1797 (hand-coloured etching)

BAL42784: 'Discipline A La Kenyon', March 25th 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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