Gillray, James (1757-1815) Assets (1002 in total)

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Polonius, 1795 (coloured engraving)
Polonius, 1795 (coloured engraving)

HRP2624914: Polonius, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Argus, 1780 (engraving)
Argus, 1780 (engraving)

HRP2624866: Argus, 1780 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Rodney Introducing De Grasse, 1782 (coloured engraving)
Rodney Introducing De Grasse, 1782 (coloured engraving)

HRP2624872: Rodney Introducing De Grasse, 1782 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A new way to pay the National Debt, 1786 (coloured engraving)
A new way to pay the National Debt, 1786 (coloured engraving)

HRP2624884: A new way to pay the National Debt, 1786 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Guy Vaux, 1782 (coloured engraving)
Guy Vaux, 1782 (coloured engraving)

HRP2624873: Guy Vaux, 1782 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Jack a' Both Sides, 1783 (coloured engraving)
Jack a' Both Sides, 1783 (coloured engraving)

HRP2624876: Jack a' Both Sides, 1783 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Ancient Music, 1787 (coloured engraving)
Ancient Music, 1787 (coloured engraving)

HRP2624888: Ancient Music, 1787 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Gout, 1799 (hand-coloured soft-ground etching on wove paper)
The Gout, 1799 (hand-coloured soft-ground etching on wove paper)

ONT995994: The Gout, 1799 (hand-coloured soft-ground etching on wove paper), Gillray, James (1757-1815) / Bridgeman Images

A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)
A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)

HST2908325: A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper), Gillray, James (1757-1815) / Bridgeman Images

Malagrida, driving post, 1792 (etching)
Malagrida, driving post, 1792 (etching)

HRP2966589: Malagrida, driving post, 1792 (etching), Gillray, James (1757-1815) / Bridgeman Images

The State Watchman Discovered by the Genius of Britain, 1781
The State Watchman Discovered by the Genius of Britain, 1781

HRP5245424: The State Watchman Discovered by the Genius of Britain, 1781, Gillray, James (1757-1815) / Bridgeman Images

Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805
Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805

EVB2931185: Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805, Gillray, James (1757-1815) / Bridgeman Images

The Gordon Knot or
The Gordon Knot or

HST3083640: The Gordon Knot or "The Bonny-Duchess Hunting the Bedfordshire Bull", published April 29, 1797 (etching on wove paper), Gillray, James (1757-1815) / Bridgeman Images

A Noble Lord on an Approaching Peace too Busy to Attend to the Expenditure of a Million of the Public Money [verso], 1787-1789 (etching on paper)
A Noble Lord on an Approaching Peace too Busy to Attend to the Expenditure of a Million of the Public Money [verso], 1787-1789 (etching on paper)

HST3083722: A Noble Lord on an Approaching Peace too Busy to Attend to the Expenditure of a Million of the Public Money [verso], 1787-1789 (etching on paper), Gillray, James (1757-1815) / Bridgeman Images

NCO89954: "Pylades and Orestes", pub. by Hannah Humphrey, 1797 (etching), Gillray, James (1757-1815) / Bridgeman Images

NCO89959: "A Little Music, or the Delights of Harmony", pub. by Hannah Humphrey, 1810 (etching), Gillray, James (1757-1815) / Bridgeman Images

NCO89943: "Lordly Elevation", pub. by Hannah Humphrey, 1802 (etching), Gillray, James (1757-1815) / Bridgeman Images

'Nightly Visitors at St. Ann's Hill:
'Nightly Visitors at St. Ann's Hill:

TPG123759: 'Nightly Visitors at St. Ann's Hill: "In Glided Edward's Pale-Eyed Ghost And Stood at Carlo's Feet"', pub. by H. Humphrey, 1798 (etching), Gillray, James (1757-1815) / Bridgeman Images

Counsellor O.P. - defender of our Theatric Liberties (coloured engraving)
Counsellor O.P. - defender of our Theatric Liberties (coloured engraving)

LLJ586338: Counsellor O.P. - defender of our Theatric Liberties (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)
Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)

LLJ586397: Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Bar Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Bar Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260497: Bar Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

Une Femme d'Esprit, published by Hannah Humphrey, 1795 (coloured engraving)
Une Femme d'Esprit, published by Hannah Humphrey, 1795 (coloured engraving)

NCO253700: Une Femme d'Esprit, published by Hannah Humphrey, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Here lie the Remains of the Requisition, 1784 (engraving)
Here lie the Remains of the Requisition, 1784 (engraving)

NCO253707: Here lie the Remains of the Requisition, 1784 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Little Snuggerer (coloured engraving)
The Little Snuggerer (coloured engraving)

NCO253716: The Little Snuggerer (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Hero's Recruiting at Kelsey's or Guard Day at St. James's, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, Two Officers, on a Tall, Lanky, Elderly Man and the Other a Child, Sit Facing Each Other Eating Sweets at a Confectioner's. A Third Officer, Fat and Knock-Kneed, Stands Guard in the Doorway. The Windows of the Shop Are Full of Various Fruits and Sweets.
Hero's Recruiting at Kelsey's or Guard Day at St. James's, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, Two Officers, on a Tall, Lanky, Elderly Man and the Other a Child, Sit Facing Each Other Eating Sweets at a Confectioner's. A Third Officer, Fat and Knock-Kneed, Stands Guard in the Doorway. The Windows of the Shop Are Full of Various Fruits and Sweets.

LZT1012627: Hero's Recruiting at Kelsey's or Guard Day at St. James's, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, Two Officers, on a Tall, Lanky, Elderly Man and the Other a Child, Sit Facing Each Other Eating Sweets at a Confectioner's. A Third Officer, Fat and Knock-Kneed, Stands Guard in the Doorway. The Windows of the Shop Are Full of Various Fruits and Sweets., Gillray, James (1757-1815) / Bridgeman Images

Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby.
Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby.

LZT1012533: Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby., Gillray, James (1757-1815) / Bridgeman Images

Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains.
Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains.

LZT1012647: Britannia Between Death and the Doctor's, Gillray, James, 1756-1815, Artist, [London], 1804, a Faint Britannia Seated on Bed with Three Doctors, William Pitt Kicking Henry Addington and Stepping on Charles James Fox. The Figure of Death, with Napoleon's Head, Strides from behind Bed Curtains., Gillray, James (1757-1815) / Bridgeman Images

Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806,  Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William  Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon.
Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806,  Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William  Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon.

LZT1012650: Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806, Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon., Gillray, James (1757-1815) / Bridgeman Images

Pillars of the Consitution: Three o'Clock & a Cloudy Morning, 1809 (hand-coloured etching)
Pillars of the Consitution: Three o'Clock & a Cloudy Morning, 1809 (hand-coloured etching)

BAL42764: Pillars of the Consitution: Three o'Clock & a Cloudy Morning, 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

'Discipline A La Kenyon', March 25th 1797 (hand-coloured etching)
'Discipline A La Kenyon', March 25th 1797 (hand-coloured etching)

BAL42784: 'Discipline A La Kenyon', March 25th 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Satirical Cartoon in the Daily Advertiser regarding Dundas' Speech in the House of Commons, 1797
Satirical Cartoon in the Daily Advertiser regarding Dundas' Speech in the House of Commons, 1797

BAL42773: Satirical Cartoon in the Daily Advertiser regarding Dundas' Speech in the House of Commons, 1797, Gillray, James (1757-1815) / Bridgeman Images

The Marriage of Cupid & Psyche, 1797 (hand-coloured engraving)
The Marriage of Cupid & Psyche, 1797 (hand-coloured engraving)

BAL42772: The Marriage of Cupid & Psyche, 1797 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Military Caricaturist, published by Hannah Humphrey in 1799 (hand-coloured etching)
The Military Caricaturist, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189795: The Military Caricaturist, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Patriotic Regeneration, -Viz.- Parliament Reform'd A la Francoise, - That Is- Honest Men (i.e. Opposition) in the Seat of Justice, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint)
Patriotic Regeneration, -Viz.- Parliament Reform'd A la Francoise, - That Is- Honest Men (i.e. Opposition) in the Seat of Justice, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint)

NCO189756: Patriotic Regeneration, -Viz.- Parliament Reform'd A la Francoise, - That Is- Honest Men (i.e. Opposition) in the Seat of Justice, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

A Master of Ceremonies, published by Hannah Humphrey in 1803 (etching)
A Master of Ceremonies, published by Hannah Humphrey in 1803 (etching)

NCO190110: A Master of Ceremonies, published by Hannah Humphrey in 1803 (etching), Gillray, James (1757-1815) / Bridgeman Images

Equestrian Elegance, or A Noble Scot, metamorphosed, published by Hannah Humphrey in 1803 (hand-coloured etching)
Equestrian Elegance, or A Noble Scot, metamorphosed, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO190119: Equestrian Elegance, or A Noble Scot, metamorphosed, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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