Gillray, James (1757-1815) Assets (1003 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint)
A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint)

BAL42766: A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)
Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)

NRM259570: Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Polonius, 1795 (coloured engraving)
Polonius, 1795 (coloured engraving)

HRP2624914: Polonius, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Guy Vaux, 1782 (coloured engraving)
Guy Vaux, 1782 (coloured engraving)

HRP2624873: Guy Vaux, 1782 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Jack a' Both Sides, 1783 (coloured engraving)
Jack a' Both Sides, 1783 (coloured engraving)

HRP2624876: Jack a' Both Sides, 1783 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Ancient Music, 1787 (coloured engraving)
Ancient Music, 1787 (coloured engraving)

HRP2624888: Ancient Music, 1787 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Finishing Touch and La Derniere Ressource, 1791 (hand-coloured etching)
The Finishing Touch and La Derniere Ressource, 1791 (hand-coloured etching)

HRP2624544: The Finishing Touch and La Derniere Ressource, 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Argus, 1780 (engraving)
Argus, 1780 (engraving)

HRP2624866: Argus, 1780 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Rodney Introducing De Grasse, 1782 (coloured engraving)
Rodney Introducing De Grasse, 1782 (coloured engraving)

HRP2624872: Rodney Introducing De Grasse, 1782 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A new way to pay the National Debt, 1786 (coloured engraving)
A new way to pay the National Debt, 1786 (coloured engraving)

HRP2624884: A new way to pay the National Debt, 1786 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)
A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)

HST2908325: A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper), Gillray, James (1757-1815) / Bridgeman Images

The Gout, 1799 (hand-coloured soft-ground etching on wove paper)
The Gout, 1799 (hand-coloured soft-ground etching on wove paper)

ONT995994: The Gout, 1799 (hand-coloured soft-ground etching on wove paper), Gillray, James (1757-1815) / Bridgeman Images

And Adam had Power over all the Beasts of the Earth, 1780 (coloured engraving)
And Adam had Power over all the Beasts of the Earth, 1780 (coloured engraving)

HRP2624865: And Adam had Power over all the Beasts of the Earth, 1780 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805
Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805

EVB2931185: Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805, Gillray, James (1757-1815) / Bridgeman Images

Malagrida, driving post, 1792 (etching)
Malagrida, driving post, 1792 (etching)

HRP2966589: Malagrida, driving post, 1792 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Gordon Knot or
The Gordon Knot or

HST3083640: The Gordon Knot or "The Bonny-Duchess Hunting the Bedfordshire Bull", published April 29, 1797 (etching on wove paper), Gillray, James (1757-1815) / Bridgeman Images

A Noble Lord on an Approaching Peace too Busy to Attend to the Expenditure of a Million of the Public Money [verso], 1787-1789 (etching on paper)
A Noble Lord on an Approaching Peace too Busy to Attend to the Expenditure of a Million of the Public Money [verso], 1787-1789 (etching on paper)

HST3083722: A Noble Lord on an Approaching Peace too Busy to Attend to the Expenditure of a Million of the Public Money [verso], 1787-1789 (etching on paper), Gillray, James (1757-1815) / Bridgeman Images

The State Watchman Discovered by the Genius of Britain, 1781
The State Watchman Discovered by the Genius of Britain, 1781

HRP5245424: The State Watchman Discovered by the Genius of Britain, 1781, Gillray, James (1757-1815) / Bridgeman Images

NCO89943: "Lordly Elevation", pub. by Hannah Humphrey, 1802 (etching), Gillray, James (1757-1815) / Bridgeman Images

NCO89954: "Pylades and Orestes", pub. by Hannah Humphrey, 1797 (etching), Gillray, James (1757-1815) / Bridgeman Images

NCO89959: "A Little Music, or the Delights of Harmony", pub. by Hannah Humphrey, 1810 (etching), Gillray, James (1757-1815) / Bridgeman Images

Patriotic Regeneration, -Viz.- Parliament Reform'd A la Francoise, - That Is- Honest Men (i.e. Opposition) in the Seat of Justice, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint)
Patriotic Regeneration, -Viz.- Parliament Reform'd A la Francoise, - That Is- Honest Men (i.e. Opposition) in the Seat of Justice, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint)

NCO189756: Patriotic Regeneration, -Viz.- Parliament Reform'd A la Francoise, - That Is- Honest Men (i.e. Opposition) in the Seat of Justice, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Siege de la Colonne de Pompee, or Science in the Pillory, published by H. Humphrey in 1799 (etching, engraving & w/c)
Siege de la Colonne de Pompee, or Science in the Pillory, published by H. Humphrey in 1799 (etching, engraving & w/c)

NCO189732: Siege de la Colonne de Pompee, or Science in the Pillory, published by H. Humphrey in 1799 (etching, engraving & w/c), Gillray, James (1757-1815) / Bridgeman Images

Bar Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Bar Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260497: Bar Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching)
A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching)

NCO189759: A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching), Gillray, James (1757-1815) / Bridgeman Images

Characters in High Life, published by Hannah Humphrey in 1795 (hand-coloured etching)
Characters in High Life, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO189771: Characters in High Life, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Counsellor O.P. - defender of our Theatric Liberties (coloured engraving)
Counsellor O.P. - defender of our Theatric Liberties (coloured engraving)

LLJ586338: Counsellor O.P. - defender of our Theatric Liberties (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)
Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)

LLJ586397: Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Here lie the Remains of the Requisition, 1784 (engraving)
Here lie the Remains of the Requisition, 1784 (engraving)

NCO253707: Here lie the Remains of the Requisition, 1784 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Little Snuggerer (coloured engraving)
The Little Snuggerer (coloured engraving)

NCO253716: The Little Snuggerer (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Une Femme d'Esprit, published by Hannah Humphrey, 1795 (coloured engraving)
Une Femme d'Esprit, published by Hannah Humphrey, 1795 (coloured engraving)

NCO253700: Une Femme d'Esprit, published by Hannah Humphrey, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Marriage of Cupid and Psyche, published by Hannah Humphrey in 1797 (etching)
The Marriage of Cupid and Psyche, published by Hannah Humphrey in 1797 (etching)

NCO189743: The Marriage of Cupid and Psyche, published by Hannah Humphrey in 1797 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Military Caricaturist, published by Hannah Humphrey in 1799 (hand-coloured etching)
The Military Caricaturist, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189795: The Military Caricaturist, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Gambling in society (engraving)
Gambling in society (engraving)

LLM3635121: Gambling in society (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Prince of Wales, 1802 (hand-coloured etching)
The Prince of Wales, 1802 (hand-coloured etching)

BLL1203617: The Prince of Wales, 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806,  Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William  Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon.
Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806,  Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William  Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon.

LZT1012650: Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806, Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon., Gillray, James (1757-1815) / Bridgeman Images


Back to top