Gillray, James (1757-1815) Assets (1002 in total)

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Apothecaries, Taylors, etc. conquering France and Spain, pub. 1779 (hand coloured engraving)
Apothecaries, Taylors, etc. conquering France and Spain, pub. 1779 (hand coloured engraving)

STC2962521: Apothecaries, Taylors, etc. conquering France and Spain, pub. 1779 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The National Parachute or John Bull conducted to Plenty and Emancipation, pub. 1802 (hand coloured engraving)
The National Parachute or John Bull conducted to Plenty and Emancipation, pub. 1802 (hand coloured engraving)

STC2966832: The National Parachute or John Bull conducted to Plenty and Emancipation, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Hackney Meeting, pub. 1796 (hand coloured engraving)
A Hackney Meeting, pub. 1796 (hand coloured engraving)

STC2966806: A Hackney Meeting, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Opposition Telegraphs, or the little second-sighted Lawyer giving a true specimen of Patriotic Information, pub. 1798 (hand coloured engraving)
Opposition Telegraphs, or the little second-sighted Lawyer giving a true specimen of Patriotic Information, pub. 1798 (hand coloured engraving)

STC2966819: Opposition Telegraphs, or the little second-sighted Lawyer giving a true specimen of Patriotic Information, pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Funeral Procession of Miss Regency, pub. 1789 (hand coloured engraving)
The Funeral Procession of Miss Regency, pub. 1789 (hand coloured engraving)

STC2966800: The Funeral Procession of Miss Regency, pub. 1789 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)
Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)

STC2966888: Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The accomodating spouse; Tyr-nn-es delight! - coming York over her; - or what you like,  pub. 1789  (hand coloured engraving)
The accomodating spouse; Tyr-nn-es delight! - coming York over her; - or what you like,  pub. 1789  (hand coloured engraving)

STC3025369: The accomodating spouse; Tyr-nn-es delight! - coming York over her; - or what you like, pub. 1789 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Her Royal Highness the Duchess of York, pub. 1792 (hand coloured engraving)
Her Royal Highness the Duchess of York, pub. 1792 (hand coloured engraving)

STC3025379: Her Royal Highness the Duchess of York, pub. 1792 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving)
Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving)

STC3025364: Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Give me the Sweet Delight of Love, a Catch, pub. 1781 (hand coloured engraving)
Give me the Sweet Delight of Love, a Catch, pub. 1781 (hand coloured engraving)

STC3025935: Give me the Sweet Delight of Love, a Catch, pub. 1781 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

….this is a Sorry Sight! Pub. 1786 (hand coloured engraving)
….this is a Sorry Sight! Pub. 1786 (hand coloured engraving)

STC3025945: ….this is a Sorry Sight! Pub. 1786 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Finishing Touch, pub. 1791 (hand colured engraving)
The Finishing Touch, pub. 1791 (hand colured engraving)

STC3025372: The Finishing Touch, pub. 1791 (hand colured engraving), Gillray, James (1757-1815) / Bridgeman Images

Results of a French invasion of Britain, 19th century (engraving)
Results of a French invasion of Britain, 19th century (engraving)

DTO3031108: Results of a French invasion of Britain, 19th century (engraving), Gillray, James (1757-1815) / Bridgeman Images

Fat Cattle, pub. 1802 (hand coloured engraving)
Fat Cattle, pub. 1802 (hand coloured engraving)

STC3051746: Fat Cattle, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Lordly Elevation, pub. 1802 (hand coloured engraving)
Lordly Elevation, pub. 1802 (hand coloured engraving)

STC3051745: Lordly Elevation, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving)
Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving)

STC2562157: Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving)
High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving)

STC2562156: High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)
A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)

STC2490075: A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)
Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)

STC2490672: Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day.
A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day.

LZT1012595: A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day., Gillray, James (1757-1815) / Bridgeman Images

A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings.
A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings.

LZT1012649: A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings., Gillray, James (1757-1815) / Bridgeman Images

The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown.
The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown.

LZT1012635: The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown., Gillray, James (1757-1815) / Bridgeman Images

A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown.
A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown.

LZT1012636: A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown., Gillray, James (1757-1815) / Bridgeman Images

The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.
The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.

LZT1012634: The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other., Gillray, James (1757-1815) / Bridgeman Images

Ancient Music, pub. 1787 (hand coloured etching)
Ancient Music, pub. 1787 (hand coloured etching)

STC2636964: Ancient Music, pub. 1787 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)
Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)

STC2636968: Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Death of the Great Wolf, 1795 (coloured engraving)
The Death of the Great Wolf, 1795 (coloured engraving)

NCO2632323: The Death of the Great Wolf, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Bottomless Pitt, 1792 (engraving)
The Bottomless Pitt, 1792 (engraving)

NCO2632292: The Bottomless Pitt, 1792 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Death of a Corsican Fox – Scene the last of the Royal-Hunt, 1803 (coloured engraving)
Death of a Corsican Fox – Scene the last of the Royal-Hunt, 1803 (coloured engraving)

NCO2632312: Death of a Corsican Fox – Scene the last of the Royal-Hunt, 1803 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself, 1809 (coloured engraving)
The Life of William Cobbett, written by himself, 1809 (coloured engraving)

NCO2632322: The Life of William Cobbett, written by himself, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Pigs Possessed, or the Broad bottom’d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving)
The Pigs Possessed, or the Broad bottom’d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving)

NCO2632306: The Pigs Possessed, or the Broad bottom’d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving)
Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving)

NCO2632308: Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Taking Physick, 1800 (coloured engraving)
Taking Physick, 1800 (coloured engraving)

NCO2632324: Taking Physick, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

National conveniences, 1769 (engraving, watercolour)
National conveniences, 1769 (engraving, watercolour)

FIA5379827: National conveniences, 1769 (engraving, watercolour), Gillray, James (1757-1815) / Bridgeman Images

FIA5360457: "The look at Christie's", 1796 (watercolour), Gillray, James (1757-1815) / Bridgeman Images

Retribution: Tarring and Feathering, or The Patriot's Revenge, pub. 1795, (hand coloured engraving)
Retribution: Tarring and Feathering, or The Patriot's Revenge, pub. 1795, (hand coloured engraving)

STC4071334: Retribution: Tarring and Feathering, or The Patriot's Revenge, pub. 1795, (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images


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