Gillray, James (1757-1815) Assets (983 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

The Contrast, 1792 (engraving)
The Contrast, 1792 (engraving)

NCO2632304: The Contrast, 1792 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune (coloured engraving)
Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune (coloured engraving)

NCO2632307: Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Portrait of an Irish Chief: drawn from Life at Wexford, 1798 (coloured engraving)
Portrait of an Irish Chief: drawn from Life at Wexford, 1798 (coloured engraving)

NCO2632311: Portrait of an Irish Chief: drawn from Life at Wexford, 1798 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632315: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632316: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself, 1809 (coloured engraving)
The Life of William Cobbett, written by himself, 1809 (coloured engraving)

NCO2632320: The Life of William Cobbett, written by himself, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)
A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)

HST2908325: A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper), Gillray, James (1757-1815) / Bridgeman Images

Guy Vaux, 1782 (coloured engraving)
Guy Vaux, 1782 (coloured engraving)

HRP2624873: Guy Vaux, 1782 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Jack a' Both Sides, 1783 (coloured engraving)
Jack a' Both Sides, 1783 (coloured engraving)

HRP2624876: Jack a' Both Sides, 1783 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A new way to pay the National Debt, 1786 (coloured engraving)
A new way to pay the National Debt, 1786 (coloured engraving)

HRP2624884: A new way to pay the National Debt, 1786 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Ancient Music, 1787 (coloured engraving)
Ancient Music, 1787 (coloured engraving)

HRP2624888: Ancient Music, 1787 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Polonius, 1795 (coloured engraving)
Polonius, 1795 (coloured engraving)

HRP2624914: Polonius, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Malagrida, driving post, 1792 (etching)
Malagrida, driving post, 1792 (etching)

HRP2966589: Malagrida, driving post, 1792 (etching), Gillray, James (1757-1815) / Bridgeman Images

NCO89947: "Counsellor O.P., defender of our Theatric Liberties", showing the burning of Covent Garden Theatre, pub. by Hannah Humphrey, 1809 (etching), Gillray, James (1757-1815) / Bridgeman Images

NCO89957: "My Poll and My Partner Joe", engraved by T. Adams, pub. by Hannah Humphrey, 1796 (etching), Gillray, James (1757-1815) / Bridgeman Images

P.265-1948
P.265-1948

FIT88863: P.265-1948 "Oh, that this too, too solid flesh would melt", quotation from Hamlet, Act I. Scene I, designed for the Shakespeare Gallery, pub. by H. Humphrey, London, 1791 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Introduction of Citizen Volpone and his suite, at Paris '(Napoleon Bonaparte; Arthur O'Connor; Elizabeth Bridget Fox (née Cane); Charles James Fox; Thomas Erskine, 1st Baron Erskine; Sir Robert Adair; Henry Richard Vassall Fox, 3rd Baron Holland; El...), English caricature by James Gillray, published by Hannah Humphrey on November 15, 1814 02.
Introduction of Citizen Volpone and his suite, at Paris '(Napoleon Bonaparte; Arthur O'Connor; Elizabeth Bridget Fox (née Cane); Charles James Fox; Thomas Erskine, 1st Baron Erskine; Sir Robert Adair; Henry Richard Vassall Fox, 3rd Baron Holland; El...), English caricature by James Gillray, published by Hannah Humphrey on November 15, 1814 02.

LSE4111960: Introduction of Citizen Volpone and his suite, at Paris '(Napoleon Bonaparte; Arthur O'Connor; Elizabeth Bridget Fox (née Cane); Charles James Fox; Thomas Erskine, 1st Baron Erskine; Sir Robert Adair; Henry Richard Vassall Fox, 3rd Baron Holland; El...), English caricature by James Gillray, published by Hannah Humphrey on November 15, 1814 02., Gillray, James (1757-1815) / Bridgeman Images

The State Watchman Discovered by the Genius of Britain, 1781
The State Watchman Discovered by the Genius of Britain, 1781

HRP5245424: The State Watchman Discovered by the Genius of Britain, 1781, Gillray, James (1757-1815) / Bridgeman Images

Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.
Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.

LZT1012632: Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace., Gillray, James (1757-1815) / Bridgeman Images

The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden
The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden

LZT1012664: The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden, Gillray, James (1757-1815) / Bridgeman Images

Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)
Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)

NRM259570: Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260495: Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)
Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189721: Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)
A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO189729: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching)
Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO189731: Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)
The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189742: The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)
Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)

NCO189770: Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching)
Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching)

NCO189790: Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning, published by Hannah Humphrey in 1808 (hand-coloured etching)
Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning, published by Hannah Humphrey in 1808 (hand-coloured etching)

NCO190116: Maecenas in pursuit of the Fine Arts, or Scene, Pall Mall; A Frosty Morning, published by Hannah Humphrey in 1808 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching)
Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching)

NCO190422: Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

Market Day, published by S.W. Fores in 1788 (hand-coloured etching)
Market Day, published by S.W. Fores in 1788 (hand-coloured etching)

NCO190431: Market Day, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)
Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)

NCO189707: Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint), Gillray, James (1757-1815) / Bridgeman Images

French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint)
French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint)

NCO190449: French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching)
Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO190460: Overthrow of the Republican Babel, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing, published by Hannah Humphrey in 1805 (hand-coloured etching & aquatint)
The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing, published by Hannah Humphrey in 1805 (hand-coloured etching & aquatint)

NCO190473: The Theatrical Bubble: being a new specimen of astonishing Powers in the great Politico-Punchinello, in the Art of Dramatic-Puffing, published by Hannah Humphrey in 1805 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images

The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190493: The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


Back to top