Gillray, James (1757-1815) Assets (1003 in total)

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Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)
Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)

STC2490672: Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Lover's Dream, 24th January 1795 (coloured engraving)
The Lover's Dream, 24th January 1795 (coloured engraving)

XCF275009: The Lover's Dream, 24th January 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Lover's Dream, 1795 (engraving)
The Lover's Dream, 1795 (engraving)

XJF153999: The Lover's Dream, 1795 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Parasols, for 1795,  (etching)
Parasols, for 1795,  (etching)

XJF869673: Parasols, for 1795, (etching), Gillray, James (1757-1815) / Bridgeman Images

The Theatrical Bubble... published by Hannah Humphrey (fl.1778-1822) 1805 (etching & aquatint)
The Theatrical Bubble... published by Hannah Humphrey (fl.1778-1822) 1805 (etching & aquatint)

XJF243297: The Theatrical Bubble... published by Hannah Humphrey (fl.1778-1822) 1805 (etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Plate 7, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 7, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129851: Plate 7, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

FIA5360457: "The look at Christie's", 1796 (watercolour), Gillray, James (1757-1815) / Bridgeman Images

National conveniences, 1769 (engraving, watercolour)
National conveniences, 1769 (engraving, watercolour)

FIA5379827: National conveniences, 1769 (engraving, watercolour), Gillray, James (1757-1815) / Bridgeman Images

A Warm Birth for the Old Administration, 1783 (engraving)
A Warm Birth for the Old Administration, 1783 (engraving)

HRP2624874: A Warm Birth for the Old Administration, 1783 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Republican Attack, 1795 (coloured engraving)
The Republican Attack, 1795 (coloured engraving)

HRP2624917: The Republican Attack, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Pacific Overtures, or a Flight from St Cloud's over the Water to Charley - a new Dramatic Peace now Rehearsing, 1806 (coloured engraving)
Pacific Overtures, or a Flight from St Cloud's over the Water to Charley - a new Dramatic Peace now Rehearsing, 1806 (coloured engraving)

HRP2624932: Pacific Overtures, or a Flight from St Cloud's over the Water to Charley - a new Dramatic Peace now Rehearsing, 1806 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Bugaboo!!! 1792 (coloured engraving)
A Bugaboo!!! 1792 (coloured engraving)

HRP2624900: A Bugaboo!!! 1792 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Cymon and Iphigenia, published May 2, 1796 (etching on wove paper on secondary mount)
Cymon and Iphigenia, published May 2, 1796 (etching on wove paper on secondary mount)

HST3083636: Cymon and Iphigenia, published May 2, 1796 (etching on wove paper on secondary mount), Gillray, James (1757-1815) / Bridgeman Images

A Phantasmogoria; - Scene - Conjuring-up an Armed-Skeleton., January 5,1803 (hand-coloured etching & aquatint on wove pape)
A Phantasmogoria; - Scene - Conjuring-up an Armed-Skeleton., January 5,1803 (hand-coloured etching & aquatint on wove pape)

HST3083648: A Phantasmogoria; - Scene - Conjuring-up an Armed-Skeleton., January 5,1803 (hand-coloured etching & aquatint on wove pape), Gillray, James (1757-1815) / Bridgeman Images

Fortune Hunting, published November 20, 1804 (hand-coloured etching on laid paper)
Fortune Hunting, published November 20, 1804 (hand-coloured etching on laid paper)

HST3083646: Fortune Hunting, published November 20, 1804 (hand-coloured etching on laid paper), Gillray, James (1757-1815) / Bridgeman Images

Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)
Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)

NRM259570: Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Gout, 1799 (hand-coloured soft-ground etching on wove paper)
The Gout, 1799 (hand-coloured soft-ground etching on wove paper)

ONT995994: The Gout, 1799 (hand-coloured soft-ground etching on wove paper), Gillray, James (1757-1815) / Bridgeman Images

Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO187699: Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching)
End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO189748: End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching)
Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO189731: Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)
Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)

NCO189770: Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)
Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189721: Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching)
Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching)

NCO189710: Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Ars Musica, published by Hannah Humphrey in 1800 (hand-coloured etching)
Ars Musica, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189780: Ars Musica, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260495: Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)
A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO189729: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching)
Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching)

NCO189790: Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)
The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189742: The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)
Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)

NCO189707: Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint), Gillray, James (1757-1815) / Bridgeman Images

Mr. Thomas Ogle, the Notorious Swindler, published by Hannah Humphrey, 1801 (engraving)
Mr. Thomas Ogle, the Notorious Swindler, published by Hannah Humphrey, 1801 (engraving)

NCO253701: Mr. Thomas Ogle, the Notorious Swindler, published by Hannah Humphrey, 1801 (engraving), Gillray, James (1757-1815) / Bridgeman Images

'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving)
'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving)

NCO253723: 'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Flemish Characters, published by Hannah Humphrey, 1822 (coloured enrgaving)
Flemish Characters, published by Hannah Humphrey, 1822 (coloured enrgaving)

NCO253721: Flemish Characters, published by Hannah Humphrey, 1822 (coloured enrgaving), Gillray, James (1757-1815) / Bridgeman Images

Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713)
Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713)

NCO253714: Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713), Gillray, James (1757-1815) / Bridgeman Images

Thirty Years have I lived in the parish of Covent Garden, published by Hannah Humphrey, 1797 (coloured engraving)
Thirty Years have I lived in the parish of Covent Garden, published by Hannah Humphrey, 1797 (coloured engraving)

NCO253704: Thirty Years have I lived in the parish of Covent Garden, published by Hannah Humphrey, 1797 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

No Popery, or Newgate Reformer: possibly Ned Dennis wearing a 'No Popery' favour in his hat with Newgate Prison in flames behind, 1780 (engraving)
No Popery, or Newgate Reformer: possibly Ned Dennis wearing a 'No Popery' favour in his hat with Newgate Prison in flames behind, 1780 (engraving)

GHL222135: No Popery, or Newgate Reformer: possibly Ned Dennis wearing a 'No Popery' favour in his hat with Newgate Prison in flames behind, 1780 (engraving), Gillray, James (1757-1815) / Bridgeman Images

PT70997: "A Spencer and a Thread-paper", pub. 1792 by H. Humphrey (aquatint), Gillray, James (1757-1815) / Bridgeman Images


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