Gillray, James (1757-1815) Assets (1003 in total)

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The Word Eater, published by S.W. Fores in 1788 (hand-coloured etching)
The Word Eater, published by S.W. Fores in 1788 (hand-coloured etching)

NCO193184: The Word Eater, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Old Wisdom: Blinking at the Stars, published in 1782 (etching)
Old Wisdom: Blinking at the Stars, published in 1782 (etching)

NCO193407: Old Wisdom: Blinking at the Stars, published in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

St. Cecilia, published by Hannah Humphrey in 1782 (hand-coloured etching)
St. Cecilia, published by Hannah Humphrey in 1782 (hand-coloured etching)

NCO191707: St. Cecilia, published by Hannah Humphrey in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191716: The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Membre du Directoire Executif, plate 4 of 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Membre du Directoire Executif, plate 4 of 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191737: Membre du Directoire Executif, plate 4 of 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Grand Signior retiring, pub. 1796 (hand coloured engraving)
The Grand Signior retiring, pub. 1796 (hand coloured engraving)

STC3035672: The Grand Signior retiring, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Fortune Hunting, published November 20, 1804 (hand-coloured etching on laid paper)
Fortune Hunting, published November 20, 1804 (hand-coloured etching on laid paper)

HST3083646: Fortune Hunting, published November 20, 1804 (hand-coloured etching on laid paper), Gillray, James (1757-1815) / Bridgeman Images

The Republican Attack, 1795 (coloured engraving)
The Republican Attack, 1795 (coloured engraving)

HRP2624917: The Republican Attack, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Pacific Overtures, or a Flight from St Cloud's over the Water to Charley - a new Dramatic Peace now Rehearsing, 1806 (coloured engraving)
Pacific Overtures, or a Flight from St Cloud's over the Water to Charley - a new Dramatic Peace now Rehearsing, 1806 (coloured engraving)

HRP2624932: Pacific Overtures, or a Flight from St Cloud's over the Water to Charley - a new Dramatic Peace now Rehearsing, 1806 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Phantasmogoria; - Scene - Conjuring-up an Armed-Skeleton., January 5,1803 (hand-coloured etching & aquatint on wove pape)
A Phantasmogoria; - Scene - Conjuring-up an Armed-Skeleton., January 5,1803 (hand-coloured etching & aquatint on wove pape)

HST3083648: A Phantasmogoria; - Scene - Conjuring-up an Armed-Skeleton., January 5,1803 (hand-coloured etching & aquatint on wove pape), Gillray, James (1757-1815) / Bridgeman Images

Cymon and Iphigenia, published May 2, 1796 (etching on wove paper on secondary mount)
Cymon and Iphigenia, published May 2, 1796 (etching on wove paper on secondary mount)

HST3083636: Cymon and Iphigenia, published May 2, 1796 (etching on wove paper on secondary mount), Gillray, James (1757-1815) / Bridgeman Images

A Bugaboo!!! 1792 (coloured engraving)
A Bugaboo!!! 1792 (coloured engraving)

HRP2624900: A Bugaboo!!! 1792 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Warm Birth for the Old Administration, 1783 (engraving)
A Warm Birth for the Old Administration, 1783 (engraving)

HRP2624874: A Warm Birth for the Old Administration, 1783 (engraving), Gillray, James (1757-1815) / Bridgeman Images

'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)
'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)

STC1275083: 'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull and The Sinking Fund - a Petty scheme for Reducing the Taxes & paying off the National Debt, pub. H Humphrey, London, 1807 (hand-coloured engaving)
John Bull and The Sinking Fund - a Petty scheme for Reducing the Taxes & paying off the National Debt, pub. H Humphrey, London, 1807 (hand-coloured engaving)

STC872450: John Bull and The Sinking Fund - a Petty scheme for Reducing the Taxes & paying off the National Debt, pub. H Humphrey, London, 1807 (hand-coloured engaving), Gillray, James (1757-1815) / Bridgeman Images

A Squall, pub. H Humphrey, London, 1810 (hand-coloured engraving)
A Squall, pub. H Humphrey, London, 1810 (hand-coloured engraving)

STC872459: A Squall, pub. H Humphrey, London, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.
Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.

LZT1012632: Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace., Gillray, James (1757-1815) / Bridgeman Images

Integrity Retiring from Office!, a Group of Resigning Ministers, Led by Pitt Who Holds a Document Entitled Justice of Emancipating Ye Catholicks, Leaving Through an Arched Gateway Inscribed Treasury.Following Pitt Are Dundas, Grenville, Spencer and Loughborough. From the Left, Represented by a Plebian Rabble, is the Opposition, Led by Sheridan and Tierney. Behind Are Jekyll, Bedford, Nicholls, Tyrhwitt Jones, Norfolk and Burdett. The Opposition is Held at Bay by a Sentry with G.R. On His Busby. The Sentry Stands Near His Sentry-Box with the Placard: G.R. Orders for Keeping All Improper Persons Out of the Public Offices.
Integrity Retiring from Office!, a Group of Resigning Ministers, Led by Pitt Who Holds a Document Entitled Justice of Emancipating Ye Catholicks, Leaving Through an Arched Gateway Inscribed Treasury.Following Pitt Are Dundas, Grenville, Spencer and Loughborough. From the Left, Represented by a Plebian Rabble, is the Opposition, Led by Sheridan and Tierney. Behind Are Jekyll, Bedford, Nicholls, Tyrhwitt Jones, Norfolk and Burdett. The Opposition is Held at Bay by a Sentry with G.R. On His Busby. The Sentry Stands Near His Sentry-Box with the Placard: G.R. Orders for Keeping All Improper Persons Out of the Public Offices.

LZT1012639: Integrity Retiring from Office!, a Group of Resigning Ministers, Led by Pitt Who Holds a Document Entitled Justice of Emancipating Ye Catholicks, Leaving Through an Arched Gateway Inscribed Treasury.Following Pitt Are Dundas, Grenville, Spencer and Loughborough. From the Left, Represented by a Plebian Rabble, is the Opposition, Led by Sheridan and Tierney. Behind Are Jekyll, Bedford, Nicholls, Tyrhwitt Jones, Norfolk and Burdett. The Opposition is Held at Bay by a Sentry with G.R. On His Busby. The Sentry Stands Near His Sentry-Box with the Placard: G.R. Orders for Keeping All Improper Persons Out of the Public Offices., Gillray, James (1757-1815) / Bridgeman Images

Tirailleur Francais et Chevau Leger de l'Armee du Pacha de Rhodes, or The Evolutions of French Mounted Riflemen, published by Hannah Humphrey in 1799 (hand-coloured etching)
Tirailleur Francais et Chevau Leger de l'Armee du Pacha de Rhodes, or The Evolutions of French Mounted Riflemen, published by Hannah Humphrey in 1799 (hand-coloured etching)

STC1275088: Tirailleur Francais et Chevau Leger de l'Armee du Pacha de Rhodes, or The Evolutions of French Mounted Riflemen, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Liberty of the Subject, publ. by H. Humphrey, October 15th 1779 (coloured engraving)
The Liberty of the Subject, publ. by H. Humphrey, October 15th 1779 (coloured engraving)

XZL147688: The Liberty of the Subject, publ. by H. Humphrey, October 15th 1779 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)
Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)

STC2966891: Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub.   (hand coloured engraving)
Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub.   (hand coloured engraving)

STC2966805: Alecto and her Train at the Gate of Pandaemonium or The Recruiting Sarjeant enlising John Bull into Revolution Service, pub. (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, pub. 1804 (hand coloured engraving)
Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, pub. 1804 (hand coloured engraving)

STC3051749: Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, pub. 1804 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Advantages of wearing Muslin Dresses!, pub. 1802 (hand coloured engraving)
Advantages of wearing Muslin Dresses!, pub. 1802 (hand coloured engraving)

STC3051748: Advantages of wearing Muslin Dresses!, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Theatrical Bubble: being a new specimen of the astonishing Powers of the great Politico-Punchinello in the Art of Dramatic Puffing, pub. 1805 (hand coloured engraving)
The Theatrical Bubble: being a new specimen of the astonishing Powers of the great Politico-Punchinello in the Art of Dramatic Puffing, pub. 1805 (hand coloured engraving)

STC3051751: The Theatrical Bubble: being a new specimen of the astonishing Powers of the great Politico-Punchinello in the Art of Dramatic Puffing, pub. 1805 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Design for the Naval Pillar, 1800 (coloured etching)
Design for the Naval Pillar, 1800 (coloured etching)

RNM3244692: Design for the Naval Pillar, 1800 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

PT70997: "A Spencer and a Thread-paper", pub. 1792 by H. Humphrey (aquatint), Gillray, James (1757-1815) / Bridgeman Images

P.265-1948
P.265-1948

FIT88863: P.265-1948 "Oh, that this too, too solid flesh would melt", quotation from Hamlet, Act I. Scene I, designed for the Shakespeare Gallery, pub. by H. Humphrey, London, 1791 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

NCO89947: "Counsellor O.P., defender of our Theatric Liberties", showing the burning of Covent Garden Theatre, pub. by Hannah Humphrey, 1809 (etching), Gillray, James (1757-1815) / Bridgeman Images

A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint)
A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint)

BAL42766: A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

A Ward of Chancery, published by S.W. Fores (etching)
A Ward of Chancery, published by S.W. Fores (etching)

NCO193113: A Ward of Chancery, published by S.W. Fores (etching), Gillray, James (1757-1815) / Bridgeman Images

Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching)
Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO193170: Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193197: Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO187699: Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)
Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189721: Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)
The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189742: The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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