Gillray, James (1757-1815) Assets (1002 in total)
Results
JLJ4591199: English satire on science: new discoveries in pneumatic materials. Satirical drawing on the enthusiasm for scientific conferences, 1802 (engraving), Gillray, James (1757-1815) / Bridgeman Images
FIA5360457: "The look at Christie's", 1796 (watercolour), Gillray, James (1757-1815) / Bridgeman Images
FIA5379827: National conveniences, 1769 (engraving, watercolour), Gillray, James (1757-1815) / Bridgeman Images
NAM5920712: 'United Irishmen in training', 1798 (engraving, coloured), Gillray, James (1757-1815) / Bridgeman Images
HST3083648: A Phantasmogoria; - Scene - Conjuring-up an Armed-Skeleton., January 5,1803 (hand-coloured etching & aquatint on wove pape), Gillray, James (1757-1815) / Bridgeman Images
HST3083646: Fortune Hunting, published November 20, 1804 (hand-coloured etching on laid paper), Gillray, James (1757-1815) / Bridgeman Images
HST3083636: Cymon and Iphigenia, published May 2, 1796 (etching on wove paper on secondary mount), Gillray, James (1757-1815) / Bridgeman Images
HRP2624932: Pacific Overtures, or a Flight from St Cloud's over the Water to Charley - a new Dramatic Peace now Rehearsing, 1806 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2624874: A Warm Birth for the Old Administration, 1783 (engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2624917: The Republican Attack, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
CH378422: The Hero of the Nile, 1878 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
GHL222135: No Popery, or Newgate Reformer: possibly Ned Dennis wearing a 'No Popery' favour in his hat with Newgate Prison in flames behind, 1780 (engraving), Gillray, James (1757-1815) / Bridgeman Images
FIT88863: P.265-1948 "Oh, that this too, too solid flesh would melt", quotation from Hamlet, Act I. Scene I, designed for the Shakespeare Gallery, pub. by H. Humphrey, London, 1791 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO189707: Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO189729: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189748: End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189790: Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189721: Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189731: Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189742: The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189780: Ars Musica, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189710: Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189770: Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO187699: Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
XJF129848: Plate 4, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images
XJF129845: Plate 1, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images
XZL147688: The Liberty of the Subject, publ. by H. Humphrey, October 15th 1779 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
XJF105459: Portrait of an Irish Chief, drawn from life at Wexford', pub. by H. Humphrey, 10th July 1798 (engraving) (see 123751 for colour), Gillray, James (1757-1815) / Bridgeman Images
XJF105409: The Death of the Great Wolfe, pub. by H. Humphrey, 1795 (etching) (b/w photo) (see also 119752, 124902 & 153197), Gillray, James (1757-1815) / Bridgeman Images
BAL42766: A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
BAL42770: 'The Friend of Humanity and the Knife Grinder', 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
PT70997: "A Spencer and a Thread-paper", pub. 1792 by H. Humphrey (aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO89947: "Counsellor O.P., defender of our Theatric Liberties", showing the burning of Covent Garden Theatre, pub. by Hannah Humphrey, 1809 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO89957: "My Poll and My Partner Joe", engraved by T. Adams, pub. by Hannah Humphrey, 1796 (etching), Gillray, James (1757-1815) / Bridgeman Images
