Gillray, James (1757-1815) Assets (1003 in total)

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Consequences of a Succesful French Invasion pub. 1798 (hand coloured engraving)
Consequences of a Succesful French Invasion pub. 1798 (hand coloured engraving)

STC3025912: Consequences of a Succesful French Invasion pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings, 1806 (coloured engraving)
Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings, 1806 (coloured engraving)

NCO2632300: Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings, 1806 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632315: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Man of Feeling in search of Indispensibles; a scene at the little French Milliners, pub. 1800 (hand coloured engraving)
The Man of Feeling in search of Indispensibles; a scene at the little French Milliners, pub. 1800 (hand coloured engraving)

STC3051741: The Man of Feeling in search of Indispensibles; a scene at the little French Milliners, pub. 1800 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Rakes Progress at the University. No. 3, pub. 1806 (hand coloured engraving)
The Rakes Progress at the University. No. 3, pub. 1806 (hand coloured engraving)

STC3051759: The Rakes Progress at the University. No. 3, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will, 1791 (hand-coloured etching)
Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will, 1791 (hand-coloured etching)

STC2562145: Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will, 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

NCO89957: "My Poll and My Partner Joe", engraved by T. Adams, pub. by Hannah Humphrey, 1796 (etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 1, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 1, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129845: Plate 1, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

Plate 4, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 4, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129848: Plate 4, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

'The Friend of Humanity and the Knife Grinder', 1797 (hand-coloured etching)
'The Friend of Humanity and the Knife Grinder', 1797 (hand-coloured etching)

BAL42770: 'The Friend of Humanity and the Knife Grinder', 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

High Change in Bond Street,  Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway.
High Change in Bond Street,  Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway.

LZT1012626: High Change in Bond Street, Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway., Gillray, James (1757-1815) / Bridgeman Images

Despair, pub. 1802 (hand coloured engraving)
Despair, pub. 1802 (hand coloured engraving)

STC2962486: Despair, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Pandora Opening her Box, pub. 1809 (hand coloured engraving)
Pandora Opening her Box, pub. 1809 (hand coloured engraving)

STC3025931: Pandora Opening her Box, pub. 1809 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Introduction of Citizen Volpone and his suite, at Paris '(Napoleon Bonaparte; Arthur O'Connor; Elizabeth Bridget Fox (née Cane); Charles James Fox; Thomas Erskine, 1st Baron Erskine; Sir Robert Adair; Henry Richard Vassall Fox, 3rd Baron Holland; El...), English caricature by James Gillray, published by Hannah Humphrey on November 15, 1814 02.
Introduction of Citizen Volpone and his suite, at Paris '(Napoleon Bonaparte; Arthur O'Connor; Elizabeth Bridget Fox (née Cane); Charles James Fox; Thomas Erskine, 1st Baron Erskine; Sir Robert Adair; Henry Richard Vassall Fox, 3rd Baron Holland; El...), English caricature by James Gillray, published by Hannah Humphrey on November 15, 1814 02.

LSE4111960: Introduction of Citizen Volpone and his suite, at Paris '(Napoleon Bonaparte; Arthur O'Connor; Elizabeth Bridget Fox (née Cane); Charles James Fox; Thomas Erskine, 1st Baron Erskine; Sir Robert Adair; Henry Richard Vassall Fox, 3rd Baron Holland; El...), English caricature by James Gillray, published by Hannah Humphrey on November 15, 1814 02., Gillray, James (1757-1815) / Bridgeman Images

Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching)
Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching)

STC2489003: Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Integrity retiring from Office!, pub. 1801 (hand coloured engraving)
Integrity retiring from Office!, pub. 1801 (hand coloured engraving)

STC2490981: Integrity retiring from Office!, pub. 1801 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Titianus Redivivus or the Seven Wise Men consulting the new Venetian Oracle, a scene in 'Academic Grove No.1', pub by H. Humphrey November 1797 (hand coloured engraving)
Titianus Redivivus or the Seven Wise Men consulting the new Venetian Oracle, a scene in 'Academic Grove No.1', pub by H. Humphrey November 1797 (hand coloured engraving)

STC2493831: Titianus Redivivus or the Seven Wise Men consulting the new Venetian Oracle, a scene in 'Academic Grove No.1', pub by H. Humphrey November 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Contrast, 1792 (engraving)
The Contrast, 1792 (engraving)

NCO2632304: The Contrast, 1792 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune (coloured engraving)
Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune (coloured engraving)

NCO2632307: Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632316: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Maniac Ravings, or Little Boney in a Strong Fit, pub.1803 (hand coloured engraving)
Maniac Ravings, or Little Boney in a Strong Fit, pub.1803 (hand coloured engraving)

STC2636947: Maniac Ravings, or Little Boney in a Strong Fit, pub.1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden
The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden

LZT1012664: The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden, Gillray, James (1757-1815) / Bridgeman Images

L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government.
L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government.

LZT1012674: L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government., Gillray, James (1757-1815) / Bridgeman Images

Mr. Thomas Ogle, the Notorious Swindler, published by Hannah Humphrey, 1801 (engraving)
Mr. Thomas Ogle, the Notorious Swindler, published by Hannah Humphrey, 1801 (engraving)

NCO253701: Mr. Thomas Ogle, the Notorious Swindler, published by Hannah Humphrey, 1801 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Thirty Years have I lived in the parish of Covent Garden, published by Hannah Humphrey, 1797 (coloured engraving)
Thirty Years have I lived in the parish of Covent Garden, published by Hannah Humphrey, 1797 (coloured engraving)

NCO253704: Thirty Years have I lived in the parish of Covent Garden, published by Hannah Humphrey, 1797 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713)
Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713)

NCO253714: Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713), Gillray, James (1757-1815) / Bridgeman Images

'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving)
'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving)

NCO253723: 'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Sophia, Honour, and the Chambermaid, scene from 'Tom Jones' by Henry Fielding (1707-54) (stipple engraving)
Sophia, Honour, and the Chambermaid, scene from 'Tom Jones' by Henry Fielding (1707-54) (stipple engraving)

XYC261313: Sophia, Honour, and the Chambermaid, scene from 'Tom Jones' by Henry Fielding (1707-54) (stipple engraving), Gillray, James (1757-1815) / Bridgeman Images

Flemish Characters, published by Hannah Humphrey, 1822 (coloured enrgaving)
Flemish Characters, published by Hannah Humphrey, 1822 (coloured enrgaving)

NCO253721: Flemish Characters, published by Hannah Humphrey, 1822 (coloured enrgaving), Gillray, James (1757-1815) / Bridgeman Images

Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260495: Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

No Popery, or Newgate Reformer: possibly Ned Dennis wearing a 'No Popery' favour in his hat with Newgate Prison in flames behind, 1780 (engraving)
No Popery, or Newgate Reformer: possibly Ned Dennis wearing a 'No Popery' favour in his hat with Newgate Prison in flames behind, 1780 (engraving)

GHL222135: No Popery, or Newgate Reformer: possibly Ned Dennis wearing a 'No Popery' favour in his hat with Newgate Prison in flames behind, 1780 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Hero of the Nile, 1878 (coloured etching)
The Hero of the Nile, 1878 (coloured etching)

CH378422: The Hero of the Nile, 1878 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Gout, 1799 (hand-coloured soft-ground etching on wove paper)
The Gout, 1799 (hand-coloured soft-ground etching on wove paper)

ONT995994: The Gout, 1799 (hand-coloured soft-ground etching on wove paper), Gillray, James (1757-1815) / Bridgeman Images

Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)
Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)

NRM259570: Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805
Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805

EVB2931185: Harmony before Matrimony. A young woman and a fashionably dressed young man singing a duet. The woman plays a harp while looking over her shoulder at the music book, 'Duets de L'Amour', which the man holds. Engraving by Gillray 1805, Gillray, James (1757-1815) / Bridgeman Images

A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)
A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper)

HST2908325: A Cockney and His Wife Going to Wycombe, 1805 (colour etching on paper), Gillray, James (1757-1815) / Bridgeman Images


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