Gillray, James (1757-1815) Assets (1003 in total)

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The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden
The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden

LZT1012664: The State Tinkers, Published Feb'Y 10th 1780 by W. Humphrey, 1780., 1 Print : Engraving, Color., Three Men Breaking a Large Bowl which is Cracked and Patched. Lord North is Shown Chiselling Inside the Bowl, behind the Bowl is Lord Sandwich, Next to Lord Sandwich is a Man Identified As Lord George Germain. Behind Lord North Stands George III Whose Hands Are Raised As If in Surprise. On the Wall behind Are Posted Two Documents Labelled List of the Navy and Plan of Minden, Gillray, James (1757-1815) / Bridgeman Images

'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)
'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)

STC1275083: 'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint)
A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint)

BAL42766: A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

P.265-1948
P.265-1948

FIT88863: P.265-1948 "Oh, that this too, too solid flesh would melt", quotation from Hamlet, Act I. Scene I, designed for the Shakespeare Gallery, pub. by H. Humphrey, London, 1791 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

NCO89957: "My Poll and My Partner Joe", engraved by T. Adams, pub. by Hannah Humphrey, 1796 (etching), Gillray, James (1757-1815) / Bridgeman Images

Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)
Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)

NCO189707: Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint), Gillray, James (1757-1815) / Bridgeman Images

Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching)
Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching)

NCO189710: Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)
A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO189729: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)
The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189742: The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)
Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)

NCO189770: Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching)
Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO190161: Palemon and Lavinia, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO187699: Plate 5 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)
Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189721: Allied Powers Un-Booting Egalite, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching)
Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO189731: Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching)
End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO189748: End of the Irish Farce of Catholic Emancipation, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching)
Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching)

NCO189790: Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190169: A Portrait of Modern Elegance, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching)
Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching)

NCO190422: Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

Market Day, published by S.W. Fores in 1788 (hand-coloured etching)
Market Day, published by S.W. Fores in 1788 (hand-coloured etching)

NCO190431: Market Day, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)
French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190463: French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Westminster Conscripts under the Training Act, published by Hannah Humphrey in 1806 (hand-coloured etching)
Westminster Conscripts under the Training Act, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO191218: Westminster Conscripts under the Training Act, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Accusing Spirit and the Recording Angel, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Accusing Spirit and the Recording Angel, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO191708: The Accusing Spirit and the Recording Angel, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Diana return'd from the Chace, published by Hannah Humphrey in 1802 (hand-coloured etching)
Diana return'd from the Chace, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO191730: Diana return'd from the Chace, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Juge du Tribunal Correctionnel, plate 9 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Juge du Tribunal Correctionnel, plate 9 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191743: Juge du Tribunal Correctionnel, plate 9 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Venus a la Coquelle, or The Swan Sea Venus, published by Hannah Humphrey in 1809 (hand-coloured etching)
Venus a la Coquelle, or The Swan Sea Venus, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO191751: Venus a la Coquelle, or The Swan Sea Venus, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Daily Advertiser, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Daily Advertiser, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191754: The Daily Advertiser, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Hustings, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Hustings, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191760: The Hustings, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Ward of Chancery, published by S.W. Fores (etching)
A Ward of Chancery, published by S.W. Fores (etching)

NCO193113: A Ward of Chancery, published by S.W. Fores (etching), Gillray, James (1757-1815) / Bridgeman Images

A Witch, upon a Mount's Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching)
A Witch, upon a Mount's Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO193145: A Witch, upon a Mount's Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Hackney Meeting, published by Hannah Humphrey in 1796 (hand-coloured etching)
A Hackney Meeting, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO193148: A Hackney Meeting, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Patern-Staff, published by Hannah Humphrey in 1797 (hand-coloured etching)
Patern-Staff, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO193163: Patern-Staff, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Contemplations upon a Coronet, published by Hannah Humphrey in 1807 (hand-coloured etching with aquatint)
Contemplations upon a Coronet, published by Hannah Humphrey in 1807 (hand-coloured etching with aquatint)

NCO190446: Contemplations upon a Coronet, published by Hannah Humphrey in 1807 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint)
French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint)

NCO190449: French-Telegraph Making Signals in the Dark, published by Hannah Humphrey in 1795 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190493: The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching)
Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO191211: Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching)
L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO191274: L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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