Gillray, James (1757-1815) Assets (1003 in total)

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Patern-Staff, published by Hannah Humphrey in 1797 (hand-coloured etching)
Patern-Staff, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO193163: Patern-Staff, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193196: Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)
Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint)

NCO189707: Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching with some aquatint), Gillray, James (1757-1815) / Bridgeman Images

Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching)
Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching)

NCO189710: Staggering-Bobs, or A Tale for Scotchmen, published by Hannah Huphrey, 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)
A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO189729: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)
The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189742: The Man of Feeling in Search of Indispensibles, or A Scene at the French Milliners, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)
Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)

NCO189770: Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)
French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190463: French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190493: The Presentation, or Wise Men's Offering, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching)
Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO191211: Meeting of the Monied Interest: Constitutional Opposition to 10 percent, or John Bull's Friends alarm'd by the New Tax, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching)
L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO191274: L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching)
Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO193170: Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193197: Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713)
Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713)

NCO253714: Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (ballad text accompanying 253713), Gillray, James (1757-1815) / Bridgeman Images

'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving)
'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving)

NCO253723: 'Sketched by Humphrey, Spoil'd by Gillray', 1781 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Accusing Spirit and the Recording Angel, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Accusing Spirit and the Recording Angel, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO191708: The Accusing Spirit and the Recording Angel, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Diana return'd from the Chace, published by Hannah Humphrey in 1802 (hand-coloured etching)
Diana return'd from the Chace, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO191730: Diana return'd from the Chace, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Ward of Chancery, published by S.W. Fores (etching)
A Ward of Chancery, published by S.W. Fores (etching)

NCO193113: A Ward of Chancery, published by S.W. Fores (etching), Gillray, James (1757-1815) / Bridgeman Images

Cincinnatus in Retirement, published by E. D'Archery in 1782 (hand-coloured etching)
Cincinnatus in Retirement, published by E. D'Archery in 1782 (hand-coloured etching)

NCO191714: Cincinnatus in Retirement, published by E. D'Archery in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Sun setting in the Fog, with the Old Hanover Hack defending, published by J. Williams in 1783 (hand-coloured etching)
A Sun setting in the Fog, with the Old Hanover Hack defending, published by J. Williams in 1783 (hand-coloured etching)

NCO193112: A Sun setting in the Fog, with the Old Hanover Hack defending, published by J. Williams in 1783 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull and The Sinking Fund - a Petty scheme for Reducing the Taxes & paying off the National Debt, pub. H Humphrey, London, 1807 (hand-coloured engaving)
John Bull and The Sinking Fund - a Petty scheme for Reducing the Taxes & paying off the National Debt, pub. H Humphrey, London, 1807 (hand-coloured engaving)

STC872450: John Bull and The Sinking Fund - a Petty scheme for Reducing the Taxes & paying off the National Debt, pub. H Humphrey, London, 1807 (hand-coloured engaving), Gillray, James (1757-1815) / Bridgeman Images

A Squall, pub. H Humphrey, London, 1810 (hand-coloured engraving)
A Squall, pub. H Humphrey, London, 1810 (hand-coloured engraving)

STC872459: A Squall, pub. H Humphrey, London, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.
Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.

LZT1012632: Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace., Gillray, James (1757-1815) / Bridgeman Images

L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government.
L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government.

LZT1012674: L'Assemblee Nationale or Grand Cooperation Meeting at St. Ann's Hill. Respectfully Dedicated to the Admirers of a Broad-Bottom'D Administration, Gillray, James, 1756-1815, Artist, [London] : Published by H. Humphrey, 1804 June 18., 1 Print : Etching, Hand-Colored., Print Shows a Reception Given by Charles James Fox and Wife for Various Groups and Friends of the Prince of Wales, All Opposed to the Government., Gillray, James (1757-1815) / Bridgeman Images

High Change in Bond Street,  Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway.
High Change in Bond Street,  Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway.

LZT1012626: High Change in Bond Street, Ou La Politesse Du Grande Monde, Gillray, James, 1756 1815, Engraver, London, Engraving 1796, Fashionably Dressed Pedestrians on Bond Street. In the Foreground, Five Men Crowd a Woman and Girl Off the Sidewalk As They Leer at Them. The Women, Seen from the Back, Are Oddly Dressed. In the Background, Three Ladies, Also in Exaggerated Costumes, Walking Arm in Arm in the Roadway., Gillray, James (1757-1815) / Bridgeman Images

Cambridge Commencement Sermon, July 2nd 1809 A.M. published by Hannah Humphrey in 1809 (hand-coloured etching)
Cambridge Commencement Sermon, July 2nd 1809 A.M. published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO191706: Cambridge Commencement Sermon, July 2nd 1809 A.M. published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Hero of the Nile, 1878 (coloured etching)
The Hero of the Nile, 1878 (coloured etching)

CH378422: The Hero of the Nile, 1878 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)
'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)

STC1275083: 'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Contrast, 1792 (engraving)
The Contrast, 1792 (engraving)

NCO2632304: The Contrast, 1792 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune (coloured engraving)
Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune (coloured engraving)

NCO2632307: Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632316: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will, 1791 (hand-coloured etching)
Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will, 1791 (hand-coloured etching)

STC2562145: Taming of the Shrew, Katharine and Petruchio, The Modern Quixotte or what you will, 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Maniac Ravings, or Little Boney in a Strong Fit, pub.1803 (hand coloured engraving)
Maniac Ravings, or Little Boney in a Strong Fit, pub.1803 (hand coloured engraving)

STC2636947: Maniac Ravings, or Little Boney in a Strong Fit, pub.1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching)
Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching)

STC2489003: Charon's Boat, or The Ghost's of the 'All Talents' Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)
Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)

STC2966891: Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Shakespeare sacrificed or the Offering of Avarice, pub. 1789 (hand coloured engraving)
Shakespeare sacrificed or the Offering of Avarice, pub. 1789 (hand coloured engraving)

STC3025370: Shakespeare sacrificed or the Offering of Avarice, pub. 1789 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images


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