Gillray, James (1757-1815) Assets (1003 in total)
Results
STC872451: The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
REV884389: The French Consular Triumvirate, 1800 (engraving), Gillray, James (1757-1815) / Bridgeman Images
![A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.51851010.7055475/1012636.jpg?old-wm)
LZT1012636: A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown., Gillray, James (1757-1815) / Bridgeman Images
![The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.41851010.7055475/1012635.jpg?old-wm)
LZT1012635: The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown., Gillray, James (1757-1815) / Bridgeman Images
![A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.82851010.7055475/1012649.jpg?old-wm)
LZT1012649: A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings., Gillray, James (1757-1815) / Bridgeman Images
FIT167669: Presages of the Millennium, published 1795 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images
TRI168502: "Scientific Researches! New Discoveries in PNEUMATICKS! or An Experimental Lecture on the Powers of Air", cartoon of a lecture at the Royal Institution demonstrating the effects of laughing gas (nitrous oxide) (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189746: Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO189779: The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190136: A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190145: A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190191: A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190420: Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189744: Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189766: Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189799: New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190102: The Dutch Divisions, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190114: A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190160: La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190199: Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of Promise, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190401: The Legacy, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190413: The Dissolution, or the Alchymist producing an Aetherial Representation, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190494: The Cabinetical Balance, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191215: The Funeral Procession of Broad-Bottom, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191282: A Lyoness, published by Hannah Humphrey in 1801 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO191295: The Guardian Angel, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191737: Membre du Directoire Executif, plate 4 of 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193101: A Proof of the refin'd Feelings of an amiable character, lately a Candidate for a certain ancient City (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193117: A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO2632306: The Pigs Possessed, or the Broad bottom’d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632312: Death of a Corsican Fox – Scene the last of the Royal-Hunt, 1803 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632324: Taking Physick, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2636964: Ancient Music, pub. 1787 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images
FIA5379827: National conveniences, 1769 (engraving, watercolour), Gillray, James (1757-1815) / Bridgeman Images
