Gillray, James (1757-1815) Assets (1003 in total)
Results
NCO189799: New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189746: Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO253711: Britannia Victorious, Design for the Naval Pillar, published by Hannah Humphrey, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO189766: Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189798: Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189779: The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189744: Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO272019: Ecclesiastical and Political, State of the Nation, 1780 (engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO260490: Ministerial Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images
NCO260494: Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images
RNM3244729: Extirpation of the Plagues of Egypt, 1798 (colour litho), Gillray, James (1757-1815) / Bridgeman Images
![A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.51851010.7055475/1012636.jpg?old-wm)
LZT1012636: A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown., Gillray, James (1757-1815) / Bridgeman Images
![The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.41851010.7055475/1012635.jpg?old-wm)
LZT1012635: The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown., Gillray, James (1757-1815) / Bridgeman Images
![The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.31851010.7055475/1012634.jpg?old-wm)
LZT1012634: The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other., Gillray, James (1757-1815) / Bridgeman Images
![A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.82851010.7055475/1012649.jpg?old-wm)
LZT1012649: A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings., Gillray, James (1757-1815) / Bridgeman Images
LZT1012595: A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day., Gillray, James (1757-1815) / Bridgeman Images
JEF1763987: A Little Music or The Delights of Harmony, engraved by William Brocas, printed in London by J. Sidebotham, 1810 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO1218697: Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
BLL1203628: Hounds throwing off, 1800 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO1127956: Very Slippy Weather, 1808 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO191735: Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193101: A Proof of the refin'd Feelings of an amiable character, lately a Candidate for a certain ancient City (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193119: Posting to the Election: a scene on the road to Brentford, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193179: The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193184: The Word Eater, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191717: Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190102: The Dutch Divisions, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190160: La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190199: Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of Promise, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190413: The Dissolution, or the Alchymist producing an Aetherial Representation, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190421: The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190443: The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190494: The Cabinetical Balance, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191215: The Funeral Procession of Broad-Bottom, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
