Gillray, James (1757-1815) Assets (983 in total)

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Extirpation of the Plagues of Egypt, 1798 (colour litho)
Extirpation of the Plagues of Egypt, 1798 (colour litho)

RNM3244729: Extirpation of the Plagues of Egypt, 1798 (colour litho), Gillray, James (1757-1815) / Bridgeman Images

Lordly Elevation, pub. 1802 (hand coloured engraving)
Lordly Elevation, pub. 1802 (hand coloured engraving)

STC3051745: Lordly Elevation, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Fat Cattle, pub. 1802 (hand coloured engraving)
Fat Cattle, pub. 1802 (hand coloured engraving)

STC3051746: Fat Cattle, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Bottomless Pitt, 1792 (engraving)
The Bottomless Pitt, 1792 (engraving)

NCO2632292: The Bottomless Pitt, 1792 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Pigs Possessed, or the Broad bottom’d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving)
The Pigs Possessed, or the Broad bottom’d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving)

NCO2632306: The Pigs Possessed, or the Broad bottom’d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving)
Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving)

NCO2632308: Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Death of a Corsican Fox – Scene the last of the Royal-Hunt, 1803 (coloured engraving)
Death of a Corsican Fox – Scene the last of the Royal-Hunt, 1803 (coloured engraving)

NCO2632312: Death of a Corsican Fox – Scene the last of the Royal-Hunt, 1803 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself, 1809 (coloured engraving)
The Life of William Cobbett, written by himself, 1809 (coloured engraving)

NCO2632322: The Life of William Cobbett, written by himself, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Death of the Great Wolf, 1795 (coloured engraving)
The Death of the Great Wolf, 1795 (coloured engraving)

NCO2632323: The Death of the Great Wolf, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Taking Physick, 1800 (coloured engraving)
Taking Physick, 1800 (coloured engraving)

NCO2632324: Taking Physick, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Ancient Music, pub. 1787 (hand coloured etching)
Ancient Music, pub. 1787 (hand coloured etching)

STC2636964: Ancient Music, pub. 1787 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)
Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)

STC2636968: Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)
Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)

STC2490672: Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)
A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)

STC2490075: A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving)
High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving)

STC2562156: High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving)
Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving)

STC2562157: Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Britannia Victorious, Design for the Naval Pillar, published by Hannah Humphrey, 1800 (coloured engraving)
Britannia Victorious, Design for the Naval Pillar, published by Hannah Humphrey, 1800 (coloured engraving)

NCO253711: Britannia Victorious, Design for the Naval Pillar, published by Hannah Humphrey, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Deep Politician (pencil on paper)
A Deep Politician (pencil on paper)

NCO253720: A Deep Politician (pencil on paper), Gillray, James (1757-1815) / Bridgeman Images

Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint)
Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint)

NCO189746: Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching)
Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO189766: Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO189779: The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)
Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189798: Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)
New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189799: New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching)
La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190160: La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)
Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190165: Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Introduction of Citizen Volpone & his Suite at Paris, published by Hannah Humphrey in 1802 (hand-coloured etching)
Introduction of Citizen Volpone & his Suite at Paris, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO190190: Introduction of Citizen Volpone & his Suite at Paris, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching)
A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO190191: A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Forming a Line on the Parade, published by Hannah Humphrey in 1801 (hand-coloured etching)
Forming a Line on the Parade, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190195: Forming a Line on the Parade, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of Promise, published by Hannah Humphrey in 1806 (hand-coloured etching)
Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of Promise, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO190199: Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of Promise, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint)
A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint)

NCO190400: A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint), Gillray, James (1757-1815) / Bridgeman Images

The Legacy, published by W. Holland in 1786 (hand-coloured etching)
The Legacy, published by W. Holland in 1786 (hand-coloured etching)

NCO190401: The Legacy, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dissolution, or the Alchymist producing an Aetherial Representation, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Dissolution, or the Alchymist producing an Aetherial Representation, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190413: The Dissolution, or the Alchymist producing an Aetherial Representation, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching)
Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO190420: Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching)
The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO190421: The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)
The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190443: The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Balance of Power, or The  Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching)
The Balance of Power, or The  Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190468: The Balance of Power, or The Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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