Gillray, James (1757-1815) Assets (1002 in total)
Results
NCO190199: Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of Promise, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191217: Bologna-Sausages, or Opposition Flux'd, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191215: The Funeral Procession of Broad-Bottom, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190420: Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190468: The Balance of Power, or The Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190494: The Cabinetical Balance, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191281: 8 vignettes depicting eloquence, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191295: The Guardian Angel, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191291: Pity the Sorrows of a Poor Old Man, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193117: A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193185: A Tub for the Whale! published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191277: Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
XJF243297: The Theatrical Bubble... published by Hannah Humphrey (fl.1778-1822) 1805 (etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO191737: Membre du Directoire Executif, plate 4 of 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191717: Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191736: Les Membres du Conseil des Cinq Cents, plate 3 of 'French Habits', published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191213: Sublime Oration: A Display of It, published by T. Harmar in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191276: The Friendly Agent, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191282: A Lyoness, published by Hannah Humphrey in 1801 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO191294: Cymon & Iphigenia, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO253711: Britannia Victorious, Design for the Naval Pillar, published by Hannah Humphrey, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO272019: Ecclesiastical and Political, State of the Nation, 1780 (engraving), Gillray, James (1757-1815) / Bridgeman Images
XCF275009: The Lover's Dream, 24th January 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO260490: Ministerial Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images
NCO260494: Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images
BLL1203628: Hounds throwing off, 1800 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO1218697: Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
LZT1012595: A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day., Gillray, James (1757-1815) / Bridgeman Images
![The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.41851010.7055475/1012635.jpg?old-wm)
LZT1012635: The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown., Gillray, James (1757-1815) / Bridgeman Images
![A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.82851010.7055475/1012649.jpg?old-wm)
LZT1012649: A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings., Gillray, James (1757-1815) / Bridgeman Images
![The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.31851010.7055475/1012634.jpg?old-wm)
LZT1012634: The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other., Gillray, James (1757-1815) / Bridgeman Images
![A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.51851010.7055475/1012636.jpg?old-wm)
LZT1012636: A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown., Gillray, James (1757-1815) / Bridgeman Images
STC3051746: Fat Cattle, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3025364: Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
