Gillray, James (1757-1815) Assets (1003 in total)

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English satire on science: new discoveries in pneumatic materials. Satirical drawing on the enthusiasm for scientific conferences, 1802 (engraving)
English satire on science: new discoveries in pneumatic materials. Satirical drawing on the enthusiasm for scientific conferences, 1802 (engraving)

JLJ4591199: English satire on science: new discoveries in pneumatic materials. Satirical drawing on the enthusiasm for scientific conferences, 1802 (engraving), Gillray, James (1757-1815) / Bridgeman Images

FIA5360457: "The look at Christie's", 1796 (watercolour), Gillray, James (1757-1815) / Bridgeman Images

A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)
A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)

STC2490075: A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)
Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)

STC2490672: Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving)
High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving)

STC2562156: High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving)
Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving)

NCO2632308: Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Death of the Great Wolf, 1795 (coloured engraving)
The Death of the Great Wolf, 1795 (coloured engraving)

NCO2632323: The Death of the Great Wolf, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)
Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)

STC2636968: Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The National Parachute or John Bull conducted to Plenty and Emancipation, pub. 1802 (hand coloured engraving)
The National Parachute or John Bull conducted to Plenty and Emancipation, pub. 1802 (hand coloured engraving)

STC2966832: The National Parachute or John Bull conducted to Plenty and Emancipation, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving)
Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving)

STC3025364: Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

….this is a Sorry Sight! Pub. 1786 (hand coloured engraving)
….this is a Sorry Sight! Pub. 1786 (hand coloured engraving)

STC3025945: ….this is a Sorry Sight! Pub. 1786 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day.
A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day.

LZT1012595: A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day., Gillray, James (1757-1815) / Bridgeman Images

The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.
The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.

LZT1012634: The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other., Gillray, James (1757-1815) / Bridgeman Images

Very Slippy Weather, 1808 (coloured engraving)
Very Slippy Weather, 1808 (coloured engraving)

NCO1127956: Very Slippy Weather, 1808 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Hounds throwing off, 1800 (hand-coloured etching & aquatint)
Hounds throwing off, 1800 (hand-coloured etching & aquatint)

BLL1203628: Hounds throwing off, 1800 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching)
Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching)

NCO1218697: Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 7, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 7, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129851: Plate 7, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)
Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189798: Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Monstrosities of 1799, or Scene in Kensington Gardens, published by Hannah Humphrey in 1799 (etching)
Monstrosities of 1799, or Scene in Kensington Gardens, published by Hannah Humphrey in 1799 (etching)

NCO190137: Monstrosities of 1799, or Scene in Kensington Gardens, published by Hannah Humphrey in 1799 (etching), Gillray, James (1757-1815) / Bridgeman Images

Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)
Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190165: Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Forming a Line on the Parade, published by Hannah Humphrey in 1801 (hand-coloured etching)
Forming a Line on the Parade, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190195: Forming a Line on the Parade, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint)
A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint)

NCO190400: A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint), Gillray, James (1757-1815) / Bridgeman Images

The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching)
The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO190421: The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Sublime Oration: A Display of It, published by T. Harmar in 1788 (hand-coloured etching)
Sublime Oration: A Display of It, published by T. Harmar in 1788 (hand-coloured etching)

NCO191213: Sublime Oration: A Display of It, published by T. Harmar in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Friendly Agent, published by S.W. Fores in 1787 (etching)
The Friendly Agent, published by S.W. Fores in 1787 (etching)

NCO191276: The Friendly Agent, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191716: The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)
Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

NCO191735: Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Bouquet of the Last Century, published by Hannah Humphrey in 1802 (hand-coloured etching)
A Bouquet of the Last Century, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO193146: A Bouquet of the Last Century, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO193152: The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO193179: The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Tub for the Whale! published by Hannah Humphrey in 1806 (hand-coloured etching)
A Tub for the Whale! published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193185: A Tub for the Whale! published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260494: Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)
The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190443: The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Balance of Power, or The  Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching)
The Balance of Power, or The  Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190468: The Balance of Power, or The Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)
Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190480: Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Bologna-Sausages, or Opposition Flux'd, published by S.W. Fores in 1788 (hand-coloured etching)
Bologna-Sausages, or Opposition Flux'd, published by S.W. Fores in 1788 (hand-coloured etching)

NCO191217: Bologna-Sausages, or Opposition Flux'd, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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