Bridgeman Education

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ID: FIT167669

Presages of the Millennium, published 1795 (hand coloured etching)

Gillray, James (1757-1815)

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ID: NCO190137

Monstrosities of 1799, or Scene in Kensington Gardens, published by Hannah Humphrey in 1799 (etching)

Gillray, James (1757-1815)

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ID: NCO190195

Forming a Line on the Parade, published by Hannah Humphrey in 1801 (hand-coloured etching)

Gillray, James (1757-1815)

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ID: NCO190421

The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching)

Gillray, James (1757-1815)

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ID: NCO191736

Les Membres du Conseil des Cinq Cents, plate 3 of 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

Gillray, James (1757-1815)

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ID: NCO189798

Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)

Gillray, James (1757-1815)

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ID: NCO190136

A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching)

Gillray, James (1757-1815)

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ID: NCO190145

A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

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ID: NCO190191

A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching)

Gillray, James (1757-1815)

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ID: NCO189799

New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

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ID: NCO190165

Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

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ID: NCO190400

A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint)

Gillray, James (1757-1815)

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ID: XJF129851

Plate 7, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

Gillray, James (1757-1815)

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ID: NCO190420

Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching)

Gillray, James (1757-1815)

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ID: STC872451

The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving)

Gillray, James (1757-1815)

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ID: REV884389

The French Consular Triumvirate, 1800 (engraving)

Gillray, James (1757-1815)

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ID: LZT1012634

The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.

Gillray, James (1757-1815)

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ID: LZT1012635

The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown.

Gillray, James (1757-1815)

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ID: XJF869673

Parasols, for 1795, (etching)

Gillray, James (1757-1815)

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ID: LZT1012595

A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day.

Gillray, James (1757-1815)

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ID: LZT1012649

A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings.

Gillray, James (1757-1815)

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ID: LZT1012636

A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown.

Gillray, James (1757-1815)