Gillray, James (1757-1815) Assets (983 in total)

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Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260494: Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

Extirpation of the Plagues of Egypt, 1798 (colour litho)
Extirpation of the Plagues of Egypt, 1798 (colour litho)

RNM3244729: Extirpation of the Plagues of Egypt, 1798 (colour litho), Gillray, James (1757-1815) / Bridgeman Images

National conveniences, 1769 (engraving, watercolour)
National conveniences, 1769 (engraving, watercolour)

FIA5379827: National conveniences, 1769 (engraving, watercolour), Gillray, James (1757-1815) / Bridgeman Images

FIA5360457: "The look at Christie's", 1796 (watercolour), Gillray, James (1757-1815) / Bridgeman Images

'The Valley of the Shadow of Death', Satirical Cartoon
'The Valley of the Shadow of Death', Satirical Cartoon

BAL42831: 'The Valley of the Shadow of Death', Satirical Cartoon, Gillray, James (1757-1815) / Bridgeman Images

'United Irishmen in training', 1798 (engraving, coloured)
'United Irishmen in training', 1798 (engraving, coloured)

NAM5920712: 'United Irishmen in training', 1798 (engraving, coloured), Gillray, James (1757-1815) / Bridgeman Images

Ancient Music, pub. 1787 (hand coloured etching)
Ancient Music, pub. 1787 (hand coloured etching)

STC2636964: Ancient Music, pub. 1787 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)
Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)

STC2636968: Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)
A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)

STC2490075: A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)
Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)

STC2490672: Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Bottomless Pitt, 1792 (engraving)
The Bottomless Pitt, 1792 (engraving)

NCO2632292: The Bottomless Pitt, 1792 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Death of the Great Wolf, 1795 (coloured engraving)
The Death of the Great Wolf, 1795 (coloured engraving)

NCO2632323: The Death of the Great Wolf, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Taking Physick, 1800 (coloured engraving)
Taking Physick, 1800 (coloured engraving)

NCO2632324: Taking Physick, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Very Slippy Weather, 1808 (coloured engraving)
Very Slippy Weather, 1808 (coloured engraving)

NCO1127956: Very Slippy Weather, 1808 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching)
Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching)

NCO1218697: Harmony before Matrimony, published by Hannah Humphrey, 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Richard Howe, 1st Earl Howe ('Black-Dick turn'd taylor'), pub. 1788 (hand coloured engraving)
Richard Howe, 1st Earl Howe ('Black-Dick turn'd taylor'), pub. 1788 (hand coloured engraving)

STC2966795: Richard Howe, 1st Earl Howe ('Black-Dick turn'd taylor'), pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The National Parachute or John Bull conducted to Plenty and Emancipation, pub. 1802 (hand coloured engraving)
The National Parachute or John Bull conducted to Plenty and Emancipation, pub. 1802 (hand coloured engraving)

STC2966832: The National Parachute or John Bull conducted to Plenty and Emancipation, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Westminster-Conscripts under the Training Act, 1806 (hand coloured engraving)
Westminster-Conscripts under the Training Act, 1806 (hand coloured engraving)

STC2966882: Westminster-Conscripts under the Training Act, 1806 (hand coloured engraving) , Gillray, James (1757-1815) / Bridgeman Images

Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)
Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving)

STC2966888: Boney and Talley, The Corsican Carcase-Butcher's Reckoning Day - No Quarter Day!, pb. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Lordly Elevation, pub. 1802 (hand coloured engraving)
Lordly Elevation, pub. 1802 (hand coloured engraving)

STC3051745: Lordly Elevation, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Fat Cattle, pub. 1802 (hand coloured engraving)
Fat Cattle, pub. 1802 (hand coloured engraving)

STC3051746: Fat Cattle, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Grand Signior retiring, pub. 1796 (hand coloured engraving)
The Grand Signior retiring, pub. 1796 (hand coloured engraving)

STC3035672: The Grand Signior retiring, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving)
The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving)

STC872451: The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Presages of the Millennium, published 1795 (hand coloured etching)
Presages of the Millennium, published 1795 (hand coloured etching)

FIT167669: Presages of the Millennium, published 1795 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Sublime Oration: A Display of It, published by T. Harmar in 1788 (hand-coloured etching)
Sublime Oration: A Display of It, published by T. Harmar in 1788 (hand-coloured etching)

NCO191213: Sublime Oration: A Display of It, published by T. Harmar in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Friendly Agent, published by S.W. Fores in 1787 (etching)
The Friendly Agent, published by S.W. Fores in 1787 (etching)

NCO191276: The Friendly Agent, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images

Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802 (hand-coloured etching)
Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO191277: Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Cymon & Iphigenia, published by Hannah Humphrey in 1796 (hand-coloured etching)
Cymon & Iphigenia, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191294: Cymon & Iphigenia, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO193152: The Grand-Signior Retiring, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Bear and his Leader, published by Hannah Humphrey in 1806 (hand-coloured etching)
The Bear and his Leader, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193178: The Bear and his Leader, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Tub for the Whale! published by Hannah Humphrey in 1806 (hand-coloured etching)
A Tub for the Whale! published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193185: A Tub for the Whale! published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint)
Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint)

NCO189746: Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching)
Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO189766: Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching)
La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190160: La Belle Espagnole, or La Doublure de Madame Tallien (1773-1835) published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)
The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190443: The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Balance of Power, or The  Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching)
The Balance of Power, or The  Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190468: The Balance of Power, or The Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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