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Gillray, James (1757-1815) Assets (1002 in total)

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Progress of the Toilet, or Dress Completed, published by Hannah Humphrey in 1810 (etching)
Progress of the Toilet, or Dress Completed, published by Hannah Humphrey in 1810 (etching)

NCO190140: Progress of the Toilet, or Dress Completed, published by Hannah Humphrey in 1810 (etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190140

Progress of the Toilet, or Dress Completed, published by Hannah Humphrey in 1810 (etching)

Gillray, James (1757-1815)

Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching)
Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190153: Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190153

Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

Extirpation of the Plagues of Egypt, published by Hannah Humphrey in 1798 (etching & engraving with w/c on paper)
Extirpation of the Plagues of Egypt, published by Hannah Humphrey in 1798 (etching & engraving with w/c on paper)

NCO190156: Extirpation of the Plagues of Egypt, published by Hannah Humphrey in 1798 (etching & engraving with w/c on paper), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190156

Extirpation of the Plagues of Egypt, published by Hannah Humphrey in 1798 (etching & engraving with w/c on paper)

Gillray, James (1757-1815)

Half-Normal, published by Hannah Humphrey in 1799 (hand-coloured etching)
Half-Normal, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190168: Half-Normal, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190168

Half-Normal, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)
Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190196: Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190196

Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)

Gillray, James (1757-1815)

The Reconciliation, published by Hannah Humphrey, 1804 (coloured etching)
The Reconciliation, published by Hannah Humphrey, 1804 (coloured etching)

NCO189717: The Reconciliation, published by Hannah Humphrey, 1804 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189717

The Reconciliation, published by Hannah Humphrey, 1804 (coloured etching)

Gillray, James (1757-1815)

Plate 2, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 2, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129846: Plate 2, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

ID: XJF129846

Plate 2, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

Gillray, James (1757-1815)

A Calm, pub. H Humphrey, London, 1810 (hand-coloured engraving)
A Calm, pub. H Humphrey, London, 1810 (hand-coloured engraving)

STC872449: A Calm, pub. H Humphrey, London, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC872449

A Calm, pub. H Humphrey, London, 1810 (hand-coloured engraving)

Gillray, James (1757-1815)

The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth.
The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth.

LZT1012552: The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012552

The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth.

Gillray, James (1757-1815)

A Peep at Christies or Tally Ho, and His Nimeney-Pimmeney Taking the Morning Lounge, Gillray, James, 1756-1815, Engraving 1796, Miss Farren and Lord Derby Walk Together Inspecting Pictures. She, Very Thin and Tall, Looks Over His Head Through a Glass at a Picture in the Second Row of Zenocrates Andphryne. He Looks at the Picture Immediately below, the Death, a Huntsman Holding Up a Fox to the Hounds. Lord Derby, Much Caricatured, Very Short and Obese, Wears Riding-Dress with Spurred Boots and Holds a Whip. Miss Farren Wears No Hat, a Dress Hanging from the Shoulders and Trailing Her, Short Sleeves and Gloves. Both Hold an Open Catalogue.
A Peep at Christies or Tally Ho, and His Nimeney-Pimmeney Taking the Morning Lounge, Gillray, James, 1756-1815, Engraving 1796, Miss Farren and Lord Derby Walk Together Inspecting Pictures. She, Very Thin and Tall, Looks Over His Head Through a Glass at a Picture in the Second Row of Zenocrates Andphryne. He Looks at the Picture Immediately below, the Death, a Huntsman Holding Up a Fox to the Hounds. Lord Derby, Much Caricatured, Very Short and Obese, Wears Riding-Dress with Spurred Boots and Holds a Whip. Miss Farren Wears No Hat, a Dress Hanging from the Shoulders and Trailing Her, Short Sleeves and Gloves. Both Hold an Open Catalogue.

LZT1012562: A Peep at Christies or Tally Ho, and His Nimeney-Pimmeney Taking the Morning Lounge, Gillray, James, 1756-1815, Engraving 1796, Miss Farren and Lord Derby Walk Together Inspecting Pictures. She, Very Thin and Tall, Looks Over His Head Through a Glass at a Picture in the Second Row of Zenocrates Andphryne. He Looks at the Picture Immediately below, the Death, a Huntsman Holding Up a Fox to the Hounds. Lord Derby, Much Caricatured, Very Short and Obese, Wears Riding-Dress with Spurred Boots and Holds a Whip. Miss Farren Wears No Hat, a Dress Hanging from the Shoulders and Trailing Her, Short Sleeves and Gloves. Both Hold an Open Catalogue., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012562

A Peep at Christies or Tally Ho, and His Nimeney-Pimmeney Taking the Morning Lounge, Gillray, James, 1756-1815, Engraving 1796, Miss Farren and Lord Derby Walk Together Inspecting Pictures. She, Very Thin and Tall, Looks Over His Head Through a Glass at a Picture in the Second Row of Zenocrates Andphryne. He Looks at the Picture Immediately below, the Death, a Huntsman Holding Up a Fox to the Hounds. Lord Derby, Much Caricatured, Very Short and Obese, Wears Riding-Dress with Spurred Boots and Holds a Whip. Miss Farren Wears No Hat, a Dress Hanging from the Shoulders and Trailing Her, Short Sleeves and Gloves. Both Hold an Open Catalogue.

Gillray, James (1757-1815)

Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune, Gillray, James, 1756-1815, Engraving 1799, an Obese, Copt, Holding a Mace or Staff, Rides an Ass which, Though Led Processionally by a Copt, Proceeds on Account of the Bayonet with which a Grinning French Soldier Stabs Its Hind Quarters.
Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune, Gillray, James, 1756-1815, Engraving 1799, an Obese, Copt, Holding a Mace or Staff, Rides an Ass which, Though Led Processionally by a Copt, Proceeds on Account of the Bayonet with which a Grinning French Soldier Stabs Its Hind Quarters.

LZT1012545: Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune, Gillray, James, 1756-1815, Engraving 1799, an Obese, Copt, Holding a Mace or Staff, Rides an Ass which, Though Led Processionally by a Copt, Proceeds on Account of the Bayonet with which a Grinning French Soldier Stabs Its Hind Quarters., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012545

Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune, Gillray, James, 1756-1815, Engraving 1799, an Obese, Copt, Holding a Mace or Staff, Rides an Ass which, Though Led Processionally by a Copt, Proceeds on Account of the Bayonet with which a Grinning French Soldier Stabs Its Hind Quarters.

Gillray, James (1757-1815)

Design for the New Gallery of Busts and Pictures, and So Far Will I Trust Thee Gentle Kate, Henry 4th, Part 1st , Gillray, James, 1756-1815, Engraving 1792, Interior View of a Portrait Gallery with Busts of Demosthenes and Cicero, Both Frowning, and Between Them a Bust of Charles J. Fox; Hanging on the Wall above Are Two Prints Showing Catherine II of Russia, in One, Titled Justice, She is About to Stab a Sultan, in the Other, Moderation, She is Facing a Map of Moldavia, Bessarabia, and Wallachia, which She Embraces with Outspread Arms; Hanging above the Bust of Fox is a Crowned Circle Inscribed Conjugal Love. A Cure for the Haemerroidical Cholic Within which is a Rope Noose.
Design for the New Gallery of Busts and Pictures, and So Far Will I Trust Thee Gentle Kate, Henry 4th, Part 1st , Gillray, James, 1756-1815, Engraving 1792, Interior View of a Portrait Gallery with Busts of Demosthenes and Cicero, Both Frowning, and Between Them a Bust of Charles J. Fox; Hanging on the Wall above Are Two Prints Showing Catherine II of Russia, in One, Titled Justice, She is About to Stab a Sultan, in the Other, Moderation, She is Facing a Map of Moldavia, Bessarabia, and Wallachia, which She Embraces with Outspread Arms; Hanging above the Bust of Fox is a Crowned Circle Inscribed Conjugal Love. A Cure for the Haemerroidical Cholic Within which is a Rope Noose.

LZT1012572: Design for the New Gallery of Busts and Pictures, and So Far Will I Trust Thee Gentle Kate, Henry 4th, Part 1st , Gillray, James, 1756-1815, Engraving 1792, Interior View of a Portrait Gallery with Busts of Demosthenes and Cicero, Both Frowning, and Between Them a Bust of Charles J. Fox; Hanging on the Wall above Are Two Prints Showing Catherine II of Russia, in One, Titled Justice, She is About to Stab a Sultan, in the Other, Moderation, She is Facing a Map of Moldavia, Bessarabia, and Wallachia, which She Embraces with Outspread Arms; Hanging above the Bust of Fox is a Crowned Circle Inscribed Conjugal Love. A Cure for the Haemerroidical Cholic Within which is a Rope Noose., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012572

Design for the New Gallery of Busts and Pictures, and So Far Will I Trust Thee Gentle Kate, Henry 4th, Part 1st , Gillray, James, 1756-1815, Engraving 1792, Interior View of a Portrait Gallery with Busts of Demosthenes and Cicero, Both Frowning, and Between Them a Bust of Charles J. Fox; Hanging on the Wall above Are Two Prints Showing Catherine II of Russia, in One, Titled Justice, She is About to Stab a Sultan, in the Other, Moderation, She is Facing a Map of Moldavia, Bessarabia, and Wallachia, which She Embraces with Outspread Arms; Hanging above the Bust of Fox is a Crowned Circle Inscribed Conjugal Love. A Cure for the Haemerroidical Cholic Within which is a Rope Noose.

Gillray, James (1757-1815)

Gloria Mundi, or the Devil Addressing the Sun Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death.
Gloria Mundi, or the Devil Addressing the Sun Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death.

LZT1012629: Gloria Mundi, or the Devil Addressing the Sun Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012629

Gloria Mundi, or the Devil Addressing the Sun Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death.

Gillray, James (1757-1815)

The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right.
The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right.

LZT1012646: The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012646

The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right.

Gillray, James (1757-1815)

The Orangerie or the Dutch Cupid Reposing after the Fatigues of Planting, Gillray, James, 1756-1815, Engraver, London, Engraving 1796, William V, Prince of Orange, As a Fat, Naked Cupid, Reclining on a Platform of Grass and Flowers and Leaning on a Bag of Money Marked 24,000,000 Ducats. In the Foreground Are a Number of Orange Plants with Each Orange Bearing the Likeness of the Prince. In the Background, As If in a Dream, Are Many Heavily Pregnant Women: A Milkmaid, a Fishmonger, a House Maid, and Many Farm Women.
The Orangerie or the Dutch Cupid Reposing after the Fatigues of Planting, Gillray, James, 1756-1815, Engraver, London, Engraving 1796, William V, Prince of Orange, As a Fat, Naked Cupid, Reclining on a Platform of Grass and Flowers and Leaning on a Bag of Money Marked 24,000,000 Ducats. In the Foreground Are a Number of Orange Plants with Each Orange Bearing the Likeness of the Prince. In the Background, As If in a Dream, Are Many Heavily Pregnant Women: A Milkmaid, a Fishmonger, a House Maid, and Many Farm Women.

LZT1012625: The Orangerie or the Dutch Cupid Reposing after the Fatigues of Planting, Gillray, James, 1756-1815, Engraver, London, Engraving 1796, William V, Prince of Orange, As a Fat, Naked Cupid, Reclining on a Platform of Grass and Flowers and Leaning on a Bag of Money Marked 24,000,000 Ducats. In the Foreground Are a Number of Orange Plants with Each Orange Bearing the Likeness of the Prince. In the Background, As If in a Dream, Are Many Heavily Pregnant Women: A Milkmaid, a Fishmonger, a House Maid, and Many Farm Women., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012625

The Orangerie or the Dutch Cupid Reposing after the Fatigues of Planting, Gillray, James, 1756-1815, Engraver, London, Engraving 1796, William V, Prince of Orange, As a Fat, Naked Cupid, Reclining on a Platform of Grass and Flowers and Leaning on a Bag of Money Marked 24,000,000 Ducats. In the Foreground Are a Number of Orange Plants with Each Orange Bearing the Likeness of the Prince. In the Background, As If in a Dream, Are Many Heavily Pregnant Women: A Milkmaid, a Fishmonger, a House Maid, and Many Farm Women.

Gillray, James (1757-1815)

Breathing a Vein, pub. London January 28th 1804 (coloured engraving)
Breathing a Vein, pub. London January 28th 1804 (coloured engraving)

STC955611: Breathing a Vein, pub. London January 28th 1804 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC955611

Breathing a Vein, pub. London January 28th 1804 (coloured engraving)

Gillray, James (1757-1815)

Les Invisibles, 1810 (hand-coloured engraving)
Les Invisibles, 1810 (hand-coloured engraving)

STC708888: Les Invisibles, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC708888

Les Invisibles, 1810 (hand-coloured engraving)

Gillray, James (1757-1815)

George III caricature by James Gillray
George III caricature by James Gillray

XLF3787590: George III caricature by James Gillray, Gillray, James (1757-1815) / Bridgeman Images

ID: XLF3787590

George III caricature by James Gillray

Gillray, James (1757-1815)

Germans Eating Sour-Krout, May 7, 1803 (hand-coloured etching on laid paper)
Germans Eating Sour-Krout, May 7, 1803 (hand-coloured etching on laid paper)

HST3083643: Germans Eating Sour-Krout, May 7, 1803 (hand-coloured etching on laid paper), Gillray, James (1757-1815) / Bridgeman Images

ID: HST3083643

Germans Eating Sour-Krout, May 7, 1803 (hand-coloured etching on laid paper)

Gillray, James (1757-1815)

Malagrida and Conspirators, Consulting the Ghost of Oliver Cromwell, published June 10, 1782 (etching on laid paper inlaid on wove paper)
Malagrida and Conspirators, Consulting the Ghost of Oliver Cromwell, published June 10, 1782 (etching on laid paper inlaid on wove paper)

HST3083632: Malagrida and Conspirators, Consulting the Ghost of Oliver Cromwell, published June 10, 1782 (etching on laid paper inlaid on wove paper), Gillray, James (1757-1815) / Bridgeman Images

ID: HST3083632

Malagrida and Conspirators, Consulting the Ghost of Oliver Cromwell, published June 10, 1782 (etching on laid paper inlaid on wove paper)

Gillray, James (1757-1815)

More Pigs than Teats, or—the new Litter of hungry grunters, sucking John Bull's-old-sow to death, May 9, 1806 (hand-coloured etching)
More Pigs than Teats, or—the new Litter of hungry grunters, sucking John Bull's-old-sow to death, May 9, 1806 (hand-coloured etching)

HST3083657: More Pigs than Teats, or—the new Litter of hungry grunters, sucking John Bull's-old-sow to death, May 9, 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: HST3083657

More Pigs than Teats, or—the new Litter of hungry grunters, sucking John Bull's-old-sow to death, May 9, 1806 (hand-coloured etching)

Gillray, James (1757-1815)

Sin, Death, and the Devil, 1792 (coloured engraving)
Sin, Death, and the Devil, 1792 (coloured engraving)

HRP2624901: Sin, Death, and the Devil, 1792 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: HRP2624901

Sin, Death, and the Devil, 1792 (coloured engraving)

Gillray, James (1757-1815)

The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving)
The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving)

HRP2624943: The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: HRP2624943

The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving)

Gillray, James (1757-1815)

Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving)
Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving)

HRP2624909: Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: HRP2624909

Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving)

Gillray, James (1757-1815)

The Reconciliation, 1804 (coloured engraving)
The Reconciliation, 1804 (coloured engraving)

HRP2624927: The Reconciliation, 1804 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: HRP2624927

The Reconciliation, 1804 (coloured engraving)

Gillray, James (1757-1815)

Characters in high life, 1795 (hand-coloured etching)
Characters in high life, 1795 (hand-coloured etching)

HRP2966585: Characters in high life, 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: HRP2966585

Characters in high life, 1795 (hand-coloured etching)

Gillray, James (1757-1815)

'The Valley of the Shadow of Death', Satirical Cartoon
'The Valley of the Shadow of Death', Satirical Cartoon

BAL42831: 'The Valley of the Shadow of Death', Satirical Cartoon, Gillray, James (1757-1815) / Bridgeman Images

ID: BAL42831

'The Valley of the Shadow of Death', Satirical Cartoon

Gillray, James (1757-1815)

Very Slippy Weather, 1808 (coloured engraving)
Very Slippy Weather, 1808 (coloured engraving)

NCO1127956: Very Slippy Weather, 1808 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO1127956

Very Slippy Weather, 1808 (coloured engraving)

Gillray, James (1757-1815)

The French Consular Triumvirate, 1800 (engraving)
The French Consular Triumvirate, 1800 (engraving)

REV884389: The French Consular Triumvirate, 1800 (engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: REV884389

The French Consular Triumvirate, 1800 (engraving)

Gillray, James (1757-1815)

The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving)
The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving)

STC872451: The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC872451

The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving)

Gillray, James (1757-1815)

Parasols, for 1795, (etching)
Parasols, for 1795, (etching)

XJF869673: Parasols, for 1795, (etching), Gillray, James (1757-1815) / Bridgeman Images

ID: XJF869673

Parasols, for 1795, (etching)

Gillray, James (1757-1815)

A Little Music or The Delights of Harmony, engraved by William Brocas, printed in London by J. Sidebotham, 1810 (etching)
A Little Music or The Delights of Harmony, engraved by William Brocas, printed in London by J. Sidebotham, 1810 (etching)

JEF1763987: A Little Music or The Delights of Harmony, engraved by William Brocas, printed in London by J. Sidebotham, 1810 (etching), Gillray, James (1757-1815) / Bridgeman Images

ID: JEF1763987

A Little Music or The Delights of Harmony, engraved by William Brocas, printed in London by J. Sidebotham, 1810 (etching)

Gillray, James (1757-1815)

TRI168502: "Scientific Researches! New Discoveries in PNEUMATICKS! or An Experimental Lecture on the Powers of Air", cartoon of a lecture at the Royal Institution demonstrating the effects of laughing gas (nitrous oxide) (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: TRI168502

"Scientific Researches! New Discoveries in PNEUMATICKS! or An Experimental Lecture on the Powers of Air", cartoon of a lecture at the Royal Institution demonstrating the effects of laughing gas (nitrous oxide) (coloured etching)

Gillray, James (1757-1815)

Presages of the Millennium, published 1795 (hand coloured etching)
Presages of the Millennium, published 1795 (hand coloured etching)

FIT167669: Presages of the Millennium, published 1795 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: FIT167669

Presages of the Millennium, published 1795 (hand coloured etching)

Gillray, James (1757-1815)

A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190114: A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190114

A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching)

Gillray, James (1757-1815)

A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching)
A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching)

NCO190145: A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190145

A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching)

Gillray, James (1757-1815)


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