Gillray, James (1757-1815) Assets (983 in total)
Results
LLJ602574: Sandwich-Carrots - Lady Sandwich Carrots (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
LSE4078153: Man getting the buttons removed from the face, (engraving 1801), Gillray, James (1757-1815) / Bridgeman Images
HRP2624901: Sin, Death, and the Devil, 1792 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2624909: Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2624927: The Reconciliation, 1804 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2624943: The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
LLM5997519: Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632306: The Pigs Possessed, or the Broad bottom’d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632308: Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632312: Death of a Corsican Fox – Scene the last of the Royal-Hunt, 1803 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632322: The Life of William Cobbett, written by himself, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632323: The Death of the Great Wolf, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632324: Taking Physick, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2636964: Ancient Music, pub. 1787 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC2636968: Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2562156: High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2562157: Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2490075: A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2490672: Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3239917: The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
BAL42831: 'The Valley of the Shadow of Death', Satirical Cartoon, Gillray, James (1757-1815) / Bridgeman Images
XJF153999: The Lover's Dream, 1795 (engraving) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images
TRI168502: "Scientific Researches! New Discoveries in PNEUMATICKS! or An Experimental Lecture on the Powers of Air", cartoon of a lecture at the Royal Institution demonstrating the effects of laughing gas (nitrous oxide) (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190400: A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO190401: The Legacy, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190413: The Dissolution, or the Alchymist producing an Aetherial Representation, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190420: Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190421: The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190443: The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190468: The Balance of Power, or The Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190480: Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190494: The Cabinetical Balance, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190136: A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190137: Monstrosities of 1799, or Scene in Kensington Gardens, published by Hannah Humphrey in 1799 (etching), Gillray, James (1757-1815) / Bridgeman Images
