Gillray, James (1757-1815) Assets (1002 in total)
Results
NCO193172: The Affrighted Centaur and the Lion Britanique, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193188: The Loyal Toast, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193431: Andrew Robinson Bowes Esq. as he appeared in the Court of the King's Bench on Tuesday 28th November 1786, to answer the articles exhibited against him by his wife the Countess of Strathmore, published by E. Jackson in 1786 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190140: Progress of the Toilet, or Dress Completed, published by Hannah Humphrey in 1810 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190153: Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191702: Theatrical Mendicants relieved, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191721: Effusions of the Heart, or Lying Jack the Blacksmith at Confession, published by Hannah Humphrey in 1795 for the Philanthropic Society (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191741: L'Avocat de la Republique, plate 7 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193105: Black-Dick turn'd Taylor, 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193147: The Wounded Lion, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193164: The Fall of Phaeton, published by S.W. Fores in 1788 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193171: A Plumper for Paul! or The Little Taylor done over! i.e The terrible effects of provoking a Red-hot shot from the Broad Bottom'd Whig Battery, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193181: A Keen-Sighted Politician finding out the British Conquests, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190427: L'Assemblee Nationale, or Grand Cooperative Meeting at St. Ann's Hill - respectfully dedicated to the admirers of a Broad Bottom'd Administration, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190438: Guy Vaux discovered in the attempt to destroy the King & the House of Lords, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190452: John Bull and the Alarmist, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190474: The Coalition-Dance, published by William Humphrey in 1783 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190481: Which Way Shall I Turn Me, How Shall I Decide? published by S.W. Fores in 1793 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191208: Irish Gratitude, published by Hannah Humphrey in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191220: The Bubbles of Opposition, 1788 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO191239: 'Lullaby - soothe him with a lullaby!' published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193195: Harpyes Destroying the Feast, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
HRP2624901: Sin, Death, and the Devil, 1792 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2624943: The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2624909: Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2624927: The Reconciliation, 1804 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2966585: Characters in high life, 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
HST3083632: Malagrida and Conspirators, Consulting the Ghost of Oliver Cromwell, published June 10, 1782 (etching on laid paper inlaid on wove paper), Gillray, James (1757-1815) / Bridgeman Images
HST3083643: Germans Eating Sour-Krout, May 7, 1803 (hand-coloured etching on laid paper), Gillray, James (1757-1815) / Bridgeman Images
HST3083657: More Pigs than Teats, orthe new Litter of hungry grunters, sucking John Bull's-old-sow to death, May 9, 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191213: Sublime Oration: A Display of It, published by T. Harmar in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191277: Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191282: A Lyoness, published by Hannah Humphrey in 1801 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images
NCO191716: The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
