Gillray, James (1757-1815) Assets (1003 in total)
Results
STC1275084: L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC708888: Les Invisibles, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC955611: Breathing a Vein, pub. London January 28th 1804 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC872449: A Calm, pub. H Humphrey, London, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2636940: End of the Irish Invasion or the Destruction of the French Armada, pub. Hannah Humphrey, 20th January, 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2489489: Exit Libertè a la Francois! or Buonaparte closing the Farce of Egalité, at St. Cloud near Paris November 10th 1799, pub. 1799 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2490889: The First Kiss this Ten Years! Or the meeting of Britannia & Citizen Francois, pub. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2491119: A Cognocenti contemplating ye Beauties of Ye Antique, pub. Hannah Humphrey, 11th February 1801 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2494876: Disciples catching the mantle - the Spirit of Darkness overshadowing the Priests of Baal, pub. 1808 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC2494103: The ROBBING Hood Debating Society, pub S. Tipper, 1st January 1809 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2962493: Dilettanti Theatricals or a Peep at the Green Room, vide. Pic-Nic-Orgies, pub. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2962520: Bombardinian, conferring upon State Affairs with one in Office, pub. 1779 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966793: Cheyt Sing in his Eastern Dress, pub. 1786 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966802: The Balance of Power or The Posterity of the Immortal Chatham, turns Posture Master, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966813: The Daily Advertiser, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2636944: Visiting the Sick, pub. 18th July, 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC1275082: Egyptian Sketches, published Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC1275085: Praetor Urbanus' - Inauguration of the Coptic Mayor of Cairo, preceded by the Procureur de la Commune, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC1275200: The State Tinkers, published by W. Humphrey, 10th February 1780 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
XCF290998: Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, London, 1809 (colour engraving), Gillray, James (1757-1815) / Bridgeman Images
XCC2972605: Les Invisibles, 1810 (hand-colored etching on ivory wove paper), Gillray, James (1757-1815) / Bridgeman Images
XCF407386: Dido in Despair, published by Hannah Humphrey, 1801 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
XJF129846: Plate 2, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images
BAL42778: 'Loyal Souls - or a Peep into the Messroom at St. James', 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
BAL42779: Connoisseurs Examining a Collection of George Morland's Paintings, Gillray, James (1757-1815) / Bridgeman Images
HST3083632: Malagrida and Conspirators, Consulting the Ghost of Oliver Cromwell, published June 10, 1782 (etching on laid paper inlaid on wove paper), Gillray, James (1757-1815) / Bridgeman Images
HST3083643: Germans Eating Sour-Krout, May 7, 1803 (hand-coloured etching on laid paper), Gillray, James (1757-1815) / Bridgeman Images
HST3083657: More Pigs than Teats, orthe new Litter of hungry grunters, sucking John Bull's-old-sow to death, May 9, 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
HRP2966585: Characters in high life, 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
HRP2624901: Sin, Death, and the Devil, 1792 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2624943: The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2624909: Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HRP2624927: The Reconciliation, 1804 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
TRI168502: "Scientific Researches! New Discoveries in PNEUMATICKS! or An Experimental Lecture on the Powers of Air", cartoon of a lecture at the Royal Institution demonstrating the effects of laughing gas (nitrous oxide) (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
