Gillray, James (1757-1815) Assets (983 in total)

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Sandwich-Carrots - Lady Sandwich Carrots (coloured engraving)
Sandwich-Carrots - Lady Sandwich Carrots (coloured engraving)

LLJ602574: Sandwich-Carrots - Lady Sandwich Carrots (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Man getting the buttons removed from the face, (engraving 1801)
Man getting the buttons removed from the face, (engraving 1801)

LSE4078153: Man getting the buttons removed from the face, (engraving 1801), Gillray, James (1757-1815) / Bridgeman Images

Sin, Death, and the Devil, 1792 (coloured engraving)
Sin, Death, and the Devil, 1792 (coloured engraving)

HRP2624901: Sin, Death, and the Devil, 1792 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving)
Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving)

HRP2624909: Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Reconciliation, 1804 (coloured engraving)
The Reconciliation, 1804 (coloured engraving)

HRP2624927: The Reconciliation, 1804 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving)
The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving)

HRP2624943: The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving)
Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving)

LLM5997519: Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Bottomless Pitt, 1792 (engraving)
The Bottomless Pitt, 1792 (engraving)

NCO2632292: The Bottomless Pitt, 1792 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Pigs Possessed, or the Broad bottom’d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving)
The Pigs Possessed, or the Broad bottom’d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving)

NCO2632306: The Pigs Possessed, or the Broad bottom’d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving)
Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving)

NCO2632308: Punch Cures the Gout, the Colic, and the Tisick, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Death of a Corsican Fox – Scene the last of the Royal-Hunt, 1803 (coloured engraving)
Death of a Corsican Fox – Scene the last of the Royal-Hunt, 1803 (coloured engraving)

NCO2632312: Death of a Corsican Fox – Scene the last of the Royal-Hunt, 1803 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself, 1809 (coloured engraving)
The Life of William Cobbett, written by himself, 1809 (coloured engraving)

NCO2632322: The Life of William Cobbett, written by himself, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Death of the Great Wolf, 1795 (coloured engraving)
The Death of the Great Wolf, 1795 (coloured engraving)

NCO2632323: The Death of the Great Wolf, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Taking Physick, 1800 (coloured engraving)
Taking Physick, 1800 (coloured engraving)

NCO2632324: Taking Physick, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Ancient Music, pub. 1787 (hand coloured etching)
Ancient Music, pub. 1787 (hand coloured etching)

STC2636964: Ancient Music, pub. 1787 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)
Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving)

STC2636968: Making Decent, i.e. Broad Bottomites getting into the Grand Costume, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving)
High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving)

STC2562156: High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving)
Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving)

STC2562157: Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)
A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)

STC2490075: A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)
Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)

STC2490672: Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving)
The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving)

STC3239917: The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

'The Valley of the Shadow of Death', Satirical Cartoon
'The Valley of the Shadow of Death', Satirical Cartoon

BAL42831: 'The Valley of the Shadow of Death', Satirical Cartoon, Gillray, James (1757-1815) / Bridgeman Images

The Lover's Dream, 1795 (engraving) (b/w photo)
The Lover's Dream, 1795 (engraving) (b/w photo)

XJF153999: The Lover's Dream, 1795 (engraving) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

TRI168502: "Scientific Researches! New Discoveries in PNEUMATICKS! or An Experimental Lecture on the Powers of Air", cartoon of a lecture at the Royal Institution demonstrating the effects of laughing gas (nitrous oxide) (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint)
A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint)

NCO190400: A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint), Gillray, James (1757-1815) / Bridgeman Images

The Legacy, published by W. Holland in 1786 (hand-coloured etching)
The Legacy, published by W. Holland in 1786 (hand-coloured etching)

NCO190401: The Legacy, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dissolution, or the Alchymist producing an Aetherial Representation, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Dissolution, or the Alchymist producing an Aetherial Representation, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190413: The Dissolution, or the Alchymist producing an Aetherial Representation, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching)
Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO190420: Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching)
The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO190421: The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)
The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190443: The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Balance of Power, or The  Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching)
The Balance of Power, or The  Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190468: The Balance of Power, or The Posterity of the Immortal Chatham turned 'Posture Master', published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)
Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190480: Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Cabinetical Balance, published by Hannah Humphrey in 1806 (hand-coloured etching)
The Cabinetical Balance, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO190494: The Cabinetical Balance, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching)
A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO190136: A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Monstrosities of 1799, or Scene in Kensington Gardens, published by Hannah Humphrey in 1799 (etching)
Monstrosities of 1799, or Scene in Kensington Gardens, published by Hannah Humphrey in 1799 (etching)

NCO190137: Monstrosities of 1799, or Scene in Kensington Gardens, published by Hannah Humphrey in 1799 (etching), Gillray, James (1757-1815) / Bridgeman Images

A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching)
A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching)

NCO190145: A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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