1. Home
  2. All Artists
  3. Gillray, James (1757-1815)
  4. All Assets

Gillray, James (1757-1815) Assets (1003 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Connoisseurs examining a collection of George Morland’s, published by Hannah humphrey, 1807 (hand-coloured etching)
Connoisseurs examining a collection of George Morland’s, published by Hannah humphrey, 1807 (hand-coloured etching)

NCO1218696: Connoisseurs examining a collection of George Morland’s, published by Hannah humphrey, 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO1218696

Connoisseurs examining a collection of George Morland’s, published by Hannah humphrey, 1807 (hand-coloured etching)

Gillray, James (1757-1815)

L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching)
L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching)

STC1275084: L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: STC1275084

L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)
'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190154: 'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190154

'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)
Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190196: Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190196

Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)

Gillray, James (1757-1815)

An Old English Gentleman Pester'd by Servants Wanting Places, published by Hannah Humphrey in 1809 (hand-coloured etching)
An Old English Gentleman Pester'd by Servants Wanting Places, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO190416: An Old English Gentleman Pester'd by Servants Wanting Places, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190416

An Old English Gentleman Pester'd by Servants Wanting Places, published by Hannah Humphrey in 1809 (hand-coloured etching)

Gillray, James (1757-1815)

Theatrical Mendicants relieved, published by Hannah Humphrey in 1809 (hand-coloured etching)
Theatrical Mendicants relieved, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO191702: Theatrical Mendicants relieved, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191702

Theatrical Mendicants relieved, published by Hannah Humphrey in 1809 (hand-coloured etching)

Gillray, James (1757-1815)

Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune, Gillray, James, 1756-1815, Engraving 1799, an Obese, Copt, Holding a Mace or Staff, Rides an Ass which, Though Led Processionally by a Copt, Proceeds on Account of the Bayonet with which a Grinning French Soldier Stabs Its Hind Quarters.
Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune, Gillray, James, 1756-1815, Engraving 1799, an Obese, Copt, Holding a Mace or Staff, Rides an Ass which, Though Led Processionally by a Copt, Proceeds on Account of the Bayonet with which a Grinning French Soldier Stabs Its Hind Quarters.

LZT1012545: Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune, Gillray, James, 1756-1815, Engraving 1799, an Obese, Copt, Holding a Mace or Staff, Rides an Ass which, Though Led Processionally by a Copt, Proceeds on Account of the Bayonet with which a Grinning French Soldier Stabs Its Hind Quarters., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012545

Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune, Gillray, James, 1756-1815, Engraving 1799, an Obese, Copt, Holding a Mace or Staff, Rides an Ass which, Though Led Processionally by a Copt, Proceeds on Account of the Bayonet with which a Grinning French Soldier Stabs Its Hind Quarters.

Gillray, James (1757-1815)

The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth.
The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth.

LZT1012552: The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012552

The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth.

Gillray, James (1757-1815)

Gloria Mundi, or the Devil Addressing the Sun Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death.
Gloria Mundi, or the Devil Addressing the Sun Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death.

LZT1012629: Gloria Mundi, or the Devil Addressing the Sun Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012629

Gloria Mundi, or the Devil Addressing the Sun Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death.

Gillray, James (1757-1815)

The Orangerie or the Dutch Cupid Reposing after the Fatigues of Planting, Gillray, James, 1756-1815, Engraver, London, Engraving 1796, William V, Prince of Orange, As a Fat, Naked Cupid, Reclining on a Platform of Grass and Flowers and Leaning on a Bag of Money Marked 24,000,000 Ducats. In the Foreground Are a Number of Orange Plants with Each Orange Bearing the Likeness of the Prince. In the Background, As If in a Dream, Are Many Heavily Pregnant Women: A Milkmaid, a Fishmonger, a House Maid, and Many Farm Women.
The Orangerie or the Dutch Cupid Reposing after the Fatigues of Planting, Gillray, James, 1756-1815, Engraver, London, Engraving 1796, William V, Prince of Orange, As a Fat, Naked Cupid, Reclining on a Platform of Grass and Flowers and Leaning on a Bag of Money Marked 24,000,000 Ducats. In the Foreground Are a Number of Orange Plants with Each Orange Bearing the Likeness of the Prince. In the Background, As If in a Dream, Are Many Heavily Pregnant Women: A Milkmaid, a Fishmonger, a House Maid, and Many Farm Women.

LZT1012625: The Orangerie or the Dutch Cupid Reposing after the Fatigues of Planting, Gillray, James, 1756-1815, Engraver, London, Engraving 1796, William V, Prince of Orange, As a Fat, Naked Cupid, Reclining on a Platform of Grass and Flowers and Leaning on a Bag of Money Marked 24,000,000 Ducats. In the Foreground Are a Number of Orange Plants with Each Orange Bearing the Likeness of the Prince. In the Background, As If in a Dream, Are Many Heavily Pregnant Women: A Milkmaid, a Fishmonger, a House Maid, and Many Farm Women., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012625

The Orangerie or the Dutch Cupid Reposing after the Fatigues of Planting, Gillray, James, 1756-1815, Engraver, London, Engraving 1796, William V, Prince of Orange, As a Fat, Naked Cupid, Reclining on a Platform of Grass and Flowers and Leaning on a Bag of Money Marked 24,000,000 Ducats. In the Foreground Are a Number of Orange Plants with Each Orange Bearing the Likeness of the Prince. In the Background, As If in a Dream, Are Many Heavily Pregnant Women: A Milkmaid, a Fishmonger, a House Maid, and Many Farm Women.

Gillray, James (1757-1815)

The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right.
The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right.

LZT1012646: The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012646

The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right.

Gillray, James (1757-1815)

Design for the New Gallery of Busts and Pictures, and So Far Will I Trust Thee Gentle Kate, Henry 4th, Part 1st , Gillray, James, 1756-1815, Engraving 1792, Interior View of a Portrait Gallery with Busts of Demosthenes and Cicero, Both Frowning, and Between Them a Bust of Charles J. Fox; Hanging on the Wall above Are Two Prints Showing Catherine II of Russia, in One, Titled Justice, She is About to Stab a Sultan, in the Other, Moderation, She is Facing a Map of Moldavia, Bessarabia, and Wallachia, which She Embraces with Outspread Arms; Hanging above the Bust of Fox is a Crowned Circle Inscribed Conjugal Love. A Cure for the Haemerroidical Cholic Within which is a Rope Noose.
Design for the New Gallery of Busts and Pictures, and So Far Will I Trust Thee Gentle Kate, Henry 4th, Part 1st , Gillray, James, 1756-1815, Engraving 1792, Interior View of a Portrait Gallery with Busts of Demosthenes and Cicero, Both Frowning, and Between Them a Bust of Charles J. Fox; Hanging on the Wall above Are Two Prints Showing Catherine II of Russia, in One, Titled Justice, She is About to Stab a Sultan, in the Other, Moderation, She is Facing a Map of Moldavia, Bessarabia, and Wallachia, which She Embraces with Outspread Arms; Hanging above the Bust of Fox is a Crowned Circle Inscribed Conjugal Love. A Cure for the Haemerroidical Cholic Within which is a Rope Noose.

LZT1012572: Design for the New Gallery of Busts and Pictures, and So Far Will I Trust Thee Gentle Kate, Henry 4th, Part 1st , Gillray, James, 1756-1815, Engraving 1792, Interior View of a Portrait Gallery with Busts of Demosthenes and Cicero, Both Frowning, and Between Them a Bust of Charles J. Fox; Hanging on the Wall above Are Two Prints Showing Catherine II of Russia, in One, Titled Justice, She is About to Stab a Sultan, in the Other, Moderation, She is Facing a Map of Moldavia, Bessarabia, and Wallachia, which She Embraces with Outspread Arms; Hanging above the Bust of Fox is a Crowned Circle Inscribed Conjugal Love. A Cure for the Haemerroidical Cholic Within which is a Rope Noose., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012572

Design for the New Gallery of Busts and Pictures, and So Far Will I Trust Thee Gentle Kate, Henry 4th, Part 1st , Gillray, James, 1756-1815, Engraving 1792, Interior View of a Portrait Gallery with Busts of Demosthenes and Cicero, Both Frowning, and Between Them a Bust of Charles J. Fox; Hanging on the Wall above Are Two Prints Showing Catherine II of Russia, in One, Titled Justice, She is About to Stab a Sultan, in the Other, Moderation, She is Facing a Map of Moldavia, Bessarabia, and Wallachia, which She Embraces with Outspread Arms; Hanging above the Bust of Fox is a Crowned Circle Inscribed Conjugal Love. A Cure for the Haemerroidical Cholic Within which is a Rope Noose.

Gillray, James (1757-1815)

Egyptian Sketches, published Hannah Humphrey in 1799 (hand-coloured etching)
Egyptian Sketches, published Hannah Humphrey in 1799 (hand-coloured etching)

STC1275082: Egyptian Sketches, published Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: STC1275082

Egyptian Sketches, published Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

Praetor Urbanus' - Inauguration of the Coptic Mayor of Cairo, preceded by the Procureur de la Commune, published by Hannah Humphrey in 1799 (hand-coloured etching)
Praetor Urbanus' - Inauguration of the Coptic Mayor of Cairo, preceded by the Procureur de la Commune, published by Hannah Humphrey in 1799 (hand-coloured etching)

STC1275085: Praetor Urbanus' - Inauguration of the Coptic Mayor of Cairo, preceded by the Procureur de la Commune, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: STC1275085

Praetor Urbanus' - Inauguration of the Coptic Mayor of Cairo, preceded by the Procureur de la Commune, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

The State Tinkers, published by W. Humphrey, 10th February 1780 (hand coloured engraving)
The State Tinkers, published by W. Humphrey, 10th February 1780 (hand coloured engraving)

STC1275200: The State Tinkers, published by W. Humphrey, 10th February 1780 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC1275200

The State Tinkers, published by W. Humphrey, 10th February 1780 (hand coloured engraving)

Gillray, James (1757-1815)

Charon's Boat - or - the Ghosts of all the Talents taking the last voyage (engraving)
Charon's Boat - or - the Ghosts of all the Talents taking the last voyage (engraving)

LZT1012535: Charon's Boat - or - the Ghosts of all the Talents taking the last voyage (engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012535

Charon's Boat - or - the Ghosts of all the Talents taking the last voyage (engraving)

Gillray, James (1757-1815)

Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, London, 1809 (colour engraving)
Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, London, 1809 (colour engraving)

XCF290998: Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, London, 1809 (colour engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: XCF290998

Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, London, 1809 (colour engraving)

Gillray, James (1757-1815)

Les Invisibles, 1810 (hand-coloured engraving)
Les Invisibles, 1810 (hand-coloured engraving)

STC708888: Les Invisibles, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC708888

Les Invisibles, 1810 (hand-coloured engraving)

Gillray, James (1757-1815)

Breathing a Vein, pub. London January 28th 1804 (coloured engraving)
Breathing a Vein, pub. London January 28th 1804 (coloured engraving)

STC955611: Breathing a Vein, pub. London January 28th 1804 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC955611

Breathing a Vein, pub. London January 28th 1804 (coloured engraving)

Gillray, James (1757-1815)

Mr Thomas Ogle, published by Hannah Humphrey in 1801 (etching)
Mr Thomas Ogle, published by Hannah Humphrey in 1801 (etching)

NCO190104: Mr Thomas Ogle, published by Hannah Humphrey in 1801 (etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190104

Mr Thomas Ogle, published by Hannah Humphrey in 1801 (etching)

Gillray, James (1757-1815)

Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching)
Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190153: Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190153

Egyptian Sketches, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

Half-Normal, published by Hannah Humphrey in 1799 (hand-coloured etching)
Half-Normal, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190168: Half-Normal, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190168

Half-Normal, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

Sandwich-Carrots - Lady Sandwich Carrots (coloured engraving)
Sandwich-Carrots - Lady Sandwich Carrots (coloured engraving)

LLJ602574: Sandwich-Carrots - Lady Sandwich Carrots (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: LLJ602574

Sandwich-Carrots - Lady Sandwich Carrots (coloured engraving)

Gillray, James (1757-1815)

Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving)
Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving)

LLM5997519: Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: LLM5997519

Armed Heroes: British Prime Minister Henry Addington confronting Napoleon and the threat of a French invasion, 1803 (engraving)

Gillray, James (1757-1815)

Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving)
Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving)

HRP2624909: Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: HRP2624909

Pantagruel's victorious return to the court of Gargantua, 1794 (coloured engraving)

Gillray, James (1757-1815)

The Reconciliation, 1804 (coloured engraving)
The Reconciliation, 1804 (coloured engraving)

HRP2624927: The Reconciliation, 1804 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: HRP2624927

The Reconciliation, 1804 (coloured engraving)

Gillray, James (1757-1815)

Sin, Death, and the Devil, 1792 (coloured engraving)
Sin, Death, and the Devil, 1792 (coloured engraving)

HRP2624901: Sin, Death, and the Devil, 1792 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: HRP2624901

Sin, Death, and the Devil, 1792 (coloured engraving)

Gillray, James (1757-1815)

The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving)
The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving)

HRP2624943: The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: HRP2624943

The Pigs Possessed, or The Broad bottom'd Litter running headlong into ye Sea of Perdition, 1807 (coloured engraving)

Gillray, James (1757-1815)

Malagrida and Conspirators, Consulting the Ghost of Oliver Cromwell, published June 10, 1782 (etching on laid paper inlaid on wove paper)
Malagrida and Conspirators, Consulting the Ghost of Oliver Cromwell, published June 10, 1782 (etching on laid paper inlaid on wove paper)

HST3083632: Malagrida and Conspirators, Consulting the Ghost of Oliver Cromwell, published June 10, 1782 (etching on laid paper inlaid on wove paper), Gillray, James (1757-1815) / Bridgeman Images

ID: HST3083632

Malagrida and Conspirators, Consulting the Ghost of Oliver Cromwell, published June 10, 1782 (etching on laid paper inlaid on wove paper)

Gillray, James (1757-1815)

Germans Eating Sour-Krout, May 7, 1803 (hand-coloured etching on laid paper)
Germans Eating Sour-Krout, May 7, 1803 (hand-coloured etching on laid paper)

HST3083643: Germans Eating Sour-Krout, May 7, 1803 (hand-coloured etching on laid paper), Gillray, James (1757-1815) / Bridgeman Images

ID: HST3083643

Germans Eating Sour-Krout, May 7, 1803 (hand-coloured etching on laid paper)

Gillray, James (1757-1815)

More Pigs than Teats, or—the new Litter of hungry grunters, sucking John Bull's-old-sow to death, May 9, 1806 (hand-coloured etching)
More Pigs than Teats, or—the new Litter of hungry grunters, sucking John Bull's-old-sow to death, May 9, 1806 (hand-coloured etching)

HST3083657: More Pigs than Teats, or—the new Litter of hungry grunters, sucking John Bull's-old-sow to death, May 9, 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: HST3083657

More Pigs than Teats, or—the new Litter of hungry grunters, sucking John Bull's-old-sow to death, May 9, 1806 (hand-coloured etching)

Gillray, James (1757-1815)

Characters in high life, 1795 (hand-coloured etching)
Characters in high life, 1795 (hand-coloured etching)

HRP2966585: Characters in high life, 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: HRP2966585

Characters in high life, 1795 (hand-coloured etching)

Gillray, James (1757-1815)

Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260494: Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO260494

Fools Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

Gillray, James (1757-1815)

Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)
Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO189744: Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189744

Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)

Gillray, James (1757-1815)

Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching)
Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO189766: Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189766

Political Candour, i.e. Coalition 'Resolutions' of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching)

Gillray, James (1757-1815)

The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)
The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190443: The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190443

The Reception in Holland, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)


Back to top