Gillray, James (1757-1815) Assets (983 in total)
Results
STC3025384: The Great South Sea Caterpillar, transformed into a Bath Butterfly, pub. 1792 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3025913: The Nursery; with Britannia reposing in Peace, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3025925: Political Mathematicians Shaking the Board bottomed Hemispheres, publ. 1807 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3025932: Sir David Dundas (1735 - 1820) - A Portrait, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3025934: The Pillar of the Constitution, pub. 1835 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HST3083632: Malagrida and Conspirators, Consulting the Ghost of Oliver Cromwell, published June 10, 1782 (etching on laid paper inlaid on wove paper), Gillray, James (1757-1815) / Bridgeman Images
HST3083643: Germans Eating Sour-Krout, May 7, 1803 (hand-coloured etching on laid paper), Gillray, James (1757-1815) / Bridgeman Images
HST3083657: More Pigs than Teats, orthe new Litter of hungry grunters, sucking John Bull's-old-sow to death, May 9, 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
RNM3244703: British Tars Towing the Danish Fleet into Harbour, 1807 (etching), Gillray, James (1757-1815) / Bridgeman Images
RNM3244731: John Bull Taking a Luncheon, 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO1218696: Connoisseurs examining a collection of George Morland’s, published by Hannah humphrey, 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC1275082: Egyptian Sketches, published Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC1275084: L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC1275085: Praetor Urbanus' - Inauguration of the Coptic Mayor of Cairo, preceded by the Procureur de la Commune, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC1275200: The State Tinkers, published by W. Humphrey, 10th February 1780 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2962470: The Kettle Hooting the Porridge-Pot, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2962485: Exhibition of a Democratic Transparency, with its Effect upon Patriotic Feelings, pub. 1799 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2962492: Mendoza, pub.1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2962493: Dilettanti Theatricals or a Peep at the Green Room, vide. Pic-Nic-Orgies, pub. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2962518: Grace before Meat or a Peep at Lord Peter's, pub. 1779 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2962520: Bombardinian, conferring upon State Affairs with one in Office, pub. 1779 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966793: Cheyt Sing in his Eastern Dress, pub. 1786 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966797: State Jugglers, pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966802: The Balance of Power or The Posterity of the Immortal Chatham, turns Posture Master, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966813: The Daily Advertiser, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966823: Citizens Visiting the Bastille, pub. 1799 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966831: Sketch of the Interior of St Stephens, as it now Stands, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966877: Pacific-Overtured, - or- a Flight from St Cloud's- 'over the Wter to Charlet'. - a new Dramatic Peace now Rehearsing, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966878: Tiddy-Doll, the great French Gingerbread-Baker, drawing a new Batch of Kings. - his Man Hopping Talley, mixing up the Dough, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC708888: Les Invisibles, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC872449: A Calm, pub. H Humphrey, London, 1810 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
LZT1012545: Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune, Gillray, James, 1756-1815, Engraving 1799, an Obese, Copt, Holding a Mace or Staff, Rides an Ass which, Though Led Processionally by a Copt, Proceeds on Account of the Bayonet with which a Grinning French Soldier Stabs Its Hind Quarters., Gillray, James (1757-1815) / Bridgeman Images
LZT1012552: The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth., Gillray, James (1757-1815) / Bridgeman Images
![The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.52851010.7055475/1012646.jpg?old-wm)
LZT1012646: The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right., Gillray, James (1757-1815) / Bridgeman Images