Gillray, James (1757-1815) Assets (1003 in total)
Results
LZT1012572: Design for the New Gallery of Busts and Pictures, and So Far Will I Trust Thee Gentle Kate, Henry 4th, Part 1st , Gillray, James, 1756-1815, Engraving 1792, Interior View of a Portrait Gallery with Busts of Demosthenes and Cicero, Both Frowning, and Between Them a Bust of Charles J. Fox; Hanging on the Wall above Are Two Prints Showing Catherine II of Russia, in One, Titled Justice, She is About to Stab a Sultan, in the Other, Moderation, She is Facing a Map of Moldavia, Bessarabia, and Wallachia, which She Embraces with Outspread Arms; Hanging above the Bust of Fox is a Crowned Circle Inscribed Conjugal Love. A Cure for the Haemerroidical Cholic Within which is a Rope Noose., Gillray, James (1757-1815) / Bridgeman Images
LZT1012625: The Orangerie or the Dutch Cupid Reposing after the Fatigues of Planting, Gillray, James, 1756-1815, Engraver, London, Engraving 1796, William V, Prince of Orange, As a Fat, Naked Cupid, Reclining on a Platform of Grass and Flowers and Leaning on a Bag of Money Marked 24,000,000 Ducats. In the Foreground Are a Number of Orange Plants with Each Orange Bearing the Likeness of the Prince. In the Background, As If in a Dream, Are Many Heavily Pregnant Women: A Milkmaid, a Fishmonger, a House Maid, and Many Farm Women., Gillray, James (1757-1815) / Bridgeman Images
![The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right.](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.LZT.52851010.7055475/1012646.jpg?old-wm)
LZT1012646: The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right., Gillray, James (1757-1815) / Bridgeman Images
NCO1218696: Connoisseurs examining a collection of George Morland’s, published by Hannah humphrey, 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC1275082: Egyptian Sketches, published Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC1275085: Praetor Urbanus' - Inauguration of the Coptic Mayor of Cairo, preceded by the Procureur de la Commune, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC1275084: L'Infanterie Francaise en Egypte, or Le General l'Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC1275200: The State Tinkers, published by W. Humphrey, 10th February 1780 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2490889: The First Kiss this Ten Years! Or the meeting of Britannia & Citizen Francois, pub. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2489489: Exit Libertè a la Francois! or Buonaparte closing the Farce of Egalité, at St. Cloud near Paris November 10th 1799, pub. 1799 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2491119: A Cognocenti contemplating ye Beauties of Ye Antique, pub. Hannah Humphrey, 11th February 1801 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2494876: Disciples catching the mantle - the Spirit of Darkness overshadowing the Priests of Baal, pub. 1808 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO2632319: The Life of William Cobbett, written by himself, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632294: Delicious Dreams! Castles in the Air! Glorious Prospects! vide An Afternoon Nap after the Fatigue of an Official Dinner (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632321: The Life of William Cobbett, written by himself, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2636944: Visiting the Sick, pub. 18th July, 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2655347: L'assemblée nationale: - or - grand co-operation meeting at St. Ann's Hill, pub. 1804 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
HMP86610: The Death of the Corsican Fox, 1803 (etching), Gillray, James (1757-1815) / Bridgeman Images
AAH117627: "Punch Cures the Gout, the Colic, and the Tisic" (coloured etching), Gillray, James (1757-1815) / Bridgeman Images
XJF129846: Plate 2, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images
NCO189704: Two Pairs of Portraits, Presented to all the Unbiased Electors of Great Britain, by John Horne Tooke (1736-1812) published by J. Wright and inscribed 'For ye Anti-Jacobin Review', 1798 (etching with engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO190173: Councellor Ego - i.e. little i myself i, published by J. Wright in 1798 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189703: The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189728: Charming-well Again, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO189796: A portrait, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190154: 'L'Insurrection de l'Institut Amphibie' or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190196: Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190416: An Old English Gentleman Pester'd by Servants Wanting Places, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190438: Guy Vaux discovered in the attempt to destroy the King & the House of Lords, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190466: Hanging and Drowning, or Fatal Effects of the French Defeat, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190481: Which Way Shall I Turn Me, How Shall I Decide? published by S.W. Fores in 1793 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190491: Doublures of Characters, or Striking Resemblances in Phisiognomy, published by J. Wright in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191212: Improvement in Weights and Balances, or Sir John Seeclear discovering the Balance of the British Flag, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191253: The Bulstrode Siren, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191262: A Slice of Gloster Cheese, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
