Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Becquet (The Fiddler), from
Becquet (The Fiddler), from

DMW937466: Becquet (The Fiddler), from "A Series of Sixteen Etchings of Scenes on the Thames", 1859-60 (etching, drypoint & roulette), Whistler, James Abbott McNeill (1834-1903) / Davis Museum and Cultural Center, Wellesley College, MA, USA / Bridgeman Images

The Punt, 1861 (etching, drypoint, black carbon ink, chine collé on wove paper)
The Punt, 1861 (etching, drypoint, black carbon ink, chine collé on wove paper)

FIT1123780: The Punt, 1861 (etching, drypoint, black carbon ink, chine collé on wove paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

FIA5378983: "The princess of the country of porcelain", 1864 (porcelain), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

Nocturne, San Giorgio, 1880 (chalk on grey-brown paper)
Nocturne, San Giorgio, 1880 (chalk on grey-brown paper)

FSG2968825: Nocturne, San Giorgio, 1880 (chalk on grey-brown paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

Two Whister Butterflies, c.1890 (pencil on paper)
Two Whister Butterflies, c.1890 (pencil on paper)

FSG324889: Two Whister Butterflies, c.1890 (pencil on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

Grey and Pearl: Bank Holiday Banners, 1883-84 (w/c on paper)
Grey and Pearl: Bank Holiday Banners, 1883-84 (w/c on paper)

FIT1123786: Grey and Pearl: Bank Holiday Banners, 1883-84 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

Thames Police (
Thames Police (

DMW937495: Thames Police ("Wapping Wharf"), from "A Series of Sixteen Etchings of Scenes on the Thames", 1859, published 1871 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Davis Museum and Cultural Center, Wellesley College, MA, USA / Bridgeman Images

Figures on a Beach Near Cliffs, c. 1870-74 (pastel on brown paper)
Figures on a Beach Near Cliffs, c. 1870-74 (pastel on brown paper)

CH657918: Figures on a Beach Near Cliffs, c. 1870-74 (pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

Arrangement in Pink, Red and Purple, c.1885 (oil on panel)
Arrangement in Pink, Red and Purple, c.1885 (oil on panel)

CIN5916131: Arrangement in Pink, Red and Purple, c.1885 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / Cincinnati Art Museum, Ohio, USA / Bridgeman Images

 ‘Arrangement in Yellow and Gray’: Effie Deans, c.1876-78 (oil on canvas)
 ‘Arrangement in Yellow and Gray’: Effie Deans, c.1876-78 (oil on canvas)

XOS3545921: ‘Arrangement in Yellow and Gray’: Effie Deans, c.1876-78 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Rijksmuseum, Amsterdam, The Netherlands / Bridgeman Images

Cremorne Gardens, No. 2, c.1870-80 (oil on canvas)
Cremorne Gardens, No. 2, c.1870-80 (oil on canvas)

XOS3525764: Cremorne Gardens, No. 2, c.1870-80 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Metropolitan Museum of Art, New York, USA / Bridgeman Images

Old Battersea Bridge, 1879 (etching)
Old Battersea Bridge, 1879 (etching)

DNE6200307: Old Battersea Bridge, 1879 (etching), Whistler, James Abbott McNeill (1834-1903) / The McManus, Dundee, UK / Bridgeman Images

Behind the Arsenal, 1880 (pastel on brown wove paper)
Behind the Arsenal, 1880 (pastel on brown wove paper)

FOG7154291: Behind the Arsenal, 1880 (pastel on brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Fogg Art Museum, Harvard Art Museums, USA / Bridgeman Images

A Venetian Courtyard,  (charcoal and pastel on gray paper)
A Venetian Courtyard,  (charcoal and pastel on gray paper)

CH822768: A Venetian Courtyard, (charcoal and pastel on gray paper), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

Venetian Courtyard: Corte Bollani, 1880 (chalk and pastel on brown paper)
Venetian Courtyard: Corte Bollani, 1880 (chalk and pastel on brown paper)

FAS222893: Venetian Courtyard: Corte Bollani, 1880 (chalk and pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

Note in Green and Brown: Orlando at Coombe, c.1884-85 (oil on panel)
Note in Green and Brown: Orlando at Coombe, c.1884-85 (oil on panel)

HNT171774: Note in Green and Brown: Orlando at Coombe, c.1884-85 (oil on panel), Whistler, James Abbott McNeill (1834-1903) / The Hunterian, University of Glasgow, Scotland / Bridgeman Images

The Piano, c.1875 (drypoint on paper)
The Piano, c.1875 (drypoint on paper)

FSG324683: The Piano, c.1875 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

The Thames, 1896 (litho)
The Thames, 1896 (litho)

DMW937482: The Thames, 1896 (litho), Whistler, James Abbott McNeill (1834-1903) / Davis Museum and Cultural Center, Wellesley College, MA, USA / Bridgeman Images

PD.187-1961 Sea, Beach and Figures (pastel on paper)
PD.187-1961 Sea, Beach and Figures (pastel on paper)

FIT66049: PD.187-1961 Sea, Beach and Figures (pastel on paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

Dipping the Flag, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Dipping the Flag, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251009: Dipping the Flag, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Yale Center for British Art, Gift of Robert N. Whittemore / Bridgeman Images

The Violin Player, c.1894 (oil on canvas)
The Violin Player, c.1894 (oil on canvas)

XCL5672887: The Violin Player, c.1894 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Cleveland Museum of Art, OH, USA / Bridgeman Images

Nocturne: Palaces (etching with hand-wiping)
Nocturne: Palaces (etching with hand-wiping)

IMA1556447: Nocturne: Palaces (etching with hand-wiping), Whistler, James Abbott McNeill (1834-1903) / Indianapolis Museum of Art at Newfields, USA / Bridgeman Images

Pablo de Sarasate drawing by Whistler
Pablo de Sarasate drawing by Whistler

XLE3755443: Pablo de Sarasate drawing by Whistler, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Miss Lillian Woakes, c.1890-91 (oil on canvas)
Miss Lillian Woakes, c.1890-91 (oil on canvas)

PCW439027: Miss Lillian Woakes, c.1890-91 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / The Phillips Collection, Washington, D.C., USA / Bridgeman Images

Balcony, Amsterdam, 1889 (etching, drypoint & carbon ink on paper)
Balcony, Amsterdam, 1889 (etching, drypoint & carbon ink on paper)

FIT277183: Balcony, Amsterdam, 1889 (etching, drypoint & carbon ink on paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251007: Portsmouth Children, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Yale Center for British Art, Gift of Robert N. Whittemore / Bridgeman Images

Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251011: Return to Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Yale Center for British Art, Gift of Robert N. Whittemore / Bridgeman Images

Ryde Pier, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Ryde Pier, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251012: Ryde Pier, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Yale Center for British Art, Gift of Robert N. Whittemore / Bridgeman Images

Draped figure reclining (litho)
Draped figure reclining (litho)

AGN70049: Draped figure reclining (litho), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

The Dressmaker's Shop, c.1897-98 (w/c on paper)
The Dressmaker's Shop, c.1897-98 (w/c on paper)

XYC185483: The Dressmaker's Shop, c.1897-98 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

The Mast, 1880 (etching on paper)
The Mast, 1880 (etching on paper)

TBM446062: The Mast, 1880 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Brooklyn Museum, New York, USA / Bridgeman Images

The Mill (etching)
The Mill (etching)

TBM446067: The Mill (etching), Whistler, James Abbott McNeill (1834-1903) / Brooklyn Museum, New York, USA / Bridgeman Images

The Rag Gatherers, 1858 (etching on paper)
The Rag Gatherers, 1858 (etching on paper)

FSG324536: The Rag Gatherers, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

Little Venice, 1879-80 (etching on paper)
Little Venice, 1879-80 (etching on paper)

FSG324538: Little Venice, 1879-80 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

Charing Cross Railway Bridge, c.1887 (etching on paper)
Charing Cross Railway Bridge, c.1887 (etching on paper)

FSG324501: Charing Cross Railway Bridge, c.1887 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

Hurlingham, 1859 (etching on paper)
Hurlingham, 1859 (etching on paper)

FSG324507: Hurlingham, 1859 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images


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