Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Wapping. View of London's Docklands, 1864 (oil on canvas)
Wapping. View of London's Docklands, 1864 (oil on canvas)

JLJ4611047: Wapping. View of London's Docklands, 1864 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Shipping at Liverpool, 1867 (etching on paper)
Shipping at Liverpool, 1867 (etching on paper)

FSG324666: Shipping at Liverpool, 1867 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Self Portrait, 1870-75 (oil on canvas)
Self Portrait, 1870-75 (oil on canvas)

FSG324839: Self Portrait, 1870-75 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Thames Police (
Thames Police (

DMW937495: Thames Police ("Wapping Wharf"), from "A Series of Sixteen Etchings of Scenes on the Thames", 1859, published 1871 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Two Doorways from
Two Doorways from

MNS881710: Two Doorways from "The Second Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Venetian Courtyard: Corte Bollani, 1880 (chalk and pastel on brown paper)
Venetian Courtyard: Corte Bollani, 1880 (chalk and pastel on brown paper)

FAS222893: Venetian Courtyard: Corte Bollani, 1880 (chalk and pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: Palaces (etching with hand-wiping)
Nocturne: Palaces (etching with hand-wiping)

IMA1556447: Nocturne: Palaces (etching with hand-wiping), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Pearl: Bank Holiday Banners, 1883-84 (w/c on paper)
Grey and Pearl: Bank Holiday Banners, 1883-84 (w/c on paper)

FIT1123786: Grey and Pearl: Bank Holiday Banners, 1883-84 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Green and Blue: The Dancer, c.1893 (transparent and opaque w/c, over traces of black chalk, on brown wove paper, laid down on card)
Green and Blue: The Dancer, c.1893 (transparent and opaque w/c, over traces of black chalk, on brown wove paper, laid down on card)

XCC2972677: Green and Blue: The Dancer, c.1893 (transparent and opaque w/c, over traces of black chalk, on brown wove paper, laid down on card), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne in Black and Gold: Entrance to Southampton Water, c.1875-76 (oil on canvas)
Nocturne in Black and Gold: Entrance to Southampton Water, c.1875-76 (oil on canvas)

FSG3741988: Nocturne in Black and Gold: Entrance to Southampton Water, c.1875-76 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

PD.187-1961 Sea, Beach and Figures (pastel on paper)
PD.187-1961 Sea, Beach and Figures (pastel on paper)

FIT66049: PD.187-1961 Sea, Beach and Figures (pastel on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: Palaces (etching)
Nocturne: Palaces (etching)

BAL56205: Nocturne: Palaces (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

A Venetian Courtyard,  (charcoal and pastel on gray paper)
A Venetian Courtyard,  (charcoal and pastel on gray paper)

CH822768: A Venetian Courtyard, (charcoal and pastel on gray paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Blue and Silver: Trouville, c.1865 (oil on canvas)
Blue and Silver: Trouville, c.1865 (oil on canvas)

FSG324775: Blue and Silver: Trouville, c.1865 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Mere Gerard, 1858 (etching on paper)
La Mere Gerard, 1858 (etching on paper)

FSG324511: La Mere Gerard, 1858 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Early portrait of Whistler, c.1857-58 (etching on paper)
Early portrait of Whistler, c.1857-58 (etching on paper)

FSG324633: Early portrait of Whistler, c.1857-58 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: Blue and Silver - Bognor, 1871-76 (oil on canvas)
Nocturne: Blue and Silver - Bognor, 1871-76 (oil on canvas)

FSG324932: Nocturne: Blue and Silver - Bognor, 1871-76 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sunflowers, Rue des Beaux-Arts, c.1892-93 (etching and ink on tissue-thin Japan paper.)
Sunflowers, Rue des Beaux-Arts, c.1892-93 (etching and ink on tissue-thin Japan paper.)

CH990511: Sunflowers, Rue des Beaux-Arts, c.1892-93 (etching and ink on tissue-thin Japan paper.), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Becquet (The Fiddler), from
Becquet (The Fiddler), from

DMW937466: Becquet (The Fiddler), from "A Series of Sixteen Etchings of Scenes on the Thames", 1859-60 (etching, drypoint & roulette), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

San Biagio, 1880 (etching)
San Biagio, 1880 (etching)

XDM1069910: San Biagio, 1880 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Violin Player, c.1894 (oil on canvas)
The Violin Player, c.1894 (oil on canvas)

XCL5672887: The Violin Player, c.1894 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Punt, 1861 (etching, drypoint, black carbon ink, chine collé on wove paper)
The Punt, 1861 (etching, drypoint, black carbon ink, chine collé on wove paper)

FIT1123780: The Punt, 1861 (etching, drypoint, black carbon ink, chine collé on wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Upright Venice, 1879-80 (etching)
Upright Venice, 1879-80 (etching)

FAS160789: Upright Venice, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Behind the Arsenal, 1880 (pastel on brown wove paper)
Behind the Arsenal, 1880 (pastel on brown wove paper)

FOG7154291: Behind the Arsenal, 1880 (pastel on brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Piano, c.1875 (drypoint on paper)
The Piano, c.1875 (drypoint on paper)

FSG324683: The Piano, c.1875 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

St. James's Street, 1878 (litho on paper) (see also 324690)
St. James's Street, 1878 (litho on paper) (see also 324690)

FSG324691: St. James's Street, 1878 (litho on paper) (see also 324690), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nocturne: Palaces, 1879-80 (etching & drypoint on paper)
Nocturne: Palaces, 1879-80 (etching & drypoint on paper)

FSG324523: Nocturne: Palaces, 1879-80 (etching & drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sir Seymour Haden Playing the Cello, c.1855 (pencil, pen & ink on beige paper)
Sir Seymour Haden Playing the Cello, c.1855 (pencil, pen & ink on beige paper)

FSG324592: Sir Seymour Haden Playing the Cello, c.1855 (pencil, pen & ink on beige paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Dipping the Flag, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Dipping the Flag, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC251009: Dipping the Flag, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rose et Argent: La Jolie Mutine, c.1890 (oil on canvas)
Rose et Argent: La Jolie Mutine, c.1890 (oil on canvas)

HNT171776: Rose et Argent: La Jolie Mutine, c.1890 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Old Doorway from
The Old Doorway from

MNS881613: The Old Doorway from "The First Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Thames, 1896 (litho)
The Thames, 1896 (litho)

DMW937482: The Thames, 1896 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Corte del Paradiso, 1880 (pastel & black chalk on brown wove paper with fibrous inclusions)
Corte del Paradiso, 1880 (pastel & black chalk on brown wove paper with fibrous inclusions)

XCC2972784: Corte del Paradiso, 1880 (pastel & black chalk on brown wove paper with fibrous inclusions), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Early Morning, 1878 (lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper)
Early Morning, 1878 (lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper)

XCC2972728: Early Morning, 1878 (lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Old Putney Bridge, 1879 (etching on paper)
Old Putney Bridge, 1879 (etching on paper)

FSG3741992: Old Putney Bridge, 1879 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Black Lion Wharf (colour litho)
Black Lion Wharf (colour litho)

IL3611039: Black Lion Wharf (colour litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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